Wotaku ni Koi wa Muzukashii – 06 – Rainy Days are The Worst. Rainy Days are The Best.

After a cold open involving Hirotaka and Kabakura being photographed doing BL roleplay, we rewind to Narumi and Hirotaka both forgetting their umbrellas, despite being adults. Kabakura isn’t worried about any of his effects getting wet, so lends them his umbrella.

Hirotaka switches both the side he’s on (so she doesn’t get splashed by cars) and the position of his bag so smoothly, Narumi takes note of it in her inner monologue, and it’s further evidence he’s legit boyfriend material. Meanwhile a soaking wet Kabakura encounters Koyanagi and asks if she’ll share her umbrella, and rather than say he gave his to their friends, he says he forgot it, and gets doted on by a concerned Koyanagi.

For her part, Koyanagi professes her hatred for rainy days because her shoes get wet, but when she invites herself to Kabakura’s for dinner and he invites her to spend the night, she professes her love for rainy days. So basically, she and rain are like Asuka and Shinji.

Then we see why Hirotaka and Kabakura were posing like would-be lovers: to cheer up Narumi. Hirotaka can sense something’s up, but Narumi is being all coy with false smiles and “it’s nothing really, don’t worry about it.”

Finally, Hirotaka waits for her after work and continues to pursue the issue, going so far as to ask if he’s “so undependable” she can’t tell him what’s up. Finally, she relents, and it turns out to be nothing; a character in a manga she (and Kabakura) liked died.

If it were something genuinely troubling, would Narumi have told him? I like to think so, but even not, sometimes it pays to be persistent when someone is trying to spare you trouble or worry…and in this case, Hirotaka already was worried.

Finally, Christmas approaches. There’s talk of Santa and when Narumi, Hirotaka, and Naoya stopped believing in him. Nao, in a thin and much-less-warm-than-it-looks Santa costume handing out free coffee outside Starbucks, states that he never stopped believing in Santa; his definition of who it was simply shifted to anyone you love or are connected with who makes you happy. Narumi praises Nao as a saint.

Last year’s Christmas was The Worst for Koyanagi. Sure, she had plenty of time to make a wicked awesome costume, but the reason she had that time is that Kabakura spent the holiday working his ass off, and they didn’t even speak to each other until the new year had some.

This year Koyanagi assumes it will be more of the same, and that she simply has to make peace with the fact her boyfriend is a workaholic. But as office elevator doors close, Kabakura suddenly teleports from his desk to the doors, forcing them open and joining Koyanagi.

He ends up taking her to a super fancy and exclusive restaurant, the reservations for which he made over a half-year ago, and the cost of which he worked extra hours to afford. Koyanagi, appreciative of his efforts, presents him with the gift of a limited-edition event item.

Hirotaka and Narumi stay in for Christmas Eve, eating takeout, drinking beer and wine, and playing video games together. Both couples look like they’re having nice Christmases.

Gekkan Shoujo Nozaki-kun – 09

03

Chiyo and Nozaki forget their umbrellas during a 100% chance of rain day. Bored, the couple considers various manga scenarios for rainy days. Nozaki attempts to ‘spin’ the manga cliche of walking home together under a coat, but fails miserably. Later, while walking under Seo’s umbrella, Chiyo keeps getting Nozaki’s head stuck.

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Nothing goes the way they both would hope but, light appears at the end of the storm and Nozaki is about saying ‘ill protect you from the rain no matter what’ only to be drenched by a passing card and totally unable to protect Chiyo in any way. Progress!

07

Nozaki and Chiyo head upstairs to visit Miyako, who’s battling Maeno-san over adding yet another superfluous Tanuki to her manga. (If battling means agreeing to do it no matter how absurd!) While Miyako chronicles the various abuses she’s taken at the hands of Maeno-san, the group tries a few alternative treatments to lessen the impact of needlessly injected Tanuki.

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Each idea is hilarious, for us, but obviously not helping Miyako, who ultimately creates a new character — a dour faced Nozaki-kun clone to wear a Tanuki suit — which instantly is coveted by Chiyo to Nozaki’s bewilderment. Nozaki tries, but he can’t create she’s willing to trade for the drawing and feels down that she doesn’t like his work as much. Progress!

06

Saying this week’s GSN-k was laugh out loud, spill vulcan-hot ramen all over your pants but keep laughing anyway funny seems redundant at this point but, honestly, that’s what it was!

Episode 9 really shines because it puts everyone on the cast exactly where the need to be most effective. Chiyo and Nozaki are at the story’s center, where there silly thoughts and shattered expectations get our full attention. Kashima and Seo are pass through, giving Nozaki gender flipped inspirations for manga. Hirotaka and Hori are barely in the episode, just there to remind you that there is a larger cast, that lives in a world, and has it’s own agendas, loves and hates.

It’s just beautifully balanced.

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And if the first act wasn’t enough, act two exploded with totally out of place Tanuki humor and chances for Nozaki to express his emotions. Sure those emotions were mostly anger over Meano being a one-man absurdist comedy of professional torture, but we got a hint of jealousy too.

If nothing else, this episode was flooded with Nozaki emotions. We still have no idea if he’s just crazy or on the spectrum, but it’s starting to look like he wants Chiyo’s approval — and to support her because he wants to, which could be the signs of actually liking her! Maybe.

Progress!

9_ogk

Baby, Please Kill Me! – 03

Yasuna attempts to get a rise out of Sonya and by dabbling in a variety of different disciplines, from spoon-bending to voodoo curses to card pyramids, fortune-telling, palm-reading, playing in the rain, and sumo. She also lends Sonya her favorite stuffed animal Pyonsuke, but she manhandles it. All the while a mysterious vermillion-haired character attempts to make her presence known to them, but is constanly missing them.

At it’s heart, this is series is a double act. Yasuna is the silly, bubbly, erratic comic, while Sonya is the stoic, serious straight man (girl). Humor is derived by throwing them into all manner of situations in which their personalities clash. The twist is, Sonya doesn’t just stand around and take abuse; she isn’t above smacking, slapping, kicking, scratching, biting, and choking Yasuna for her insolence, but while she possesses superior strength and agility, Yasuna gets small victories every now and then, which keeps things balanced.

We’re talking comedy that goes back to the nineteenth century, with the British music halls and American vaudeville scene. It’s tried and true. All you need is a good duo to perform it, and I have to say I like this pair. They’ve got good voices, and it’s fun to listen to their back-and-forth about whatever the subjects of the episode are. Occasionally Agiri pops her head in, but this is mostly the Yasuna and Sonya Show. Which is why it’s funny that the red-haired kid can’t catch a break and insert herself in said show. It’s almost as if the series is acknowledging another character isn’t even that necessary.


Rating: 3