Carole & Tuesday – 05 – The Trees in the Wind Will Lead the Way

After burning down a famous DJ’s house and getting taken in by a scambot, the C&T Dream Team needs a win desperately…not to mention some scratch to keep the lights on! So Gus and Roddy set out to meet with their connections in order to arrange the duo’s first gig.

On the Angela front not visited last week, Mama comes to her daughters defense, accusing Tao of treating her like a lab rat due to his background in neuroscience. Tao’s rejoinder is to bring up Mama’s assault charges…and her apparent “androgynous” status.

Finally, Tuesday’s brother has arrived in Alba City, determined to find his sister and bring her home as per their Mama’s orders.

Upon trying to meet with his old pal Hofner without an appontment, Gus is met by stubborn guardbots, whom Hofner himself orders to stand down, after which Gus is able to voice his intent to do business.

Tao takes Angela to Schwarz, an investor at Intergalactic, and asks her to sing an a capella song she learned during the car ride to convince Schwarz to invest 12 million Woolong.

Roddy meets his friend Beth, who owns one of the last independent clubs, and asks her for a slot for C&T. The overarching theme here is, in order to make it big, you’ve got to put in the legwork, and connections are key.

C&T’s only connections are people with connections, who happen to have faith in their talent and charisma. As for Angela, she sings well (though I’m not a fan of the lyrics) and gets the 12 mil…but like us is still unclear exactly what Tao has in store for her.

Tuesday’s brother finds Carole’s landlord utterly unhelpful in positively identifying his sister, who gets a job as a poster girl for a food truck while Carole unsuccessfully walks AI pets. On the bright side (literally) the lights come back on and Carole’s AI suitcase finally makes it back to her.

Finally, there’s C&T’s first gig where they knew they were being watched. Despite the somewhat dingy digs and just ten people in the audience including him, Roddy considers this a seminal moment, the genesis of what will become a great musical duo, where those ten people will be able to say “I was there.”

Mind you, Roddy is pretty much in love with C&T at this point, so he might be biased. I for one found the song perfectly inoffensive but the lyrics were trite and cloying. It’s hard not to be harsh on the pedestrian nature of their tunes when the entire premise is that the duo are some kind of rare and monumental talents that will literally change the world with their music.

But if those in the world of the show say they’re really good, that’s I guess all that really matters. Watching Tuesday perform is enough for her brother to seemingly give up his search and let her be, despite the blowback he’ll get from Mom. I just wish their songs were amazing full stop, not just “amazing” in the context of the show.

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Carole & Tuesday – 04 – Caveat Emptor Robotus

Unsuccessful in collabing with DJ Ertegun, Gus presents his second idea for Carole & Tuesday making it big: a music video. Despite my initial suspicion that they’d try to make it big without AI, they end up buying a 19-Woolong robot who will direct, film, and edit.

The low, low price immediately threw up a red flag for me, but the crew presses forward, throwing out a king’s ransom in pop culture references from Thriller to The Avengers, which the robot somehow manages to make sense of, and then provides a list of required things.

Gus meets with his stylish ex-wife Marie for her know-how with hair, makeup, and wardrobe. Perhaps impressed he’s off the bottle and serious about helping some new talent soar, Marie agrees, despite no upfront payment.

The SpielbergBot, AKA IDEA, turns out to be a beer fanatic in the vein of Futurama’s Bender, and mostly lazes around watching TV as C&T write a new song for the video (incidently, the one that plays over the end credits).

Meanwhile, Roddy manages to score an expensive car courtesy of DJ Ertegun. When Roddy is initially dishonest about knowing the girls, Ertegun flashes a number of looks at him—accompanied by hilarious EDM sounds—but ultimately helps his young friend out.

C&T meet Marie’s wardrobe friend and lover, then try on a number of outfits in another montage as Roddy practices his dance moves. When he shows up in the car all debonair an’ shit, the girls aren’t interested in him at all, only the car itself. Roddy also provides the “giant robot” in his ultra-rare limited-edition resin models, which IDEA will scale up in post.

The day of filming begins, and it’s a bit chaotic; befitting all the myriad ideas everyone threw out at the beginning. C&T jump from setting to setting and costume to costume with no real consistent narrative or theme, and from the look of Roddy by the end, something terrible happened to Ertegun’s car.

We then learn while IDEA is having a bath back at Carole’s place that he’s running some kind of scam on the humans, insulting their intelligence and threatening Carole’s owl alarm clock not to snitch.

Gus and Marie have a drink to celebrate the wrap of the video, and both admit to how much goshdarn fun they had getting back in the game like that. Marie even wonders what went wrong with their marriage, insinuating it wasn’t all Gus’ fault, then tells him she’s getting remarried to an amazing woman.

When IDEA is done editing, Carole, Tuesday and Gus prepare to watch with baited breath, while Roddy stays home and finds out on the news that IDEA is an AI scammer. It’s news delivered far too late, as after they watch his train wreck of a video (most of which isn’t even in focus), C, T, and G all glare menacingly at IDEA before boxing him up and sending him back to the fulfillment center.

After two episodes of relative realism (aided by coincidence and fate, but still realistic), C&T gets a little more madcap and cartoonish, and everyone is a little dumber for one episode as they put their complete trust, time, and effort in a totally dubious mechanism. Their “guerrilla” performances at the music hall and laundromat feel at once more effective and more sincere than any cut-rate video production anyway. When you’re broke, elegant minimalism is key. This was all too baroque.

Wotaku ni Koi wa Muzukashii – 09 – Changing at Their Own Pace

Hirotaka and Narumi go on a normie date to a theme park, and Hirotaka takes the normie part very seriously, bringing along a piggy bank and fining Narumi whenever she uses an otaku reference or says something a yaoi would say. Never mind the fact that bringing a piggy bank to a date isn’t a very normie thing to do!

Hirotaka is doing this because he believes he won’t truly make progress in his relationship with Narumi until they can spend time as something other than otaku buddies. That is to say, he wants to see the same side of Narumi her other dates saw: the one actually trying to hide her otaku/yaoi sides.

The date proceeds normally, with both Hirotaka and Narumi incurring penalties for letting their true sides slip. Then they reach a haunted boat ride, and in her rush to get aboard, she ends up leaving the platform on a boat not with Hirotaka, but with Kabakura.

Turns out Koyanagi, who ends up in a boat with Hirotaka, made Kabakura take her to a theme park, because she heard Hirotaka and Narumi would be doing it and it sounded fun. Narumi has to cross her arms tightly so as not to accidentally hold Kabakura’s hand, and both are scaredy-cats.

Meanwhile nothing fazes Hirotaka or Koyanagi, though the latter can sense a bit of restlessness on the former’s part. He tells her not to worry too much about how fast things are progressing; it’s not often two people go at the exact same pace. There’s nothing wrong with taking things slow, and if that’s how things are going, there’s no reason to shake things up.

When the two couples meet up then part ways, Narumi and Hirotaka rest a spell on a bench, and Narumi scares the dickens out of Hirotaka by saying “this isn’t working” and “we should end this.” She’s not talking about their relationship, thank God, but about the piggy bank penalties. Once free to talk about otaku stuff, they both feel much more at ease.

She then gives Hirotaka a surprising gift: a pair of earrings. It turns out she too wanted to see a side of him she hadn’t seen before; in this case, the side of Hirotaka who wanted to grow up fast. While the looks of the show on the whole are pretty much average for the genre, the animators take their time on Narumi fiddling with her hair and Hirotaka suddenly pulling it back to reveal she’s wearing (clip-on) earrings too.

He leans in to what looks at first like a kiss to thank her, but it turns into a hug, albeit a tight and romantic one. He thanks her for the earrings, and admits he can be as childish as she claims to be. He had no reason to be concerned about them not going anywhere, or nothing changing, because they are…just at their own pace.