Arte – 03 – Different Kind of Animal

It’s Carnival in Florence, and Leo has Arte dress like a boy so they can sit in on a hospital dissection. On the way, Arte meets one of Leo’s patrons—a courtesan—and sees him smiling in a way she’s never seen before. While normally forbidden by the church, Carnival time is an exception. Some guys go pale or faint from the sight of a cadaver being carved up, but Arte is just fine…she truly has the guts to draw guts!

What the church apparently will not abide is to have a woman at a dissection, so when Arte loses her hat and lets out a very feminine yelp, Leo has to get them both out of there lest they get into some serious legal trouble. It ain’t fair, but that was the time. In the process of running and hiding from their pursuers, Leo draws Arte so close that she notices for the first time how a man’s bone structure and skin differ greatly from a woman’s. She also feels an unpleasant pain in her chest that she’s never felt before. Hmmmmm…I wonder what that could be?????

Arte dismisses such sensations as temporary illness and moves on. She also moves up, as Leo is willing to accelerate her progression through the artisan ranks by assigning her the task of a journeyman: creating a background for a real commissioned painting. Arte sets out and braves the cold, comes back with a fine sketch of a cityscape, and it’s rejected.

She goes back out and does it again, and again…and many more times before Leo has her look at the painting and discern what it is the client truly wants. The woman subject should be the focus, which means the background should have less detail.

That Leo doesn’t spell it out for her, but lets things dawn on her naturally, speaks to his growing respect not just for her work ethic, but artistic instincts. It’s why he’s drawn up a new contract that gives her both a promotion and a raise, and why he rejects her feeling that in obsessing with art she neglected her womanlike charms. Like her father, Leo is one who prefers an independent woman with a strong will and drive to the period’s ideal of a woman: quiet, complacent, and above all idle.

That’s why I’m not the most enthusiastic about Arte suddenly developing a crush on Leo. In her defense, she’s been so absorbed in art in her life she’d never felt romantic feelings for anyone before. The only other person who didn’t look at her like something was wrong with her was her dad. It makes sense that the first man not related to her not to treat her like “just a woman” would make her heart beat a little faster.

Charlotte – 09

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Judging from the amount of time he spends figuring out what to wear, Yuu is not only looking forward to his concert date with Nao, but also seems to be developing some feelings for her. When they meet, he encounters a much more pleasant and bubbly and less surly Nao who is genuinely excited to see ZHIEND live (and collect their very practical smartphone case!)

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As the concert progresses, Yuu’s mind-splinter like nagging feeling of deja vu keeps building until it finally explodes when Sala starts singing a song caled “Trigger”, which just happens to be the trigger that sends Yuu…somewhere, somewhen else. Here, he and and a very alive Ayumi are patients/inmates at the very kind of government facility Nao always warned about, where ability users are rounded up and monitored, while those more powerful (and thus dangerous) are restrained, dissected, and/or disposed of.

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Is this a flashback, or an alternate reality? The show doesn’t say for sure, nor does it need to. Suffice it to say this is an awesome new direction for a show featuring characters with all sorts of crazy powers, so the ability to travel through time (Yuu’s “big brother” Shunsuke’s ability) isn’t that far out there.

The episode fully commits to this new, harsh, dystopian setting with abandon, along with the efforts by other users to free Shun with Yuu’s true power, “plunder”, or the ability to steal other abilities. That power makes him uniquely suited when the time comes to race through the corridors of the facility to release Shun. In the process, many of his associates fall to the security forces. The time between 13:55 and 17:30 is a thrilling masterpiece in and of itself.

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Everything seems to be worth it though, as Shun is released, his eyes uncovered, and…well, something happens. Yuu wakes up in the hospital with Nao by his side, as if it was all a dream, but the timing of Shun using his powers suggests it’s because of Shun that Yuu is here, and was here in this world living peacefully with Ayumi.

Nao is confused by Yuu’s thinking out loud, until a dry Kumagami (who was in the facility with Yuu and Ayumi) enters the room, offering to take Yuu and Nao somewhere where they’ll learn everything they’ve missed out on so far, including reuniting with Shunsuke, who Yuu learns was the one who set Nao on her path of finding and protecting users, thus helping the overall cause. Kumagami also says he can help Yuu rescue Ayumi, as if she wasn’t dead (and indeed, we never saw a body.)

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From post-rock concert to dystopian government facility to comfy hospital room, Yuu then finds himself following Kumagami with Nao to another top-secret underground facility, though in this case, it’s the well-funded but time-deficient headquarters and last stronghold of the “resistance” of ability users against the government, an organization led by Shunsuke, who is now blind.

This is little more than a reveal, with Shuu exchanging pleasantries and preparing to tell Yuu and Nao Everything, but this episode had done more than enough already, completely changing the complexion and expanding the scope, stakes, and very reality of the show. This is no longer just about a school club that rescues kids one at a time. This is about saving them all, including Ayumi. I’m always suspicious of un-killing characters, but in this case I’m very intrigued to see how they do it.

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