Isekai, Ranked

If Anime is escapism, there is no better way to escape than plunging Into Another World, where our niche skills and routine possessions may shake the fabric of reality! From MMO-inspired, to hard fantasy, there are many types of shows on this list but no movies nor series we haven’t seen recently. Bring all disagreements to the comments below!

1. Re:Zero − Starting Life in Another World
Re:Zero takes Isekai’s love for fish-out-of-water stories on step further: through brutal, expectation breaking blind sides, it makes the viewer a fish out of water too! Dripping with fantastic animation, Re:Zero’s true strength is the balance of its highly detailed world without over explaining its magic system, time loop mechanic and political systems. It also earns bonus points for  limiting the application of its protagonist’s powerful magic and technological advantages.

2. Sword Art Online (1st season) 
In the narrowest of second places, SAO pairs top shelf animation with an approachable cast and easy to appreciate central conflict. Put its lovingly constructed MMO setting aside, and Kirito’s mistakes and occasional darkness elevate him above his potentially generic good-at-everything character type and Asuka plays the strongest heroine/love interest on the list.

3. Now and Then, Here and There
Imagine if Digimon told a bleak story about sex trafficking child soldiers trapped on a waterless world with a maniac king? NTHT’s intense swerve from adorable into darkness is on par with Re:Zero and, much like Natsuki Subaru, HTHT’s Shu must rely on ‘durability’ and ‘heart’ to make it through. While some of it’s later tragic moments are predictable, this f’ed-up little anime scores major points for telling a complete story and having that story grow Shu from simpleton into a conflicted young adult.

4. Gargantia on the Verdurous Planet
While Red’s post-earth scifi origin may stretch the common definition of Isekai, being trapped in a primitive culture that treats him (and his AI-driven mech Chamber) like a hero of old does not. Beautifully, Gargantia flips the script and makes Red’s overwhelming power, and killing in general, counter productive and at odds with the local people.

5. Yōjo Senki / The Saga of Tanya the Evil
Give us World War I with magic, a gender swapped villain as our protagonist, and God as our antagonist, and you’ve given us something pretty damn original. Like Gargantia, this reborn in another world captures thinking differently about the world can be as powerful and terrifying as unworldly strength. Without question, Yojo Senki’s cast is the most uniquely imagined on this list.

6. No Game No Life
Like Tanya, the Blank twins piss off god and are sent to another world as punishment. However, their punishment is much more stylish and… harem. Underneath NGNL’s acid-soaked panties, over the top protagonists and the psychedelic color pallet, is a show featuring thoughtful puzzles and imaginative spins on classic gamble-to-win story telling. Sadly, its story ends unfinished…

7. KonoSuba
One part jab at Isekai and one part love letter to the starting town of every fantasy MMO, KonoSuba is all parts ruthlessly funny! While this reborn in another world (with a goddess!) show is not as smartly written as NGNL, and it becomes repetitive after a time, the constant frenetic action more than makes up for it.

8. Grimgar of Fantasy and Ash
Quiet, thoughtful, and full of sadness, this hard fantasy Isekai doesn’t care if its heroes are reborn in another world or trapped in a dungeon crawl afterlife. Building family bonds and connecting with people who would not normally be friends is all that matters… and it’s lovingly animated to boot!

9. ReCreators
As a reverse Isekai, ReCreators distinguishes itself by bringing the other world to us. The experience is fantastically animated and packed with clever dialog that somehow breaths sincerity into a profoundly silly plot. The cast is quite diverse, both in design and personality, which keeps the action fresh, yet somehow cohesive throughout. It’s only major flaw is, the final act, which is way to drawn out.

10. The Devil is a Part Timer
No I’m not kidding! This reverse Isekai’s premise that the Devil is trapped in our world and must work at McDonnald’s to get by is charming. While DiaPT’s humor isn’t particularly specific to the devil, the jokes are punchy, and the overall plot develops at a respectable pace. As an added treat, the opening gothic fantasy fight scenes are surprisingly well animated.

11. Log Horizon (1st season)
Most exposition heavy, trapped in an MMO themed Isekai featuring ‘top ranked’ players crumble after a few episodes. More often than not, these shows try too hard to sell the coolness of their game worlds, user interfaces, and central characters. Miraculously, Log Horizon gets better mid season with a simple question: if former NPCs have personalities, can grow and learn, and even die, are they more human than the former players that dismiss them as background texture? Still, it takes Log Horizon six episodes to get going and good lord is it gray looking…

12. Overlord (3 Seasons)
This transported into an MMO Isekai mirrors its main character: it is competent but not sure what it should be doing at any given moment. Sometimes the protagonists are villains and sometimes they are heroes. More often than not, characters are given lavish screen time to develop, only to be slaughtered whimsically. The resulting narrative is full of call backs and revealed foreshadowing… yet hasn’t gone very far in 3 seasons and hasn’t asked any interesting questions along the way.

13. El Hazard – The Magnificent World (OAV/TV)
Predestined paradox, trans-dimensional time jumping high school students (and their drunk gym teacher) are trapped in an Arabian Nights’like land besieged by sentient bugs, a secret tribe of assassins from another dimension, and a death star like eye of god orbiting nearby. If you watched anime in the 1990s it will all be familiar but it still manages to feel original yet cohesive production. The character abilities are wonderful, the tragedy is nice, and plenty is left up to your own imagination to fill in the blanks. A bland, fault free, protagonist and a boy-crazy harem vibe are the only reasons it isn’t higher on the list.

14. Gate: Jieitai Kano Chi nite, Kaku Tatakaeri
This invading the other world Isekai flips the script to deliver political intrigue, clash of culture, and commentary on Japanese society. It loses points for being a overly harem, relying on super dumb/super evil antagonists, and a dull protagonist but it’s fun enough to watch.

15. Drifters
Stylishly violent, strikingly ugly, historical character filled and utterly bonkers, this reborn in another world Isekai’s uniqueness will hold your attention. Even if you do not want it to.

16. Rise of the Shield Hero (2 Seasons)
On paper, this transported to an MMO world Isekai’s “treat the hero like crap,” “watch him accept the role of a slave-buying villain” and ultimately “rise to become the true hero” concept is great. Revealing that the world he’s saving may be less redeemable than the world the invaders are trying to save is also great. Too bad its padded and many of the arbitrary delays and narrative dead ends feel like cop outs.

17. That Time I Got Reincarnated as a Slime
While it lacks the initial hardcore’ness of Shield Hero, this reborn in another world Isekai is pleasantly animated and full of heart. The idea that naming monsters grants them power is a pretty neat mechanic too. It just sort bounces from idea to idea without a sense of purpose of resolution. One minute it’s a story of unlikely friendship, then magic destiny, then town builder, then harem, and onto magic school and isn’t about anything in particular until a hastily thrown together plot ties it up at the end. It scores points for making its hero a slime… although the reborn aspect never feels played with or justified.

18. Angel Beats!
If the gun fetish, kids fighting a loli-angel instead of attending school in the afterlife plot weren’t so dumb and drawn out, this rebirth story’s touching moments would push it much higher. There’s a really good tale of life cut short, reunion after death, and again after rebirth here and it gets major bonus points for finishing the story it had to tell. Totally squandered.

19. Death March / Kara Hajimaru Isekai Kyousoukyoku
Like Shield Hero, this reborn in an MMO Isekai is actually quite good looking. However, its Gary-Stue protagonist, harem and absurd narrative padding make it far less interesting.  OMG how many episodes are about making lunch?! That’s too bad because the concept of code-like “copy and paste” magic system is pretty neat.

20. Wiseman’s Grandson / Kenja no Mago
Despite opening with a modern day man being killed, this reborn into a fantasy world Isekai is more Magic School than Isekai. The only thread that connects the protagonist’s lives is that he can look at magic with an eye for process instead of outcome. The result is harmless easy watching but harem elements, a slow pace and lack of getting anywhere narratively hold it back.

21. How Not to Summon a Demon Lord
This summoned into an MMO Isekai starts off as charming, but ecchi-heavy, before abruptly turning dark at the end of the season. We’re talking ‘make a child watch as her best friend is slowly tortured to death’ and creepo ‘finger-bang a loli cat girl in order to give birth to the demon inside her’ level dark. While those elements elevate HNtSaDL above niche appeal of its harm and MMO content, they aren’t so interesting to earn my recommendation.

22. Problem Children are coming from Another World, Aren’t They?
T
he non-ecchi poor man’s No Game no Life features a talking cat that only some characters can understand and dreadful music. TFW smooth jazz? There’s some cuteness to be had, and the solutions to gambling games can be clever, but the overall vibe is low energy. It loses drama points because its protagonist is as smart as a god and physically stronger.

23. Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?
This poor man’s Konosuba is occasionally funny, satire of RPG conventions and family relationships. Mama’s skill that interrupts whatever her son is doing, no matter what it is or where he is in the game world, is particularly charming. Unfortunately, there’s no avoiding the creepo factor of sexualizing that family relationship.

24. Restaurant from Another World
My mom is secretly from another world and my restaurant’s front door connects back to that world each day is certainly unique, but it’s structured more like a food-porn show than Isekai. While the linkages of each patron become clear over time, few characters are not aware of those connections themselves. The result never feels like it gets anywhere.

25. In Another World With My Smartphone
Stories without risk are still watchable when they immerse us an interesting world, or delve into niche details like food or how magic works, or sleeze us with harems and sex appeal. Smartphone fails all of these things. Worse, it does nothing with it’s one idea: protagonist Touya is reborn in a fantasy world with smartphone. Except, GOD GIVES HIM GOD TIER MAGIC FROM THE GET-GO! Ironically, Re:Zero and No Game No Life both use of a cell phones in more interesting ways, and Tanya’s God isn’t even comparable. Unoriginal, unfunny, not dramatic, not sexy, not worth watching.

26. Maou-sama, Retry!
This transported to an MMO Isekai’s trash production values, and bizarre characters are hard to take seriously. The results are sometimes so terrible they are funny, such as incompetent background music transitions and detailed horses hiding at the edges of the frame. Sadly, a bland harem and complete lack of narrative objective kill the mood.

27. Isekai Izakaya
Imagine a low energy, public access style show, with a tourism theme, that featuring a modern Japanese restaurant that serves fantasy world patrons…

28. Isekai Cheat Magician
A loveless summoned to a fantasy world Isekai who’s protagonists are the most powerful and purely good characters could deserve a niche rating. Not this one. The narrative sort of ‘skips the boring stuff’ and, in doing so, skips character development. Hilariously, what the narrative does show is poorly animated, always underwhelming magic battle scenes or people standing around talking.

29. Endride
Without dialog, this stumbled into a magic world Isekai’s vibrant color and crisp art would be watchable. The fact that the world is somehow inside of Earth’s core and the sparse use of mythology are unique, but its dumb-as-bricks whiny teen protagonists have the maturity of a small children. There are many unintentionally funny moments like scientists using gigantic laptops or the king’s magic weapon looking like a safety pin. Ultimately, the cast is so unlikeable that the show itself is unwatchable.

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Re:Zero kara Hajimeru Isekai Seikatsu – 25 (Fin)

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This was an episode full of tying up loose ends, the most important of which being Subaru presenting himself before Emilia a better and more useful man than the last time he saw her. He even gets to be a badass action hero! But as a loose-ends episode, it works very nicely, even if it’s not perfect, and leaves a lot hanging in the air (likely for another season, but not anytime soon).

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The first loose end is Betelgeuse, who very annoyingly won’t go down much of the first act. I was pleased Subaru used the Witche’s curse to expel Betelgeuse from his head so Julius could finish him, especially since we got a good look at the Satella herself. She does look a lot like Emilia…if Emilia were all black with a purple outline and glowing eyes!

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I rolled my eyes a little when moments after defeating Betelgeuse, Juli and Subie get a call from Felis another problem fresh out of the blue: an unaccounted-for sack full of fire stones.

There wasn’t any doubt that sack would be stashed in the wagon Emilia and the village children just happen to be riding in, nor was there the slightest chance, even in an often sadistic show like this, that this latest particular bomb would go off.

When Subie and Otto are acting like a comedy duo in a wagon Otto has nitrous’d with his magic in the last episode, it’s reasonable to assume things will work out.

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The whole rescue attempt felt like an excuse for Subaru to confront Emilia as the one who led the army, something she only just learned about from some snot-nosed kids who don’t know how to keep their damn mouths shut. Betelgeuse’s extended demise further delayed the inevitable reunion, and by the time Betel had become a Ghibli Goop Monster with his head on fire, I had long since had my fill of the manic bastard.

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But the how of how Subaru came to triumphantly reunite with Emilia didn’t mar the fact that this episode took great strides to repair what had been an estranged relationship not just between these two, but between myself, representing the non-manga-reading audience, and Emilia. Takahashi Rie does a great job reintroducing Emilia-tan to us, as she gets to express a good number of powerful emotions during the final ordeal.

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Subaru basically gets to make the perfect series of gestures to reunite with Emilia, swooping in, grabbing the bomb, and running off to get it away, but not before telling Emilia he loves her. After smashing the whales, the giant fallen tree is the gift that keeps giving, as its trunk largely shields Subaru from the blast he’s still pretty close to when the stones detonate.

It is here when Emilia, still processing everything Subaru has done for her these last few days/weeks, completely unbidden, springs into action, rushing into the danger, desperate to find Subaru alive and alright. And perhaps because the show is finally done torturing us, he is!

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From there, there’s no long, sprawling epilogue, showing what becomes of who. Just a simple scene of Subaru lying on Emilia’s lap, the two of them overjoyed to be together again.

The way Subaru describes it, Emilia is made happy for the first time by the prospect of “special treatment.” This can’t quite match the Rem Confession episode in emotional power, but it comes darned close with much less time to work with.

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I also appreciated that Emilia doesn’t have an instant reply to Subaru’s confession. It’s all well and good to say “I love you too”, but loving and being loved are so new to her it’s going to take time. Time Subaru assures her she has.

Subaru doesn’t wake up back in front of that convenience store, but merely admires Emilia’s tearful, radiant smile, as the episode fades to white and we’re treated to an extended mix of the original ED.

All in all, an imperfect but still solid and satisfying, and entertaining finale. If a second season comes along one day, I’ll surely be tuning in. If not, it was a fun ride. Often stressful, enraging, and heartbreaking…but also fun.

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Re:Zero kara Hajimeru Isekai Seikatsu – 24

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So, the first attempt to save the village and take out the Witch’s Cult was met by some mishaps, such as the time-consuming misunderstanding that led to a confrontation with Ram, the killing of villagers before evacuation was complete, Emilia taking the field of battle, putting herself at risk, and oh yeah, Subie getting possessed by Betelgeuse.

But when Julius and Felis killed him, he died and came back just like he always did, without any twists due to his possession. And fortune not only smiles, but beams on him, as he wakes up right in the middle of the planning phase, allowing him to casually introduce the new information he gleaned about body-snatching, the traitor in their midst, and Ram.

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His new plan revolves around convincing Emilia to go along with “Crusch’s plan” to evacuate the mansion and village, including Emi-tan herself. She agrees, because she believes the plan put before her, while not entirely or even partially of her own making, is the best plan as far as she can tell.

So she’s put on a wagon with some enthusiastic village kids, and sent off to safety, while Subie and the knights capture the traitor and take the metia he was using to pass information to the cult. It’s important to note Subaru himself wore the recognition-blocking robe Emilia threw at him, so she had no idea he planned all this.

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Suffice it to say, thanks to learning the lessons of last week’s ‘dry run’, everything goes off without a hitch, as Subaru once again confronts a Betelgeuse now weakened by a lack of fingers nearby. Subie also allows Juli to uses a spell, Nect, that lets him see with his eyes, alowing him to see the unseen hands and cut through them.

This achieved one of Subie’s secondary objectives: to properly make up with Julius. He is, after all, a crucial part of the plan and why, when the episode ends, it looks like the end is near for the Sin Archbishop, and very good for Subaru, who has once more learned from his past mistakes, put pride aside, planned carefully, and relied on and trusted in others.

This is how he has truly become Emilia’s knight.

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Re:Zero kara Hajimeru Isekai Seikatsu – 23

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False Alarm: No Fresh Hell, just not completely dealt-with Old Hell on this week’s menu. Hell leftovers, if you will. Ram puts the convoy under an illusion spell because she fears Subaru switched sides and the convoy is his invading force. This is due to a misunderstanding: the letter sent to the mansion was blank, usually a declaration of war.

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No harm, no foul, then, right? Ram accepts Subaru’s explanations, and while she’s not in love with him like her sister, he and she still have quite a bit of history which lets her withdraw her aggressive stance with confidence.

It’s also confidence Subaru needs in order to tell the people of the village they need to evacuate. At first a couple of malcontents curst the “half-elf” who brought this upon them, but with Ram’s help, Subie successfully persuades the villagers, even the racists, to cooperate.

Just when Subie is about to head for the mansion with Juli and Felis, the latter discovers one of the merchants has been possessed by a member of the witch’s cult. The man self-destructs, nearly killing Felis and Subie, and the remnants of Betelgueses fingers attack the village.

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Smoke (and Unseen Hands) fills the sky, blood stains the ground, adn the scene starts to resemble one of Subie’s past nightmare scenarios. But this time, he isn’t singularly responsible for failing to detect the cult’s, inside men; he’s just one part of an alliance made up of far more capable people than he who also missed this one.

That being said, and in spite of her earlier warnings to the villagers falling on deaf, non-pointed ears, Emilia arrives to help deal with the threat and protect the villagers who still live.

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She and Pick manage to take out all of the fingers…that they know of, all of whom talk and move and act like Betelguese. But even Emi’s last defeated opponent isn’t the end. When one of Juli’s lesser spirits, deployed to protect Subie, leaves Subie’s body, Betelgeuse possesses him.

Since we’ve never seen Betelgeuse leave a body that went on to survive, it sadly looks like the end for this version of Subaru, as he compels a reluctant, emotional Felis and Juli to kill him before Betelgeuse completes his hold. When the curtain falls on the episode, it would seem they obeyed him.

Will we shift to the focus of everyone but Subaru now that he’s left this world, or will we continue to following him as he respawns…wherever it is he respawns? Whatever the case, I doubt this turn of events will be resolved as quickly as Ram’s misunderstanding…

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Re:Zero kara Hajimeru Isekai Seikatsu – 22

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With the White Whale(s) defeated, Subaru redirects his allied force towards the Witch’s Cult, which no one will be taking lightly despite the huge advantage they seem to have. This requires Subie more-or-less make up with Julius, who has arrived to help.

Subie still maintains he hates “Juli’s” guts, but the two still exchange apologies and words of gratitude. While Puck assures an exhausted Lia that she and the manor will be safe, Subie uses his stench to lure the cult members, who appear right on cue.

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It’s the return of Smug Subie, as he’s holding all the right cards this time, and it’s the cult and Betelgeuse who don’t have a clue what’s coming. Mimi and Hetaro swoop in and demolish Betel’s base with their shouts, then Old Man Wil bisects Betelguese from behind.

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It’s almost too easy, leading me to wonder when the other shoe will drop. Sure enough, in the midst of celebration and preparation to go after the ex-sin archbishop’s “Fingers”, Unseen Hands quite suddenly appear out of the woods and quickly kill five anonymous members of Subie’s allied force, then an arm drags Subie into the trees.

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There, he meets someone of indeterminate gender but the same exact manic way of speaking and biting their nails raw as Betelgeuse. Their only problem is they dawdle far too long before killing Subie, and Mimi, Hetaro, and Wil are able to arrive in time to kill them and save Subie.

Now that they know the remaining 99 or so cult members could all be Sin Archbishops, Subie laments putting everyone in such grave danger. Wilheim won’t hear of it: he asks Subie to keep fighting as long as he’s still standing. Not to become stronger, but simply to be strong. This guy speaks from experience, so Subie takes the simple but powerful words to heart.

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With that, the hunt for the remaining fingers, and the evacuation of the village and manor in Margrave Mathers’ lands continues. Just as Subie is heeding Felix’s suggestion that he should finish making up with Julis, he sees a blue petal float past his eye, and everything freezes.

He and his ground dragon are left alone in the blue, icy stillness, with a blue flower-clutching Ram before him. What fresh hell is this?

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Re:Zero kara Hajimeru Isekai Seikatsu – 21

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Even getting as far as Subaru did in forming an alliance to fight the White Whale felt like a victory to me, but the fact remained, the actual battle was far from over after some hard fighting last week. Subaru hadn’t gotten an arc victory since saving Rem eons ago. The victory we got this week was a little safe, but it was what I wanted, when I wanted it, so it’s all good.

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I enjoyed Krusch going all in on another Subaru Crazy Plan, then using him, the “weakest among them”, to rally her depleted troops. Subie’s plan is indeed quite crazy, as it involves Rem firing him up to the “lead” whale that’s controlling the other two, and using the Witch’s curse to lure it where he wanted it – underneath the colossal tree Krusch agrees to fell.

The timing worked out extraordinarily, almost lazily well, and it seems like an unspeakable crime to bring down a tree that must be millenia old, but their options were limited.

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From there, Wilhelm, who is not dead and escapes from the whale that swallowed him, delivers the coups-de-grace to the whale. In the process, we see that Wil challenged Theresia to a duel shortly after she was named Master, and he won the duel, making him demonstrably the better sword.

I still maintain that Theresia would have prefered the man she love live a long life not dedicated to facing and fighting the whale that killed her (and very likely getting himself killed in the process). But Wil needed this for closure, and to make up for failing to protect her.

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Both Wil and Krusch express their deep gratitude and desire to continue working together. Subie even half-jokingly suggests Krusch as his #3 Girl, though Krusch only admits to the occasional tug of the heartstrings. She also vows to always be friendly and show favor to him, no matter what happens in the selection fight to come. Krusch is great.

Speaking of great, Rem is too injured to move and immediately join Subie on his next mission to destroy the cult, but he reiterates all the ways she’s already saved him, and how she can let herself rely on him now and again. He also promises she can remain by his side when they return to one another, and share a farewell Eskimo kiss.

I like how this episode contained the climax and end of the battle as well as all the celebration and rest needed. Next week, one of only four episodes left (that I know of) will thus be able to focus on Subie’s goal to eliminate the cult and its threat to Emilia…who I also hope we’ll see at some point.

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Re:Zero kara Hajimeru Isekai Seikatsu – 20

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In an initially cryptic prologue, a young man who looks like a more well put-together Subaru approaches a fair lass who looks like a redheaded Emilia. It’s actually a very young Wilheim van Astrea meeting his future love, Theresia, but I’m sure the resemblances aren’t an accident.

Theresia may be gone and isn’t coming back, but this entire grand battle is Subaru’s attempt to protect Emilia from a demise (and, in turn, himself from Puck’s primal wrath). He couldn’t do it alone, so he called upon those with common purpose, and the result unfolds this week.

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Watching him dust himself off and craft the plan and set up the pieces made for a World Heritage List-worthy outing; and while it wasn’t really in doubt that the payoff would, er, pay off, there was also a lingering feeling that Subaru was due for another setback. This is Re:Zero, after all. Not victory comes easily, nor on the first try.

That being said, the joint Karsten/Hoshin army packs a whollop, unleashing all their best attacks and dealing seroius damage to the whale, who is none to happy that the ambush tables were turned. One weapon even turns night into day, which makes the battle a lot easier to see. This isn’t ufotable-level combat, mind you, but it doesn’t need to be, and gets the job done.

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After Wilhem cuts out one of the whale’s eyes (GROSS!), it unleashes a cloud of fog, and its counterattack begins. We see concern in Crusch’s expression as the sky dims, and Wil remembers telling the lovely redhead in the ruins how his sword is the only way to protect someone as a knight.

He failed in that task, but not for want of trying, and is resolute in his desire to make up for the failure by vanquishing the whale once and for all.

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But the whale has more tricks up its sleeve: its fog cleaves the earth and utterly destroys a good chunk of the force. Many of the survivors succomb to the whale’s devastating, mind-piercing song, which makes them hurt themselves. Fortunately Felis is there to neutralize the effects with his healing magic.

Subaru sees that someone needs to step up and change the tune of this battle, and decides it should be him. He openly mentions Return by Death, which has the desired effect of infusing him with a fresh batch of the Witch’s stench, drawing the whale to him like a fish to a lure.

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This gives Wil a fresh chance to do more damage to the whale, but he ends up in the wrong position at the wrong time: right in front of the whale’s mouth as it scoops the earth around him up like a cloud of shrimp.

Wil stops and recalls one last time, the night he was saved by the Master Swordsman, who turned out to be Theresia. The fact is, he was never strong enough to protect her; instead, the reverse was the case. Even when he lashed out in frustration, Theresia proved she was the better swordsman, even if she didn’t understand why.

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But Wil never got over the face he could not protect the woman he loved, nor stop her from protecting him. He saw himself as the expendable one, and would have died happily if it meant she could live on, or even better, especially if she could then step down as Master Swordsman.

But that’s not exactly fair to Theresia, and I’m glad the show brings up the fact Wilheim’s desire for revenge, and putting himself in the literal jaws of the whale, may not have been the right thing to do, or indeed what Theresia wanted. She died to save him so he could live on. But he spent the last fourteen years living only for this day.

Whether he survived this battle or died fighting, he was going to end things. And I’m not sure Theresia would approve. Especially since we learn there isn’t just one white whale, but several. Talk about a Re:Zero knife twist!

What if now, Subaru has to die, plan all this out again, and the next time, include Priscilla and possibly others? I’m also weary that the Witch’s Cult will take advantage of the Karsten’s scattered, weakened army to launch their own strike.

The plan was sound, it just wasn’t quite enough to end things. Will Subie be able to accomplish what Wilheim couldn’t—save the one he loves—without sacrificing himself?

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Re:Zero kara Hajimeru Isekai Seikatsu – 19

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MAN, I LOVE IT WHEN A PLAN COMES TOGETHER.

It’s a tired phrase, but I can’t think of a more apt use for it than the latest Re:Zero, where Subaru gets to start over from Zero and doesn’t squander the chance. Rather than begging like a babbling loon for an obscure, partially-formed goal, he comes to Crusch Karsten—and Anastasia Hoshin, and the Merchant’s Guild—with a sensible, viable arrangement, with the White Whale at the core.

In this manner, Subaru unwittingly becomes the catalyst for a grand battle that was in the making long before he arrived in this world. EVERYONE detests the White Whale. Thanks to his past lives, he not only knows how to properly approach and negotiate with these people—from a position of strength and common cause, and pride—he knows where the White Whale will show up next, and most importantly, when, thanks to his “metia.”

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When Subaru is speaking to Crusch, and Felis, and Wilheim in a manner that makes them receptive, he seems to find the unlikely hero within himself, a hero who has united groups with various opposing interests in less important areas but a shared loathing of the White Whale.

And because of the way he composes himself and presents his plan, everyone is not only willing, but eager to hear him out. Crusch is suspicious at first, but she can see the wind of dishonesty when someone lies, and Subaru, though clearly still intimidated, is making an honest, courageous effort that she doesn’t overlook.

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Part of me hated Crusch for so cruelly refusing Subie’s assistance the first time around, but I couldn’t blame her, as he was giving her no reason to help or believe him. Here he did his homework, recalling all the various goings-on in his past lives (combined with Hoshin’s major burn) to uncover the battle Crusch was preparing for anyway, and offer something that could give them all a decisive advantage over their foe.

Everyone works through the night to get ready, and Subie meets Hoshin’s mercenary captain Ricardo, numerous veterans who came out of retirement to, like Wilheim, avenge their lost loved ones upon the Whale. Subaru sees this is bigger than him, but none of this would be possible without him. He’s making it, damnit…he’s making it!

And God, it’s so good just to see everyone smiling and laughing again, even if it is, in part, to hide how goshdarn scared they all are of the task before them.

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This week, Subaru succeeded in all the ways he failed in previous attempts to save Emilia all by himself, or with last-minute help from others. Even though Priscilla isn’t a part of the alliance (and is totally absent this week), her reaction to Subie trying to kiss her feet was a powerful lesson Subie keeps with him, and is brought up again when he chooses his ground dragon, a breed known for its intense pride. He can’t accomplish anything alone, and he can’t inspire or convince others without that pride.

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Last week was ALL Rem and Subie, elevating Rem to “best girl of the year” status for many. I don’t have many strong arguments against that, so I’ll let it stand, especially when she doubles down this week on her absolute faith in Subaru, keeping his spirits up even when he starts to doubt if his cell phone will actually help them (considering how cruel this show can be, I too was worried this to all be for nothing).

But now Rem isn’t the only one trusting of or grateful to Subaru. He’s convinced two candidates battling for the throne to join forces, for crying out loud. And the merchants! As for stern-faced Wilheim, he gets a lot more fine strokes this week as one of those older men in this world who lost something to the WW, and is grateful for the opportunity to avenge his wife (who was once Master Swordsman, underscoring how dangerous the WW is).

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Perhaps one of the best moments of a highly satisfying and morale-boosting episode, another gem in a show full of them, is the moments of silence as the hour of the Whale’s arrival approaches. There’s so much built-up tension, combined with the possibility that it might not show up, or that the Witch Cultists would ambush the army.

Then the silence is broken by a strange electronic musical noise that took be totally off-guard (even though he said he’d set it earlier): Subaru’s cell phone alarm.

The cheerful chime feels like a terribly foreboding harbinger to some foul occurrence, but then the whale makes its appearance, and Subaru charges in first with Rem loosing her magic with prejudice. That changes Crusch’s face from terror and worry to a defiant smirk, and the battle begins.

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Re:Zero kara Hajimeru Isekai Seikatsu – 18

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In which Subaru truly does return to “Zero”, and this show continues to surprise

Other than a thorough and devastating dressing-down by MegaPuck (during which time Subie slowly freezes solid and shatters) and another Return by Death, this episode consists exclusively of one conversation between Subaru and Rem, presented only with intermittent flashes from the past.

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lot is covered, with a great deal of emotion flying around. It takes a great deal of attention to sit through and absorb, but if you like Subaru (or are at least rooting for him) and you like Rem, you probably liked this episode a lot, I for one was riveted.

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There’s also a good deal of rejection in their long, sprawling discussion, which takes place in a very pretty part of the city with a lovely view, on a clear, crisp day. First, Rem rejects Subaru’s desperate plan to run away together, because it would mean giving up on the Subaru she fell in love with.

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Rem can’t possibly know how much Subaru has been through already, and how he finally decided to give up after much suffering. But damn it all if I don’t get soppy-eyed as she beautifully describes the perfectly fine future they’d have together if she went with him. But again, she’s not ready to give up on him, even if he’s given up on himself.

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Initially in the talk, I was on Subaru’s side, because I was right there with him when Rem, Ram, and Emilia died again and again, often in awful, horrifying ways. Like him, I’m from the real world, where I, unfortunately, am not a hero. If I ended up in a fantasy-RPG-style world like he did, I might think for a time, that I had suddenly become one.

But Subaru learned the hard way that he is, as Puck put it, useless. That every time he’s talked big, he’s come up short in the quest to save everyone. It’s hard to argue, considering this is the most persistent impasse he’s come to, which has led to the darkest places…and there’s only so much a dumb do-nothing kid from the modern world can take, right?

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Subaru tries, with the same passion he ranted at Emilia, to drill into Rem’s head all the ways he is a complete and utter failure of a living thing. But she simply doesn’t buy it. She comes back with all of the reasons she loves him, and describes in detail how she felt when he rescued her from herself. Not only did she fall in love with him then, but he restarted a clock that stopped for her when her village burned. He is her hero.

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Rather than run away from everything, she’s going to stay right where she is, and so is Subaru. Whatever troubles they have, they’ll figure it out together; support each other; make up for each other’s weaknesses. Do what they’ve done up to this point. Rem makes her love for him plain as the blue sky above them.

So when Subaru rejects her because he still loves Emilia, it stings quite a bit, but for Rem, better to have a Subaru around than not, whether he loves her the same way back or not.

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So when Subaru puts forth his plan to move forward and try to save Emilia and asks for Rem’s help, Rem humbly accepts, but makes sure to tell him how cruel it is to ask such a thing of someone you’ve just rejected. Subaru, in turn, reminds her she rejected his running-away plan first. Touché!

They both have a good laugh – it’s been a long, exhausting talk, but look at what it has wrought! Subaru, who had been brought so low, he was starting to think—like me and Franklin—that he really was immensely over-his-head with this whole hero thing.

He had bags under his eyes, he was utterly done with everything. And now he’s back in the game, in far higher spirits, and even smiling and laughing. Quite the transition in one talk!

Time will tell if Subaru is simply grasping one last time onto the hope of one (Rem) who is, at the end of the day, ignorant to his past failed attempts, and doesn’t understand just how weak and ineffectual he is.

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Is this a glass-half-empty or a glass-half-full show? I’m still not sure, but it’s a half-full episode, which rejects what I’ve been thinking throughout this second half: that Subaru simply can’t cut it in this world, as much as he and I and Rem may want him to.

I’m looking forward to seeing what, exactly, returning to “zero” means for Subaru, and if somehow all the insights he and Rem gleaned from this long heart-to-heart will help them. Until then, this was a powerful episode, despite not much physically happening.

What did happen was Kobayashi Yuusuke and Minase Inori delivered some powerhouse performances that really drew me in and restored my faith in the possibility of a happy (or at least happier) ending. Mind you, Re:Zero may just be setting us up for more dark times made darker by the fact everything said here may end up being lost. But I hope not!

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Re:Zero kara Hajimeru Isekai Seikatsu – 17

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While Subaru managed to avoid the infamous white whale in previous lives in which he failed to save anyone, this week his luck really runs out.

There’s no escape from the whale, but all Rem can think of is to try to draw it away, an action that will likely result in her death but has a chance of saving Subie, along with Otto.

Of course, Subaru doesn’t want Rem to go, but she overrules his objection with a chop to the neck and jumps out of the wagon. That’s when things get weird…er.

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Not moments after they were talking about Rem, Otto acts as if he’s never heard of her before; as if the whale swallowed up not just Rem but everyone’s memory of her…except Subie’s, natch. Yet another reason for people to think he’s gone off his rocker…and he has.

No one of Subaru’s background would be expected to endure the repeated suffering and death of those he loves with such frequency and still have a chance of retaining one’s mental faculties.

Once Otto suspects the whale is after Subie, he shoves him off the wagon. An injured Subaru manages to find a ground dragon that takes him to the village where his kid friends are there to greet him, alive and well.

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So this time he made it to the mansion in time, but the situation is worse than Rem being dead, because no one, even Ram, has ever heard of her. The episode is ruthless in showing a momentary glimpse of a maid with blue hair until it’s revealed to be the twin not in love with Subie.

Rem aside, there is nothing Subaru can do to stop the massacre that’s about to happen. Emilia is more than patient (and still very concerned) about Subie, but all he can manage is to rave to her about how no one will be saved, and if she justs comes with him everything will work out.

Subie even attempts to tell Emilia about Return by Death, threat of having his heart squished be damned. Only this time the demonic hands don’t close around his heart when he says the words: they close around Emi’s, killing her in his arms.

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He awakes to a blood-colored night, where Beatrice is there, preparing to defend the mansion. Unwilling to kill Subie as he demands, she teleports him to the forest, so that he can find his own death, out of her sight. Pretty grim.

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Of course, once back in that damn forest, it doesn’t take long for Betelgeuse to show up with his cultist pals. He uses the same “unseen hands” that killed Emilia to separate him from her and threaten to tear her corpse apart, but a shower of ice daggers stays his unseen hands.

It’s the signature attack of a giant Puck, who, now that I see him in silhouette, was the beast that beheaded Subaru in episode 15, calling Emilia his daughter and asking Betelgeuse what he thinks he’s doing.

If you asked me back in the first half of the show if Emilia’s adorable little animate Beany Baby of a familiar would end up playing a role like this, I’d have said you were crazy. But we live in crazy, messed-up Re:Zero times.

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Re:Zero kara Hajimeru Isekai Seikatsu – 16

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In an episode that doesn’t really come close to last week in terms of emotional or visceral impact, Subaru manages to stay alive the whole time. The beatings Subaru receives this week are more intellectual than physical (though he gets beaten up physically too), as he is outwitted, embarrassed, and enraged by each of Emilia’s rivals.

First up, the ever-calculating, ever-level-headed Crusch. Subaru asks her for military aid against the impending Witch’s Cult raid on Mathers’ domain, but Subaru is not able to convince her that it’s in her best interest to help, or offer anything she won’t profit from anyway if Emilia were wiped out.

She never once loses her composure as Subaru fumes and bites his lip bloody, ultimately resorting to begging. Crusch simply sees right through him, that there’s more to what he wants than what he’s saying, though as we know, there are things Subie simply can’t say that has nothing to do with pride or loyalty.

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Next up, Priscilla. Surely she remembers him saving her in that alley, right? Nope. Priscilla doesn’t even pretend to treat Subie with the slightest whiff of respect, offering to help if he’ll kiss her feet, but quite unlike Crusch, loses her cool completely when he actually tries to do so.

Just as he only managed to convince Crusch that he’s, at best, mad as a hatter, he only manages to convince Pris that he’s a detestable pig who will do anything, no matter how debasing, to get what he wants.

Priscilla is disgusted even to be in his presence, and extends her disgust to Emilia’s whole camp. And she’s clearly deeply disappointed; doubtless a part of her wondered if he wasn’t quite as “insignificant” as he seemed; alas.

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o-for-2…will the third time be the charm? Subie didn’t even bother going to Anastasia Hoshin until they bumped into each other in the street. But while Ana seems a lot friendlier on the outside, she’s only playing games with poor Subaru, dangling something he needs (and a trifle at that; a carriage) in order to pump him for info on who Crusch has been meeting with.

Like a common schoolyard bully, the haughty Anastasia drops her mic and walks out of the tavern, taking her private army with her, utterly assured that Subaru is incapable of doing anything, giving him a curt lesson on being prepared for negotiations, and warning him that the things he does “won’t ever go away,” which hits particularly close for the respawning Subaru who has now struck out on securing an army to protect Emilia.

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Chance smiles upon him one more time, however, as he runs into Otto and a convoy of merchants carrying large amounts of oil. Oil that, I’m sure Subaru is thinking, could be repurposed as some kind of weapon against the cult. Getting back to his old resourceful self, he also hires the merchants to help him evacuate Mathers’ domain. It’s a far more modest and improvised plan, but it’s the best plan he has, and time is a wastin’.

Naturally, even this plan runs into a snag, when a carriage he believed was right alongside his turned out never to exist, and a gigantic beast (probably the fog-making white whale Rem mentioned in episode 14) appears in its place, staring its huge eye right in his face as he shines his phone flashlight at it, and then letting out a monstrous roar…

…And that’s where we leave things: wondering if that beast will send him back to the apple merchant’s stall (erasing all those unpleasant failed negotiations in the process), or if he manages to make use of that oil to progress his hasty, threadbare plans.

As Priscilla said, Subie “hasn’t thought this through.” True, but after a few more failed plans, absorbed blows, and lessons learned, perhaps he eventually will. OR perhaps he’ll simply keep suffering and dying shortly after watching those closest to him do the same, growing more and more insane from the trauma.

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Whatever the case, he’s certainly come a long damn way…

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P.S. Lovely new ED…and quite a departure from last week’s “Headless Subie and dead twisted Rem being buried in the snow as blood red credits roll”

Re:Zero kara Hajimeru Isekai Seikatsu – 15

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I honestly didn’t think a second cour episode of Re:Zero could match the cinematic majesty of episode 7, but, well…here we are, eight episodes later, and this show is still topping itself. My expectations for the finale have now risen to unreasonable highs. But never mind that; we’ve got a long, long way to go, as does Natsuki Subaru.

Subaru doesn’t choose to commit suicide. He does die and Return by Death; but not by his choosing. He is slain in the most nightmarish way imaginable, having his fingers and leg cleaved off before freezing solid and cracking. Jeez, this show is rough on ol’ Subaru.

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Surprisingly, he respawns not in a bed, but at the vender’s cart, where he was with Rem seemingly an eternity ago (but in reality, early in last week’s episode). It isn’t long before he’s in a bed, however, as he’s so traumatized by what he witnessed and experienced in his last life, he is still in shock and barely able to speak.

Felis can’t do anything about his mental condition, so Crusch lets Rem take him home to Roswaal’s manor, hopeful being with Emilia and Ram will help him recover. Crusch also asks why Rem is so devoted to Subaru, and she responds “because he’s special.”

Once again, they fail to reach manor without incident, even though it’s Rem and not Subie’s choice to head there.

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The hooded baddies—witch cultists—ambush the cart, bloody a furious Rem, and take Subie captive.

Subie wakes up in chains, still unable to speak, and comes face to face with the grotesque and thoroughly insane Betelgeuse, who would be a goofy character for Re:Zero if we didn’t already have his less evil counterpart, Roswaal.

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Oh, and if this guy wasn’t fucking threatening and terrifying as all Hell, and merely a subordinate to “The Gospel”, and presumably, The Witch. Betel is a high priest of “sloth”, and initially calls Subie “pride” (perhaps why the cultists bowed to him last week?), and while his plans for Subie aren’t precisely clear, he’s intent on finding and killing Rem as soon as possible.

Rem all but grants his wish by busting into their cavern hideout, hopelessly outnumbered and surrounded. For all her power and combat ability and heartfelt desire to save her beloved Subaru, she’s still quite messed up from the initial ambush, and when she gets too close, Betel strings her up in mid air and breaks all the bones in her body, then twists her extremities in the opposite direction just two twist the proverbial knife.

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Betel heads off to prepare for “The Ordeal”, but Rem is amazingly still alive enough to scoot towards Subaru and free him from his chains, and from what is certainly to be more horrible torment at the hands of that monster and his master.

She tells him to live, and that she loves him, then passes away in his arms. While Rem has died before, as has Subaru, I just wasn’t prepared for this. She was found dead suddenly last week, but here the death is drawn out, as is Subaru’s apparent helplessness.

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Not sure what else to do, and still clearly foggy from his multiple ordeals, Subie continues his trek to Roswaal’s manor with Rem’s body in his arms. Again, he finds signs of a massacre, dead villagers, children, and Ram.

He doesn’t get anywhere near the front door before a colossal dark beast with glowing yellow eyes orders him to “sleep now, like my daughter.” Subaru’s head pops of with a splash of blood…and the blood-red credits start to roll as he’s buried by the snow. There’s no merciful fade to black. The camera doesn’t budge. The stirring, soaring, relentlessly tragic score blares.

By God…that was one of the darkest, cruelest, most hopeless endings I’ve ever seen. But this is Re:Zero, where endings usually lead to new beginnings. Still, it still felt like everything was over and there would be no victory, ever. 

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Sure enough, Subie respawns with Rem at the vendor’s. He’s not catatonic this time. He embraces Rem; alive again; in love with him. The vendor tells them to take a hike and stop scaring customers with their PDA.

Subaru takes Rem’s hand like he never intends to let go of it again, and she’s all to happy to hold his as they walk peacefully, quietly down the street.

But Subaru’s smile slowly vanishes as the camera pans up to his face. It’s a beautiful day, but there’s a storm brewing in his eyes. They’re not the dead eyes of defeat. They’re the fanatical eyes of a demon, and Betelgeuse is his prey.

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Re:Zero kara Hajimeru Isekai Seikatsu – 14

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It stood to reason Subaru wouldn’t quickly or easily fix things with Emilia, or even figure out how to fix things with Emilia. As disheartening proof, Emilia doesn’t even appear this week; her absence creating a yawning void when combined with where she and Subaru left things. Still, I had no idea things would get so much worse so quickly. And yet they do: Re:Zero lets the shit fly free into a very big fan, and nobody comes out clean.

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What’s devastating about what transpires centers on some intentionally harsh words from Felix that sort of echo what Julius had to say (and what he risked his career and chivalry to try to teach Subie, to no avail): Even if Subaru had a plan, even if he involved himself, even if he risked everything to try to do something to protect Emilia, it wouldn’t matter.

That’s how out of his element he is: those who would be his enemies (or at least the political rivals of Emilia) are doing their utmost to simply keep Subaru out of it, not because they’re worried he’d make things worse, but because he’d only end up dead, accomplishing nothing.

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Subie being Subie, he respectfully dismisses stern warnings from both Crusch (who if nothing else was a decent host) and Felix (who had been healing his gate) and heads back “home” to Roswaal Mathers’ domain as soon as he hears of reports of suspicious movement near the mansion.

The one bright light in the yawning abyss this week was Rem, staying by Subaru’s side no matter how pathetic he gets (indeed, largely because he’s pathetic), not due to any contracts or obligations or honor, but because she wants to.

We know what that means even if Subaru isn’t particularly receptive to it: Rem cares about him, at least as much as he cares about Emilia, and she won’t leave his side. Her “save a tiny bit of that for me”, talking about his feelings for Emilia, might be the saddest line of the show.

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But as far as she takes him, even Rem can’t find it in her to bear Subaru to whatever is going in the Mathers lands. Instead, she leaves for the mansion in the night, leaving a note pleading Subaru to heed her words. Stay behind; wait for her return; trust in her.

He can’t. He uses every means at his disposal to get closer and closer to the place no one wants him anywhere near for his own good. He takes Rem’s note as another endorsement of the “Subaru can’t do anything” narrative.

When he’s running in the dark and becomes suddenly surrounded by a circle of sinister-looking magicians who don’t even bother to kill him before racing off, it’s clear that Yup, he can’t do anything. Not about this.

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In case he didn’t get the message there, he finally arrives at the village near the mansion, and it’s the site of a massacre of men, women, and children. Was this the result of the intense public prejudice against Emilia’s half-elf lineage, which she barely ever mentioned to Subaru? Was it those magicians? I don’t know, but I’ll admit the sight shocked me.

But the village was nothing compared to Subaru entering the Mathers Mansion, seeing a bloody mace, and then coming upon the lifeless, bloodied body of Rem, as she recites her letter to him. I can’t believe Rem is dead any more than Subaru wants to, and though I wouldn’t put it past Re:Zero to make these myriad tragedies stick, one can’t discount the fact Subaru can do something no one around him knows he can do: die, and by doing so, blow up everything that’s transpired to this point.

Will he do that? If he does Return by Death, where and when does he wake up, and what the hell can he do to prevent this? As for if he doesn’t RbD, well…I don’t particularly want to think about that.

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