Owarimonogatari S2 – 03 (Fin)

The first two 40-odd-minute episodes of this second “season” of Owarimonogatari, were good, but seemed to be lacking in something very crucial to an “Endstory” – an ending. So it’s just as well I was mistaken that there would only be two episodes, because this, the third episode, provides that ending.

And what a frikkin’ ending it is! Few series have been so painstakingly fastidious in their careful preparation of a nearly all-encompassing conclusion to the story of its protagonist than Monogatari has been with Araragi Koyomi. It’s only fitting that if indeed his story is over—a story in which he’s helped save so many cute young women, one after another—that the last person left for him to save is…himself.

At Shirahebi Park, formerly the site of Shirahebi Shrine and the town’s god, which was obliterated along with the lake by Kiss-Shot Acerola-Orion Heart-Under-Blade landing there 400 years ago—a site of so many conversations between Koyomi and those girls—Izuko lays out the minimum requirements of victory.

First, that Hachikuji Mayoi be enshrined a the new god of North Shirahebi shrine, so that she has a purpose in the material world and won’t be swallowed by “the darkness”. Second: that Oshino Ougi be eliminated. Mind you, Izuko isn’t certain who or what Ougi is, only what she isn’t (i.e. Meme’s niece.)

That Ougi is a near-total unknown makes her a threat to the spiritual and physical health of the town, so she has to go, just as any of the other harmful apparitions that have cropped up.

As Itsuko convinces Koyomi (and me) of Ougi’s need to go, Ougi picks up Tsukihi (who is actually a phoenix in human disguise) from Nadeko’s house, where it was being underscored how much Nadeko thinks about and is working towards a finite future, whereas Tsukihi is content to simply live with others in an everlasting present.

I must admit, it felt for all the world like Ougi was either taking Tsukihi hostage (out of an abundance of caution in case Araragi didn’t join her side) or attempting to recruit the phoenix as a kind of last-ditch ally. In any case, the person Ougi is with quickly transitions from Tsukihi to Koyomi in that iconic ruined cram school classroom, who tells Ougi he’s ascertained her identity.

Ougi is, and always has been, him. She is he.

Eager to clearly explain everything, Owarimonogatari steps back a bit to the original meeting between Itsuko, Koyomi, Kiss-Shot, Mayoi, and Ononoki, and explains to Koyomi how Ougi is really him (all while everyone plays cricket in the park, after having played baseball earlier).

Ougi, originally introduced to Koyomi as a “fan” of Kanbaru, explains her name Ougi. Itsuko’s older sister (Kanbaru’s mother) faced a similar “unknown”, the “Rainy Devil”, who was the materialization of her self-control, and the left arm of which was passed to Suruga, her daughter.

When that arm came in contact with the First Minion’s energy drain, it connected the Devil, Koyomi, and Kiss-Shot, and by that route Koyomi’s desire to criticize himself for his actions were materialized into Oshino Ougi, or “Dark Koyomi.”

It’s a complex yet surprisingly elegant and satisfying explanation that ties together so many threads of the Monogatari mythos. Ougi is a fundamental product of all of Koyomi’s victories saving the girls in his life; victories that didn’t come without a great deal of self-doubt about the rightness or wrongness of the methods he used.

Itsuko used the immortal Tsukihi as a lure to draw Ougi out so Koyomi could do the same thing he’s done all along: “killing himself for the sake of others.” Ougi represents Koyomi’s adolescence, and it’s time to end it, and her.

It’s no coincidence that Koyomi is faced with having to “kill” his adolescence on the eve of graduation from high school and entry into college and adulthood. But when the true “darkness” opens up and is about to swallow Ougi, Koyomi finally goes against the grain and saves himself. 

He loses his right arm (and isn’t a vampire at the moment, so that’s a big deal), but Ougi is saved, and with it his adolescence (both his doubt, unfair self-critique, and love of young ladies)—even if it makes him “the worst” to put himself first.

Ougi is tickled, but saving Ougi only means he’ll be swallowed along with her by the “darkness”—until, that is, Hanekawa finally comes through, bringing Meme to the ruined classroom with only moments to spare, to declare that Oshino Ougi is his niece, and Koyomi has pushed her down and may not have the most honorable intentions with her.

These are lies, but the acknowledgement, like the words in a spell, are what were needed to legitimize Ougi’s existence in the world, and close the darkness. From that moment on, Ougi is no longer Dark Koyomi, or any part of him.

His adolescence is gone, replaced by nothing more or less than Meme’s ‘niece’. His lesson, all along, was that love isn’t forsaking yourself for the sake of others. He’s gotta think about number one from time to time.

But, as the epilogue illustrates, it’s not the end of Koyomi as we know him. He’s still him, which means if a young woman needs help, he’ll come to her aid and do anything he can. The difference is, that “anything” will now have a limit; “anything” is no longer “everything.” Koyomi can save and protect without sacrificing himself.

This is why the new god of North Shirahebi Shrine in Hachikuji Mayoi bows to him rather than the other way ’round; why an otherworldly powerful, fully-restored vampire in Kiss-Shot decides to return to the form of a far less strong young girl in his shadow; and before the graduation ceremony, Hitagi and Tsubasa let him go do his thing when he spots another young woman in distress.

And that’s it for Owarimonogatari! As I said, quite an epic ending; and one that covered a lot more than previous, “smaller” arcs. Chronologically speaking, Ougi Dark covers the second-latest Monogatari events adapted to TV, with only the already-released Hanamonogatari taking place later on the timeline.

I’ve yet to watch last year’s Koyomimonogatari ONA side-story, or the Shinobu-centric Kizumonogatari film trilogy that takes place at the very beginning of the chronological spectrum. Once I do, I’ll have watched everything Monogatari has to offer; a total span of 97 episodes. Of course, there are many novels that have yet to be adapted, so this remarkable run is most likely not quite finished.

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Koimonogatari – 06 (Fin)

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Sengoku traps Kaiki in a enormous mass of snakes. Kaiki starts to talk himself out of dying, telling her he knows about her dream to become a mangaka. He tells her that nothing is irreplaceable for humans, not even her love for Koyomi, and if she remains a god she will never be happy. She eventually cools down and the snakes disappear.

Kaiki implants a slug oddity to extract the snake talisman. Koyomi arrives; Kaiki tells him to take the exorcised Sengoku home and disappear from her life. While departing from town, he is ambushed and beaten to death by someone he believes to be a junior-high victim of his past con, who mentions the same name Sengoku blamed for her predicament: Ougi.

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“Then do you want to become a manga artist?”

Sengoku has seen through all of Kaiki’s intricate lies and preparations. He’s beaten, and he knows it. But those seemingly innocuous, small-talky words above, he changes course. Armed with fresh insights on Sengoku’s situation, he abandons his previous strategy for a new one. In this regard, he practices what he preaches to her: nothing should be so important that it can’t be replaced. Humans can re-do anything at anytime, be it god-deception plans, romances, or dreams.

Half-forget what we said last week: Kaiki doesn’t quite regard Senjougahara a daughter, but  as a past love. One who was as useless with him as Sengoku would be with Koyomi; some people fit others better. In their last phone call before Kaiki’s demise, Senjougahara expresses satisfaction that she was able to deceive him into believing she loved him. We read that as her saying in her very Senjougahara way that she’s glad her (genuine) feelings reached him, even if only for a time, and it didn’t work out.

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Even if we never learn the truth—be it about Senjougahara and Kaiki or the conspiracies that Kaiki contemplates before he dies—in future series, we can say with certainty and with no intent to deceive whatsoever that this was our favorite arc of the series, which transformed Kaiki into the anti-heroic, romantic, ultimately tragic human being the arc’s retro opening portrayed.

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Rating: 9 (Superior)
Final Cumulative Rating (26 episodes): 7.957
MyAnimeList Score
(as of 12/30/13): 8.79

Stray Observations:

  • Now we see the reason for the retro OP: the retro-styled half is the romantic ideal of Sengoku’s secret manga, while the contemporary-styled half is the harsh but human reality. Very neat.
  • We’ll admit that for someone ruthless enough to casually add to her kill-list, Sengoku sure keeps Kaiki alive for a long time, doesn’t she? Perhaps she didn’t gag him with snakes because part of her was giving him the chance to talk her out of godhood?
  • Sengoku blamed Ougi for her becoming a god. The kid who killed Kaiki got his/her info from Ougi. We suggested that Ougi was related to the darkness that dispatched Mayoi; was all this Ougi’s way of dispatching Kaiki?

Koimonogatari – 05

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Hanekawa explains the town’s events to Kaiki, as well as her impression of Sengoku as someone who doesn’t actually love anyone. Kaiki continues to visit Sengoku to curry favor. The day to deceive her arrives, and he and Senjougahara share a bittersweet phone call. Ononoki meets with him to warn him, out her and Gaen’s concern for his well-being, that he will fail, as he failed to resolve the situation with Senjougahara’s mother. At the shrine, Kaiki tells Sengoku wishes spoken out loud can never come true, and she won’t be able to kill Araragi, Senjougahara, or Oshino, because they died in a traffic accident. Sengoku immediately detects deception.

The past four episodes we’ve seen a Kaiki thoroughly throw himself into the role of investigator, carefully collecting information while carefully manipulating Sengoku into liking and trusting him for the big day when he deceives her. He’s been a picture of efficiency and competence. But as he himself admits to Ononoki, he has no more idea of what he’s doing than anyone else in the world. That proves true in the very last scene, when he’s unable to take candy from a baby. For all her childlike dalliance, Sengoku sniffed out his lie immediately. So it sure looks like he’s failed. More to the point, Gaen, who knows everything, said he would fail, so failure was inevitable.

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The question is, why? The never knowing exactly what your doing is part of it, but there’s something else too. Regardless of whether he’s merely putting on a tremendous performance deceiving Senjougahara and us, the audience, Kaiki must be defined by his actions and not his words. Again, as he said, the moment thoughts and wishes are given form in words, they become dramatized and lose their power. The words he exchanges with Senjougahara during their long conversations may have been all over the place, but his actions speak for themselves: affection for her plays a role. there’s a sutble paternal concern and disapproval lurking beneath his digs at Senjougahara’s relationship with Araragi.

When answering what she sees in the boy, she says first and foremost: “He’s not you,” something a daughter might say. There’s been a strong familial cordiality to their dealings, and as the mission is about to wrap up, both admit a part of them will miss each other’s company. Kaiki has always marveled at how Senjougahara has survived and endured her life despite seeming so fragile. She is a miracle to him, one he feels compelled to preserve at all costs. This arc hasn’t documented a strictly dispassionate business transaction. It really has been a love story…just not the one we expected.

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Rating: 8 
(Great)

Stray Observations:

  • Interesting name drops this week: the vampire Episode, whom we have only a cursory familiarity with, and Numachi Rouka, who we don’t know at all.
  • Kaiki is still keeping secret to everyone what was in the forbidden closet, dismissing its contents as unimportant. Wonder if that will change now that he’s failed to deceive Sengoku…
  • Gaen/Ononoki’s attitude towards Kaiki shifts this week their concern he’s meddling in a town where Gaen has plans, to something like genuine concern Kaiki is repeating history, to the detriment of his physical and emotional well-being.
  • What’s Kaiki’s next move? Will he be shocked Sengoku didn’t believe his story? Will she add him to her kill list? Or was his lie about the accident merely his first move, with many to come?

 

 

Koimonogatari – 04

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Kaiki finds a note reading “Stay out of it” on the floor of his hotel room. He flushes it and calls Senjougahara, reporting on his encounter with Ononoki and Gaen’s warning. The conversation evolves to a discussion of whether anyone is aware of Senjougahara’s contact with him, then Senjougahara warns him about visiting Nadeko too much, lest he become “charmed” by her; he considers scaling back his visits. The next day he gives Nadeko an offering of ¥20,000, more string, and a bottle of Sake, which she accepts. When he leaves the shrine he encounters Hanekawa, who is back from overseas to exchange. They share a cab back to the city and meet in her hotel room to exchange information.

In case there was any doubt, this episode makes it abundantly, cymbol-crashingly clear: we’re dealing with noir here. He may not wear a hat or smoke a cig, but Kaiki is every bit the cynical, trench-coated, hardboiled private dick, while Senjougahara is the Damsel in Distress. The overarching mystery to be solved? How to keep her and Araragi alive. In this regard, Nadeko is the mob boss Senjougahara owes, big time, while Gaen represents the commissioner warning him to stop snooping around her town, while Ononoki being her beat cop liason. Finally we have Hanekawa: while she may not carry herself like a femme fatale, we know from her striped hair and troubled past that that’s kinda what she is.

What made this episode and the arc in general so enjoyable is that it pays homage to those historic, timeless archetypes while putting a decidedly Monogatari twist on them. Indeed, it’s twisting them into a cat’s cradle; something of a very precise pattern and structure; every movement fussed over. Kaiki’s call to Senjougahara is sumptuously decorated by the constantly changing colors on Kaiki’s phone, the undulating patterns on the floor and walls, and the dazzling city outside. Dotted with natural gas flares and sporting a giant LCD panel showing Senjougahara performing very familiar movements, things get very Los Angeles 2019…”Kaiki Deishu” even sounds kinda like an anagram of “Rick Deckard”. Will we get the abruptly happy ending the financiers pushed for here as well?

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Rating: 8 
(Great)

Stray Observations:

  • Kaiki’s shower requires comfort with one’s own body, as it displays it for all to see, as rich people’s showers tend to do.
  • Not sure we’ve mentioned this before, but we love Kaiki’s notebook is full of chibi diagrams. The art style is identical to the Bakemonogatari next episode previews, the Fire Sisters’ first appearance.
  • Kaiki pulls a Catherine Tramell in Hanekawa’s room.
  • We never did find out what was in Nadeko’s closet, while this week we don’t figure out exactly what Hanekawa has to say.
  • A couple more references: Kaiki’s red sports car in the OP is very Magnum P.I., while Tokyo is lit much like Neo-Tokyo in Akira.
  • Another nod to black-and-white of film noir: Tsubasa’s B&W hair.

Koimonogatari – 03

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Kaiki meets with Senjougahara at a Mister Donut to deliver his report. He informs her that Nadeko will be very easy to deceive, and he belives that by gradually gaining her trust, he’ll be able to save both Senjougahara and Koyomi by eventually telling Nadeko they died in a car accident. The next day Kaiki gets a visit from Ononoki, bearing message from Gaen to pull out of the town, enticing him with 3 million yen. He takes the money, but continues his job anyway, notifying Nadeko he’ll do the hundred times worship at her shrine. That night, Kaiki gets Nadeko’s parents out of their house and breaks in to inspect her forbidden closet.

Kaiki seems to be making good so far in solving Senjougahara’s problem. He’s taken a reliable measure of the godly Nadeko and determined that she is not only someone he could all too easily deceive, but someone quite insane to boot (Cat’s cradle with an ouroboros! We ask you!). Indeed, Nadeko is being presented as being even more naive, childlike, and airheaded as her past human self. But while Senjougahara only sees a threat to be neutralized so she and her lover can breathe easy (and Kaiki achieves this, relieving her to a rare bout of Senjougahara tears), Kaiki does not necessarily believe Nadeko cannot be a decent god someday, once she “calms down”.

But by hiring Kaiki, Senjougahara acted out of desperation, without regard to other considerations that, while peripheral to her, may well exceed the importance of just two lovers’ lives. Gaen uses Ononoki (whose character’s personality changed slightly) to tell him he’s sticking his false nose in places he shouldn’t; he’s actions may upset the balance of a “pretty stable” town; that for all her cute airheadedness, Nadeko is capable of destroying that town, and more, if he fails. Kaiki gives these concerns an audience, but presses on, keen to discover what it really was that made her what she is today. Is he merely being professional, or did Senjougahara’s tear-stained face perchance move him? (Probably not.)

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Rating: 8 
(Great)

Stray Observations:

  • That OP…was one of the best OPs we’ve seen in a long time, capturing the old school anime OP look, sound and feel while remixing it with the contemporary aesthetic. It was also hilarious.
  • If his huge hotel room is any indication, Kaiki isn’t sparing his expenses. Of course, the windfall he gets from Gaen ensures he’ll have the cash to complete his mission.
  • This episode takes place in the winter after a snowfall, and it just happens to be snowing where we are as well.
  • Between “Mister Donuts” and “Relax Coffee”, we could go for some breakfast about now…
  • Considering the physical feats characters perform regularly in this series, Kaiki’s dramatic “action shot”—a running jump up to a window sash—was also quite comical.
  • There must be something very interesting behind that door. Some kind of charm or spell? A shrine to Koyomi? A snake skeleton?…Nothing?

Koimonogatari – 02

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Kaiki agrees to do the job for ¥100,000 and travels to Naoetsu to begin his investigation, starting at Nadeko’s home. Her parents answer his questions and let him examine Nadeko’s room, but won’t let him into a closet she told them not to open. He then visits the Shrine and deposits a ¥10,000 offering, and a grateful Nadeko to burst out to greet and thank him. She cheerfully confirms her eventually intention to kill Koyomi, Shinobu, and Senjougahara, and calls Kaiki her “first adherent.” Kaiki plays along and hands her a cat’s cradle, offering to come back periodically to teach her different patterns.

In retrospect, we really liked how this arc started out so simply, taking its time with the conversation between Kaiki and Senjougahara at Okinawa airport that gets things going. From Kaiki refusing Senjougahara’s offer to sell her body to make up the difference in his fee, Senjougahara coyly asking if she can borrow plane fare home from the cash she just paid Kaiki, the funny drawings in his notebook, and his plane’s emphatic touchdown on the snowy tarmac; many details lend the start of his mission a sense of solemn occasion, and with good reason: this is for all the marbles. If he fails, most of the show’s cast is toast. Therefore every stage of his involvement in this arc is treated with deft care and contemplation. He’s Kaiki Deishu—He solves problems.

That being said Kaiki plays more the role of a detective than a cleaner, utilizing his effortless powers of deception to gather intel on the target. We’re privy to what he thinks in response to what he sees and hears around him, as is typical of the spotlight character in a Monogatari arc. Perhaps feeling the weight of his responsibility in spite of himself, he visits Nadeko almost right away, against his better judgement, to find someone who is every bit the cute airhead everyone believed her to be as a human. Only now she has creepy snakes for hair and talks about all the good times she had with Koyomi and promises to kill the shit out of him in the same breath. Kaiki gives her a cat’s cradle as he intends to build one of deception around her. But deceiving a god—even a young, spoiled, deluded one—will be no mean feat.

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Rating: 9 (Superior)

 

Koimonogatari – 01

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With 74 days until Graduation Day, when Sengoku will kill her and Koyomi, Senjougahara Hitagi meets with the swindler Kaiki Deishu in Okinawa Airport to request that he make amends for the trouble he’s caused them by convincing Sengoku not to kill them, something within his abilities. Kaiki struggles to find the proper motivation to carry out the request, eventually settling on Kanbaru Suruga, the niece of his former senpai, Gaen Izuko.

Watching the Monogatari Series in the order in which it has aired requires a certain degree of patience. Gratitude is seldom instant or even timely, as resolutions to conflicts may occur in a different arc. This week is the final arc in the second season, in which the story of Otorimonogatari continues. Senjougahara, once deceived by Kaiki, now seeks out his help in deceiving Sengoku, whose curse he also caused. Her only other option is to beg, which probably won’t work. Physical attacks didn’t work either.

This introductory episode unfolds from Kaiki’s perspective, and he reiterates to the audience that we shouldn’t take anything said or done as the truth. As we learned from Nisemonogatari, this is a man who values the fake over the real, and uses his words as weapons. But the snake god is no slouch in the deception and persuasion department. If anyone can talk Sengoku out of killing everyone and everything, it’s Kaiki, but it would be nice to see him struggle a bit in his initial efforts. In any case, we always dig former enemies teaming up to fight a bigger enemy.

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Rating:7 (Very Good)

Onimonogatari – 01

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Hachikuji Mayoi accompanies Koyomi to his house to retrieve her backpack, but just when they’re about to go to lunch, they both witness a strange orb of “darkness” approaching them. Koyomi and Mayoi jump on his bike and he speeds away, but the darkness gives chase. Ononoki Yotsugi assists by flying them to the abandoned cram school, asking only a kiss in return. When Shinobu wakes up, she tells Koyomi the orb he saw is something she’d dealt with before, over 400 years ago, and that if not dealt with properly, could bring the town to ruin.

The arcs of this season of Monogatari have not unfolded chronologically, so after taking us right to the precipice of Koyomi and Co.’s rematch of Sengoku Nadeko in the last arc, it rewinds to just after the end of the arc before it, when Koyomi and Shinobu had returned from their time-travelling adventures. While we kinda wanted to see what would happen next – and the ‘to be continued” at least teased that we may – we’re going to have to wait. In the meantime, Monogatari has another story to tell. If measured only by the amount of action that took place within it, this was one of the slighter episodes of the second season, not counting the three recap episodes.

But Monogatari arcs always start out this way; stage-setting; piece arrangement. Koyomi’s usual, seemingly uncontrollable depraved behavior towards Mayoi finds a vehicle – literally – in the bicycle chase, during which Mayoi does whatever he orders her to do in the name of safety. But that’s just window dressing. The meat of the story to come once again involves Shinobu, and why not? She’s by far the oldest character, having lived so long we’ve still barely scratched the surface of that long and eventful life, so we’re intrigued to see her account of what transpired four centuries ago, long before any of Koyomi’s exploits.

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Rating:7 (Very Good)

Stray Observations:

  • This arc takes place at the same time as Nekomonogatari (Shiro), the first arc of the second season. Makes sense, since Koyomi was absent for pretty much all of that.
  • Ononoki admires good muscles, like Matsuoka Gou from Free.
  • We’re not so sure Senjougahara would take kindly to Koyomi kissing not one but two girls in this episode (though one is technically a shikigami and the other a vampire).

Otorimonogatari – 04

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Koyomi orders Nadeko to put the talisman down, but she swallows it instead, reviving the serpant god with her body as its vessel. Fast-forward to the shrine, where Nadeko quickly dispatches Koyomi and Shinobu. She converses with the serpent – i.e. herself – about how she came to be in this situation. When she’s about to kill Koyomi, Senjougahara calls his phone. Nadeko answers and agrees to a half-year truce before killing her, Shinobu, and Koyomi, in that order. The episodes ends with a “trailer” for the battle that takes place in half a year, with Nadeko taking on Koyomi, Senjougahara, Shinobu, Kanbaru, and Hanekawa.

Monogatari likes to mess with our expectations. After an arc about time travel, Nadeko’s story starts at the climax, when she’s about to kill pretty much everyone we know and then, who knows, chill at that shrine for a few millenia. Things come full circle this week, but instead of a conventional resolution, the arc lobs another curveball. Most of this episode is simply Nadeko, in the moments just prior to her final victory, reflecting on how she got here. Koyomi and Shinobu just lie there bleeding as she talks to herself, and in the end, none of the contemplation really matters. She was just lost in thought.

Except that it does, because that amount of time she was ruminating ended up delaying Koyomi’s death just long enough to allow Senjougahara to call and postpone Nadeko’s plans. Had she not called, Nadeko would have killed Koyomi before killing Shinobu, which wouldn’t have been good for anyone (see last arc). And then the series switches gears again with that bizarre post-credits trailer, presented by Nadeko, who, at least from her own perspective, has that final boss battle in the bag. But that confidence might be premature. After all, she gave the enemy a half-year to prepare for her.

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Rating:7 (Very Good)

Otorimonogatari – 03

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Expecting to find Koyomi in his bed, Tsukihi is surprised to find Nadeko there. They have a heart-to-heart, in which Tsukihi suspects Nadeko takes comfort in persistently loving someone who will always be unattainable. Bored with that stance, Tsukihi snips Nadeko’s bangs. The next day at school, Nadeko is as different a person, confidently, angrily chewing out her teacher and classmates. She leaves school early, and asks Kuchinawa to tell her where his object of worship is so they can part ways quickly. The object is at Koyomi’s house – a talisman hidden in porn. When Kuchinawa asks her what she wants (other than her bangs back) in return for helping him, she asks if he can make Koyomi fall in love with her. Koyomi enters the room and says no.

Well, Nadeko’s “honeymoon” with Kuchinawa is over; and by episode’s end she wants a separation. After an immersive, somewhat wall-crumbling talk with (and haircut by) Tsukihi, Nadeko becomes a new person at school. To that end, Hanazawa Kana dispenses with her cutesy affectation and goes into full Bimbougami-ga mode, firing with both barrels. Nadeko shocks her teacher and classmates, but she, Kuchinawa, and we all know that this wasn’t a case of Kuchinawa taking over her mind and body. This was a look at the Nadeko within – prodded by the oddity and enabled by Tsukihi’s frustration with her. Disheartened by the realization all she’s been has been cute, in one day she upturns that persona – without even thinking.

We think she scares the crap out of herself, leading to her suggestion to split with Kuchinawa at the earliest possible convenience. Her desire for alacrity suits Kuchinawa just fine, since he’s after his object of worship…which just so happens to be in the house of Nadeko’s long-time object of desire. Once Kuchinawa offers to do more than simply restore her bangs, Nadeko contemplates doing what those bangs allowed her to do: take the easy way. Instead of looking straight at people and speaking her mind, she’d always look down and apologize. Instead of going after Koyomi’s heart the hard way (like Tsukihi wished she would), the shortcut tempts her. And then Koyomi catches her in his room. We’ll see if the jig is finally up.

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Rating: 9 (Superior)

Otorimonogatari – 02

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After letting herself be possessed by Kuchinawa, Nadeko lies to Koyomi on the phone about nothing being the matter. Taking the form of a white scrunchie on her wrist, Kuchinawa badgers her during the day, until she reminds him that her days were hers to do what she pleased without interference, and in exchange she’ll use the nights to search for his corpse. That night she goes out, but her parents call Tsukihi wondering where she is and Koyomi finds her and brings her to his room. Koyomi suggests she sleep in his bed, but Shinobu knocks him out and takes issue with her passivity, but admits she’s “enchanting.”

Last week showed us what probably awaits us at the climax of this arc: Koyomi and Shinobu fighting Nadeko, who had at some point become twisted by Kuchinawa to the extent that they had to try to take her out – and fail. But this week Kuchinawa and Nadeko are still on their “honeymoon”, with Nadeko striking a deal that she do his bidding in a way that won’t draw undue attention to her. Even so, sneaking out late at night is not normal behavior for Nadeko the quiet “good girl”, and she’s soon scooped up by Koyomi, who may well have some not-so-wholesome ideas for her. Enter Shinobu, who implies she’s saving Nadeko from “early motherhood.”

Once a totally silent, morose-looking little vamp who sat in the darkness, these days ‘Bu speaks her mind, and minces no words in sizing-up Nadeko. She calls her privileged, and when Nadeko protests, she fires off all of the ways she is indeed privileged. Her silence has netted her many boons, among them freedom from suspicion, the consensus that she’s smart and a good girl. Her genuine air-headedness and cuteness “enchants” other humans, to the point Shinobu compares her to an oddity. There’s a good chance while she’s saying all this she’s well aware Nadeko is possessed; she had dealings with Kuchinawa in the past, after all. So her sarcastic call for Nadeko to keep letting Koyomi worry about her is as much a warning as a barb.

8_great
Rating: 8 
(Great)

Stray Observations:

  • This series has always been known for intimate close-ups of its characters, but camera made particularly sweet love to Nadeko this whole episode, fixating on her from every possible angle as she spoke to her wrist, or later with Koyomi and Shinobu. 
  • We enjoyed the architecture of Nadeko’s school and apartment, as well as Tsukihi’s rarely-seen, ridiculous bedroom. 
  • Nadeko’s nighttime adventure starts with a montage of gorgeous still shots that wouldn’t look half bad framed on our walls.

Otorimonogatari – 01

otori1

Koyomi and Shinobu fight Sengoku Nadeko at the shrine, but her hair of snakes destroys Koyomi’s heart, causing a rain of blood. Flashing back to October 31st, Nadeko first meets Oshino Ougi, who delivers a warning about hiding behind victimhood. While at school, Nadeko starts to have hallucinations of white snakes. After a call to Koyomi asking for help, she starts to hear the voice of a snake named Kuchinawa, who insists she visit the shrine. There, she finds a dozen dead snakes, and a giant Kuchinawa asks her to “atone for her sins” by doing him “favors.” She tentatively agrees, and he possesses her.

We’ve now arrived at the third arc in Monogatari Series’ second season, one that involves the snake girl, Nadeko. We’ve always liked Nadeko because we really liked her seiyuu, Hanazawa Kana, but that turns out not to be the only reason to watch this arc. We’re treated to an enticing cold open in which we catch a glimpse of the dark future Nadeko is inching towards: one in which she and her snake apparition become one and she kills Koyomi, the one she loves. Starting at the end only to rewind to the beginning is a common storytelling device, but employed well here, as we see just how far Nadeko will fall.

Once we’re back at the beginning, the ominous Ougi makes an appearance, saying things that affect Nadeko’s thought process at a crucial juncture later on. We’re introduced to Nadeko’s “depressing” school life, and her sudden snake hallucinations are particularly unsettling. Her awkward call to Koyomi ensures he’ll eventually be on the case, but once the snake starts talking to her, Nadeko is in big trouble. He corners her and shames her into a contract, one that sets her on the track to that dark, bloody future. In doing so, she tacitally subscribes to Kuchinawa’s claim that the entire world is nothing but wrongdoers, making victims of one another but never being only victims.

8_great
Rating: 8 
(Great)

Stray Observations:

  • This is the twelfth episode in the series; the eleventh was a recap of Bakemonogatari, and therefore wasn’t rated.
  • With a new arc comes several new ambient musical tracks, all of which we really liked.
  • We also enjoyed the new Nadeko-centric OP, which may be our favorite of the three arcs this season.