Re:Zero kara Hajimeru Isekai Seikatsu – 27 (S2 02) – Showing What They’re Maid Of

Emilia and Subaru bid Crusch and Felix farewell with thanks, hearty handshakes and best wishes. With Crusch’s memories gone who knows what shape the royal selection will take, but for now the priority is returning home and getting some answers. But upon returning to the village, they learn Roswaal, Ram, and others have yet to return from the Sanctuary.

Upon arriving at Roswaal manor (driven there by Otto), Emilia and Subaru are surprised to be welcomed by new maid, a “beast-girl” named Frederica Baumann. I immediately recognized the dulcet tones of Nazuka Kaori (Eureka), which complement Frederica’s adorably sharp teeth quite well. Turns out Frederica worked for the mansion just before Subaru arrived, and had been on personal leave until Ram called her back.

Subaru pays Beatrice a visit, and we see that extended isolation has not made her more pleasant to deal with. She’s downright prickly with Subaru, especially when he presents the gospel he took off of the dead Betelgeuse. Beatrice seems to regard “Geuse” as a dear friend who, like others, left her behind. She also resents Subaru once again using her as a mere “tool of convenience”.

Could this mean Betelgeuse was once good, or just that Beako doesn’t see the world in terms of good and bad? In any case, she has no answers for him, only the means to seek them. Roswaal’s intentions, the meaning of the Gospel, and answers about this “Witch Factor” thing all lie in the Sanctuary, which Frederica has been instructed to tell Emilia and Subaru how to access.

Before heading to the Woods of Clemaldy where the Sanctuary is located, Subaru says goodbye to the sleeping Rem and tasks new Maid-in-Training Petra(!) with Rem’s care, and Frederica with Petra’s care. Petra doesn’t have the maid-like manner of speaking down yet, but she’s eager to prove she’s an adult upon whom people can depend.

Frederica presents Emilia with a jewel that will help them pass a magical barrier that impedes access to the sanctuary. Petra bashfully gives Subaru a handkerchief as a kind of old tradition with travelers; he’ll return it to her stained from his adventures when he comes back.

The journey into the woods is uneventful at first. Emilia is nervous, especially considering Puck isn’t answering her calls to come out (Puck did tell Subaru he’d be relying on him to take care of Lia). She’s also apprehensive about hte possibility of meeting other half-elves in Clemaldy, a stronghold of demi-humans.

Her barrier jewel starts to glow, and Subaru decides the proper thing to do is to yank it off of her, causing her to pass out. The next thing Subaru knows, Emilia, Otto, and the wagon are gone, and he’s lost in the lost woods…not a great situation to be in! He encounters a small pink-haired elf in a white tunic and when she runs off he gives chase.

He comes upon a clearing where a stone ruin stands, and starts to walk through the front door…as Frederica said, will and resolve are as necessary as magic and strength in the Sanctuary. That’s when he’s transported again, this time to Windows XP’s default background, Bliss.

Just above him on the crest of a hill sits a woman with long silver hair having tea under an ornate umbrella. She introduces herself as Echidna, AKA the Witch of Greed. While voiced by Sakamoto Maaya (always a good decision), Echidna looks an awful lot like Emilia. But wasn’t the witch she said she resembled named Satella?

While this was mostly a getting-from-A-to-B(-to-C) transitory episode with lots of goodbyes between characters (and no telling whether they’ll ever see each other again), the intro of Frederica, Maid Petra, and of course Echidna represented major developments, and the steady buildup of Clemaldy as no place for the weak was highly effective.

It will be interesting to see if Subaru has reached a new “save point” for his Return by Death, or if that little trick is already obsolete. For now, he seems separated from everyone and unable to protect anyone but himself…if that. In other words, he’s been thrown right back into the Shit!

Re:Zero kara Hajimeru Isekai Seikatsu – 26 (S2 01) – Sleeping Beauty, Weeping Hero

Allow me to indulge in a brief tangent: I’m playing Final Fantasy VII Remake at a more leisurely pace than most. I knew, as with Re:Zero here, it would be a while before we get the continuation, so I’d best savor what I’ve got, right? Anyway, I had just managed to defeat the much ballyhooed Airbuster boss at the end of Chapter 7, after which with Cloud falls through a church roof and lands on Aerith’s flowerbed.

Coming off such a long mission at the Mako Reactor culminating in a stressful, protracted boss battle, I expected a little respite to catch my breath. No such luck: within minutes Cloud is locked in a very tricky one-on-one fight with Reno. I went at him much the same way I’d fought Airbuster—and had my ass handed to me to the tune of four Game Overs before I got used to his patterns and found his weakness.

The point is, FF7R wasn’t ready to let me rest just yet, or even spend any time celebrating what had felt like a significant victory. It was immediately time to deal with the next crisis It’s the same with Re:Zero’s second season. Turns out watching the director’s cut wasn’t necessary, as the only unique scene it had—Emilia’s infamous “Who’s Rem?”—is the cold open of this first episode.

What we didn’t know is why exactly Lia suddenly forgot Rem. Was there another whale? Did the teleportation back from Isekai Quartet‘s “Chibi High School World” cause the amnesia? Re:Zero 2 wastes no time answering that question: Re:Zero’s Airbuster (the White Whale) may be defeated, but there’s no time to celebrate, because now its Reno is on the scene.

“Reno” in this case refers to not one but two new heretofore unseen Sin Archbishops of the Witch’s Cult: That of Greed, the smug Regulus Corneas, and Gluttony, the manic Lye Batenkaitos. The convoy that includes the wagon carrying Rem and Crusch is suddenly ambushed by the bishops, resulting in a huge amount of carnage.

Lye is a lot like Betel in his goofy over-the-top spiel, but Regulus is the more fearsome one to my eye and ear. He’s so calm, well-spoken, and put together, wasting no movement in his horrifically violent attacks. He looks more like Reinhard or Julius than a Sin Archbishop, which is somehow more unsettling.

When Crusch fights force with force, interrupting Regulus’ monologue, he is insulted by her lack of manners and relieves her of her left arm. After administering first aid, Rem breaks out her flail, but it’s telling that she makes it absolutely clear that she’s not the one they need to worry about, but the man she loves, her hero, The Hero, Natsuki Subaru.

That turns out to be a bad move, as neither archbishop considers Rem to be much of a threat, and as we saw what happened when she fought the Sin Archbishop of Sloth Betelgeuse, this battle was going to end about as well as my first tussle with the slippery Reno in FF7R. Emi’s question to Subaru meant the battle had already been decided, and Rem lost.

As steeled as I was to witness it firsthand, I was still not prepared for the devastating flashes of Rem and Subaru’s future before losing consciousness: sitting on a bench with their newborn second child; their firstborn standing nearby. Welcome Back to Re:Zero, where there is no limit to the amount of times your heart will get stomped on!

Once the convoys arrive at Crusch’s estate, Subaru is on the edge of panic as he restlessly searches the scores of dead and wounded for Rem. First he spots blue hair, but it’s not her. Finally, he finds her, unconscious. The healer doesn’t know who she is, and can do nothing for her. After lashing out at the man in anger, he quickly descends into crippling despair, grabs the nearest broken sword, points it at his throat, and kills himself.

Of course, Return by Death doesn’t take him back to a point in time before Rem is attacked; only to the back of the wagon with Emilia just before he mentions Rem. He’s too late to stop Rem’s attackers. He’ll have to save her after the fact.

Puck informs him that Gluttony literally devours not just memories, but someone’s very name. This is what was done to Rem, which means the girl lying in bed is an empty shell. She won’t wake up unless her name and memories are restored. I imagine killing Gluttony will do the trick, but who knows?

Meanwhile, everyone else has indeed never heard of Rem, while Crusch, the last person she was with, also had her memories eaten, to the point she doesn’t even know herself. At an impromptu meeting between Subaru, Emilia, Wilheim, Felis, and Crusch, Felis puts Crusch’s welfare first and proposes an end to an alliance with Emilia that no longer serves a benefit, only a burden.

Subaru bristles at that, and at Felis’ misplaced blame and selfish caution. Even though Crusch doesn’t really know who she is, she sides with Subaru, as does Wilheim. Gluttony, Greed, and the Witch’s Cult are threats to all (there are reports of others throughout the land falling victim to Gluttony), and so all of them must stay together to determine the proper path to defeating them.

Moving forward requires that Subaru accept that Rem is out of the picture for now, that there’s nothing he can immediately do about it, and going without sleep to stay by her bedside helps neither of them. Emilia comes to Rem’s room to say as much, and while she has no memories of Rem, she can tell she’s Ram’s sister. She’s also come to tell Subaru that she wants to help Subaru carry the weight of Rem. He saved her, and now it’s her turn to save him.

This causes Subaru to politely ask her to turn away so he can cry, but soon after bawling big sopping sheets tears, she wraps her arms around him in a hug of support. And so we start with the Hero at his lowest point (so far, at least…it can always go lower!), unable even to put on a Tough Guy act, and the Heroine promising to save him, starting with helping him process the situation so that they can begin to find a solution.

It’s a strong return to form for Re:Zero, which at this point is a known quantity in terms of how it operates and to never expect things to work out too soon without significant hardship and suffering on the part characters. Two new sniveling supervillains are here, and their Emilia-lookin’ Witch queen still looms.

Hopefully no one is starting their Re:Zero journey with this episode; that would be…interesting. Suffice it to say, if you enjoyed the first season, the second picks right up where it left off both in story, tone, and style. I’m eager to see and learn more. Thankfully, the wait is over.

 

Re: Zero – Frozen Bonds

There’s one more piece of business before we begin the months-long wait for Re:Zero Season 2: a second OVA that takes place before Subaru is transported into this new world from that convenience store parking lot. It’s a prequel that focuses on Emilia, prior to becoming a candidate. She lives alone in a treehouse in the forest, surrounded by ice sculptures of people she carefully tends every day. This begs the question: did she turn them to ice? Is this penance?

If it is, she doesn’t know it. We actually get a good amount of Emilia simply wordlessly going through her daily routine, and it’s clear she’s as good a good girl as she is in Re:Zero. But then there’s the issue of her appearance, and her resemblance to the Witch of Envy. Everyone dispises that witch, and Emilia has exhibited magical powers, so everyone in the nearby village is afraid of her and hates her. Everyone except Puck, of course.

When a band of thugs attacks her with the intent of capturing her and selling her into sexual slavery, Puck isn’t around, so she has to rely on her own powers, as well as the cooperation of lesser spirits Puck taught her how to summon. She begs the thugs again and again not to escalate, but they ignore her. A giant yeti joins the fray, and her powers go out of control. Puck intervenes, calming Emilia down, but only because he’s respecting her wishes not to kill anyone.

There’s an “arbiter” spirit named Melakeura who is intent on eliminating Emilia simply for resembling (and being descended from) the witch. He’s stubborn as a horse (and looks like one too!), and Puck can’t dissuade him. Not wanting Puck to take on everything himself, Emilia leaves the safety of her treehouse and sets off on her awesome ice snowboard. Melakeura confronts, condemns, and attacks Emilia, but Puck arrives in time to slow him down.

A multi-stage back-and-forth battle between the two occurs, with Emilia demanding the arbiter to judge her for who she is, not some different person, and Puck insisting she be allowed to live a happy life in peace. Melakeura isn’t having it, so after Puck is nearly KO’d, he forms an official contract with “Lia” and takes his notorious monster form for the first time to defend her.

Melakeura also grows to monstrous size, making this almost a kaiju battle ending. But when the dust settles, Lia and Mega-Puck are none the worse for wear, and commit to their bond as father and daughter before a gorgeous sunset. Frozen Bonds felt 20-30 minutes longer than it really needed to be (some of the battles and Melakerua’s halting dialogue got repetitive at times) but it was nevertheless fun to see a glimpse of Emilia That Was, and how she came to be the exceptional person she is in the present.

Re: Zero – Memory Snow

Firstly, this OVA/Movie isn’t new: it was released back in October 2018…but it’s new for me! And frankly, after one and a half seasons of watching the cast of Re:Zero in chibi form sharing the screen with the casts of 3-4 other isekai shows, it’s a rare pleasure to finally see Subaru, Rem, Ram, Emilia, Roswaal, and Beako in their normal proportions, in a more slice-of-life setting.

While these initial screenshots are disconcerting, one can be rest assured that neither Subie nor anyone else goes through anything horrible or traumatic in this Memory Snow side story; the worst thing that happens is he wakes up to an increasingly cold manor. Turns out the cold is emanating from Puck, who is undergoing Hatsumaki, a periodic semi-controlled bleeding-off of mana. It’s fun to learn that Ram shares Subie’s extreme dislike of the cold.

Subaru’s first date with Lia is postponed until the Hatsumaki is over, but he makes the best of a chilly situation by taking a page from his homeland and organizing a snow festival on the manor grounds. Everyone makes a snow sculpture while Subie, the village elder and Roswaal serve as judges. Even Beako gets in on the action, while Ram and Rem’s collaboration of a Subaru-Roswaal hybrid statue gets middling scores for being so creepy.

At the post-festival banquet, Roswaal cracks open a stash of booze hidden under the floorboards of Subaru’s bedroom. This results in what I believe is our first taste of both Tipsy Emilia and Tipsy Rem, who while unassailably adorable in their playful drunkenness, have limited energy stores and it’s not long before both are using Subie’s lap as a pillow. Ram, on the other hand, can mostly hold her liquor.

The group migrates outside, where Puck expands the Hatsumaki to give the villagers and surrounding lands a lovely late night snowfall; the spirits soon appear, thousand points of light dancing around the sky. Beako and Rem deliver their barbs to Subaru regarding his being named after a star of all things, but by night’s end everyone can jump in bed content after a very full, fun day spearheaded by Barusu.

With Puck’s Hatsumaki waning, the story closes with Subaru and Emilia finally having their date—and Lia unveiling her adorable outfit for the occasion. While this outing lacked its parent anime’s sadistic bite or any measurable stakes, it was a strong affirmation of the real reason why I kept watching Re:Zero, and will be tuning in to its second season: the characters. Subaru, Rem, Emilia & Co. are eminently fun to watch, whether they’re chibis in a high school or playing in the snow without a care in the world.

Isekai Quartet – 10 – Hootin’ an’ Hollerin’

When Roswaal announces that their Field Trip will be immediately followed by a Field Day with the “other” class, everyone looks around like he’s crazy. What other class? Sure enough, Subaru peeks into the next classroom (the one that didn’t exist before that day) and spots a whole other class of characters from the four shows.

This includes not only Ainz’s Combat Maids (which Subaru says is “a bit much” even though he’s surrounded by Demon Maids) but a Sword Saint of Subaru and Emilia’s world, Reinhard van Astrea. Hey, if you have all four shows at your disposal, you might as well use everyone you can!

KonoSuba’s Chris is also there, and warns Kazuma and the others from her world that if you die in this weird school world, you won’t come back. Why she specifically has that information is not explained, but there’s no reason to doubt it.

Still, Subaru successfully tests his “Return by Death,” and sound effects I hadn’t heard in a long time suddenly brought everything he went through back. It also makes a “mabeast” like Hamusuke come running, even though she’s not sure why.

The class leaders decide that victory over Class A is absolutely imperative:  winning means the possibility of returning to their respective worlds. Everyone in the class rallies together to ensure that victory…except for Kazuma, who would prefer to stay in this world and is too lazy to bother going back to defeat the Demon King.

His stubborn apathy brings out the worst in Tanya, who whips him into shape by going aerial with Puck and putting him through a brutal boot camp. Excited by the crystal bombardment, Megumin decides to join in the fun with an Explosion. Meanwhile, I hope either Class A or another class has Felt, Clementine, Enri, or Kyouya; it would be nice to see those guys again.

Re:Zero kara Hajimeru Isekai Seikatsu – 18

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In which Subaru truly does return to “Zero”, and this show continues to surprise

Other than a thorough and devastating dressing-down by MegaPuck (during which time Subie slowly freezes solid and shatters) and another Return by Death, this episode consists exclusively of one conversation between Subaru and Rem, presented only with intermittent flashes from the past.

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lot is covered, with a great deal of emotion flying around. It takes a great deal of attention to sit through and absorb, but if you like Subaru (or are at least rooting for him) and you like Rem, you probably liked this episode a lot. I for one was riveted.

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There’s also a good deal of rejection in their long, sprawling discussion, which takes place in a very pretty part of the city with a lovely view, on a clear, crisp day. First, Rem rejects Subaru’s desperate plan to run away together, because it would mean giving up on the Subaru she fell in love with.

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Rem can’t possibly know how much Subaru has been through already, and how he finally decided to give up after much suffering. But damn it all if I don’t get soppy-eyed as she beautifully describes the perfectly fine future they’d have together if she went with him. But again, she’s not ready to give up on him, even if he’s given up on himself.

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Initially in the talk, I was on Subaru’s side, because I was right there with him when Rem, Ram, and Emilia died again and again, often in awful, horrifying ways. Like him, I’m from the real world, where I, unfortunately, am not a hero. If I ended up in a fantasy-RPG-style world like he did, I might think for a time, that I had suddenly become one.

But Subaru learned the hard way that he is, as Puck put it, useless. That every time he’s talked big, he’s come up short in the quest to save everyone. It’s hard to argue, considering this is the most persistent impasse he’s come to, which has led to the darkest places…and there’s only so much a dumb do-nothing kid from the modern world can take, right?

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Subaru tries, with the same passion he ranted at Emilia, to drill into Rem’s head all the ways he is a complete and utter failure of a living thing. But she simply doesn’t buy it. She comes back with all of the reasons she loves him, and describes in detail how she felt when he rescued her from herself. Not only did she fall in love with him then, but he restarted a clock that stopped for her when her village burned. He is her hero.

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Rather than run away from everything, she’s going to stay right where she is, and so is Subaru. Whatever troubles they have, they’ll figure it out together; support each other; make up for each other’s weaknesses. Do what they’ve done up to this point. Rem makes her love for him plain as the blue sky above them.

When Subaru rejects her because he still loves Emilia, it stings quite a bit, but for Rem, better to have a Subaru around than not, whether he loves her the same way back or not.

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When Subaru puts forth his plan to move forward and try to save Emilia and asks for Rem’s help, Rem humbly accepts, but makes sure to tell him how cruel it is to ask such a thing of someone you’ve just rejected. Subaru, in turn, reminds her she rejected his running-away plan first. Touché!

They both have a good laugh – it’s been a long, exhausting talk, but look at what it has wrought! Subaru, who had been brought so low, he was starting to think that he really was immensely over-his-head with this whole hero thing. He had bags under his eyes, he was utterly done with everything. And now he’s back in the game, in far higher spirits, and even smiling and laughing. Quite the transition in one talk!

Time will tell if Subaru is simply grasping one last time onto the hope of one (Rem) who is, at the end of the day, ignorant to his past failed attempts, and doesn’t understand just how weak and ineffectual he is.

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Is this a glass-half-empty or a glass-half-full show? I’m still not sure, but it’s a half-full episode, which rejects what I’ve been thinking throughout this second half: that Subaru simply can’t cut it in this world, as much as he and I and Rem may want him to.

I’m looking forward to seeing what, exactly, returning to “zero” means for Subaru, and if somehow all the insights he and Rem gleaned from this long heart-to-heart will help them. Until then, this was a powerful episode, despite not much physically happening.

What did happen was Kobayashi Yuusuke and Minase Inori delivered some powerhouse voice performances that really drew me in and restored my faith in the possibility of a happy (or at least happier) ending. Mind you, Re:Zero may just be setting us up for more dark times made darker by the fact everything said here may end up being lost. But I hope not!

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Re:Zero kara Hajimeru Isekai Seikatsu – 17

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While Subaru managed to avoid the infamous white whale in previous lives in which he failed to save anyone, this week his luck really runs out. There’s no escape from the whale, and all Rem can think of is to try to draw it away, an action that will likely result in her death but has a chance of saving Subie, along with Otto.

Of course, Subaru doesn’t want Rem to go, but she overrules his objection with a chop to the neck and jumps out of the wagon. That’s when things get weird…er.

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Not moments after they were talking about Rem, Otto acts as if he’s never heard of her before; as if the whale swallowed up not just Rem but everyone’s memory of her…except Subie’s, naturally. It’s yet another reason for people to think he’s gone off his rocker…and he has. No one of Subaru’s background would be expected to endure the repeated suffering and death of those he loves with such frequency and still have a chance of retaining one’s mental faculties.

Once Otto suspects the whale is after Subie, he shoves him off the wagon. An injured Subaru manages to find a ground dragon that takes him to the village where his kid friends are there to greet him, alive and well.

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So this time he made it to the mansion in time, but the situation is worse than Rem being dead, because no one, even Ram, has ever heard of her. The episode is ruthless in showing a momentary glimpse of a maid with blue hair until it’s revealed to be the twin not in love with Subie.

Rem aside, there is nothing Subaru can do to stop the massacre that’s about to happen. Emilia is more than patient (and still very concerned) about Subie, but all he can manage is to rave to her about how no one will be saved, and if she just comes with him everything will work out.

Subie even attempts to tell Emilia about Return by Death, threat of having his heart squished be damned. Only this time the demonic hands don’t close around his heart when he says the words: they close around Emi’s, killing her in his arms.

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He awakes to a blood-colored night, where Beatrice is there, preparing to defend the mansion. Unwilling to kill Subie as he demands, she teleports him to the forest, so that he can find his own death, out of her sight. Pretty grim.

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Of course, once back in that damn forest, it doesn’t take long for Betelgeuse to show up with his cultist pals. He uses the same “unseen hands” that killed Emilia to separate him from her and threaten to tear her corpse apart, but a shower of ice daggers stays his unseen hands.

It’s the signature attack of a giant Puck, who, now that I see him in silhouette, was the beast that beheaded Subaru in episode 15, calling Emilia his daughter and asking Betelgeuse what he thinks he’s doing.

If you asked me back in the first half of the show if Emilia’s adorable little animate Beanie Baby of a familiar would end up playing a role like this, I’d have said you were crazy. But we live in crazy, messed-up Re:Zero times.

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Berserk – 01 (First Impressions)

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“Guts, known as the Black Swordsman, seeks sanctuary from the demonic forces that pursue him and his woman, and also vengeance against the man who branded him as an unholy sacrifice. Aided only by his titanic strength, skill, and sword, Guts must struggle against his bleak destiny, all the while fighting with a rage that might strip him of his humanity. Berserk is a dark and brooding story of outrageous swordplay and ominous fate, in the theme of Shakespeare’s Macbeth.” —MAL

Full disclosure: I’ve never read the manga this is based on, so I came in knowing nothing. I also haven’t read Macbeth since junior high, so all I remember is that there’s a manipulative Lady in it. So forgive my ignorance and read on to learn a fresh perspective on Berserk unblemished by prior consumption of the material (at least that I remember).

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Berserk definitely has its draws: a lush yet grim fantasy world full of violence both human-and-human and demon-on-human; an overpowered cursed antihero with a bad attitude and even worse effect on the lives of the innocent; decent voice acting and a great soundtrack. Some  strong elements of horror (body and otherwise), blood, and gore, though all tastefully censored.

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Those pros were not able to overcome the cons for me, at least in the first episode. The cons are pretty big: the CGI animation of characters is distractingly weird. If you know my work you know I reviewed (and loved) two seasons of Sidonia, but for some reason this style works far better in a futuristic sci-fi milieu for me.

It took me a couple of episodes to get used to Sidonia (and I never got far with Ronja), but I’m less optimistic about Berserk. It’s not so much the uncanny valley effect as the inescapable feeling that these are wooden CGI armatures moving around very awkwardly mechanically.

That suits the frenetic combat at times, but any natural movements, including mouth movements and expressions, suffer greatly, marring the overall viewing experience.

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This comes down to a question of style: Berserk’s producers for whatever reason decided not to use conventional animation, and frankly, that could well be a dealbreaker. Even if not, the naked annoying motormouth Puck would be (sorry, Puck fans out there).

I can’t immerse myself in a world that announces its “fakeness” so transparently, in a manner most anime manage to avoid. Some say more and more full CG will be the future of anime, but with some notable exceptions, I hope that’s not the case.

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Re:Zero kara Hajimeru Isekai Seikatsu – 10

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Another unfamiliar ceiling…and another unfamiliar but very welcome occurrence: that we may be able to bask in Subaru’s latest victories. He’s alive, the kids are safe and their curses are removed, and neither of the twins are dead, hate him, or want to kill him. This calls for a celebratory steamed sweet potato and some Puck-applause!

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For course, every silver lining has its cloud, which in this case is Beako’s latest unfortunate news for Subie: He still carries the curse of the mabeasts who nommed him, and that curse will allow them to essentially “eat” him remotely by taking all of his mana.

He has only half a day. No surprise, then, that Rem has already gone out alone to hunt down the mabeasts who are on the other end of the curse, thus “canceling the meal” and saving Subie, whom she’s clearly become rather fond of.

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Going into that forest is not for the fainthearted, but Subie isn’t letting his Return By Death skill undermine his commitment: he’s going in like he has only one life to live, because he really does only have one life he wants to live, and it’s one where everyone, including Rem, is alive.

Joining Subie is Ram, who warns him she’s not quite the fighter her younger sister is, though she has a pretty nifty Clairvoyance skill, as well as some intimidating wind-elemental magic. Emilia is too drained from healing Subie, so she’s out, as is Puck, while Subie arms himself with the “sharpest sword in the village”, presented as a gift for his heroism.

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Notably absent from the party? Beatrice, despite her likely being more than capable of contributing offense. So while imperfect, the Subie/Ram duo gets off to a good start, with Ram showing off the damage her wind magic can do.

Then Subie gets a bright idea, using the very curse keeping him from talking to others about Return By Death to lure all mabeasts to his and Ram’s location, luring Rem in turn. For the record, Rem is looking particularly badass and dangerous this week, as her Demon Mode makes her a formidable but also reckless and unstable killing machine.

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Despite Rem’s initial good intentions (saving Subie), she’s gotten a little too carried away by the power of her horn (which Ram lacks), so it also comes as no surprise that after surviving a potentially fatal fall off a cliff, Subie and Ram have to deal with a rabid Rem who isn’t too picky about her targets.

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I thought for sure this is how the episode would end: Subie unexpectedly catching a mace to the head and waking back up in the village inn with a sleeping Emilia by his side. It is a new “save point”, after all, and I assumed his Return By Death was only delayed last week so it could occur this week.

Mind you, I wasn’t happy about that prospect, which is why I was happy that Re:Zero decided not to kill Subie this week, either! This suggests an awareness of the potential for “Reset Button Fatigue”, especially after we only got a grand total of five minutes of victory to bask in.

That suspension of Subie’s death wasn’t certain at all, though. I like how the episode kept me guessing till the end, with a thoroughly berserk and unpredictable Rem waving that flail around and Subie seemingly having few options.

Of course, I was also amused by the tactic he employs in his effort to cut Rem’s horn and restore her to normal: by tossing Ram straight at her, as a smokescreen for his strike. It almost works on the first try, too…but as Subie said earlier, the “difficulty level” is demonically high, to the point where nothing will work on the first try.

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That being said, “Fate-sama” quickly gives Subie a second chance to take out Rem’s horn, and he re-resolves himself not to wuss out at the last second, out of fear of killing either twin. That horn has simply gotta go. I hope he can get it, just like I hope all the mabeasts killed this week mean he’s no longer going to be remotely eaten.

Re:Zero’s action isn’t regularly head-and-shoulders above Kabaneri (despite being better in every other category) but it really distinguished itself this week with some cool and exciting animation, made all the more compelling by how much we care about the combatants. Rem truly came off as a force of nature ready to explode. Here’s hoping she doesn’t!

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Re:Zero kara Hajimeru Isekai Seikatsu – 09

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This week served a full plate of contradictions. The tasty morsels include: Subaru recounting the aspirations of each village child to compel Rem to participate; Roswaal, King of Exposition, wearing reasonable clothes and flying off without any exposition; and Rem and Emilia devouring scenes bond-strengthening with Subaru. We also finally learn the source of the curse and witness some brutal combat in the forest.

Of all shows, Re:Zero has been remarkably good at packing its plates—often skipping opening or closing credits—and even though very little narrative has actually happened, the density and emotional impact has always earned it for me. Unfortunately, parts of this episode were slow, as if intentionally dragging its feet for an unearned cliffhanger ending. Additionally, many of the slower scenes were static, and the general animation quality was noticeably lower than normal.

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Focusing on the good, Re:Zero just nails Emilia’s character. She could very easily be the Perfect Nice Girl central love interest, but the fact that she really doesn’t know Subaru’s motives—that she really doesn’t understand him at all—but accepts that he’s probably a good person anyway gives her a lot of nuance.

Her best scene this week is no different: she enters mid-conversation, not even knowing what Subie has said to Ram and Rem, gets the gist, and gives him a little prayer for safety. Their back and forth is compact, simple, but full of lovely facial expressions. Seriously, just watch how her mouth subtly changes when she’s happy, exasperated, or bemused.

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Rem gets two solid scenes as well, and while both are much more Subaru-pushed than the scene with Emilia, they are still quite touching. Also, narratively advancing, as we learn a little more about the need for barriers to protect human settlements from the creatures of the witch, and that Subaru reveals he knows she can smell the witch on him.

I greatly appreciated how these scenes are painted as less romantic than Subaru’s scenes with Emilia. Here he has a kind word, makes a pinkie-promise, and shows his trust in Rem. It’s friendship, not harem-building, and that adds nuance to the format that easily could be about getting all the girls.

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Intentional or not, the last strong scene starts and ends poorly. The animation leading up to the fight was lackluster, there was a lot of static dialogue, and we still don’t know the motives of the villain. That abruptly changes with Subie’s epic kill. Like his fight with Rem several weeks ago, this had a ‘screw you I can take a beating’ vibe that makes all of the Subie fights enjoyable to watch.

Rem’s fight was decent too, for the most part. I get the sense that it ate most of the episode’s budget and the brutality was sweet but the storyboarding was weak. Call me a grouch, but having back-to-back ‘saved by your partner’s sacrifice’ moves, plus Rem being smashed by what looked like a dodge-able earth attack, felt generic. Eye-rolling, honestly.

The uneven quality of the fight aside, Rem’s brutality is a nice contrast. Specifically, we’ve only seen this kind of slaughter from evil characters before and, that’s kind of the point with Rem.

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Because this episode really works or doesn’t based on its reveals, and you will probably only enjoy it more if you’re looking at some of the details, this review has largely been spoiler-free.

Technical shortcomings aside, my biggest criticism is that for all the things I didn’t spoil, a lot wasn’t answered. As Rem says, she has a lot of questions and we better be ready to answer…and hopefully soon.

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Re:Zero kara Hajimeru Isekai Seikatsu – 08

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Subaru wakes up, in the bed, once again, with the twin maids sitting beside him.

This time, he volunteers to work at the mansion once more and spends as much time with them as he can, working his utmost to earn their trust from the start, so they won’t suspect and kill him! His second priority is finding and stopping the shaman who killed him (and most recently, Rem) in previous loops.

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For the latter part, Subie learns from Puck that he has the somewhat rare “darkness” alignment, rather than any of the standard four elements. Excited to be able to focus his mana through his “gate” and perform magic for the first time in this world (aside from Return By Death, obv) he gets a little too carried away and blows out all his mana at once.

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Like Explosion Girl Megumin in KonoSuba, this exertion leaves him barely able to move, but he’s absolutely committed to continuing his tireless work with Ram and Rem, knowing his life and future may well depend on the results. Everyone notices that Subaru is simply trying way too hard, hiding his churning troubles beneath an overly chipper, caffeinated exterior. Something has to give, and it does, when he’s overcome by nausea.

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Emilia is outside the bathroom when he boots, and he can’t fool her any longer, so she takes him up on his desire to lay his head in her lap when the need arises, and it arises. Emilia is so kind and tender and matronly as she gives Subaru something he’s needed for some time: a pressure valve.

Safe in her lap, free of complications, he can let it all out, and Emilia is glad to see him not holding it in. In fact, it proves to her that he’s a truly good person, and she relays that to Rem. It’s such a lovely, calming scene, and the episode perfectly built up all that pressure and tension.

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His Emilia-aided lap pillow catharsis, then, turns out to be the means by which he achieves his first objective: earning the trust of the staff. Emilia assures Rem, who tells Ram, who tells Lord Roswaal. I’d like to think that’s how it works, anyway!

That catharsis and its positive effects would not have been possible if Subie had been a mere house guest and not someone doing his part in the mansion with the maids. He’s done being lazy and half-assing things; that’s how people have died in the past.

Of course, there’s still that shaman to contend with. He believes both he and Rem (at different times) were hit by a fatal spell in the village. Now he and both sisters will be going to the village together, and thanks to “Beako”, he knows there’s a way to detect a spell before it’s cast (much like a boss’s big timed attack in RPGs).

But once that spell is cast, it can’t be un-cast, so I hope to hell he’s careful and doesn’t have to go through all of this yet again. Another important thing he learned was that people who help him prefer simple thanks to elaborate apologies.

Honesty and simplicity are Subie’s tools of salvation. Cry when he has to, accept help without shame, and thank those who give it. If these people see every side of him, not just the artificial ideal, they just might not end up being the “poisonous flowers” he dreads.

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Re:Zero kara Hajimeru Isekai Seikatsu – 06

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Back in bed at the beginning of the loop, alive and with his arm intact, Subaru must now investigate his own murder of future past, all while attempting to re-rebuild the relationships he forged in the past two cycles. And while he continues to have no problems charming both Emilia and Puck, Beatrice remains as combative and intolerant of his visits as ever.

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The dynamic between Subie and the twin maids also changes this time around when, instead of asking for a job, he asks to be a house guest, which Roswaal grants. Roswaal, who has a chain on his leg, is clearly not the murderer, by the way, because that clue is too damn obvious!

On the first day, Ram maintains a cool servant’s distance while offering her opinion that Subie is little more than a freeloader, almost as if she’s disappointed he didn’t ask for a job this time. Of course, she doesn’t know that there were other times, but as viewers, we do, and the producers know we know.

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As the days pass, however, Ram warms up a little more to Subaru, and actually sits with him, has tea with him, and listens to a tale from his world, about the red and blue ogres. The obvious connection to the red and blue-haired maids is not lost on me, no sir!

In this case, the “red ogre” is Ram, who is willing to interact more closely with the “villager” Subaru, while the “blue ogre” Rem, who doesn’t seem to be good at anything maid-wise…well, more on her later. Suffice it to say, Ram warns Subie in no uncertain terms not to share the ogre tale to her sister.

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More than himself, Subaru wants to protect Emilia, and if he can stop the cycle of being killed in various ways and ending up back in that bed, so much the better. To that end, he leaves the mansion and finds a vantage point from which he can observe without interference and take action against whoever or whatever attacked/will attack him.

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The answer comes when he prepares a couple of tricks to stay alive, and the identity of his attacker is revealed as Rem. She, who smiled so sweetly and innocently along with Ram as he left the mansion, was a wolf in sheep’s clothing all along.

With all the foreshadowing, it doesn’t come as a total shock, but it must be disheartening for Subaru to learn that the person he seemed able to befriend so nicely in the previous cycle was gunning for him all this time.

So now we know who is after Subaru. The question is, why? Is this her way of keeping him away from Emilia? Is she acting out of suspicion he’s a spy for her enemies? Where does the highly magical Beatrice, whom it’s revealed was the person who actually healed Subaru’s mortal wounds, fit in?

Also, will next week begin much like this one, with Subie dying in the first moments and waking up back in bed…or will Rem be so kind as to explain herself, Bond Villain-style, before doing so? We shall see, I suppose.

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Re:Zero kara Hajimeru Isekai Seikatsu – 05

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It’s a testament to Re:Zero’s balanced, fiercely confident storytelling that even though it felt like this week would no longer have the element of surprise (since I was reasonably certain things would reset again at the end of this week), it still excelled at differentiating the path Subaru takes in this go-around.

This episode continued to develop the chemistry between Subie, Ram, Rem, and Emilia, as well as building up suspense for the possibility of things not resetting after all, before delivering yet another bombshell at the very end, proving the show never lost its ability to surprise to begin with.

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Considering everything is sure to reset again, one could be forgiven for wondering the point of Subaru experiencing all the lovely and often funny slice-of-life moments with his fellow mansion-mates. Whatever inroads he makes could be wiped out in an instant.

Yet, for some reason, just as Subie is determined not to be disheartened and simply continue down the same path as next time (hoping to stick it to who-or-whatever it is that’s “doing this to him”), it doesn’t feel like a waste at all.

Part of that is that the character interactions are so good, no matter who he’s talking to. But he’s also retaining everything along with us (he’ll be able to read and write better next time), which will theoretically make each go-around that much easier, since the mistakes he made in past go-arounds could be avoided.

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While another reset was in the cards, it wouldn’t come before we and Subaru learned a little more about why exactly a reset happened in the mansion to begin with. Even before that, it’s heartening to know that Emilia is fundamentally Emilia, Ram is Ram, Rem is Rem, etc., no matter how many resets occur. He’ll have no trouble making his promise to Emilia in any go-around.

The problem is making it to the next day to keep that promise. After forcing himself to stay awake all night, the room starts to shift and undulate, causing intense nausea. Is it a side-effect of Return By Death, or was he drugged? Then, when he apparently fights his nausea and wanders the mansion seeking help, he is seemingly attacked by someone or something making a very distinctive rattling sound.

The show is very coy about what’s going on (not wrongly so, as it adds to suspense), but it’s looking very likely to me that the reason Subaru reset at the end of last week was that he was murdered in his sleep. That would make this a Murder Mystery Mansion, with the clever twist of the detective being the victim. It changes the complexion of his next reset when he could, at some point throughout the next go-around, come face-to-face with the person who sliced his arm off and killed him.

It could be Beatrice. It could be Lord Roswaal. It could even be one of the angelic maids who flank him the moment he wakes up. I’m confident we have a few general answers, yet the central tantalizing mystery remains afoot here, and I absolutely can’t wait to see Subaru solve it and break through this next barrier…if he can.

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