Cardcaptor Sakura – 61 – A Hymn of Twisted Metal

Sakura is flying around late at night…has she become a delinquent? No, she was just converting four new Clow Cards while using Mirror as her decoy in case anyone checks on her in her room. Mirror wants to tell her something, but Touya peeks in, and she has to return to her card form.

Kero-chan believes Touya is totally on to them but Sakura doesn’t see it. Why would her big bro teases her about everything—from her stomping to her tardiness to the way she eats—yet not tease her about dressing up in frilly dresses and collecting magical cards?

While escorting her to school Touya asks Sakura if he’s gotten a gift for dad yet. He needs a new wallet, but Sakura can’t afford one on her allowance, so Touya and her will pick one out and buy it together. I loved it when Sakura run down a list in her head of people for whom to give gifts…and leaves Syaoran out!

As we know, Touya knows pretty much everything about the magical goings on with Sakura, Yukito, and Tomoeda town in general. He’s pretty much onto Ruby Moon/Nakuru too! It’s just that he’s usually a passive observer and nothing more. I wonder how long he can keep that up when Yukito is growing more and more fatigued.

Sakura has homeroom duties with Syaoran, which I’m sure he sees as yet another glorious opportunity to tell her how he feels, only to be interrupted yet again, this time by Yamazaki’s inane rambling. I daresay this bit has the potential to grow stale, as one can only imagine so many iterations of Syaoran trying and utterly failing to say three simple words.

However, each instance seems to add more dimension. This time, Sakura has Syaoran translate the characters Meiling wrote in her letter, which mean “my dear friend”. Syaoran also tells Sakura that you give people “close to you” Christmas presents in Hong Kong as well, and Sakura tells him she’ll be sure to give him one. Dawww…

Speaking of confessing, Touya has said “I…you…” several times to Yukito without ever getting his intended words out. This week he comes closer than ever, telling the snow rabbit “I know the truth” before Nakuru pops out of the scenery and pounces on him anew.

After listening to Eriol practice a hymn of gratitude on the piano, Sakura prepares to meet her brother, but she and Syaoran sense Clow’s presence. She decides to go with Syaoran, and summons Mirror to go with her brother.

Once Sakura and Syaoran arrive at the location of the presence, they’re confronted by a detached metal railing with a mind of its own, full of sharp, jagged points. It’s one of Eriol’s nastier conjurings, seeing as how the animate twisted metal is a veritable hive of tetanys.

The pair hack at the metal to no avail; it simply reattaches and comes at them again and again. That’s until Sakura summons Mist, which causes the metal to corrode into harmless dust. The aftermath of their battle would appear to be a good time for Syaoran to say what he needs to say, but Sakura, having realized something, has to suddenly go!

As for Mirror!Sakura, she seems happy for the opportunity to hang out with Touya. Even though he immediately notices she’s not really his sister, he’s still kind to her and they have fun shopping and having coffee. Tange Sakura does a lovely job modulating differentiating between Sakura Prime and the quieter, gentler Mirror!Sakura’s voices.

Touya even thanks Mirror for helping Sakura, and offers her a humble gift for Christmas: hair ribbons for her normal form, which he knows has longer hair. Mirror accepts them, bursting with joy and gratitude.

When Sakura suddenly left Syaoran, it was out of a sense of duty to express her gratitude to her cards for helping her whenever she’s in tough spots. She decided to have Eriol teach her the hymn so she could play it (or at least one side of it) and record it for them to listen to.

Mirror, the only card who can communicate verbally with Sakura, warmly accepts the gift, and reveals that what she had wanted to say to her all along was thanks in return for changing them into Sakura Cards and taking care of them. Sakura’s cards love her—and who can blame them??

In the most heartwarming part of the episode, upon returning to card form, Sakura notices green ribbons in Mirror’s hair—the very ribbons Touya gave her. I have no idea how that worked, practically speaking, but it was hella sweet nonetheless!

Re:Zero kara Hajimeru Isekai Seikatsu – 02

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In the latest iteration of the timeline the first episode ended with, Subaru doesn’t fare too well; calling Satella ‘Satella’ has the same effect as calling someone ‘Voldemort’ in the Harry Potter world. When Felt snatches her insignia, she assumes Subaru was only meant to distract her and runs off, and when he’s short with the three thugs in the alley, he gets stabbed to death and returns right back to the fruit stand.

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That quick sequence of events is enough to convince Subie of what we already know to be the case: he’s caught in a time loop, returning to that fruit stand every time he dies. He even gives it a name: “Return by Death” (which is a little plain but accurate).

(I’ll mention, I thought it was weird how the fruit vendor knew about Subie finding his lost daughter in this timeline. Did he find her again off camera, or is the vendor simply mixing up his memories from a previous go?)

Now that he knows the score, Subie initially considers simply selling his cell phone for some fat stacks and simply enjoying life, but he can’t ignore the fact he knows what happened (or will happen) to the old man, Felt, and Satella. So he decides he’ll maintain course: trade his phone for the insignia and give the insignia back to Satella.

The next time he meets the 3 Stooges, he tries something different: calling emphatically for guards. A distinguished swordsman named Reinhard answers the call, and rather than being a hardass, his “nice guy index” goes off the charts. I imagine we haven’t seen the last of him.

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In committing to this plan, Subie is naturally hoping to bypass the whole everyone-gets-killed-by-Elsa scenario by making the required transaction as efficient as possible, but it doesn’t help matters when he bumps into Elsa in the street and she can smell his fear and anger. She even compliments her by using humor to conceal his aggression (taking note of her dark beauty).

It also doesn’t help that he starts snooping around Felt’s hut, provoking her into attacking him before he can explain himself. I will say he hangs in there pretty well in the fight with the nimble thief—right up until her hut collapses on him.

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He does eventually sort out his intentions with Felt, who can’t be too careful, as she doesn’t intend to spend her whole life in the slums, and means it when she says “Live Strong.” She admits were she not a successful thief she’d probably have to sell her body.

It’s a small detail, but Subie does seem to know how to talk to women after a fashion, first by appealing to Elsa’s beauty, then mentioning offhand that Felt does pretty well for herself in the looks department despite not wearing makeup.

That being said, he pushes his luck a bit by being empathetic to Felt’s situation and petting her head, which she does not like and responds by biting him…after giving fair warning, of course!

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Subaru is intent on getting the phone appraised by Rom and making the exchange before Elsa shows up, but Felt is suspicious of the hurry he’s in, and doesn’t want to close a deal without letting her other client make an offer. Subie thought he could sway Felt by getting Rom on his side, but Felt won’t budge, and when a knock comes at the door, she opens it without reservation, even though Subie warns her they’ll all be killed.

But something very different happens than happened before. It isn’t Elsa at the door; it’s “Satella”, having apparently asked around and tracked the thief who stole her insignia to the loot house.

That doesn’t mean Elsa is far behind, ready to kill them all. Nor does it mean Subie will be able to form the same easy rapport with this Satella as the first one, but the important thing is, everyone is still breathing, and the episode ends without Subie back at the fruit vendor. Progress!

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P.S. I liked the OP, which features some backwards percussion and a beginning that’s the reverse of the end. Vocals aren’t bad either. Likely a future Monday OP.