Tsukimichi: Moonlit Fantasy – 06 – Gettin’ Tsige With It

Tsukimichi starts out rather dry with some TenSura-style sitting around talking, but last week’s cliffhanger is nicely solved as Rembrandt gravely underestimates Makoto. But even here Tsukimichi pulls off a nice trick, as Rembrandt isnt a haughty blowhard but just a guy who is desperate for the materials to make the Ambrosia that aids his cursed wife and daughters. When his employees hear that Makoto has enough Ruby Eyes for all three, they all rush in to tearfully congratulate him.

Makoto’s productive visit to Rembrandt leads to him officially signing up for the Merchant’s Guild, for which there is both a written and practical exam. Fortunately, the education in this isekai is far below the modern Japanese standard, so Makoto aces the written exam with ease. He also has no problem producing the rare items he’s tasked with procuring in the practical exam, thanks to his high-level wagon fellowship.

Just as Makoto is trying out what looks like a beer but turns out to be…banana, we abruptly cut to Tomoe’s little excursion in errantry, exposing her bandaged bosom as she poses over a massive Gain Crab she slaughtered with as much ease as Makoto slaughtered the Merchant’s Guild tests. It’s good to see that she’s not always thinking about where Makoto is or what he’s doing, but perfectly happy doing her own thing out in the isekai.

Tomoe is vibeing so hard on her historical drama reenactment, she returns to the Demiplane without so much of an “FYI” message to Makoto—who is telepathically linked, after all. Her giant crab feast is interrupted by a summons to the library from Emma, who wants her and Mio to work on translating Makoto’s many memories. In doing so, Mio becomes an anime and tokusatsu otaku, just as Tomoe became a historical drama otaku.

But despite Tomoe and Mio being like oil and water, they both agree on one key thing: the Young Master needs to get laid. Makoto is resolutely disinterested, averting his eyes from the two loosening their robes on the two inn beds and content with sleeping on what looks like Fushi’s chair from To Your Eternity. Perhaps it’s because, as the ED seems to indicate, they remind him so much of his sisters back home.

Tsukimichi: Moonlit Fantasy – 05 – Ruby Eyes and Caveman Meat

With Zetsuya left utterly destroyed by Tomoe and Mio’s OP one-upmanship, they, along with Makoto, Toa, Rinon, and a “fellowship” of other adventurers (an elf, a dwarf, and a dude) pile into a wagon and head for the next human town, the less feral Tsige.

While stopping at an guild outpost Makoto manages to convince Tomoe of the merit of becoming a “knight-errant”, or ronin, and she heads off on her own, never to be seen again!

Tomoe would be a huge loss if the other characters both old and new couldn’t hold their own, but they totally can. Toa’s penchant for graphically dissecting defeated monsters while looking exactly like Hasegawa haunts Makoto, while a Mio without a Tomoe to snipe at is still jockeying for her master’s attention…though she deems Rinon “a charming little girl” for assuming Mio and Makoto are dating.

Makoto and his new friends are reluctant to part once arriving at Tsige, so they have a big celebratory feast at a blue-collar tavern of Toa’s choosing. Perhaps due to him being served one too many orders of  Brazen Youngster-Style Primeval Meat, Mio’s dreams of a steamy night alone with Master are dashed when he hits the hay and falls right to sleep. There’s also the fact that he’s just a kid, and has eyes only for Hasegawa or her isekai equivalent.

Thanks to the use of Mist Gates, Makoto and Mio return to the Demiplane where a far more confident and forthright Emma is waiting for them, along with Mini-Tomoe, who also has no idea where her counterpart is. I like how Makoto obviously isn’t worried about Tomoe (except perhaps whether she’ll destroy any other towns), but he does seem to miss her towards the end.

So did I towards the end, but like Makoto I was sufficiently distracted by the lively goings-on quickly of his expanding Demiplane empire, including that one grizzled dwarf who is absolutely hell-bent on creating a garment or accessory that will kill Makoto instantly. He’s got a long way to go!

On the way to Tsige Makoto uses his trusty bow to swiftly deal with some pretty rare monsters, who drop valuable ruby eyes that the Rembrandt Trading Company is looking for. The only problem is, Makoto has heard some ill rumors about misfortune befalling anyone who deals with Rembrandt.

Thankfully, this does not dissuade Makoto from doing a deal with them anyway, though as soon as he arrives he is summarily rebuffed. Perhaps he needs a bit of Tomoe’s memory-altering powers…or maybe he’s going to try to negotiate his way to a profit without the many OP tricks at his disposal. Either way, Makoto & Co.’s journey has never not been extremely fun, zippy, and more often than not, hilarious.

Rating: 4/5 Stars

P.S., the show has now cycled through three distinct EDs. This one went back to showing Makoto and his sisters growing up, which is very sweet and uplifting. My favorite, however, continues to be Tomoe and Mio’s shred-tastic power metal cover of the first episode’s Enka-style ending, as seen below:

That’s the good shit.

Tsukimichi: Moonlit Fantasy – 04 – Town at the End of the World

Moonlight Fantasy really is running on all cylinders this week, giving us a deliriously fun blend of bawdy comedy and righteous violence against bad guys who have no idea who they’re up against. Makoto does very little this week aside from hear a little girl out and try and fail to reign his two overpowered companions, who themselves find it exceedingly difficult to hold back enough to keep their human opponents alive. That this is played for comedy—quite successfully, I might add—is a credit to the writing, direction, and above all voice acting.

Rinon is in a pinch: her big sister, whom she drew a sketch of and who looks just like Makoto’s friend Hasegawa from his world, is missing after setting out to repay her debts against the local unsavory element. In truth, Rinon is being used by those same fiends to rob something they believe to be a spoiled rich kid. Rinon’s love for her sister means she’ll do anything, even spy on and agree to steal from someone who was nothing but kind to her. Rinon’s pure heart and inner conflict serve as both moral lodestar and emotional core of the episode.

Rinon’s Hasegawa-lookalike sister Toa is very much just along for the ride once Tomoe and Mio find her wasting away in a dungeon. Mio soon heals her completely, then opens a hole in the wall of the cell, only to be confronted by the ringleader of the bad guys, a preening pimpernel who is the strongest adventurer in the city. He even manages to block Tomoe and Mio’s first blow, which was their best and most admirable effort of the episode to hold back.

Its also the last such effort, as Mils Ace’s unguarded insulting of their dear young master puts the Dragon Samurai and Spider Madam in a cranky mood. Tomoe dispatches Mils’ entire gang with one solid haymaker then creates an illusion of being choked by a tangle of snakes in the guy’s top henchman. Mio slaps Mils face so rapidly he’s left a grotesquely swollen mess. Annoyed by the narrowness of the hallway, the two then proceed to destroy the entire building.

As Toa stands by helplessly, Tomoe and Mio continue their bickering outside over who did more or was more useful to their master. They decide to keep the competition going by destroying buildings both nearby and far off into the distance, essentially levelling the city. This is after Mils attempted to take Toa hostage, only to be punched to the edge of space, never to be seen again.

The two eventually bring Toa before Rinon for a truly sweet and joyous reunion, accentuated by that time-tested anime custom, the dramatic still with the hand-drawn look. Moonlight Fantasy employs that a lot, and it’s never not great looking, even though they’re just stills. Later, Makoto confirms that Toa looks exactly like Hasegawa but for her hair and eyes. Part of me wishes she’d ended up in this isekai with him, but it’s apparently a coincidence…or is it???

All’s well that ends well…except for the fact that Makoto was trying very hard not to make too large an impact in his first human town. Tomoe and Mio, in their fixation on one-upping one another, deprived him of that desire, and for that, he uses Mio’s own spider silk to tie them up and then shot them into the stratosphere with an exquisitely made Dwarven bow. Amazing what an anime can do when it’s not just people sitting around talking! And to close it out with that absolute banger of an ending theme…*chefs kiss*

Vlad Love – 03 – Quite Unconcerned by Crosses

The zoo fiasco forgotten (like all things from episode to episode), Mitsugu and Mai catch a vampire flick at the movies…and Mai is so inspired she can’t help but bite the head of the man sitting in front of her. I like the idea of Mitsugu and Mai just going out and the former having to deal with the unpredictability (and volatility) of the latter. My Girlfriend’s a Vamp! kinda stuff.

This episode features a brand-new OP which may not slap quite as hard as the first, but is beautiful in its own right, both in visuals and music.

After the movie the couple bump into Watabe Maki (Hayami Saori), president of the Cinema Club at Mitsugu’s school, who is curious about Mitsugu’s new, very pretty and photogenic (and out-of-her-league) companion. Mitsugu says she’s a relative, and when pressed, Mai simply states they’re “connected by blood”—which is true!

Maki takes them to a good restaurant for dinner, where Mai consumes a generous amount of garlic gyoza. Rather than kill her, the garlic seems to have an intoxicating effect, and the restaurant is demolished. The papers cover the incident as some kind of “mass hallucination”, which seems to be a recurring theme…along with the frankly lame fourth-wall breaking when Maki can hear Mitsugu’s thoughts or points out when she’s spewing exposition.

Mai’s unforeseen reaction to garlic leads Mitsugu and Dr. Chihiro to undertake a more thorough investigation of how Mai fits into common vampire knowledge. She drinks blood, and can sprout fangs and wings out of her head, but UV light doesn’t bother her, garlic turns her into a boisterous drunk, and crosses don’t affect her in the least.

While testing the UV bit, Mitsugu runs into another classmate, the Type-B (i.e. eccentric) Konno Kaoru, prez of the Cosplay Club. She mistakes Mai’s get-up for Invisible (Wo)man cosplay, and invites her and Mitsugu to the Cosplay Club so they can get their ‘cos on. Mai nails all the classics, from maid to bunny and magical girls. Mitsugu is more niche, pulling off a researcher from a 1970s sci-fi movie with aplomb.

Kaoru invites the pair to an Akiba Halloween party, the location of which is established with the show’s signature live-action drone footage of the city. Mai’s vamp-girl costume proves too hot to handle, causing a near-riot amongst the horny guys in the audience and forcing the karate club to lay down the law while keeping their school’s Disciplinary Officer Jinko at bay.

Mitsugu seems to sense when she and Mai should start heading home, but before that can happen the commotion knocks out the lights at the venue. Mai emerges from the darkness then transforms into a swarm of bats, making one hell of an exit from the party that is once again written off as a mass hallucination.

To quote Homer Simpson, each episode of Vlad Love has been little more than “a bunch of stuff that happened”. That doesn’t mean that stuff doesn’t look great and a ton of fun to boot, but there’s just no depth to the stuff, and everything resets from episode to episode, so nothing really means anything. Their movie date aside, Mai and Mitsugu aren’t really progressing as a couple so much as treading water.

The episode is also stuffed with overindulgent moments like the whole minute of needlessly describing in great detail the British bomber inexplicably flying in the air over the gyozu restaurant. Stuff like that engenders far more ¯\_(ツ)_/¯’s than LOL’s.

Vlad Love – 02 – The Blood Defines the Drinker

It’s been over a month since the first episode of Vlad Love,but five more episodes have arrived just in time for Valentine’s Day. I just wish the episode had a little more vlad and love and less of Mitsugu’s classmates. The opening act takes place entirely within the confines of the nurse’s office, which grows both stale and claustrophobic after a while.

She’s been able to recruit a fair number of students to donate blood, but the vast majority are horny boys. Mitsugu makes it known she doens’t want Mai to drink boys’ blood, as it could adversely affect her loveliness. Only three girls end up donating, each representing a different blood type that reflects their personalities—though Nurse Chihiro insists there’s no scientific proof of that.

Mitsugu takes the three girls’ blood to Mai, and much to her consternation, Mai can’t help but drink all three bottles, perhaps due to pent-up hunger. Sure enough, with each blood type she drinks she exhibits the same characteristics of the donor, thus proving Nurse Chihiro wrong. The only apparent side effect of mixing the blood types is that Mai jumps from one personality to the next.

Hidaka Rina clearly has a ton of fun voicing all these different Mais, culminating in her singing karaoke on the table before collapsing from overexersion. She begs her host for more blood, but as Mitsugu is thawing her last pouch, Mai finds and drinks the blood of a 2,000 year old Mesopotamian demon, which had resided in one of the archaeological artifacts in Mitsugu’s house. Mai starts “buzzing” and eventually fires eye lasers at a wall, busting out to go on an evening “stroll”.

The stroll consists of Mai using her vampire umbrella to fly across the nightscape as the morning sun begins to rise. Mitsugu grabs on for dear life and is initially terrified, but eventually calms down, as she is, after all, in the arms of a surpassingly cute girl.  Mai eventually “runs out of gas”, sending the two plummeting back to the earth, and because this is a show where physical harm has no lasting effect on anyone, Mitsug survives the fall, though she and Mai end up in the literal lion’s den of the local zoo.

Much to Mitsugu’s surprise, Mai is able to talk to the lion and other animals (likely due to the demon blood), and she releases them to join her on her stroll, resulting in a rampage that makes the newspapers. As Mitsugu celebrates the fact she can create “the ideal girl” by tailoring Mai’s blood diet, Mai sleeps one off on a pile of zoo animals in the kitchen.

While it has some pacing issues and much of its comedy is trying too hard to be zany, I can’t deny I’m glad Vlad Love is back, from the moment I saw it’s OP, which is the season’s best by far. The show doesn’t look or sound or act like any other show airing, which is enough to celebrate its existence, while the winning central queer romance is as rare and refreshing as, well, a donation-addicted chimera-blooded protagonist!

The Misfit of Demon King Academy – 01 (First Impressions) – Three-Second Rule

Now that’s more like it! While Lapis Re:LiGHTS felt sterile and lacked oomphThe Misfit has style, passion, and confidence in the story being told, and manage to mix some appealing character moments in with the obligatory introductions. It also teaches an essential lesson about being kind to others, especially family, and not judging books by their covers.

Within two minutes of arriving at the titular academy, our initially nameless MC makes a new friend and gains an enemy. During the entrance trials, that enemy learns that despite looking like a normal new student without a drop of royal blood, the MC makes sport of their duel, killing and resurrecting him at will until he loses the will to go on.

Contrast that with his attitude toward his new friend Misha, whose letter he picks off the ground before they met, can sense his immense power, and whom he invites for dinner at his loving, doting, conclusion-jumping folks. Those folks, by the way, reveal that their son is only a month old.

It’s abundantly clear before he says his name or reveals his true self that the MC is the reincarnation of the Demon King of Tyranny, Anos Voldigoad, and to its credit the show doesn’t over-explain anything. Instead it lets the cozy chemistry and quiet friendship between Anos and Misha play out organically, with her patting his head unbidden when he lists all the horrible names he’s been called.

Their instant easy rapport contrasts nicely with Anos’ absolute ruthlessness in the arena, be it a school-sanctioned trial or in the case of his would-be rival’s brother’s case, a sudden ambush. Where Zepes Indu was a cocky little shit, his brother Leorg throws racism into the mix, deeming only those of pure blood to be worthy of the Demon King’s power.

Before telling Leorg who he is, Anos simply shows him, by letting the older brother’s origin magic bounce right off (since Anos is the origin) then zombifying Zepes and forcing Leorg to reconcile with his brother in order to face him together. It’s interesting that this reincarnated Demon King isn’t so much concerned with toying with far less powerful opponents (though he does) as much as he wants to make them stronger so they can give him a fight!

Anos sensed from the start that as his descendants, the apples have fallen very far from the tree, but perhaps the first step to making them stronger is by strengthening the bonds of family. After all, he’s got himself some very fine parents, while Misha’s guardian also adores her (though her folks are apparently busy, she also has an older sister whom we’re sure to meet soon).

As Anos strikes down all comers, Misha stays by his side, heartened by his kindness and his offer to be comrades and friends, and there to tell him when his two-millennia-old jokes won’t cut it—an amusing quirk of Anos’ that isn’t overused.

Misfit of Demon King Academy is fun to watch but also gratifying because it feels infused with the enthusiasm of its creators, rather than feeling like an exercise of efficiently going through the motions. Most importantly, Anos is one cool, sassy dude; a nice complement to Misha’s understated charm. I’m definitely down to watch more of this!

Machikado Mazoku – 01 (First Impressions) – Don’t Think This Means You’ve Won!

One morning Yoshida Yuuko wakes up with horns and a tail, and her mother reveals that her family are descendents of the “Dark Clan,” whose powers were sealed by the Magical Girls of the “Light Clan” long ago. It’s why her family lives in poverty. But now that she bears the horns and tail of a demon girl, she is named “Shadow Mistress Yuuko” (sent by fax) and must seek out and defeat a Magical Girl in order to restore her clan’s former glory!

The casual blending of the supernatural and the mundane, and the superb, energetic performance of Kohara Konomi, form the beating heart of this slick little slice-of-life comedy that’s also a charming underdog story and a send up of the demon/magical girl genre in which it operates. The moment the town’s magical girl, Chiyoda Momo, rescues her “mortal enemy” from a truck (transforming in just 0.01 seconds!), you know this is going to be a wonderfully extreme mismatch.

At school (which the narrator describes very literally when Yuuko asks “What’s up with this school?”), Yuuko’s friends don’t seem all that concerned with her horns, and soon point her in the direction of Chiyoda Momo, for whom Yuuko is absolutely no match.

Yuuko flubs her words when trying to formally initiate a duel, and Momo doesn’t bother dodging her attacks, letting Yuuko wear herself out. Like when she rescued and then fed her, Momo, while polite, is just barely restraining her arrogance and superiority.

Unlike Yuuko, Momo is rolling in cash from the look of her postmodern mansion and chic decor—but she seems to live all alone with her cat, no one to share all that square footage. She’s bored and alone! When she saved Yuuko it had been a long time since she even had to transform.

Even if they’ll remain “mortal enemies”, perhaps Yuuko could be someone to make things interesting in Momo’s life for a change. As for Yuuko, she’s resolved to improve her offensive capabilities (leveling up from…Level 0), training beside the river as her sister spots her. As she exclaims every time she’s retreated from a fight she knows she’d lose, Momo hasn’t won yet—not as long as Yuuko still has the will to fight.

Machikado Mazoku is a lot of fun, and is backed up by above-average production values and exquisite attention to detail (Momo wears Crocs! The background characters play very goofy games!). It constantly makes fun of itself with characters’ side commentary, and the jokes-per-minute ratio is quite good. All in all, a solid way to spend twenty minutes of your Thursday afternoon.

Wasteful Days of High School Girls – 01 (First Impressions) – An Interesting Woman (Or So He Says)

Wasteful Days picks up on the first day of high school for three friends who have been together since middle school (and possibly longer). Particularly for the liveliest of them, Tanaka Nozumu (voiced by the always-energetic Akasaki Chinatsu), this is supposed to be the start of their amazing high school lives; the pinnacle of youth. She hoped to become popular with the guys. The only problem is, they attend an all-girl’s school.

The only guy is a teacher who makes it clear he’s only into college girls, and manages to creep out the entire class. From there, Nozumu seeks out advice from her classmates, assigning them nicknames in the process, from from “Serious” (the girl who regularly checks stocks) to “Loli” (self-explanatory). No one is of any help, particularly her two friends, Saginomiya Shiori (a listless Toyosaki Aki) and Kikuchi Akane (Tomatsu Haruka).

The veteran all-star voice talent and the pacing of jokes somewhat make up for the fact that only a few of the jokes land, and I particularly liked the various cutaways and instances of characters reacting by just…walking away. But the full episode length makes it feel like there aren’t quite enough jokes to fill the space—a 12-minute runtime might’ve been a tighter affair. As it is, my mind often wandered.

There is a nice sequence of “possible” (but highly contrived/far-fetched) scenarios in which Nozomu encounters a hot guy, but they’re all in her head, and all are rejected as absurd by her friends, neither of whom have much energy for her antics. That being said, you get the feeling these three stick together anyways, as friends tend to do, due to pure inertia, and in the absence of strong new bonds.

If nothing else, this show captures the ennui and irrelevance of high school life as much as O Maidens captures the drama and angst. The fact it’s early in the Summer season means I don’t have a full plate yet, so this will stay on my list for now. But as tends to be the case, if better shows come along in my wheelhouse, it may signal the End of (Wasteful) Days.

Re-Kan! – 02

rekan21

Some guys in Amami’s class wonder out loud why she isn’t bullied by the other girls. She’s very strange sticks out like a sore thumb; not exactly qualities that make you popular in high school. But this week answers that question, beyond the obvious fact that if girls bully Amami, they’ll have to answer to her ghostly friends.

rekan22

It’s not fear or deference that make Amami surprisingly popular in her class; but rather gratitude for making their humdrum high school lives much more interesting. Inoue constantly denies the existence of ghosts despite overwhelming evidence to the contrary (including the circling spirit of her own beloved Grandma), but she sounds more like she’s trying to convince herself.

rekan23

It’s also counterproductive to resent Amami when she’s so kind, going so far to interpret and meet the needs of the ghosts around her with such dedication she neglects her own life and health. As such, Amami needs friends and Inoue in particular to dry her off from the rain, take her to the nurse’s office to catch up on some rest, and generally look after her.

rekan24

We see that the fruits of Amami’s kindness are a double-edge sword (she attracts Pervy Ghouls along with Roll Call Samurai or Faceless Umbrella) but it’s typically a net positive: she helps those in need even though they’ve passed on, because no one else can. Because she can see and hear them, she can’t ignore them; it’s just not her.

rekan25

I suppose I should also mention that this was another fun and hilarious episode. Many laughs are to be had, mostly in reaction to Amami or her ghostly friends’ gestures, actions…even texts! Also good for some chuckles: the recurring joke of the only guy in the circle having stuff thrown at his face.

The evident 4-koma roots give the show a “grab-bag” structure and the eyes-through-the-hair designs of the “cool girls” is odd, but those are minor niggles. The well-timed and varied comedy of Re-Kan is enriched by the profound decency of Amami’s character, and the sincere desire of her classmates to root for and support her.

8_ses

White Album 2 – 08

wa28

December arrives. Setsuna and Haruki start dating with Touma’s blessing.Touma lets Setsuna start calling her Kazusa. They also help her study for exams, which she ends up passing, assuring her graduation. To celebrate, the three go on a trip to a hot spring inn in the mountains, a tradition Setsuna hopes they’ll do every year, no matter what happens. Kazusa tells the others she’s delaying college to give piano a serious go, starting with a recital after new years, which Haruki and Setsuna promise to attend.

With Haruki and Setsuna dating, Kazusa seemingly fine with it while also passing her classes, things seem to be going swimmingly since their school fair concert. The three continue to spend time together, including Christmas at a very swanky mountain inn, culminating in the three sharing a hot spring together, without doubt the most intimate contact they’ve had yet. But this show has always been about what people aren’t saying, or in Touma’s case what she “jokes” about. Then there’s Haruki the narrator, speaking from the future, who knows how this all ends, and knows that concert was the apex of the trio’s happiness.

We still find it sad that he’s looking back at the Christmas adventure with a degree of regret and/or anguish, because by all rights, they really do seem to enjoy themselves, whether in the car together (which Kazusa drives with increasing efficacy), to getting stranded on a snowy road, to even being comfortable being naked together in a hot spring (major kudos to this show for not taking the cliched anime route here), everything seems to be fine between them. But it’s not just Touma’s jokes, Haruki’s voiceovers, or the cautious whispers of their outer circle of friends, but also the fact we’ve got five more episodes that tell us that the trio’s troubles aren’t over.

8_great
Rating: 8 
(Great)

%d bloggers like this: