Re: Zero – 50 (S2 Fin) – Number One Knight

The only thing standing between Subaru & Co. and winning the day is one of the Three Great Mabeasts, the Great Rabbit, who surround the Graveyard just as Subaru returns from the mansion with a newly-revitalized Beatrice. What with the weakness of her contractor (Subie) and the length of time since her last real battle (400+ years), Beako deems she has just the right handicap to make the fight interesting.

With that, she unleashes El Minya—a shower of pink crystal shards that obliterate bunnies on contact. They keep coming, but her contractor, Subaru maintains hand contact and uses El Minya as well until the Rabbits, not being truly infinite, reach their maximum number. Subie then builds a crystal paddock to restrain them, which Emilia traces and reinforces with her ice magic, rising them off the ground.

Having been given sufficient time to prepare it, Beako finishes the Rabbit off with Al Shamac, transporting it in its entirety to an isolated space—like the forbidden library—from which it will never be able to return. A great psychological weight lifts from everyone—and myself!—when they realize that the battle is over, and they won.

Just when Beako is hoping for a little more enthusiastic celebration, she gets more than she bargained for when Subie lifts her up and spins her around in elation. Beako and Roswaal pay their respects to Echidna, their mother and teacher. Beako realizes for the first time that the Roswaal before her is the Roswaal she knew—the product of soul transcription, Echidna’s dream was realized.

Given some time to themselves outside the graveyard during a gorgeous sunrise, Emilia bashfully, adorably broaches the topic of “the baby in her belly!” It’s a phrase that nearly causes Subie to jump out of his shoes, but is only the result of some god-level trolling on Puck’s part, who convinced Lia that a mere kiss like the one she shared with Subie is enough to create life!

What follows is a “purification ritual” at the chapel, in which everyone in the main circle Roswaal wronged is given a much deserved slap or slug to the face. Ram, who is recovering quickly thanks to Beako, doesn’t stop them, as not even she can deny he’s made mistakes—one of them never being aware how much she loves him until now.

Emilia and Subaru knows they need Roswaal’s power for the Royal Selection and Battles to Come, but what’s stopping him from turning on them again? He removes his shirt to show just that: an oath sealed by a curse, which he received after losing to Subaru (on whose chest it would have appeared had he lost). Gar and Petra object anyway, but defer to everyone else, while Lia is sufficiently satisfied upon hearing a simple “I’m sorry” from the margrave.

A little time passes, but not much. With Roswaal’s mansion in ruins, the house of Annerose Miload, of a Mathers branch family, serves as the venue for the knighting of one Natsuki Subaru by one Emilia. Before the ceremony, Roswaal informs Subaru that he still intends to bring Echidna back, blood, breath, and soul.

Because he lacks the Tome of Wisdom, and the pain of losing what may be lost in his quest to revive teacher might surely cause him to Burn Everything Down, he instead vows to keep a close eye on Subaru and the path he walks. Like Roswaal, Subaru has lost so much, but every time he picks up the pieces, refusing to lose anything, bearing every wound those initial losses create.

After some flowery dialogue, the deed is done; Subaru officially becomes Sir Subaru. Subaru marks the occasion by telling Emilia how sexy and cute she looks in her be-knighting outfit, and in another sign of how much stronger she’s become, Lia laughs it off and sticks out her tongue rather than crumbling before praise. More importantly, Subaru now dons world-appropriate clothes that match Emilia’s white-and-purple theme.

As the well-earned party rages indoors, Subaru goes out onto the balcony for some quiet contemplation, and Emilia soon joins him, accurately accusing him of being drunk…on himself and the atmosphere, not booze. Emilia tells him there’s something she wants to talk to him about, and asks him to come to her room later to do so, employing a pinky swear to seal their agreement.

Subaru assures her no matter what she needs to say, he’ll never become “disenchanted” with her. After all, she just made him her Number One Knight! Emilia compliments Subaru’s sweet face, and remarks that the scene they’re beholding just might be her “ideal”, and she’ll never forget it. It was at this point I was convinced a shoe or two would drop, pulling the rug from everyone’s feet and plunging the celebratory mood into some fresh devilry as White Fox often does.

But it didn’t! The fact Rem never woke up aside, this was a totally happy ending, not leaving us with any cliffhanger we’d have to stew with for an unknown duration until a third season arrived to sate our hunger anew. And I’m very happy about that, and where everyone stands at this stopping point.

The gorgeous way the episode fades to white as Subaru and Emilia dance a waltz while surrounded by friends and allies—that’s pretty much my ideal too! Emilia finally got the character-building arc she deserved, and cemented her role as Best Girl. The Royal Selection, Rem’s reawakening, and dealing with the Sin Archbishops can wait. For now, Let’s party!

Re: Zero – 49 – Every Moment Matters

Episode 48 turned the action up to 11 and supplemented it with a fair amount of effective comedy to keep things grounded and hopeful despite everything being on the line. This week the action is turned down considerably and the comedy excised entirely in favor of a number of dramatic set pieces that complete the table-setting for the season two finale.

We begin with Emilia emerging from the Graveyard and encountering the snowstorm. Fortunately the villagers are safe thanks to a shield of ice Puck created around them, though he told them they had Lia to thank for it. She asks everyone to seek shelter in the Graveyard and stay safe and patient.

Emilia runs to the tree of ice from where much mana seems to be emanating, and it shatters and transforms into Puck’s familiar green spirit form, which leads her into the giant crystal room. There she finds a whole mess of Ryuzus, with Shima preparing to “fulfill her role”.

With a flash of white, the crystal containing the Ryuzus’ progenitor and that forms the core of the barrier vanishes. Emilia asks Birma where Roswaal and Ram are, and finds them freezing to death in a field. With his tome of wisdom destroyed, Roswaal is lost and feels that “nothing matters.” Even so, he is healing Ram, who lets out a breath, proving to Emilia she’s still alive.

The first wave of demon bunnies approach, but Emilia freezes them solid with her magic. She then creates a clear and solid ice road above the deepening snows so the Ryuzus can take both Roswaal and Ram to safety. To Emilia, nothing doesn’t matter, so she’ll stand strong and keep fighting until she can’t anymore.

From the freezing sanctuary to the burning mansion, Beatrice laments her present situation and looks back on her past, when Echidna left her in charge of the Forbidden Library full of her knowledge, and asked her to wait for someone “suitable to inherit” that knowledge, which she simply called “that person.” Echidna used those particular words simply for the sake of getting the pertinent information to Beatrice.

However, she’s treated them like a rigid gospel, and they gradually turned into a curse. For 400 years, various Mathers descendants would visit the library but rarely speak to her, instead looking through the library’s books. By the time Emilia the “half-devil girl” showed up, she killed her emotions and stopped talking. Then Natsuki Subaru arrived, and for a time felt like he was “that person” for whom Echidna had entrusted her to wait.

But last week, as we saw, Subaru said flat out “there’s no way I could ever be whoever ‘that person’ is…”, and she threw him out with her telekinesis. Even if Subaru didn’t even understand what she meant by “that person” anymore than she did, because the two words Echidna used were so imprecise. Four centuries of time may have given them more weight and importance they didn’t deserve.

When Subaru first makes it back in the library, Beako is ready to toss him out without any further discussion, but he holds on to the door and manages to stay in the library. He tells her even if he isn’t that person, he wants to stay with her, to end her days of loneliness. His argument isn’t strong enough, and Beako de-reses the library, banishing him seemingly for good with a “farewell.”

Of course, that’s not enough for Subie to give up either; not as long as there’s still a door in the mansion left to open. He finds it in the secret underground passage, and even though smoke billows and flame lick at its seams and the knob burns his hand, he puts his faith in Beatrice that she won’t let him die when he opens it.

Since this is probably his last chance (there are no more doors), rather than say he’s come to take her away or save her, Subaru tries a different tack: he needs her to save him, by agreeing to stay with him. Otherwise, he’d be too sad to go on living. Beako’s refrain is that he’ll ultimately leave her by dint of his far shorter lifespan.

But even if Subaru’s life is only a moment in Beako’s, if she gives him a chance he promises to engrave that moment into her soul. Rather than fear their inevitable goodbye, he asks her to embrace a guaranteed Subaru’s lifetime’s worth of tomorrows, in which she’ll be too busy taking care of him to be bored or lonely. Unlike the other memories we saw, the moments with him will never fade to sepia.

Subaru’s speech finally does the trick, and just as the library is about to collapse into the flames, Beatrice takes Subaru—whom he calls by his name for the first time—and flies out of the burning ruins of the Mathers mansion in a gleaming purple-pink streak of light. That color, as brilliant as her sepia memories were dull, happens to be a combination of the blue of the freezing sanctuary and the red of the burning mansion.

The destination of that streak of light is the entrance to the Graveyard, where Emilia is fighting the good fight against the bunnies but starting to run out of steam. Subaru, with Beako’s hand in his, tells Emilia he needs to “make a revision” to his first battle, while Beako tells Subie not to blame her for “whatever may happen next.”

I don’t know what will happen next, but hopefully it involves the defeat of the Great Rabbit the ending of the snowstorm, and the final lifting of the barrier, resulting in a victory for Emilia and Subaru without the need for Return by Death. Then again, I’ll remain firmly on guard for the possibility of Re:Zero throwing a final wrench or two into the works—even unto the final moments of the second season finale. After all, every moment matters!

Rating: 4/5 Stars

Re: Zero – 48 – Crunch Time

“Love Me Down to My Blood and Guts” almost feels like a finale. At the very least, it feels like the start of the climax of a epic blockbuster film. Every stop is pulled out and not a single moment of its 29+ minutes is wasted. You get a little bit of everything, starting with a well-balanced combination of badass action and lighthearted comedy.

Every wound Garfiel gives Elsa is instantly healed, but he doesn’t consider his fight futile, because he’s not necessarily fighting to beat her. He’s fighting to support his “Boss” Subaru, and no matter how many times Elsa heals and charges, he’ll keep meeting her steel with his.

That’s where we get a couple of impeccably-timed jokes, first with Garfiel boasting that the mabeasts will be no sweat for Boss, followed by the mabeasts being too much for Boss to handle. Subie also strikes out when he tries to demonstrate his real-world knowledge of dust fires, only to need to be bailed out by Otto and Petra igniting the beast with oil.

Those fires defeat the main mabeast but also beging to envelop the mansion. Subaru entrusts Rem and Petra to Otto while he runs into the flames to rescue Beako, whether she wants to go or not.

While the flames rage at the mansion, Emilia’s part of the episode serves as a calming, centering breath. Sure, she watched a number of unpleasant futures, but they come as a jumbled rush of voices and images, ultimately collectively blunting their individual discouraging effects.

There’s also the fact that they’re only “possible” futures, as Minerva tells her after the third trial ends. That means none of them are absolutely the real future, which means Emilia and those she loves will be able to avert disaster if and when it rears its ugly head.

Minerva appears to meet with Emilia in Bliss because Echidna was still “mad” at Lia for how the other two trials went, particularly the second. Perhaps Echidna really would have preferred to greedily feed off Emilia’s despair, but after reckoning with her past in the first trial, the witch’s prediction the other two would be a cakewalk turned out to be accurate.

Minerva is decidedly unwrathful in her interactions with Emilia. In fact, she treats her a lot like Mother Fortuna treated her, with tenderness and love, embracing her when Emilia turns back to see her. I suppose Minerva knew her mother, and maybe even knew Emilia as a baby, which is why she’s so aunt-like here?

In any case, Emilia has passed all three trials, and gains access to a tomb where the intricate barrier spell emanates from the deceased Echidna’s chest. With a cute little “Hi-yah!” Emilia deactivates the barrier and exits the graveyard, only to be welcomed by a raging winter storm.

Elsa and Garfiel are still going at it in the midst of the spreading flames when Maylie bursts through the outer wall with her giant hippo. Frederica isn’t far behind, turning the duel into a battle between sibling duos. After some trash talk the four get down to business, in a fury of bloody, kick-ass combat.

Frederica takes on all of Maylie’s other mabeasts, then Garfiel starts getting serious by transforming into his beast mode, ripping half of Elsa’s face off then not only going toe-to-toe with the hippo, but twisting and ripping it’s damn head off. Unlike the hippo, even Gar’s most vicious attacks fail to faze Elsa.

It’s at this point Garfiel realizes he’s dealing with a vampire. Elsa takes a few moments to tell the story of where she came from, and how she suffered to get to this kind of existence. When she was caught and stripped by an shop owner while stealing off starvation, Elsa reached for a shard of glass and opened the man’s belly.

Elsa, who’d previously only known the cold bleakness of her homeland, was both soothed and excited by the warmth of blood and innards, and never looked back. She tells Garfiel all of this because she finds him so precious and endearing. When he says there’s already a girl he likes, she clarifies that she only has business with his insides, and her love for him will begin after she kills him.

It’s a stirring final monologue for a baddie who has been around since Subaru first arrived, and distinguished by the utter inability to kill her. However, thanks to an assist by Frederica using Maylie to distract her, Gar gets in close and bites Elsa in the neck. Elsa bites him back, but he gives as good as he gets.

Before Elsa’s wound heals (or perhaps it won’t heal because of where he bit her), Gar lifts up the giant headless hippo and throws it on top of her. In her final moments, she recalls the very first thrill of disemboweling someone, then exclaims “What a thrill” in sheer ecstasy before being crushed with an ugly crunch. Hard cut to the title card and that oh-so fitting title, “Love Me Down to My Blood and Guts”.

At this point we’ve reached the 21-minute mark, which is when most other anime are rolling credits. Re:Zero keeps it going with an entire extra act, which is perhaps the most visually stunning and emotionally affecting in an episode that’s already full of those.

It deals with Ram and Puck fighting Roswaal, a battle that moves outside to protect Ryuzu Meyer’s crystal. Roswaal stirs shit by confessing to messing with Puck’s contract with Emilia when she was depressed after her fight with Subaru, essentially kicking her while she’s down in hopes Subie would scoop her up and do everything for her.

Roswaal admits to always looking back on the past, and with fondness, deeming all the wonderful things that ever happened to be in the past, and all that exists now is a phony standing atop a pile of corpses. Puck name-drops Beatrice, provoking him into launching fire attack.

Roswaal is disappointed in Ram’s weak outing thus far; as he wanted her to exact justice for her brethren and find happiness by defeating him. That’s when Ram drops a bombshell on him: he never properly realized her true intention: that she really was a demon, and not someone who was in love with Roswaal.

It’s a confession she delivers while both of her eyes exposed, a trademark of the demon maid sisters. When Roswaal asks her what of keeping her promise to her brethren, Ram simply says she’s prioritizing her own feelings over those of the dead. Puck, energized by Ram’s confession, grows to mammoth size (though maintaining his cute appearance) and seals Roswaal in a giant ring of ice, through which he can spot multiple Rams flitting back and forth.

Roswaal begins destroying the ice walls and the giant ice crystal attacks Puck rains down on him, but in the process he ends up with one of the crystals directly behind him. It shatters on its own and out comes the real Ram, snatching the gospel Echidna gave him, while suffering a horrific wound. Calling it “the root of all evil”, she drops the book in the fire, destroying it.

She wears a smile as she says “Now, at last…” before being hit by Roswaal’s retaliatory flames, which cause a huge explosion that consumes them both. Then the credits roll, and for me at least, the process of starting to breathe again commenced. As it has demonstrated many times in its previous forty-seven episodes, when Re:Zero decides to go big and epic, it does not disappoint.


RABUJOI
WORLD
HERITAGE
LIST

Re: Zero – 47 – Seeing the Job Through

There’s action on all fronts, such that we don’t even check in on Ram and Puck’s fight with Roswaal. What we do see is that for once, an opponent—in this case Gar—is giving Elsa a challenge, even blocking her razor-sharp blades with his pearly whites! Gar’s confidence is buoyed both by his reunion with his big sister (who is free to retrieve the sleeping Rem) and “Boss” Subaru’s heroic example.

Gar and Fred give Subie the time he needs to at least try to make a case for Beako to come with him. She remains weighed down by the pain of 400 years of solitude; a “pure white life” due to the blank pages of the tome her mother gave to her. But it’s because she’s kept her promise for that long that she’s not about to break it now, even if it means her death.

Subie feels the opposite: four centuries is long enough, especially when nobody’s even sure Beako was given the right book! He’d rather she break the promise to keep her alive. Negotiations break down when Beatrice asks with all earnestness if Subaru can be “that person” for her. He says no way, and she ejects him from her library, where he encounters Otto and Petra, cornered by Mabeasts.

Meili (or Maylie if you prefer) is indeed on the scene, riding a giant “Rock Piggie” or Hippo. After grabbing Subie, Otto, and Petra (with Rem on her back) getting them out of the mansion, Frederica vows to hold Maylie off while Subaru and Otto get Rem and Petra to safety.

Unlike last time she fought, Fred’s not prepared to die so soon after meeting seeing her brother again, so she promises Petra she’ll take care not to let herself get killed. Unfortunately, Subaru and Otto have another obstacle: the Guiltylowe, who is immune to the mabeast ward. With both Tinzel siblings occupied, can these two lads handle this boss? To be continued.

The episode makes a clean break from the events at the mansion and returns to Emilia tackling the second trial. I appreciated this as Subie’s side of the story already has a lot of moving parts and cutting back and forth between him and Emilia would have added needless complexity and hampered the flow of both.

Instead, we stick with Emilia to the end of the episode, bearing witness to the entirety of her second trial. While she confronted her past in the first trial, the second is all about an “unthinkable”, i.e. alternate present (or at least near-present, as Emilia still seems slightly younger than her true present form). But the bottom line is this: she’s grown into a lovely young lady under the continued care of Mother Fortuna, who is still alive.

On an absolutely perfect day, an alive and non-crazed Betelgeuse comes calling, and the three set out for a picnic by the lake. Fortuna is dressed up for the occasion and Geuse cannot help but compliment her, which only makes her embarrassed and self-conscious. On their way to the lake, they pass by three other inhabitants of Elior, for whom Fortuna, Lia, and Geuse look like a tight-knit family.

Emilia uses the picnic to bring up the prospect of no longer beating around the bush and making their little family unit an official thing. While Geuse is worried that rumors about him and Fortuna could affect her very important job, but Lia believes it’s too late to worry about others’ opinions, and in any case those opinions are wholly positive, so why not become a family?

Saying she has something in her eye and having said what she wanted to say, Emilia leaves “the rest” to the two “young kids”, tearfully saying “I love you both” as she walks away. She climbs a hill that overlooks the idyllic scene, and is soon joined by Archi. He agrees the two make a good match and Fortuna should “give more thought to her own happiness.”

But, Emilia remarks, clutching Fortuna’s hairpiece that is now in her hair. this world doesn’t exist anymore. Archi confirms it is the unthinkable present, and asks her if she wants to live there in happiness. But Emilia has already committed to the real world outside of this. She’s done being hidden and protected, and wants to be an admirable person, listing off everyone dead and alive who were also admirable in how they helped and indeed are still doing so as she speaks.

Archi turns into a thoroughly disgusted Echidna, but it was she who said that the other two trials would be a piece of cake after how Emilia acquitted herself in the first. And so it was! She was never seriously tempted to remain in a dream world that she knew could never truly be. Rather, she was simply grateful for the opportunity to see her family once more.

To complete the trial, she leaps off the bluff and straight into the water, briefly catching a glimpse of her face and noting that she looks less like Fortuna than she thought. From the depths of the lake, Emilia emerges from the Graveyard, and is surprised to find the village refugees are all there to greet her and celebrate her latest victory.

It’s not just the villagers, either: Ryuzu has come with all of the beast people from the Sanctuary. While some of them still don’t 100% trust her, they’ve seen how hard Garfiel worked, and they’re willing to stand and bear witness to her efforts. Just one more trial to go, which will doubtless be focused on the future, or the possible versions thereof. Emilia promises they’ll all have a nice talk once she’s come through the final trial in one piece.

Rating: 4/5 Stars

Re: Zero – 46 – What a Half-Elf Girl Wants, What a Half-Elf Girl Needs

Whereas last week felt at times dilatory and even inessential, it finished the careful cleaning and polishing of the table, allowing this episode to set that table with all the sundry flatware, silverware, and stemware. Subaru and Garfiel (who all along had beast blood thin enough to pass through the barrier) head to the mansion to stop Elsa. Before that, Subaru tosses the jewel containing Puck to Ram, saying she can “do as she likes” from here on.

Upon her emergence from the Graveyard, Ram is at the entrance to greet her and bends the knee and apologizes for not believing she’d get back on her feet. All Ram needs to see is Emilia’s straight posture, forward gaze, and steady hands to see she’s already become so much stronger. Emilia thanks her for supporting Subaru, but Ram sees it as having helped Emilia, since she was the one who convinced her that helping would be worthwhile.

Ram also has a request—the first she’s ever made of Emilia: to save her master, Roswaal-sama, who has been possessed by delusions and strayed from the proper path. To save him, Ram asks Emilia to win and assume the royal throne of Lugunica, thus fulfilling his wish. Emilia, wanting to pay Ram back for her help agrees to her request.

But who should suddenly emerge from the shadows but the very subject of their discussion: Roswaal! He’s arrived to offer his congratulations to Emilia for passing the first trial, but also to express his pity and sympathy for what he deems to be Emilia’s own curse: that of only knowing how to be loved by doing and saying what others expect of her.

When Emilia counters, Roswaal accuses her of using borrowed words and occupying places prepared for her by the will of others, forcing her to fit an ideal by being convinced she could do it. Roswaal says this is what Subaru did to get her to pass the trial, because he and Subaru are “two of a kind”, forcing their ideals on the women they love, and loving an ideal of her that doesn’t exist.

The old Emilia might have withered before such harsh words, but not the present one. Steadying Ram’s quivering hand with her own and taking a deep breath, Emilia responds with an excellent comeback: “Are you done?” She tells Roswaal how Subie said she was a pain in the ass, causing trouble for him when he’s done so much for her, and making it clear she was “weak, all talk, and insufficient in every way”.

But then Subie took her hand and helped her. If Roswaal calls what he said and did to be nothing but lies and deceptions, then she’ll turn them into truths, into wishes. That’s what she needs to do, and that’s what she wants to do.

Roswaal is impressed with Emilia’s growth, but still pities her, because he deems both the Sanctuary and the Royal Selection to be piddling concerns compared to the much larger matter: that the world is proceeding toward the “wrong destination”, and towards its end.

Emilia ignores this threat and proceeds into the Graveyard to face the second trial, but Roswaal maintains his pity and pessimism are justified; after all, he and Echidna “began” this; it stands to reason he’d be able to reckon when its end is near.

Roswaal then speaks to Ram, who be believes to still be fully “on his side”, having only been “putting on an act” with Emilia earlier about her request to her. He doesn’t mind that she assisted Subaru and Otto with Garfiel, as he’s glad she did what she felt was right. For now, he orders her to remain at the entrance for Emilia’s return.

This leads us to the one and only look backwards in time in this episode, when we’re shown the particulars of the bet Ram made with Otto, and why: because it was the best chance of getting her wish. She asks that Garfiel be taken down a peg, for Barusu do something about Emilia, and for Otto not to tell Barusu about their bet.

As a result of winning that bet—which she felt she would win due to Subie’s notoriously excellent timing—she finds herself where she wants to be: not at the Graveyard entrance as her master instructed, but in Ryuzu Meyer’s crystal chamber, confronting Roswaal with her wand in hand while he holds the Tome of Wisdom. She’s come to free him of the witch’s delusions.

Combined with Emilia eventual winning of the Selection, he shouldn’t have any complaints, and indeed he adopts an “I should have known” attitude towards Ram’s actions. After all, he assumes the long years in which she’s had to yield to him must have been “humiliating”, especially when her master was one of the men who destroyed her homeland.

Roswaal is in the chamber to use Meyer’s Crystal to focus and amplify his mana so he can make it snow in the Sanctuary. But because he once taught a younger Ram that “whatever on relies upon should be the thing that brings about their death”, whether it’s the sword, magic, or a demon.

But Roswaal asserts that Ram showed her hand a little too early, as she would have had a much easier time dealing with him once he’d already started setting up his snow day in accordance with his precious tome. But Ram didn’t want to face him as an empty husk, or in any kind of weakened state. That would have interfered with her wish for him to live for the future.

When Roswaal asks if Ram thinks she can win against him, she tells him she know she can’t, as her knowledge of his power is second only to Echidna’s. The thing is…she doesn’t have to face off against him alone, nor did she ever intend to. She produces the blue crystal and out pops Puck, a stray spirit who “happened to be passing by” and is all too willing to help Ram release the man she loves from his delusions.

Having seen what Puck is capable of, I like Ram’s chances, and I salute the expert maneuvering she did in order to end up in this position. But we’ll have to learn the result of their faceoff another time, as the episode’s final act shift’s to Roswaal’s mansion, where Petra is running and afraid. She wants to retrieve Ram and get her to safety, but she is cornered by Elsa.

There’s a heightened sense of danger and finality to this entire last act because if Subie is to believed there will be no more resets until this is all resolved. Whatever happens in these halls is going to stick. So yeah, I was relieved when lil’ Petra is rescued by Frederica, and warns her that she’ll be punished for disobeying her order to run away by herself.

This time, Petra does run away, and we only hear loud bangs from the battle between Petra and Frederica. Then Petra tries to locate Beatrice, hoping she’ll be able to help, but cannot locate her library among all the doors. That’s when Petra tears up and prays for Subaru come save them…and Subaru, who had just arrived, obliges, cheering a flabberghasted Petra up with his bright smile.

Elsa’s charge towards Frederica is suddenly arrested—by Frederica’s little brother Garfiel, parrying Elsa’s blade with the stout arm guards they used to play with. They have a frankly adorable little reunion where they express their wonder that they’re both so big now. Elsa lets them have some time together without attacking, probably because a.) she’s confident in her ability to beat them both, and b.) she’s got an ally in Meili running around somewhere nearby.

I hope Subie doesn’t forget about her, especially as he seems to be focused on the assassin duo’s third target: Beatrice. He’s there to “drag her out into the sunlight”, whether her precious tome told her he would or not. Things on any of the various fronts could go sideways in the blink of an eye, but it’s so far, so good with Subaru (and Ram)’s grand schemes.

Rating: 4/5 Stars

Re: Zero – 42 – Memory Spring

Echidna accompanies Emilia into her recently unsealed memories, ever ready for stinging vitriol (she really is notably more hostile to Emilia than Subaru…but that would be Envy, not Greed!). After a literally cold open in which a naked young Emilia first meets Puck, Emilia and Echidna begin the journey in earlier, warmer, happier, and distinctly more fairy tale-ish times. Lil’ Lia, we find, is often cooped up in the “Princess Room” within a tree, but is otherwise lovingly cared for by Mother Fortuna (Tomatsu Haruka).

Fortuna is not her actual mother but her aunt; her brother’s younger sister. One day, while particularly bored, a lesser spirit—Lia actually refers to it as a “fairy”—leads her to a loose stone in the room. Takahashi Rie does a masterful job making her sound not just like a higher-pitched Emilia, but adopting the speech patterns and weird little sounds of an actual little kid. No one does that better than Kuno Misaki, but Takahashi is pretty damn good here.

The space behind the stone leads out of the tree, and the spring Lia revels in being able to stretch her legs. It’s while she’s sneaking around the margins of the elf village that we non LN readers receive the first genuine shock of this flashback: our boy Petelgeuse Romanee-Conti, back then a humble bishop, not only looked normal, but seemed like a pretty nice guy!

“Geuse” and Fortuna go back decades, and you can sense that long history in their effortless chemistry and gentle flirtation. Whether of the Witch’s Cult or some other order, Geuse and a group acolytes apparently make regular visits to the village in Elior Forest, both to deliver supplies and so Geuse can receive confirmation from Fortuna that “the seal is intact.”

Lil’ Lia knows she’s not supposed to be out and about, so even after the fairies help clean her up a little, she spills blue ink on her outfit to hide the dirt and grass stains. If Fortuna doesn’t buy it, she doesn’t tell Lia, instead hugging her and telling her she missed her even in the brief time they were apart. Lia, even back then someone quick to comfort others, places her little hand on Fortuna’s head.

While this is a helpful introduction to the places and players of the past, this initial stirng of memories isn’t yet enough for present-day Emilia. Fortuna and Geuse mentioned a seal, so Lia needs to keep soaking up these memories. They include the elf Archi giving Lia some nuts to snack on, and another visit from Geuse, who inadvertently flirts more with Fortuna. They really do make a cute couple.

Geuse also mentions that affairs outside the forest are “dubious at the moment”, so it’s more vital than ever the seal remain intact. He mentions Emilia, but also “the two of them”—her mother and father, perhaps. Emilia and Echidna follow Lil’ Lia to the famous seal itself, an ornate black door in a glade carpeted with snow all year long. Lia pushes the door, but it won’t budge…which is probably for the best at that point!

Outside, Subie cries about Gar having seen his supportive etchings for Emilia before she did, but both Gar and Otto tell him to buck up. As they wait outside the Graveyard for Lia to return, Ram comes by to tell Subie that Ryuzu Shima wants to talk to him about “a subject that is unavoidable if you wish to liberate the sanctuary”. Wait, Lia passing the trial won’t be enough to do that? What am I saying; of course it won’t be…

Back in the flashback, Lil’ Lia is sneaking around the woods when she’s spotted by Geuse, who I thought was about to say something that would reveal that he’s actually evil, but nothing ever comes of that. Instead, he acts more “Geuseian” (at least as we know him) than he had to that point when he spots Lia and realizes who she is.

His face contorts just a bit as he sheds tears of joy for being granted “salvation like never before.” Is this because of Lia’s resemblance to more than one Witch of his cult, his regard for Lia’s importance to the seal, or both? In any case, Lil’ Lia learns from him that people can cry out of happiness too, and because she’s such a good girl, she gives him a hug and strokes his head, telling him it will be okay.

It’s at this point Echidna tells Emilia she’s quickly approaching the end of the “warm-up round” and the beginning of the part of the trial that utterly broke her before. While Emilia knows Subaru wouldn’t think any less of her for depending on him, and she’s scared of what’s to come, she won’t cower any longer.

She’s going to take this as far as she can. Rather than voice her esteem for Emilia’s determination, Echidna tells her she’ll “find satisfaction” in her “suffering”. Looking every bit like a dreamlike fairy tale for its entire runtime, the warm pastoral greens of the beginning shift to a cooler, moodier, more foreboding purples and blues.

Emilia insists that Fortuna and Geuse play chase with her. Geuse is out of breath, so Fortuna snatches her up and imparts in her the importance of making and keeping promises. Emilia then summons her fairy friends, which identifies her as a future spirit user. Geuse tells her they’ll be her strength when no one is by her side, but Fortuna would just as soon not think about such scenarios, promising she’ll always be there for Lia.

When Geuse accidentally lets slip something about Lia’s parents (mentioning the days they were “well”, implying they aren’t well now), Fortuna has Lia run back home to the Princess Room…but before she can go, someone approaches, wearing a fancy white cloak. He gets pissy and verbose about Fortuna asking who he is before introducing herself, but he eventually tells her.

He’s an Archbishop of the Witch’s Cult, representing Greed: Regulus Corneas. This marks his second appearance in the anime, but his first since he attacked Rem and Crusch’s wagon back in this season’s first episode. As Echidna warned, the tough portion of this stroll down memory lane has arrived in earnest.

Re: Zero – 41 – The Purrfect Loser

Years ago, Garfiel attempted and failed the trial, and smashed his head against a column, causing the scar he wears to this day. He is the final obstacle to Emilia continuing her trial, and has come to the Graveyard to smash the entrance, isolating the Sanctuary forever.

Only Emilia and Subaru stand in Gar’s way, and it’s the former who makes a barrier of herself before him. She has lived in fear all her life until today, and knows the pain of being separated from a parent. All this time, Gar has maintained that he and his sister were obstacles to his mother’s happiness, which is why she abandoned them. But then the memory surfaces…of Gar finding his mother’s carriage, wrecked by a landslide.

She wasn’t even able to reach the outside world that lured her, that was to be the place where she’d find happiness, away from him. Gar has washed his hands of the outside, and will stand, as a wall in and of himself, to protect everyone else in the sanctuary who feel, like him, that things changing won’t make them happy. Nothing will ever get better, so you might as well stay frozen in place.

Having heard and been unmoved by either Emilia or Subaru, Gar transforms into Beast Mode and charges them. Subaru uses Shamac to halt time so he can stab Gar with the crystal Frederica gave him, which seems to be imbued with some of Puck’s spirit. This transforms him back into a man, but it hasn’t sapped Gar’s will to fight.

Subie stands firm and takes a vicious shot to the face, but he’s able to counterattack with a supernatural punch from the Sloth Witch Factor within his body, which he inherited from Betelgeuse and learned about from Echidna.

Gar is down, but not yet out. The knockout blow is delivered by someone who owed Gar such a blow: Subaru’s ever-dutiful earth dragon, Patrasche. Her charge finally gets the job done. Even if Gar hasn’t been proven wrong, he can no longer fight. Both he and Subie pass out in short order.

When Subie wakes up, it’s once again in Emilia’s lap. He thanks her, punches then shakes hands with Otto for his help and for being alright, and of course thanks Patrasche for her loyalty and love. Ram allows Gar to lay in her lap, but only until he wakes up and barely a second more.

Rem proceeds to give him the third degree, telling him to fight with an empty head next time and to stop yammering on in front of “the woman he loves” and accept his loss, and move forward. She then urges him to take the trial one more time, in order to confront and accept the past.

The Graveyard transports him back to that golden-lit day his mother left him and Fred in Ryuzu’s care. She kisses her infant son right on the place where he would create an ugly scar years later. Then his mother says something he didn’t remember: “I promise I’ll bring your father back.” That means not only did she not leave them to find her happiness, but she always intended to return, and with his dad.

The memory fades away until it’s just him and young Fred, who asks him straight up what he wants to do. He answers that he wants to do what he’s expected to do, by all of the people who need him. With his past confronted and resolved, he leaves the trial exchanging sharp toothy smiles with his little big sister.

Just as Emilia emerged from the graveyard a new and stronger person last week, the young man who would stop her and anyone from completing the trial emerges in much the same manner. He can’t claim he gained much that can be seen, but he did gain vital closure, and can even thank Subaru for being the one to give him the push he needed.

It’s then when Subie learns Gar is not only younger than him, but at fourteen is just an eighth grader…which actually explains a lot! With no further obstructions, Emilia can re-enter the graveyard and continue the trial with a full head of steam. Some of that steam is produced when she asks Subie if they can talk about the kiss they shared when all this is over.

Subie states that would be happy to, and is delighted by Emilia’s confidence, betting another date with her that she’ll prevail this time. When Emilia enters the inner chamber, she finds out what Subaru was doing when he abandoned her bedside that night: etching words of cheer and encouragement with Puck on the chamber walls.

Once Emilia is in the trial, she’s immediately met in the forest by Echidna, who unloads with a string of biting insults that would certainly cause distress to the Emilia of yore. But this Emilia is made of sterner stuff.

Taking a page out of Subie’s book on theatricality, she points dramatically up into the air, then directly at the Witch of Greed,  and introduces herself as Emilia, the Frozen Witch, born in Elinor Forest. She won’t give in to the “malice of a fellow witch”, and further warns that she too is “quite an insufferable woman, after all!”

Accompanied by a defiant orchestral score to match the occasion, this was a pitch-perfect way to end the episode and begin the trial of Emilia’s life. While I still can’t quite rule out things going badly for her and Subaru from this point on, I also never thought we’d see Emilia and Subaru kiss, or Garfield both thanking and apologizing to Subaru. But we’re in uncharted Re:Zero territory, and we have a brand-spankin’ new old president, so I’m in a hopeful mood!

Re: Zero – 40 – Her Most Precious Feeling

Otto tells Garfiel his mission: to buy time “so a certain boy and girl can be alone for a while.” But Otto isn’t all alone in this effort: he’s called upon the entire forest to fight beside him. That’s why when Gar is led outside and falls down a hole, he’s soon beset by a swarm of zodda bugs. How was Otto able to do this? Duh, he’s Re:Zero’s Dr. Doolittle!

We take a step back to Otto’s earliest days, when he could hear the voices of animals but couldn’t understand it. His ears were constantly assaulted by a a jumbled din so intense he couldn’t hear his family members. Then his older brother gave him a pen and paper, and he could finally communicate.

He marked the occasion by crying, something he only did once before: when he was born. When he turned ten, he began to understand the animals’ voices, but his brother warned him to keep his divine protection a secret lest others try to exploit them.

That protection creates the conditions for Otto being exiled from his hometown when, in an effort to clear his name in a love triangle, says the wrong thing about the wrong daughter. Nevertheless, Otto makes the most of his exile by becoming a successful traveling merchant.

One day on those travels, his carriage is stopped by Betelguise and the Witch’s Cult (Hi Betelguise!), and he is bound and held captive in the cult’s god-forsaken cave lair. But then, suddenly, he was freed by a beastman, who told him to make sure to thank the “boss kid”—Natsuki Subaru.

He cried then for the third time, to mark another “rebirth” in his life: when he finally understood his purpose and reason for living. Back in the present, here it is: continuing to buy time. But after a brief chase, a pissed Garfiel has him by the scruff, and Otto’s personal part of the plan would seem to be over. Thankfully, Ram is on the scene to pick up the baton!

That’s right: Ram has thought about it and must’ve decided that supporting a man with such “bizarrely good timing” (despite having virtually nothing else of value) to be worth her time. She won’t hear Gar impugn her loyalty to Roswaal either.

Gar has had enough of this shit and transforms into a giant cuddly tiger (right on the heels of TenSura’s cuddly tigers!), but Ram is ready, willing, and eager to go toe-to-toe with his Beast Mode, dodging his thrusts and landing blow after devastating blow with a superior smirk.

Otto stands back in awe of Ram’s power, but when Gar gets a lick in on her (who compliments him for having become stronger since their last scrap), he calls out to the forest to buy him and Ram another precious few moments of keeping Gar occupied.

It’s at this point Subaru looks back at the forest hoping Otto can hold out, and fifteen minutes into the episode, you’d be forgiven if you thought we were being deprived of the crucial Emilia-Subaru Talk last week previewed. But once he sits down beside her, it’s clear we’ll get that talk, and much more.

Emilia’s memories are returning; that much is certain. But she tries to keep them at bay with anger and despair over both puck and Subaru breaking their promises. I too was both perplexed and disappointed when Subaru left her bedside, and all he’ll say about why is that “he can’t tell her” just yet.

But besides that, she can’t fathom why Subaru wouldn’t be angry at her for being so “useless”, both with the trial and with everything else throughout their time together. His answer is as honest as it is simple: because he loves her. He loves her so much he can barely take it—the cute parts, the kind parts, the selfless parts—even the parts she’d call “ugly”. Moreover, he doesn’t love her because he believes in her, he believes in her because he loves her.

When she goes all [CITATION NEEDED], Subaru tells her why else he would willingly go through all this suffering and torment to help “a pain in the ass” like her? She then tells him how unfair it is for him to bring that up when she never asked for him to suffer for her, and how she’s always  worried about him getting hurt for her.

Their talk gets more and more heated, as Takanashi Rie voices Emilia in a faint whisper at the beginning but takes it all the way up to full-throated hysterical yelling, before the wave crests, and she quietly tells Subaru of the fear she’s experiencing now that her memories are resurfacing.

She doesn’t recognize what she’s remembering, can’t believe she even forgot her mother, and worries the memories will change her, that the Emilia he knows was never the real Emilia. Mention of her mother and the past causes Subie to remember what his mother said to him during his trial: “What matters isn’t how you start or what happens in the middle, but how it ends.”

If Emilia can’t believe Subaru loves her, than he has no choice but to put his hands on her shoulders, lean in, and prove it. He tells her “if you don’t want this, then dodge,” but Lia doesn’t dodge. She closes her eyes, expectantly, and they kiss. As they kiss, their surroundings suddenly glow with a warm, pinkish light.

When their lips separate once more, Emilia starts to cry, but Subie assures her it’s only natural to be anxious and scared about the rush of old, sealed memories. But it’s also okay to remember, because among those memories may be the one most precious feeling she can use to burst through the anxiety and fear and run forward toward the end—which matters most.

Subaru, for his part, hopes that feeling is for him, as his is for her. When they emerge from the graveyard interior, Garfiel is waiting for them, but says he wasn’t. But hopefully, he’s too late. Too late thanks to Otto and Rem and the animals of the forest, and too late because Subaru told Emilia he loves her no matter what, and everything is going to be fine.

Is it though? Does Gar simply concede defeat here and go off to eat some lasagna? Does he beat the shit out of Subie and take Lia hostage? Whenever someone in Re:Zero believes or states everything will be fine, I can’t help but be a little dubious. But I’ll put that doubt aside for now and simply celebrate the momentous events of this episode’s second half.

For the very first time in this whole run, Subaru and Emilia shared a kiss, and Emilia seems to finally get that while Subie did leave her bedside, he never left her side in spirit, and his love will keep him firmly entrenched there throughout all the trials to come.

Re: Zero – 39 – Two Clowns at the Mercy of Fate

As with NeverlandRe:Zero’s second season picks up right where it left off when we last tuned in: with Otto administering some tough love on Subaru, who ultimately aceepts the merchant’s offer of help. His confidence and that wry glint in his eye restored, Subaru marches into Roswaal’s room and makes a bet: he’ll save everyone in the sanctuary and mansion without sacrificing anyone, all without resorting to Return by Death.

Roswaal notably doesn’t smile throughout this entire exchange until Subaru makes his resolve plain (and acknowledges the greed inherent in his plan), and Roswaal accepts the bet. Otto wonders if it’s simply because Rosy has never lost a bet. But like, er, an angry mob storming the U.S. Capitol to hijack democracy, there’s a first time for everything, and if all goes according to plan, Roswaal may find himself on the losing end of a bet for the first time.

Subaru isn’t going to rely only on himself to save everyone, but instead rely on and put his trust in his friends and allies. Otto got things started, but he alone won’t be enough. Ram seems intent on remaining on Roswaal’s side, though out of deference to their unspoken friendship she does give Subaru a key clue: that Emilia hasn’t figured out why she’s struggling in the trial, and won’t be able to pass until she does.

Subaru also visits Ryuzu for help, and learns that the Ryuzu he’s speaking to is one of three “supervisors” of the crystal, among the first four copies. Shima was once the fourth, but was relieved of her duties for her role in rescuing Garfiel from the graveyard when he attempted the trials. Thus Subie learns that a big part of why Gar is against the barrier falling is due to the fact his mother abandoned him and Frederica and “chose the outside.”

Emilia is exhausted when Subie visits her and asks her directly to tell him about the trial so far. He doesn’t promise she’ll feel better for telling him, but wants to share the burden of worry with her. She mentions how she was once frozen in ice (as we saw in the Frozen Bonds OVA), suddenly remembers her mother, then recalls a deal she made with Roswaal: if she won the Royal Selection, he would thaw the forest where her folks remained frozen.

Emilia feels she should be ashamed to seek the throne for such “personal reasons”, but our boy Subie can relate, to say the least, and assures her that wanting to help people is noble no matter how small the number. With Subie offering his unconditional trust and support, and helping her take the first step to resolving her trial stalemate, Emilia is able to finally fall sleep.

Unfortunately Emilia doesn’t awaken as peacefully as she falls asleep, as she sees a fuzzy memory of when she was a small child being separated from her mother before waking up in tears. Subaru took the step of pretending to try to harm Emilia so Puck would finally emerge in corporeal form, and he’s there when Emilia awakens.

Her elation is short-lived, as Puck is tiny—able to fit in the palm of her hand—and also has some sad news: he’s decided to break their contract, first forged when she was in dire need of protection from the arbiter Melakeura back in Frozen Bonds.

There are two primary reasons for this: first, the contract is blocking memories essential for Emilia to continue with the trial (and, incidently, life). Second, Puck is confident he can entrust his daughter to the one whose love for her is second only to his own: Natsuki Subaru.

That night, Emilia takes Subaru’s hand and asks him to stay with her throughout the night. With the seal on her memories broken, it will be a long and painful one. In one new memory, Emilia is being embraced by someone she calls Mother Fortuna, telling her that “all the people who told you ‘that kind lie’ wanted to protect her.”

Emilia wakes up, calls Fortuna a liar, calls Puck a liar, and when she sees Subaru isn’t there, calls him a liar. But I imagine Subaru had to leave her bedside to begin implementing all the various conspiracies he’s arranged with Otto. That morning, Emilia is missing, and Ram and Garfiel lead the search, but Subie already knows where she is: in the Graveyard. He sits beside her with an open ear and open heart, ready to help her get through this.

Re:Zero Season 2 Part 2 isn’t messing around. The witch’s tea party is over, as is Subaru’s crisis of confidence and competence, and oh yeah, Puck’s gone, just like that! It’s far more development than I expected, and with Emilia’s memory block finally lifted, her trial can proceed with the aim of raising the barrier on the Sanctuary. Takahashi Rie does some of her most beautiful and vulnerable voice work, and I expect we’ll get more of it.

Re:Zero kara Hajimeru Isekai Seikatsu – 27 (S2 02) – Showing What They’re Maid Of

Emilia and Subaru bid Crusch and Felix farewell with thanks, hearty handshakes and best wishes. With Crusch’s memories gone who knows what shape the royal selection will take, but for now the priority is returning home and getting some answers. But upon returning to the village, they learn Roswaal, Ram, and others have yet to return from the Sanctuary.

Upon arriving at Roswaal manor (driven there by Otto), Emilia and Subaru are surprised to be welcomed by new maid, a “beast-girl” named Frederica Baumann. I immediately recognized the dulcet tones of Nazuka Kaori (Eureka), which complement Frederica’s adorably sharp teeth quite well. Turns out Frederica worked for the mansion just before Subaru arrived, and had been on personal leave until Ram called her back.

Subaru pays Beatrice a visit, and we see that extended isolation has not made her more pleasant to deal with. She’s downright prickly with Subaru, especially when he presents the gospel he took off of the dead Betelgeuse. Beatrice seems to regard “Geuse” as a dear friend who, like others, left her behind. She also resents Subaru once again using her as a mere “tool of convenience”.

Could this mean Betelgeuse was once good, or just that Beako doesn’t see the world in terms of good and bad? In any case, she has no answers for him, only the means to seek them. Roswaal’s intentions, the meaning of the Gospel, and answers about this “Witch Factor” thing all lie in the Sanctuary, which Frederica has been instructed to tell Emilia and Subaru how to access.

Before heading to the Woods of Clemaldy where the Sanctuary is located, Subaru says goodbye to the sleeping Rem and tasks new Maid-in-Training Petra(!) with Rem’s care, and Frederica with Petra’s care. Petra doesn’t have the maid-like manner of speaking down yet, but she’s eager to prove she’s an adult upon whom people can depend.

Frederica presents Emilia with a jewel that will help them pass a magical barrier that impedes access to the sanctuary. Petra bashfully gives Subaru a handkerchief as a kind of old tradition with travelers; he’ll return it to her stained from his adventures when he comes back.

The journey into the woods is uneventful at first. Emilia is nervous, especially considering Puck isn’t answering her calls to come out (Puck did tell Subaru he’d be relying on him to take care of Lia). She’s also apprehensive about hte possibility of meeting other half-elves in Clemaldy, a stronghold of demi-humans.

Her barrier jewel starts to glow, and Subaru decides the proper thing to do is to yank it off of her, causing her to pass out. The next thing Subaru knows, Emilia, Otto, and the wagon are gone, and he’s lost in the lost woods…not a great situation to be in! He encounters a small pink-haired elf in a white tunic and when she runs off he gives chase.

He comes upon a clearing where a stone ruin stands, and starts to walk through the front door…as Frederica said, will and resolve are as necessary as magic and strength in the Sanctuary. That’s when he’s transported again, this time to Windows XP’s default background, Bliss.

Just above him on the crest of a hill sits a woman with long silver hair having tea under an ornate umbrella. She introduces herself as Echidna, AKA the Witch of Greed. While voiced by Sakamoto Maaya (always a good decision), Echidna looks an awful lot like Emilia. But wasn’t the witch she said she resembled named Satella?

While this was mostly a getting-from-A-to-B(-to-C) transitory episode with lots of goodbyes between characters (and no telling whether they’ll ever see each other again), the intro of Frederica, Maid Petra, and of course Echidna represented major developments, and the steady buildup of Clemaldy as no place for the weak was highly effective.

It will be interesting to see if Subaru has reached a new “save point” for his Return by Death, or if that little trick is already obsolete. For now, he seems separated from everyone and unable to protect anyone but himself…if that. In other words, he’s been thrown right back into the Shit!

Re:Zero kara Hajimeru Isekai Seikatsu – 26 (S2 01) – Sleeping Beauty, Weeping Hero

Allow me to indulge in a brief tangent: I’m playing Final Fantasy VII Remake at a more leisurely pace than most. I knew, as with Re:Zero here, it would be a while before we get the continuation, so I’d best savor what I’ve got, right? Anyway, I had just managed to defeat the much ballyhooed Airbuster boss at the end of Chapter 7, after which with Cloud falls through a church roof and lands on Aerith’s flowerbed.

Coming off such a long mission at the Mako Reactor culminating in a stressful, protracted boss battle, I expected a little respite to catch my breath. No such luck: within minutes Cloud is locked in a very tricky one-on-one fight with Reno. I went at him much the same way I’d fought Airbuster—and had my ass handed to me to the tune of four Game Overs before I got used to his patterns and found his weakness.

The point is, FF7R wasn’t ready to let me rest just yet, or even spend any time celebrating what had felt like a significant victory. It was immediately time to deal with the next crisis It’s the same with Re:Zero’s second season. Turns out watching the director’s cut wasn’t necessary, as the only unique scene it had—Emilia’s infamous “Who’s Rem?”—is the cold open of this first episode.

What we didn’t know is why exactly Lia suddenly forgot Rem. Was there another whale? Did the teleportation back from Isekai Quartet‘s “Chibi High School World” cause the amnesia? Re:Zero 2 wastes no time answering that question: Re:Zero’s Airbuster (the White Whale) may be defeated, but there’s no time to celebrate, because now its Reno is on the scene.

“Reno” in this case refers to not one but two new heretofore unseen Sin Archbishops of the Witch’s Cult: That of Greed, the smug Regulus Corneas, and Gluttony, the manic Lye Batenkaitos. The convoy that includes the wagon carrying Rem and Crusch is suddenly ambushed by the bishops, resulting in a huge amount of carnage.

Lye is a lot like Betel in his goofy over-the-top spiel, but Regulus is the more fearsome one to my eye and ear. He’s so calm, well-spoken, and put together, wasting no movement in his horrifically violent attacks. He looks more like Reinhard or Julius than a Sin Archbishop, which is somehow more unsettling.

When Crusch fights force with force, interrupting Regulus’ monologue, he is insulted by her lack of manners and relieves her of her left arm. After administering first aid, Rem breaks out her flail, but it’s telling that she makes it absolutely clear that she’s not the one they need to worry about, but the man she loves, her hero, The Hero, Natsuki Subaru.

That turns out to be a bad move, as neither archbishop considers Rem to be much of a threat, and as we saw what happened when she fought the Sin Archbishop of Sloth Betelgeuse, this battle was going to end about as well as my first tussle with the slippery Reno in FF7R. Emi’s question to Subaru meant the battle had already been decided, and Rem lost.

As steeled as I was to witness it firsthand, I was still not prepared for the devastating flashes of Rem and Subaru’s future before losing consciousness: sitting on a bench with their newborn second child; their firstborn standing nearby. Welcome Back to Re:Zero, where there is no limit to the amount of times your heart will get stomped on!

Once the convoys arrive at Crusch’s estate, Subaru is on the edge of panic as he restlessly searches the scores of dead and wounded for Rem. First he spots blue hair, but it’s not her. Finally, he finds her, unconscious. The healer doesn’t know who she is, and can do nothing for her. After lashing out at the man in anger, he quickly descends into crippling despair, grabs the nearest broken sword, points it at his throat, and kills himself.

Of course, Return by Death doesn’t take him back to a point in time before Rem is attacked; only to the back of the wagon with Emilia just before he mentions Rem. He’s too late to stop Rem’s attackers. He’ll have to save her after the fact.

Puck informs him that Gluttony literally devours not just memories, but someone’s very name. This is what was done to Rem, which means the girl lying in bed is an empty shell. She won’t wake up unless her name and memories are restored. I imagine killing Gluttony will do the trick, but who knows?

Meanwhile, everyone else has indeed never heard of Rem, while Crusch, the last person she was with, also had her memories eaten, to the point she doesn’t even know herself. At an impromptu meeting between Subaru, Emilia, Wilheim, Felis, and Crusch, Felis puts Crusch’s welfare first and proposes an end to an alliance with Emilia that no longer serves a benefit, only a burden.

Subaru bristles at that, and at Felis’ misplaced blame and selfish caution. Even though Crusch doesn’t really know who she is, she sides with Subaru, as does Wilheim. Gluttony, Greed, and the Witch’s Cult are threats to all (there are reports of others throughout the land falling victim to Gluttony), and so all of them must stay together to determine the proper path to defeating them.

Moving forward requires that Subaru accept that Rem is out of the picture for now, that there’s nothing he can immediately do about it, and going without sleep to stay by her bedside helps neither of them. Emilia comes to Rem’s room to say as much, and while she has no memories of Rem, she can tell she’s Ram’s sister. She’s also come to tell Subaru that she wants to help Subaru carry the weight of Rem. He saved her, and now it’s her turn to save him.

This causes Subaru to politely ask her to turn away so he can cry, but soon after bawling big sopping sheets tears, she wraps her arms around him in a hug of support. And so we start with the Hero at his lowest point (so far, at least…it can always go lower!), unable even to put on a Tough Guy act, and the Heroine promising to save him, starting with helping him process the situation so that they can begin to find a solution.

It’s a strong return to form for Re:Zero, which at this point is a known quantity in terms of how it operates and to never expect things to work out too soon without significant hardship and suffering on the part characters. Two new sniveling supervillains are here, and their Emilia-lookin’ Witch queen still looms.

Hopefully no one is starting their Re:Zero journey with this episode; that would be…interesting. Suffice it to say, if you enjoyed the first season, the second picks right up where it left off both in story, tone, and style. I’m eager to see and learn more. Thankfully, the wait is over.

 

Re: Zero – Frozen Bonds

There’s one more piece of business before we begin the months-long wait for Re:Zero Season 2: a second OVA that takes place before Subaru is transported into this new world from that convenience store parking lot. It’s a prequel that focuses on Emilia, prior to becoming a candidate. She lives alone in a treehouse in the forest, surrounded by ice sculptures of people she carefully tends every day. This begs the question: did she turn them to ice? Is this penance?

If it is, she doesn’t know it. We actually get a good amount of Emilia simply wordlessly going through her daily routine, and it’s clear she’s as good a good girl as she is in Re:Zero. But then there’s the issue of her appearance, and her resemblance to the Witch of Envy. Everyone dispises that witch, and Emilia has exhibited magical powers, so everyone in the nearby village is afraid of her and hates her. Everyone except Puck, of course.

When a band of thugs attacks her with the intent of capturing her and selling her into sexual slavery, Puck isn’t around, so she has to rely on her own powers, as well as the cooperation of lesser spirits Puck taught her how to summon. She begs the thugs again and again not to escalate, but they ignore her. A giant yeti joins the fray, and her powers go out of control. Puck intervenes, calming Emilia down, but only because he’s respecting her wishes not to kill anyone.

There’s an “arbiter” spirit named Melakeura who is intent on eliminating Emilia simply for resembling (and being descended from) the witch. He’s stubborn as a horse (and looks like one too!), and Puck can’t dissuade him. Not wanting Puck to take on everything himself, Emilia leaves the safety of her treehouse and sets off on her awesome ice snowboard. Melakeura confronts, condemns, and attacks Emilia, but Puck arrives in time to slow him down.

A multi-stage back-and-forth battle between the two occurs, with Emilia demanding the arbiter to judge her for who she is, not some different person, and Puck insisting she be allowed to live a happy life in peace. Melakeura isn’t having it, so after Puck is nearly KO’d, he forms an official contract with “Lia” and takes his notorious monster form for the first time to defend her.

Melakeura also grows to monstrous size, making this almost a kaiju battle ending. But when the dust settles, Lia and Mega-Puck are none the worse for wear, and commit to their bond as father and daughter before a gorgeous sunset. Frozen Bonds felt 20-30 minutes longer than it really needed to be (some of the battles and Melakerua’s halting dialogue got repetitive at times) but it was nevertheless fun to see a glimpse of Emilia That Was, and how she came to be the exceptional person she is in the present.

Re: Zero – Memory Snow

Firstly, this OVA/Movie isn’t new: it was released back in October 2018…but it’s new for me! And frankly, after one and a half seasons of watching the cast of Re:Zero in chibi form sharing the screen with the casts of 3-4 other isekai shows, it’s a rare pleasure to finally see Subaru, Rem, Ram, Emilia, Roswaal, and Beako in their normal proportions, in a more slice-of-life setting.

While these initial screenshots are disconcerting, one can be rest assured that neither Subie nor anyone else goes through anything horrible or traumatic in this Memory Snow side story; the worst thing that happens is he wakes up to an increasingly cold manor. Turns out the cold is emanating from Puck, who is undergoing Hatsumaki, a periodic semi-controlled bleeding-off of mana. It’s fun to learn that Ram shares Subie’s extreme dislike of the cold.

Subaru’s first date with Lia is postponed until the Hatsumaki is over, but he makes the best of a chilly situation by taking a page from his homeland and organizing a snow festival on the manor grounds. Everyone makes a snow sculpture while Subie, the village elder and Roswaal serve as judges. Even Beako gets in on the action, while Ram and Rem’s collaboration of a Subaru-Roswaal hybrid statue gets middling scores for being so creepy.

At the post-festival banquet, Roswaal cracks open a stash of booze hidden under the floorboards of Subaru’s bedroom. This results in what I believe is our first taste of both Tipsy Emilia and Tipsy Rem, who while unassailably adorable in their playful drunkenness, have limited energy stores and it’s not long before both are using Subie’s lap as a pillow. Ram, on the other hand, can mostly hold her liquor.

The group migrates outside, where Puck expands the Hatsumaki to give the villagers and surrounding lands a lovely late night snowfall; the spirits soon appear, thousand points of light dancing around the sky. Beako and Rem deliver their barbs to Subaru regarding his being named after a star of all things, but by night’s end everyone can jump in bed content after a very full, fun day spearheaded by Barusu.

With Puck’s Hatsumaki waning, the story closes with Subaru and Emilia finally having their date—and Lia unveiling her adorable outfit for the occasion. While this outing lacked its parent anime’s sadistic bite or any measurable stakes, it was a strong affirmation of the real reason why I kept watching Re:Zero, and will be tuning in to its second season: the characters. Subaru, Rem, Emilia & Co. are eminently fun to watch, whether they’re chibis in a high school or playing in the snow without a care in the world.