When Accelerator finds Last Order and Worst, banged up but alive, Hyouka stops by before phasing out to tell him the data to save the little one, like the song once used to save Index, is somewhere in the network, waiting to be extracted and reconfigured. Worst can access the network to find the song, but when asked how he’ll change the parameters, Accel produces the parchment he’s been carrying.
Meanwhile, Hamazura has survived the blast, but instead of Takitsubo, he encounters Mugino in disguise. She swallows a whole handful of ability crystals and goes berserk, with Hamazura barely able to dodge her massive green beam attacks until she basically burns out.
At this point, Hamazura could kill her, but instead he gathers her into a hug, asks for the fighting and death feuds to end, and for the remaining members of ITEM to forgive and unite once more. Before that can happen, they need to escape Academy City’s bombers. But if Mugino indeed stops hunting Hamazura, then progress has definitely been made here.
As Stiyl continues to struggle for a way to free Index from her trance and Laura stands by not helping at all, Lessar and Sasha come to an agreement whereby Lessar will help the Russian sorcerers escape the Star of Bethlehem before shit starts going down, in exchange for them and Sasha helping Britain out next time they’re in a spot.
It’s a crucial gesture of peace and cooperation between two warring foes in a world war started by Fiamma. The remaining half of the episode is spent on his one-on-one confrontation with Touma.
With the dual powers of he Right Hand of God and the grimoires within Index, Fiamma starts by simply having a little bit of fun using various overpowered attacks against Touma, seeing if he can dodge or absorb everything with his Imagine Breaker. Fiamma also describes the current world like a mechanism or watch whose parts are hopelessly rusted and bent.
Project Bethlehem will restore the world to the way it was, which of course means brushing aside most if not all human civilization and industry. This is a personal project, as Fiamma now sees himself as beyond any one faith. It’s actually quite a shock to see Fiamma suddenly slice off Touma’s arm, turning Touma into a crumbled mess of a blood fountain as he absorbs the arm into his own giant hand.
It was around this time that I thought the killing blow to Touma would be stopped by Misaka, but she’s still on the ground with her clone looking for a way to get up to the Star. Instead, from his bloody stump, a second giant arm and hand emerges and grapples with Fiamma’s. It wrests Touma’s arm back and reattaches it, utterly renouncing the power Fiamma offered.
This is just another demonstration that Touma’s arm is not meant save the world on its own, or do anything else that big and important. Fiamma wanted to free it from what he saw was a mundane existence attached to Touma, and a waste of its potential, but the arm thought otherwise, as does Touma.
It’s at this point Touma starts to understand that the reason Fiamma has constructed the massive Star of Bethlehem and utilized the power of so many others (by force, not fellowship), is because he’s actually afraid that he never had sufficient power to “save” the world on his own—and he’s right; he doesn’t. Touma, meanwhile, has saved countless “worlds,” the worlds of individuals who have relied on him and on whom he’s relied right back.
Like Mugino with Hamazura, only on a larger scale, Fiamma’s plotting and raging at the status quo is unnecessary and unproductive. Like her, he risks burning himself out, along with all the bridges that were built to get him to this point. Looking out at that mess of stolen churches and artifacts he’s amassed, I’m tempted for him to say “look on my works and despair” in the ironic sense Shelley intended.
I don’t know if Touma, with Misaka’s imminent help, will have to utterly destroy Fiamma or simply deliver a devastating, cathartic right hook, of if they can convince him to stand down and accept his vision for a new world ain’t gonna happen. All I know is, it’s sure to be epic.