Re:Creators – 13

One thing on which Oigakkosan and I can agree is that one of the best scenes of Re:Creators to date comes at the end of the very first episode: a smash cut from the serious end credits to the newly-arrived Meteora and Celestia going on a convenience store snack spree on Souta’s dime.

It’s a successful scene for so many reasons, among them that it establishes the clever fish-out-of-water dynamic that was later largely abandoned once the battle with Altair began in earnest.

It was also a strong indication that the creators of Re:Creators had a sense of humor, and unlike some Troyca shows, wouldn’t mind cutting loose and having a little fun from time to time.

Aside from some in-show commentary from Chikujouin Magane, Re:C hasn’t done as much as either Oigakkosan or I wanted with the potential established in that first episode’s final scene. Heck, they even killed off my favorite Creation at the time (Mamika), the one with the most ridiculous attacks and sound effects.

Fortunately, and quite to my surprise, that cheeky, mildly self-deprecating tack returns with a vengeance in this, the ostensible recap. It turns out to be more of an Osterreich recap, as Meteora delivers a fun and amusing fourth-wall breaking commentary, even embellishing her own importance and appearance in the story.

Where her potential had been somewhat dulled by being trapped in the show, with Meteora free to discuss things like the synopses of the various characters’ anime (often lifting it verbatim from the official websites), she morphs into a neat audience surrogate, and share her opinions on how things have gone thus far the normal format of the show wouldn’t allow.

The show’s willingness to pull Meteora, the talkiest of the talky creations, out of the world of the show and into ours matches the premise of the show, and reestablishes that first episode potential by making sure my smile rarely leaves my face throughout her recap.

Initially portraying herself as far “sexier” than she really is; taking great pains to explain why Celestia lost her first battle against Mamika so badly; criticizing Yuuya and Alice (AKA Grasshopper Glasses and Muscle Brains) for so easily falling for Magane’s deceptions; it’s all great stuff.

At the same time, we’re getting little glimpses and tidbits of their stories before they became a part of Re:Creators.

After appearing again as a statuesque, scantily-clad pool hustler (with the other characters represented as balls), Meteora saves her most biting verbal venom for the show’s villain, Altair, tearing her character design apart as needlessly, annoyingly complicated, and suggesting that the producers change her outfit to a tracksuit and sandals (which we unfortunately never see, but which I’m sure a fan will draw at some point). Badly karaoke-ing “World Etude” was also a nice touch.

In the final scene, we’re back in the conference room from the previous episode with all the characters assembled, everyone but (regular-looking) Meteora frozen in time while she walks around with a spotlight above her.

Here, before returning us to the “normal format” and those final moments of the last episode in preparation for the show’s second half, Meteora aims to assure those who are concerned about the future of Re:Creators that, far from a sign of diminishing quality and an “industry in crisis”, this recap was always meant to be.

As a recap, it succeeds in going over the various players, where the sides stand, and what’s at stake. But what makes it a far better recap than I could have imagined—and a more effective episode than some of the normal format ones that preceded it—is its willingness to let its hair down and have some fun with its admittedly cool premise.

In doing so it demonstrated bolder, more creative thinking, and gave me fresh hope the show will find its second wind. One thing’s for sure: I’ll never watch Meteora—or listen to her many measured words—the same way again.

Advertisements

Shouwa Genroku Rakugo Shinjuu 2 – 07

rak271

It’s Autumn, and getting chilly, but Yakumo goes out to sit amongst the gingko trees on hospital grounds in thin robes. Konatsu finds him and wraps him in a scarf. He’s in a dark place. When he first collapsed, he thought he wouldn’t “have” to do rakugo anymore.

Now that he’s returned from that hall of candles and from his encounter with Sukeroku…wherever he was, he feels he’s lost both the voice and the desire to ever take the stage again. Konatsu, who still blames him for her father’s death, calls it karmic retribution.

The deep-seated bitterness remains. Yet if anything, Konatsu is even bitterer to see the ultimate antagonist in her life brought so low.

rak272

Konatsu and Yakumo’s meeting among the Gingkos, and the tragic past that binds them, is re-investigated and all but rewritten this week, as Higuchi invites Yotaro and Matsuda to join him in the countryside where everything ended and began: the hot spring inn where Sukeroku and Miyokichi Yurie died.

rak273

It’s where Higuchi, only a boy and accompanying his father, an inn regular, first met (and pretty much fell for) Miyokichi. A few years later he encountered her in Tokyo, and she’d only grown more beautiful and refined.

When Higuchi heard the way she spoke the name Kikuhiko, he had to see what kind of man could snatch this gorgeous woman’s heart. When he went to see the future Yakumo perform, he found himself in awe like many others, and asked if he could be a rakugo apprentice.

Obviously, Kiku refused, and now we know that young man from episode 10 of last season was Higuchi, who since then has immersed himself in rakugo, not as a performer, but a student, and may just be positioned to help steer its future with Yotaro.

rak274

But this episode is concerned mostly with the past, specifically the last days of Sukeroku. Yotaro obviously wasn’t there, but Matsuda was, and throughout the episode Matsuda is overcome with nostalgia for the barely-changed place.

More to the point, Higuchi has brought them here to view film reels of Kiku and Shin’s performances, which despite their degraded quality put everyone right back in that state of awe. The Kiku in the film is younger than Yotaro, and yet he’s so much better, and more to the point, seems so much happier to be performing rakugo. All Yotaro needs to do is close his eyes, and he sees the young master in color, performing all the roles within the world of his story.

Then the innkeeper loads the reel of Shin performing “Shibahama”, the story of the wife’s lie that made her husband’s life better, and there isn’t a dry eye in the darkened room, including my own. It’s a story told and performed so well that it simply gets me every time. And Yotaro can tell how happy Shin was.

rak275

After that, they go to the graves of Sukeroku and Miyokichi, whose happiness—and ultimately lives—Higuchi said were destroyed by Yakumo. But Matsuda knows the truth of what happened that night, and it isn’t the story Yakumo told Yotaro last season. Likely because it was such a good and well-told story, I never questioned whether Yakumo was a reliable narrator.

But overcome by all the memories the town, inn, and film reels surfaced in him, and the sun not only setting on the day, but on his and Yakumo’s lives, Matsuda reveals all: Miyokichi stabbed Shin. Kiku was holding him and got covered in his blood when Matsuda and Konatsu came in, and Konatsu then tried to push her mother out the window. Shin grabbed Miyokichi and the two fell to their deaths, while Kiku held Konatsu back.

rak276

That misleading image—of Kiku holding her father, the two stained in blood, and Kiku wearing a fiercely hostile expression—is pretty much all Konatsu remembers of the ordeal; her memory is hazy from passing out from the shock of the events she witnessed. But it’s an image that still haunts her to this very day, as she smokes alone in her jammies when Yotaro returns home.

When she looks up at him, wondering why he was out late, she sees the tears in the big guy’s face (not an uncommon occurrence) and assumes Yakumo must have done that to him. He did, but not directly. Those are the tears of someone who has heard the truth and come across someone who still doesn’t, and has gone through a lot of pain because of it.

He doesn’t relay to Konatsu what he’s learned on this night. Instead he embraces her…while she keeps smoking. But I imagine the truth will come out at some point, as Matsuda begged Yotaro and Higuchi not to let the master leave the world believing rakugo will die with him.

16rating_1016rating_whl