In Fall 2012, RABUJOI was only reviewing ten shows, but they included the first cours of Zetsuen no Tempest and From the New World, Kamisama Hajimemashita, and Chu2Koi. We were also watching relative duds like K, Jorumungand: Perfect Order, Btooom!, and Girls und Panzer. In hindsight, we would have traded any one of that latter group for Psycho-Pass, without any more hesitation than Kogami Shinya when his Dominator tells him to shoot.
But it’s never too late to pick up a good show, so that’s what I’m doing. Specifically, I’m watching the “Extended Edition”, which pairs the 22 original episodes into 11 hourish-long short films and adds in some new content…though its all new to me! After a cryptic prologue, we’re thrust right into the midst of rookie CID Inspector Tsunemori Akane’s Terrible, Horrible, No Good, Very Bad First Day.
The elaborate yet dingy cyberpunk setting and the very strange futuristic society of this world is all unveiled organically as Akane’s first mission progresses. Blade Runner, Akira, and Minority Report are obvious inspirations for the city of gleaming skyscrapers and dark alleys where the police deliver justice to “latent criminals” who may not have committed any crimes, but are deemed psychologically certain of doing so at some point.
The entity looking into everyone’s souls and determining the color of their Psycho-Pass is the mysterious “Cybil”, which I presume is some kind of supercomputer designed to try to facilitate the ordering of civilization into the peaceful and law-abiding, and those who aren’t. Some of those who aren’t are Akane’s underlings, called “enforcers”, often likened to hunting dogs who sniff out their ilk to be dealt with either by restraint or termination.
As neat as Akane’s futuristic amenities look, all the “progress” in the world has come at steep cost: Cybil has given birth to a new form of prejudice and segregation fully supported by cold logic and science. It even has the air of a system designed to influence the course of human evolution: enough generations of weeding out the psychologically unstable, and you’re sure to become a more stable, perfect society, no?
That’s the paradox of Psycho-Pass: for all the futuristic glitz on the top, there’s still plenty of rot and suffering below. Despite all the drastic measures taken, that perfect world remains a mirage on the horizon. Enter Akane, our window into this world for most of the hour: experiencing so much for the first time, as we are, totally unprepared for its cruelty despite finishing tops in her class.
Akane, in fact, is an Inspector purely by choice, something few people in the world have. Many who don’t would say she squandered that choice by enlisting in Public Safety, but as she was the only one to get an A-rank in that discipline, she felt her calling beckon. She may bethe “greenest” character we meet, but despite her initial doubts, it’s clear she’s an immensely talented, capable young woman.
The result of her first mission is deemed a fuck-up by many, but she’s eventually redeemed. Turning her Dominator on her own enforcer Kogami Shinya, to save the life of a woman his Dominator was telling him to kill, turns out to be the right move, as her “criminal coefficient” was only temporary. It shows the knack she has for the job in spite of her self-doubt, but also makes you wonder how many “suspects” have been killed who ultimately didn’t deserve it, even by Cybil’s extreme standards.
Akane’s second “case” isn’t nearly as intense, as she and grizzled enforcer Masaoka Tomomi don utterly ridiculous holo-suits as he sniffs out a less homicidal suspect. But while it isn’t as traumatizing (though Akane is regarded as a “mental beauty”), it does highlight to Akane her apparent uselessness in such cases, at least at her level of experience. Masaoka tells her that shes not completely useless, as enforcers like him aren’t allowed outside without being accompanied by an Inspector.
That makes Akane sound like an idle chaperone—and she may be just that on several calls—but where her true value will show is in the tougher, messier cases, like that first one with the hostage. While enforcers like Kogami Shinya seek and destroy criminals like prey, she’s their to stay their hands when she deems it appropriate. She also seems determined to treat her enforcers less like hunting dogs and more like colleagues.
So yeah, great start. Superb, in fact. Such an immersive, fucked-up world, but very cool. I reiterate my frustration with having never so much as glanced at an episode, since if I had I’d have surely reviewed it two years ago. But oh, well. Better late than never.