The Vlad Love finale begins with one of its typical pop culture tangents, this time with Maki talking about the 1994 film Interview With the Vampire, which not only affirmed her inherent fujoshi nature and that of countless other young women, but was about the sorrow and suffering of vampires, so often the baddies (Other contemporary works working with its themes include the anime Shiki and the Jim Jarmusch film Only Lovers Left Alive.)
Maki wants to interview her own, real-life vampire, but when she goes to Mitsugu with the idea, even promising to protect Mai’s identity, Mitsugu demurs, not wanting Maki to make waves in her “happy little life” with Mai. Maki wonders out loud if Mitsugu’s true issue is she’s scared of what she might learn about Mai. Grudingly, Mitsugu agrees to let Maki ask Mai, and Mai is excited to be interviewed.
The problem is, Maki’s non-confrontational interviewing style means she doesn’t get much from Mai, other than her insistence that she was raised not to be picky about blood and would never insist on her preference (the blood of aggressive men)—at least not until they (meaning vampires) “win the war”. During a dinner break, Chihiro-sensei drugs Mai and intends to use hypnotherapy to bring her memories to the surface.
It’s a dastardly, profoundly unethical choice, but we’re talking about Chihiro, who’s had no qualms throughout this series about drugging (and slapping!) her students and stealing the blood of all her past lovers. The truth is, Mitsugu probably is scared of learning more about Mai’s past, but she allows Chihiro and Maki to press on.
Chihiro puts Mai into a semi-conscious trance and we learn how she, her father and birth mother were driven from their home when they were attacked by humans. Mai recalls an entire world consumed by flame. They eventually arrive in a fine house in a different part of Europe, but they’re tracked down once more, and this time her mother is murdered.
Mitsugu doesn’t want to continue, but again Chihiro hits her with the fear card, and the next session begins. Mai and her father arrive in America, and settle in a plantation in the south not unlike the one in Gone with the Wind —AKA “that long-ass movie”. Her father soon introduces her to her first friend: Caroline Irene, or Carreen, and the two soon become as close as sisters.
Then one day her father announces the true reason he brought Carreen into Mai’s life: not merely for companionship, but a live human on which to practice her vampirism. Up to that point, Mai had lived off of her father’s blood, but vampires, like raptors, must learn to hunt their own prey. Hidaka Rina pulls out all the stops with the entranced Mai’s narration throughout this episode—it’s truly some of her best work.
When Mai refused to use Carreen in this way, her father punished her with fasting. Mai suffered unspeakable suffering as a result, until her hunger led her to Carreen’s room, and she ended that hunger, killing her friend in the process. The pain and shock of these resurfaced memories cause Mai to scream out, startling Mitsugu, Chihiro, and Maki, and the “interview” ends there.
The images of Mai’s memories throughout the hypnotherapy sessions are some of the most gorgeous Vlad Love has yet presented, and are given that much more weight by the fact there’s a distinct reason for showing them other than they look cool. The images, in turn, are enhanced by Kawai Kenji’s haunting score. One cannot dismiss the fact that Chihiro extracted Mai’s memories without her consent, but because she did what Mitsugu could not, Mitsugu has gained a deeper understanding of her dear friend.
Now that she has, does Mitsugu run from that knowledge? Of course not. Later that night, as Mai cheerfully leads the others in calisthenics, Maki says she won’t be using the footage she shot after all, while Mitsugu assures Chihiro that she doesn’t have to worry about Mai, because she’s not alone anymore. She has her, and her blood brothers and sisters.
Chihiro sternly tells Mitsugu that one day Mai may drink her blood, and she’d better be prepared. Mitsugu, no stranger to blood, promises she will be. The beaming smile Mai wears at the end while clutching Mitsugu’s arm is something Mitsugu will do anything and everything to protect, and she’s not alone in that commitment either.
I must say, I didn’t expect Vlad Love to get so serious and dramatic on us, but as with typically comedic show like SKET Dance, by doing so it churned out its best outing. Some of the early eps were a bit too heavy on indulgence and audience-winking and too light on substance, but that wasn’t an issue here, with gags taking a backseat to Mitsugu and Mai’s happy little life together, complementing the drama rather than drowning it out.
May their happy little life continue as long as Mitsugu lives, and then, someday before Mitsugu gets too old, perhaps Mai will turn her into a vampire so it can continue beyond that!