Re:Zero kara Hajimeru Isekai Seikatsu – 03

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Subaru is surprised to find “Satella” at the loot house before dark, but not for long, as he realizes her nature never changes no matter which timeline he’s in. She always helps the lost girl, then ends up tracking Felt down. However, just when Subaru is making progress mediating between the parties (by being nice to both), Elsa comes out of the shadows.

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Again, Subie uses his knowledge of Satella to summon Puck to shield the blade, knowing he’s still corporeal this time of day. But Elsa still manages to severely wound Old Man Rom. Puck and Satella launch a pretty-yet-terrifying counterattack with their green ice-like crystalline magic, but to no avail—like a cockroach, Elsa just won’t go down.

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During Elsa’s fight with Rom, Felt, Satella, and Subaru, she’s full of quips, and so is everyone else. As the blades and crystal saggers fly, so to does the juicy dialogue, which is just as sharp and satisfying as the action.

Subaru makes mention of how cool he is when he realizes he needn’t fear dead (since he can always start over at the vendor) but at the same time, really doesn’t want to die and have to start over, especially now that he’s made progress with both Felt and Satella.

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Satella goes down for a moment, but gets back up and helps Subie when she can from long range, while Felt is able to escape outside to call for help, which they’re going to need because Elsa is as relentless about disemboweling everyone as she is hard to kill.

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That help comes in the form of Reinhard, who is a resplendent model of ultracool fantasy hero timing, appearances, and dialogue. He doesn’t even take out his own sword, choosing instead one that’s lying around, so confident is he that he doesn’t need to go all out against the likes of Elsa, the “Bowel Hunter.” It’s also cool how Elsa knows him too, and is excited to see what he can do before she kills him.

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In a great bit of world-building even within this one loot house interior, Satella admits Reiny can’t go all out while she’s healing Rom. But when Rom is out of danger, she gives the go-ahead, and Reiny goes ALL OUT, launching a terrifyingly powerful attack that rends half of the bottle episodes bottle clean away. Outstanding presentation of an “overdrive” attack.

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Everyone celebrates the victory, until Elsa pops out of the wreckage, STILL not dead; only wounded. Fortunately, she chooses the better part of valor by retreating, but the fact she’s still out there with her chilling desire to disembowel everyone else is certainly…disquieting, as is the fact even that huge attack didn’t kill her.

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Her last attack is foiled by Subaru, who uses Rom’s giant bat to parry her blow, saving Satella in the process. When the coast is clear once again, Subie goes into self-aware fantasy hero mode, asking for something from his rescuee in return for his heroics: her name. She replies, Emilia, with just about the sweetest gosh-darn smiles of the Spring. A great little transaction.

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Even with all the twist and turns we’d experienced so far, Re:Zero still isn’t done yet, as when Felt finally produces the insignia she stole from Emilia to return it to her, Reinhard suddenly hardens his previously lenient stance (he’s off duty, so he’ll overlook theft) and formally arrests Felt, hitting her with a sleep spell when she resists.

Once again, the strong reaction from another world insider creates great gravity and significance for one innocuous-looking little piece of jewelry, like the name “Satella.” But this time, Subie didn’t call her by that name, got on her good side, and when the wounds Elsa made finally open, she heals him and prevents another reset.

I was really glad about that, because my heart nearly plummeted all the way down into the Central Dogma when it seemed like he was going to die. That said, I do hope Felt is okay—she seems to be a pawn in all this—and Subie and Emilia can secure her freedom without making Reinhard mad or getting the law on their backs.

Overall though, this week was simply a tremendous piece of entertainment. Succulent kick-ass combat, quick-witted, tasty dialogue that never felt in the way, and countless twists and turns that only added to the richness of the whole—this was the complete package.

And it was a brilliantly compact package at that, with 99% taking place in the confines of the loot house, without the setting ever seeming stale for a second. Eschewing the OP and ED were also a gutsy choice for what is just the third episode. Re:Zero is a must-watch Spring experience, and this was its best episode to date. Hopefully it keeps this up.

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Re:Zero kara Hajimeru Isekai Seikatsu – 02

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In the latest iteration of the timeline the first episode ended with, Subaru doesn’t fare too well; calling Satella ‘Satella’ has the same effect as calling someone ‘Voldemort’ in the Harry Potter world. When Felt snatches her insignia, she assumes Subaru was only meant to distract her and runs off, and when he’s short with the three thugs in the alley, he gets stabbed to death and returns right back to the fruit stand.

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That quick sequence of events is enough to convince Subie of what we already know to be the case: he’s caught in a time loop, returning to that fruit stand every time he dies. He even gives it a name: “Return by Death” (which is a little plain but accurate).

(I’ll mention, I thought it was weird how the fruit vendor knew about Subie finding his lost daughter in this timeline. Did he find her again off camera, or is the vendor simply mixing up his memories from a previous go?)

Now that he knows the score, Subie initially considers simply selling his cell phone for some fat stacks and simply enjoying life, but he can’t ignore the fact he knows what happened (or will happen) to the old man, Felt, and Satella. So he decides he’ll maintain course: trade his phone for the insignia and give the insignia back to Satella.

The next time he meets the 3 Stooges, he tries something different: calling emphatically for guards. A distinguished swordsman named Reinhard answers the call, and rather than being a hardass, his “nice guy index” goes off the charts. I imagine we haven’t seen the last of him.

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In committing to this plan, Subie is naturally hoping to bypass the whole everyone-gets-killed-by-Elsa scenario by making the required transaction as efficient as possible, but it doesn’t help matters when he bumps into Elsa in the street and she can smell his fear and anger…and even compliments him by using humor to conceal his aggression (taking note of her dark beauty)

It also doesn’t help that he starts snooping around Felt’s hut, provoking her into attacking him before he can explain himself. I will say he hangs in there pretty well in the fight with the nimble thief—right up until her hut collapses on him.

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He does eventually sort out his intentions with Felt, who can’t be too careful, as she doesn’t intend to spend her whole life in the slums, and means it when she says “Live Strong.” She admits were she not a successful thief she’d probably have to sell her body.

It’s a small detail, but Subie does seem to know how to talk to women after a fashion, first by appealing to Elsa’s beauty, then mentioning offhand that Felt does pretty well for herself in the looks department despite not wearing makeup.

That being said, he pushes his luck a bit by being empathetic to Felt’s situation and petting her head, which she does not like and responds by biting him…after giving fair warning, of course!

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Subaru is intent on getting the phone appraised by Rom and making the exchange before Elsa shows up, but Felt is suspicious of the hurry he’s in, and doesn’t want to close a deal without letting her other client make an offer. Subie thought he could sway Felt by getting Rom on his side, but Felt won’t budge, and when a knock comes at the door, she opens it without reservation, even though Subie warns her they’ll all be killed.

But something very different happens than happened before. It isn’t Elsa at the door; it’s Satella (or whatever her real name is), having apparently asked around and tracked the thief who stole her insignia to the loot house.

That doesn’t mean Elsa isn’t far behind her, ready to kill them all…nor does it mean Subie will be able to form the same easy rapport with this Satella as the first one, but the important thing is, everyone is still breathing, and the episode ends without Subie back at the fruit vendor. …Progress!

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P.S. I liked the OP, which features some backwards percussion and a beginning that’s the reverse of the end. Vocals aren’t bad either. Likely a future Monday OP.

Daitoshokan no Hitsujikai – 10

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While last week was more of a battle between Kyoutarou and Nagi’s Shepherd philosophies regarding Senri’s path, this week focuses more on relationships — specifically, little sisters. Now that Kyoutarou remembers Nagi being his little sister (half-sister; his dad had many wives) who he once saved from pedophile house servants (!!!) Nagi decides she’s in a playful mood and commits to it, moving in with Kyoutarou, who doesn’t resist.

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While Kana is busy making sure Senri has as much fun as she can (read into that what you will), Kyoutarou pays for the privilege of having a busty and voluptuous house guest when Tsugumi makes an unannounced visit, and she comes right out (well, not right out) and asks him to be her boyfriend.

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Well, to pretend to be her boyfriend, at least, for when they visit her little sister Sayori. Even though she’s little and bedridden, Sayori struck me immediately as stronger, more assertive and honest with her feelings than her sister, and sees through the ploy instantly. She’s actually a pretty cool and mature sibling, not at all your typical unreasonable brat who gives her sister’s guy a hard time.

On the contrary, she’s grateful her ‘introverted’ sister has his and her friends’ support. You get the feeling Sayori would rather not be in the hospital so she can look after Tsugumi properly.

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As thanks for his service, Tsugumi wants to make Kyoutarou dinner, but since Nagi has moved in, he has to temporarily relocate her to his balcony while she does so, lest Tsugumi get the wrong idea. I’m not sure at this point what the right idea is, though. Why does Nagi want to play house so bad? Getting her kicks in before becoming a shepherd, I guess…but doesn’t constant proximity to him soften her resolve?

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In any case, the next day Tsugumi arrives with her discharged-for-the-day sister, again unannounced. This time Nagi won’t go quietly onto the balcony, and instead creates a sticky situation for Kyoutarou, who must explain more to Sayori than Tsugumi, what exactly is going on. Nagi doesn’t help matters by letting on that they’re up to more than they really are, and Kyoutarou’s sister excuse does seem flimsy, even if it’s technically the truth.

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Nagi may think this is all a big joke and everyone will forget her soon anyway, but Sayori isn’t laughing; she’s legitimately concerned for Tsugumi and wants straight answers. She gets so worked up she collapses. Rather than risk waiting for help, Kyoutarou begs Nagi to use her book-teleportation power to take Sayori to the hospital. Perhaps aware that this is kinda all her fault, Nagi obliges.

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Of course, this means Tsugumi has seen the power of the shepherds, and Kyoutarou tells her the rest, about how he’s in training. Their trip home is silent and awkward as you’d expect, and Kyoutarou figures Tsugumi would rather have nothing more to do with him, but in that he’s sorely mistaken: Tsugumi uses the opportunity to beg him not to go anywhere or be erased from her memories, and then confesses to him.

She walks it back a bit, but it’s out there, and it isn’t as if Kyoutarou isn’t receptive. In fact, could this have been Nagi’s plot all along; to get him and Tsugumi closer? Was she just pretending to be put out by Tsugumi’s visits?

Oh yeah, and the clubroom has been suddenly overrun by a bevy of manga-reading, formerly inactive guys, which is Takigawa’s doing. It appears the Veep won’t allow the club’s pseudo-Shepherd-like activities to continue. How will they fight back?

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Daitoshokan no Hitsujikai – 09

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Who makes a better Shepherd: the one who would guide their sheep along a life path that makes the most of their latent talent, or along the path that would net the sheep the most happiness? The question begs asking, because in the case of the “Song Princess” Misono Senri, those two paths are divergent.

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Simply put, as good as she was, or is, or could be at singing, it just doesn’t make Senri happy anymore, which has led her to neglect her practicing. It hasn’t made her happy ever since she learned her best friend Serizawa would quit if Senri beat her. Senri took a dive, yet still won, and lost Serizawa anyway. Her talent hurt someone dear to her, and caused them to drift apart.

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So why keep singing, when it only gives her pain and reminds her of what she’s lost? If she does keep singing, who’s to say she won’t lose more friends to her talent? Nagi, as Shepherd-in-Training, takes the road of maximum talent cultivation at any cost: Senri must get back on track, or she’s doomed to become ‘just an ordinary student’.

Kyoutarou inserts himself in Nagi’s mission and ends up taking it over completely, taking the other road: the road of happiness. He does this not to one-up Nagi, but because he wants to help his friend. His answer is, if singing is painful, Stop. Enjoy life. Have fun with friends. Don’t worry about the labels others give you. Make your own mark. Do what you want, not what’s expected of you. He even suggests the same of Nagi herself.

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Meanwhile, what do we have here? Oh, just Vice Predient Tokigawa obsessively photographing President Mochizuki and photoshopping her face on Kyoutarou’s body for pleasure. She also seems to be in contact with ‘a’ Shepherd, though which one who can say. I can’t say there’s enough here to work with, so I’ll just move on. :)

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Back to Senri, who takes to Kyou’s advice like a fish to water. Who hasn’t reveled in waking up only to realize you can go back to bed? Such Luxury! Or helping her fellow library club members plan their upcoming festival event. Or goofing off with Kana, who assures her no one in the club will hate her for doing what she feels she needs to do to be happy, even if that’s quitting singing forever.

Tamamo initially takes a sterner position, saying she can’t abide people who waste their talents, but later confides to Kyoutarou (in a scene where she’s very physically close to him) that it was her jealousy speaking; she herself wanted to be an artist, but her family forbade it in favor of a path that would lead to more success, if not more happiness. So she doesn’t really begrudge so much as envy Senri’s situation.

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As the episode progresses, one cannot argue that Kyoutarou’s way has resulted in a much bubblier, happier Senri, who literally makes her mark on him by stamping his hand with a smiley face. When Serizawa confronts him about rumors the Song Princess has quit, Kyoutarou refers to the canary who lost its song.

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Then Nagi confronts Kyoutarou, warning him that he could be condemning that canary to a life of mediocrity. Kyoutarou, who is content to give Senri time to ‘find her song anew’, as it were, wonders why Nagi is in such a damn hurry to ‘fix’ Senri…

That’s when the environs darken and the Shepherd recruiter appears, telling Kyoutarou he’s passed the second exam and can become a Shepherd anytime he wants. They transport to the Grand Library, where the recruiter presents Kyou with Nagi’s book.

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Nagi, as we know, is in a hurry to cast away her past in order to become a Shepherd, but as Kyoutarou learns once he opens that book, that is prohibitively difficult as long as her past is right in front of her: Kyou was her “big brother,” which I assume is a term of endearment, rather than an indication they’re actually related.

This is not so much a huge shock for us considering Nagi’s behavior these past eight episodes, but it definitely puts her in a new light for Kyoutarou, who has the power, if he desires to use it, to ensure she lives a normal life, even if that’s not what she wants.

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