Uchouten Kazoku 2 – 05

If I had to pick a single episode from last season that sold me on Uchouten Kazoku’s magical setting and ability to project care free fun, it would be the flying tea house battle. While I have mixed feelings about this season’s episode being about the same thing, there is no doubt that the format works tremendously well. The event pulls many characters into one space, the inevitable fight between Yasaburou and Kinkaku and Ginkaku provides enjoyably silly action, and fireworks (and flight) make for a lovely background for many introspective and contemplative scenes.

In many ways, the festival and action is secondary to a great deal of character development. While Sensei has always shown a soft spot for the tenuki (under his gruff old man treatment) this week puts him at the center of their lives as a wise figure deserving of the respect they always show him. Simply, he makes the older siblings get over their hesitation and confess their affections for each other. It’s gruff but also kind, and includes a brief telling that he did this for Yasa’s parents too. Cast in the warm light of the train car, surrounded by food and family, its a lovely scenes.

Speaking of the train, it was great to see Yajiro’s ability to change into a train looped back to. Not only is it great to see a throw away joke pay off, but it gives Yajiro a vehicle to participate in the narrative when he otherwise would be restricted to the well.

It was also a good choice to have Yajiro totally screw up the beginning of the event, by blasting off too quickly and spilling much of the meal inside his belly. Nothing really goes right for the tenuki. Not even when they are trying to be classy or show their power. It’s a great reminder of their place in the pecking order.

But the big loud emotional turn was Benten’s fight with Nadaime. Having stolen his couch for her own amusement and having never had anyone stand up to her, Benten really went into this with a target painted on her back. Yasaburou even remarks that he knew she would lose the second she lunged at Nadaime. (and it was foreshadowed by the mid episode card, showing ‘where Benten fell’ on the city map)

And as loud as that short fight was, Uchouten Kazoku immediately returns to the quiet, tender, introspection it does so well. Yasaburou and Sensei go to find where Benten has landed and sensei gives her a stern but fatherly speaking to. You are angry. Use it to get stronger. That is all.

The Verdict: Finally, a must watch week! It loops so many threads in together and it does so elegantly. So elegantly I’m not even sure I can put my finger on any one character dominating the story. So elegantly that I’m not sure there really is a antagonist in a traditional sense, as Benten is as much at fault (if not more) than Nadaime. (and in his own way, Nadaime is a far nicer person than she)

The formula is setting in, too, with a repeat of last week’s fake-out ending conflict opening as a non-conflict. (Everyone sucked into the Shoji board just ends up in sensei’s closet) While a strict formula isn’t necessary for a good show (or even good for most shows) having a rhythm is, and that was something Uchouten Kazoku has been sorely lacking.

Uchouten Kazoku 2 – 04

The Gist: Benten stomps on Nadaime’s freshly ironed shirts, but otherwise leaves without incident. Yasaburou’s older brother’s love interest is revealed and a bit of backstory unfolds revolving around Shoji. Tousen nudges Yasaburou to help his brother hook up with the girl, which he does, and all ends well… except that the love interest is magically sucked into a Shoji board right at the end. Dun dun duuuunnnn.

The Verdict: Despite being a mostly contained ‘drop’ in the story bucket, and not carrying over anything serious from the week before, Uchouten Kazoku brought the magic this week. All the build up to the Shoji tournament, and the final match itself, just worked nicely side-by-side with the character building. I don’t have much else to say I’m affraid — just go watch it!

Uchouten Kazoku 2 – 03

The Gist: Benten returns and crushes Tenmaya, who is both obsessed with and terrified of her. Yasaburou and his mother Tousen visit Tousen’s mother, an ancient white fluffy tanuki, and ask for help turning frog-brother back to normal. The grandmother is blind, kind, and cryptic, but offers some medicine.

Later, Yasaburou and his little brother visit Nadaime’s new location, which is a lovely roof top mansion, and share some afternoon tea. Benten shows up and completely fails to dominate Nadaime. Major magical conflict can not be far off now…

As is often the case, Uchouten Kazoku wandered us through several lovely, dialogue-heavy scenes that straddle the line between inconsequential and deeply magical. However, because Uchouten Kazoku treats its magical settings and characters as everyday occurrences, exposition is kept to a minimum.

What is grandmother’s place in tanuki culture? What are the other tanuki doing around grandmother? Is it a ceremony simply because she is old or is she part of the shrine or something else? Leaving us with a heavily detailed but unknowable scene renders it dreamlike. Captivating.

The rise and fall of Benten is more or less the defining arc this week. As with Nadaime, she abruptly falls from the sky full of power and crushes Tenmaya. While we learn no details about their rivalry, and Benten is almost as interested in Yasaburou’s moon (stolen by Tenmaya) as she is in Tenmaya himself.

Here Benten is full of power and flaunts it. Yasaburou has no course but to ask very nicely for his moon back and Tenmaya has no choice but to shed his fake skin and flee. Benten casually rolls the moon around her fingers and, when she tires of it, simply throws it back into the sky before demanding even more courtesy from Yasaburou and wandering off to visit her master.

That domination comes to a quick end when Benten arrives at Nadaime’s new house and arrogantly lays down on the couch Nadaime had planned to use for his afternoon nap. Always polite, Nadaime asks her to leave and when she will not, he spreads a sheet on the floor and dumps her out. Paying her no mind, he thanks everyone for their visit and gets ready to nap.

The contrast between Nadaime and Benten is rather interesting. Both are powerful and throw their weight around but it is hard to figure out which is ‘good’ or not. Despite her malice and abuse, Benten seems to care for Yasaburou. (At least she cares enough to want his attention) Where as Nadaime, despite being generally polite in dialog, is obviously dismissive of Tenuki in general. He’s tolerant of them, but does not especially desire to have them around.

The Verdict: Despite the masterful craft poured into Uchouten Kazoku, it is not always an exciting nor engaging show to watch. Again, as last week, episode three was full of action, characters and conflict, but it lacked a sense of purpose. Nadaime’s shirt ironing, Yasaburou’s grandmother, and Benten playing with the moon were all interesting curiosities but, not counting Nadaime and Benten’s cliffhanger showdown, nothing consequential actually happened.

Uchouten Kazoku 2 – 02

The Gist: Akadama and Nidaime’s top-dog Tengu fight ends before it even begins, with Akadama falling off the building and Nidaime not seeing his father being worth the effort to fight. For whatever reason, Akadama takes this as a victory, which Yasaburou thinks is patently absurd.

Though perhaps that’s Nidaime’s point in not calling himself a Tengu? The very definition of Tengu may project an arrogance that he finds unnecessary and unproductive.

Meanwhile, a noodle shop opens on the roof of the shopping arcade and the owner wont take it down. Apparently, he can extend his chin as a whip, amongst various other illusions and even Yasaburou’s foolishness is not enough to win the day. Actually, Yasaburou ends up a hypnotized bear, and is nearly shot by the police…

This conflict leads to a few passing confrontations between Yasaburou and his formerly betrothed, who’s angsty at him for a variety of things but, most obviously, that they are no longer engaged. Even though Yasaburou is the only one who doesn’t realize there’s no reason for them not to be engaged anymore…

It also leads to the introduction of a painter who doesn’t want to sell his paintings and reveals the name and identity of the noodle shop owner. Tenmaya, who appears magical but is also consistently referred to as just human, apparently climbed out of a painting of hell because the painter illustrated a Buddha holding a spider’s thread out to the damned… it’s unclear who the painting belongs to or what the significance of all of this is. (Tenmaya doesn’t seem to want anything from life except amusement)

What is clear is that Yasaburou probably shouldn’t have tried to scare Tenmaya by turning into a demon, which is where the episode ends. A shotgun pointed right in our poor foolish hero’s face…

The official theme this week is that we are in the age in which Man plays tricks on Tenuki. However, for me, the story was more about the world not being able to move forward. (or not being aware of its lack of forward development)

Akadama is not only stuck in the tradition of Tengu, but also stuck on his conflict with his son. Despite his rejection of Tengu, Nadaime hasn’t moved ahead himself, which is evident from his characterization of Akadama being pathetic because he interacts with Tenuki, and Nadaime’s somewhat vaguely contradictory like/disrespect of Yasaburou throughout their encounters.

Yasaburou is stuck in last season’s position of servitude to the community, pranking around without purpose, and with not advancing his relationships with family and his love interest. He doesn’t exactly have a strong narrative reason to have changed, but he hasn’t changed regardless.

The Verdict: Uchouten Kazoku takes a casual approach to narrative. It just sorta wanders all over the place, touching on many different story threads, but without any sense of specific purpose. This very much fits the nature of Tenuki, and the experience is enjoyable enough due to the odd and specifically weird situations, but it does risk becoming so whimsical as to lose my attention.

It’s already somewhat hard to follow, due to the gigantic cast, many of which can shape-change and many others who simply don’t get enough story time for me to remember who they are or what their objectives may be.

For now, the magic has me under it’s spell. However, like Akadama, I too miss Benten and the sense of specific adversarial focus she brings. Hopefully, we’ll see her sooner than later…

Uchouten Kazoku 2 – 01 (First Impressions)

The Gist: the stage is set some time after the events that closed the first season, with the cast serving mostly familiar roles. The Shimogamo brothers are an eclectic, often disrespected, but equally relied upon members of the Tenuki community.

Yasaburou continues to take care of the elderly Akadama-sensei, who appears a bit depressed now that Benten is on an extended vacation. Yasaburou’s older brother is still vying for the position of leadership amongst the Tanuki, the youngest brother is immersed in books and his own world, and the second brother is still a frog at the bottom of the well. Fools’ blood all around but fools’ blood where we would expect it.

One day, while Yasaburou is searching for a mythical snake, a couch falls from the sky. Eventually, this leads him to meet Akadama-sensei’s son, who’s returned after over a hundred years in exile. While their exchanges are guarded, the two wayward sons seem to bond over clever and polite banter. However, it’s obvious that Akadama’s son will be a source of major conflict.

Sure enough, by the end of the evening, Father and son stand on a roof ready to duel…

At it’s core, this opening episode is a leisurely exploration of nostalgia and the challenges of tradition (or, perhaps, generally grappling with the past).

Yasaburou’s snake-hunt is something his father own father played at long ago. It’s even how his father and mother met, which Yasaburou attributes as the singular reason he and his four brothers exist.

Meanwhile, Yasaburou’s older brother is attempting to revive the town’s shoji tournament, which has not been run since their father was cooked in a hot pot. Not only does this repeat the shadow of the father motif, but it reinforces the older brother’s need to retain the family place as an upstanding leader in the community. It’s strongly implied this will let him tanuki-bang the wide eye’d girl at the clinic too.

Double meanwhile, Akadama and his son have an unavoidable need to battle, due to their traditional pride as tengu. However, neither seems up for that tradition (Akadama physically and his son emotionally). It’s comical to see the modern tengu, a classless lot, dressed like dime store mobsters, egg them on from afar. As Akadama’s son says when he first meets them: if you’re tengu, at least put some pride in it.

You should probably watch Uchouten Kazoku’s second season because the first was a lovely, whimsical tale of weirdness. While the narrative buildup and payoff, and the tension along the way lacked the emotional impact of other weird-genre shows (Tamako Market, Tatami Galaxy, Mr.Despair), Uchouten Kazoku absolutely rules the roost for world-building. Only Durarara!! comes close.

You may choose to skip Uchouten Kazoku because it’s destined to be a slow build with an all-too-uneventful finish. While the high concepts appeal to me, and pose a creative challenge to tease out and express via review, I must admit that academic focus creates a barrier between the story and emotionally resonant action and conventional drama.

The Verdict: Uchouten Kazoku is solidly enjoyable to look at and confidently cool. Despite being a slow burn, it presents a lot to absorb; at times, too quickly for me to read without pausing.

But that’s hardly a complaint, as re-watching and rewinding lets me revel in its wonderful camera angles, solid color work, imaginative facial expressions, character designs and gestures. The music choices haven’t stuck with me but that also means I have no complaints about them either.

Gugure! Kokkuri-san – 09

gks91

Gugure! Kokkuri-san sees a rather quiet week. No one new is added to the cast and none of the central cast see much development. Kohina and Kokkuri-san’s relationship in particular has taken the back burner, which is kinda a let down.

gks92

The run down: Kokkuri-san thinks he’s balding even though he’s probably shedding and freaks out. The result is over-use of hair-grow tonic and a giant puffy mess. Later, Inugami is bored and ultimately realizes no one cares about him. So he runs away for good. (maybe)

gks96

The good: Giant, fluffy Kokkuri-san is adorable, the weird happy cat-cameos were amusing, and Inugami running away at least did something for the narrative. (even if he will obviously return in next week’s episode)

This episode also had a strong visual style. Not only were many of the characters exaggerated (giant fluff fox, tanuki in a wig and school girl outfit) the framing and positioning of the characters was more playful, and often aligned to emphasize Kohina’s size in the world. The adults are taller and break out of the frame above her, while the animal forms are close like imaginary friends or stuffed animals. It’s very charming.

gks94

My favorite moment is when Kohina reads Inugami’s run away letter, which is an obvious ploy to get the household to come after him, and somehow identifies it as a fake that implies he’s been kidnapped. It’s a cute, if not totally bizarre event. I only wish the episode had done something with it…

gks93

The not as good: nothing stood out this week. Worse things can be said about a show but everything leading up to the final line of narration was a rehash of previous stories and themes, gently inflated to be more extreme.

Kokkuri-san’s hair falls out in greater quantity, Kokkuri’s counter measures result in a bigger mess, Kohina ignores everyone to a greater extreme, and Shigaraki’s heart of gold comes through ever so slightly more.

None of these things are exciting and Kokkuri’s balding freak out is only funny at the end when he turns into a puff ball. ho-hum?

gks99

The verdict: At its core, GKs is a show about 4 room mates hanging around the house making fun of each other. 2 room mates have one-sided crushes on other room mates, 1 character is a perv with a heart of gold, the oldest character is wracked with stress over aging and losing his beauty, etc. If you strip away the japanese spirit motif painted over it’s surface, GKs just isn’t that original.

So, even though I recommend watching GKs, if you haven’t already started, there are plenty of similar shows that are funnier anime you could look into.

7_ogk

Gugure! Kokkuri-san – 08

gks800

Gugure! Kokkuri-san picks up more or less where it left off last week. Kokkuri-chan is a woman, Shigaraki is head over heels drunk in lust with her, and no one else really cares.

I probably shouldn’t be so surprised that Gugure! Kokkuri-san carried this theme over from last week. This show has been all about its consistent, evolving, development driven plot after all. However, for some reason, I just expected Ono to be back voicing a male Mister Fox, with no real explanation.

gks86

I couldn’t find who voiced Kokkuri-chan, but the voice sounded vaguely like Club President Miou from Sabagebu!, which I’m very okay with. Whoever it was, she captured Kokkuri-chan’s slightly timid, flustered voice very well, which worked well and really made me empathize with the character. (YES PRESTON I HAVE EMPATHY!)

I guess I would have been more impressed if the voice was done by Ono, or the show runners had found someone who could capture an Ono in female tones. Maybe I’m asking for too much but Ono has a very specific pentameter and a sort of dryness to his pallet that is very specific. (It’s almost like he has a perpetual summer cold).

gks83

Understandably, Kokkuri is not especially interested in staying a woman. Knowing this, and knowing he can exploit the situation, Shigaraki wins some tickets to a hot spring in a town that is rumored to have a curse-breaking-hot spring.

Kohina implies that Shigaraki spent almost all his allowance on the lottery in order to win the tickets. So it seems like Shigaraki may be doing this as much because he really is a friend to Kokkuri-san as he is a lecher. He did save Kohina from the spirit and get a nasty scar after all…but I’m not really sure. Shigaraki’s pretty lusty and it’s a perfect setup for some ogling and heavy petting.

gks84

So it’s going to be a hot spring episode, which I guess makes sense for the middle season, even if it does feel a bit out of left field. We get plenty of the things you’d expect: well drawn bodies, skin, decent angles, conventional girl-on-girl boob feeling and peeping-tom jokes.

It’s cliché but harmless by most standards. In fact, I’m almost willing to give the show extra credit for playing with the conventions: the girls are wearing Bikini’s because they know Shigaraki will peep, by girls I actually mean mature Women, and we can’t forget that two of them are basically male in female form.

The whole thing is reminiscent of 4Chan dare to fap games… which I’m not going to explain in any greater detail than that :(

gks82

On the topic of unexplained, Yomomoto the alien and Tama the cat god are both in this episode because why not? When you have a big cast of one-off characters, making fun of their continued reappearance without context can be a joke in and of itself. Almost.

To be fair, I did enjoy Kohina, Inugami and Kokkuri’s conversation after running into Yomomoto in the hall. There’s something honestly funny about the characters not knowing which one of them is supposed to be friends with the alien. Everyone assumed it was Kohina, since she’s in his class, but she insists the alien likes Kokkuri… who doesn’t really like him back.

gks85

It’s cute and works well enough. Certainly Yomomoto works better than Tama being there. Tama doesn’t even have jokes to tell or to be told about or anything. She’s just there for a bath, to fight with Inugami once, and provide a pair of legs and boobs.

gks88

As for the primary lot and character developments? In between fine meals and baths Shigaraki… takes Kokkuri-chan to more baths. They play a carnival style shooting game and win prizes and have a bit of fun with each other but nothing brings Kokkuri closer to being male again, which is obviously the point.

That’s not really a complaint — these characters have good chemistry. Kokkuri is so feminine to begin with, and all his/her demands to be self reliant and stand offish and vulnerability just entice Shigaraki more.

gks80

The best moment shows us that Kokkuri is so much smaller than he/she’s used to, he/she can’t even carry the bags of prizes they won at the shooting range. However he won’t let Shigaraki carry them for him. So Shigaraki picks Kokkuri up instead.

Then they kiss and turn back into men.

Without that resolve, which deliciously pokes fun at true love’s kiss as a convention, it would have been decent but typical. With the resolve, and the narration that this brutal resolve was the intent of Kohina’s ancestors, who appear to be a bunch of malicious prankster jerks, I was sold.

gks81

So, basically, this week’s entire joke structure revolves around Kokkuri-san already being a woman. In fact, Kokkuri notes that he stopped transforming into a woman ages ago even though he loves house work, cooking, and skin care products because men couldn’t leave him alone.

I suppose everyone’s response to him as a her is as cliché (or at least as predictable) as it was in his other gender. Still, I can’t help but agree with Kohina-chan. I’d find Kokkuri-san more interesting as an actual woman…

8_ogk

Gugure! Kokkuri-san – 07

gks71

Gugure! Kokkuri-san episode 7 introduces Tama the Cat God, who owns a Japanese Café called Nennekotei. It only has a 1 star online rating and she’s obsessed with dolls, which means Kohina-chan is all she has eyes for and, when it hits the fan, Kokkuri-san has nothing to take away from her.

gks72best joke of the episode…

Obviously Tama snatches Kohina and hides in the cafe and Kohina’s trio of spiritscan not break through the barrier. Fear not! Kohina escapes on her own and I’m sure we’ll see Tama in future episodes…

gks73

Then Kokkuri-san opens a box that has many warnings written on it and is turned into a woman. Kohina is upset because Kokkuri-san’s only notable feature is that he’s a man that does house work, which is sad.

Regardless, the episode doesn’t change him back.

gks74

This week’s most out of context came during Tama’s cafe scenes, where the Halloween horror movie theme was playing totally out of place with the otherwise, non-horror moment. Not exactly non-horror I guess — Tama’s place is inexplicably a spirit nightmare setting, not unlike Kohina-chan’s place in the opening of the first episode but kinda weird choice all the same?

Over all it was a cute episode of G!Ks. Nothing special, exactly. Just a few good jokes and a new character with a straight forward reason to be connected with Kohina.

Carry on…

8_ogk

Gugure! Kokkuri-san – 06

gks64

Gugure! Kokkuri-san episode 6 was an odd duck, structurally. No! No! It was fine to watch and there’s nothing to complain about. I just don’t know what to make of the 4-minute plot extension thread that happened after the credits.

The extension’s content isn’t even outside the normal scope of the show’s style or subject. It just happens AFTER the credits, instead of AFTER an act-break-card.

Weird, right?

gks62

So Act 1 is about Kohina becoming able to see spirits and finding a little winged eyeball that she turns into a pet. Except that’s really not what it’s about. Rather, it’s about Shigaraki actually having a moral center or, at least, mild compassion for Kohina-chan.

See, the spirit drinks Kohina’s blood and loses it’s ability to live with humans. Specifically, it’s going to cut her up and eat her in her sleep. That’s strongly implied anyway.

gks63

Kokkuri-san splits in two so he can pitch himself the eyeball AND hit it into the atmosphere, thus Kohina keeps the eyeball’s return secret. She even gets Shigaraki to keep the eyeball a secret, which is the first sign that he maybe kinda sorta can care for others.

Later, as he see’s the spirit get more and more dangerous, he destroys it and removes Kohina’s ability to see spirits at all.

His reward? Kohina admits she was just keeping the eyeball around to eat as a Ramen topping…

gks66

The post-credits plot is about Kokkuri-san and Inugami fighting in Inugami’s dog house. Inugami admits to hating everything in the world except Kohina-chan. He even hates himself.

Though, I suppose, he also likes coffee?

gks65

Episode 6 definitely hit a stride, humor-wise. I found it regularly funny on all fronts, from all characters. I also greatly greatly appreciated Shigaraki getting some character development. Without that, I was worried that he’d start to really annoy me on the cast.

gks61

Otherwise? Gugure! Kokkuri-san is just a solid, mostly self-contained show. I don’t think it will ever get a rating higher than 8. It isn’t unique enough or beautiful enough or touching enough for that. Not from what I’ve seen so far.

But just being “very good” is far far far away from being remotely bad. Happy watching fellow foxes! Woof!

8_ogk

Gugure! Kokkuri-san – 05

gks5_1

Gugure! Kokkuri-san episode 5 introduces us to Jimeko, Kohina-chan’s incompetent bully, while desperately juggling the four characters in Kohina’s life. It works quite well, even with all the characters, and the tree acts gave us an average laughs-per-episode rating.

gks5_2

Inugami still hasn’t decided on his gender and Act 1 is mostly throw away fighting, perv-nuzzeling Kohina, and Shigaraki falling for Inugami’s female form. It’s cute enough I suppose, and it’s good for us to have times where Inugami is on the back foot, but the gender swap ability seems so arbitrary and under used by the story.

At least, under used in an interesting way. Becoming Shigaraki’s very short term lust-interest isn’t really all that interesting. But I’m biased I suppose, since I don’t find anything interesting about Shigaraki at all…

gks5_6

Act 2 is about Kohina’s bully at school. This one’s a little weird because the bully is a shy tsundere who no longer has any idea what or why she’s doing anything and, while the scenes are funny, I couldn’t help feel it was all disposable?

The whole joke that Jimenko has been bringing Kohina fresh flowers every day for a year ‘as a bullying gesture’ and that fact that Jimenko isn’t even her name (we never actually hear her real name) are clever but… goofie?

gks5_5

Jimeko obviously likes Kohina and wants to be liked by Kohina, but Kohina doesn’t pay attention or notice. The scene that saves it is when Kohina asks why Jimeko is even bullying her in the first place — and Kohina has her human face on.

Sadly, Jimeko isn’t able to answer and runs off blushing.

gks5_3

A cute little joke hidden in the infographic that describes why Kohina’s classmates don’t like her.

gks5_7

Then Kokkuri and Inugami join Kohina’s class using their magic. Naturally, this doesn’t go well and Kohina is frustrated that she’s the only one who can see through their tricks. Yamamoto-kun takes the brunt of most jokes.

We learn that Kokkuri-san has bad eyesight, and that he’s really only here to try and make friends for Kohina. It’s a cute final act to end the episode on.

gks5_4

As always, this show has great facial expressions and odd situations. It’s chuckle worthy and equal parts emotionally touching. I’m not sure how ‘smart’ it is, though.

Likewise, if Ono wasn’t a major voice of the show, and if he hadn’t voiced such a great show last season with a similar relationship, I’m not sure I’d be this into it? Kokkuri-san is nowhere near as good as Barakamon, that’s for sure!

8_ogk

Gugure! Kokkuri-san – 04

gks4_1

This week is all about Shigaraki, the old tanuki, the most recent uninvited spirit in Kohina-chan’s house. As was obvious last week, he’s a drunk mooch and no one likes him. Not even the viewers.

He’s the first truly unlikable character Gugure! has given us and I guess it works because he gives everyone an unapologetic antagonist to work against. Except, compared to Kokkuri-san’s fights with Inugami, no one seems to be putting much effort into getting rid of this douchebag.

gks4_8

Shigaraki literally has no redeeming qualities. He ruins everyone he haunts and, unlike Inugami, he doesn’t even give them a short period of success before burning them. He’s so selfish and/or delusional, he sees nothing wrong with his actions either.

If his gags weren’t so funny, Shigaraki would be an incredibly difficult character to watch on a regular basis.

gks4_2

Desperate for some reason not to kill him like the methheads who live in the trash across my street, Kohina-chan asks to see Shigaraki’s animal form. As you can see, this is surprisingly horrifying and funny. What you can not see is his bulging human genitalia…

gks4_6

Then Shigaraki either misunderstands Kohina when she admits to preferring his human form or is just being a jackass when he turns into a hybrid of the two and chases Kohina around the house…

gks4_4

However, he soon realizes he’s crossing the line and that Kohina may chase him out of the house somehow. So he bribes her with a million yen… that immediately turns into a leaf.

Yes! Shigaraki is so lazy his tricks don’t even last long enough to trick anyone!

gks4_3

Gugure! Kokkuri-san was outrageously funny this week — and I’m not even going to talk about the gray-skin Martian that sits next to Kohina at school!

If you need a criticism of the show, it’s that I have no confidence that a deeper mystery will ever manage to surface in a meaningful nor ham-fisted way. That, and it’s Ranma 1/2 style ’90s visuals will keep it at an 8 for most of the season. But what a fun little 8 it is!

8_ogk

Gekkan Shoujo Nozaki-kun – 09

03

Chiyo and Nozaki forget their umbrellas during a 100% chance of rain day. Bored, the couple considers various manga scenarios for rainy days. Nozaki attempts to ‘spin’ the manga cliche of walking home together under a coat, but fails miserably. Later, while walking under Seo’s umbrella, Chiyo keeps getting Nozaki’s head stuck.

04

Nothing goes the way they both would hope but, light appears at the end of the storm and Nozaki is about saying ‘ill protect you from the rain no matter what’ only to be drenched by a passing card and totally unable to protect Chiyo in any way. Progress!

07

Nozaki and Chiyo head upstairs to visit Miyako, who’s battling Maeno-san over adding yet another superfluous Tanuki to her manga. (If battling means agreeing to do it no matter how absurd!) While Miyako chronicles the various abuses she’s taken at the hands of Maeno-san, the group tries a few alternative treatments to lessen the impact of needlessly injected Tanuki.

09

Each idea is hilarious, for us, but obviously not helping Miyako, who ultimately creates a new character — a dour faced Nozaki-kun clone to wear a Tanuki suit — which instantly is coveted by Chiyo to Nozaki’s bewilderment. Nozaki tries, but he can’t create she’s willing to trade for the drawing and feels down that she doesn’t like his work as much. Progress!

06

Saying this week’s GSN-k was laugh out loud, spill vulcan-hot ramen all over your pants but keep laughing anyway funny seems redundant at this point but, honestly, that’s what it was!

Episode 9 really shines because it puts everyone on the cast exactly where the need to be most effective. Chiyo and Nozaki are at the story’s center, where there silly thoughts and shattered expectations get our full attention. Kashima and Seo are pass through, giving Nozaki gender flipped inspirations for manga. Hirotaka and Hori are barely in the episode, just there to remind you that there is a larger cast, that lives in a world, and has it’s own agendas, loves and hates.

It’s just beautifully balanced.

05

And if the first act wasn’t enough, act two exploded with totally out of place Tanuki humor and chances for Nozaki to express his emotions. Sure those emotions were mostly anger over Meano being a one-man absurdist comedy of professional torture, but we got a hint of jealousy too.

If nothing else, this episode was flooded with Nozaki emotions. We still have no idea if he’s just crazy or on the spectrum, but it’s starting to look like he wants Chiyo’s approval — and to support her because he wants to, which could be the signs of actually liking her! Maybe.

Progress!

9_ogk

Uchouten Kazoku – 13 (Fin)

ucho13

Yaichiro informs the elders of Soun’s treachery, but he stubbornly feigns innocence. Enraged, Yaichiro transforms him into a tiger and throws Soun through the wall, into the room where the Friday Fellows relocated. They have mother in a cage, which even enraged Soun, and when Hotei gets a good look at her, refuses to let her get boiled. Akadama interrupts the chaos and blows everyone away with his fan, and continues to chase Hotei through the streets as the Shimogamo brothers chase him. Benten takes over, coaxing him into a cab. The brothers talk to their mom, who is safe and sound at Akegarasu. The next day the family celebrates New Years at the shrine.

This episode takes some time to get going, as we must endure more of Soun’s lies, but Yaichiro finally does what we’ve wanted him to do for a while now: go into Tiger Mode and flatten him. In a city where humans, tanuki and tengu live in a delicate balance, they all end up converging at the same restaurant to celebrate New Year’s Eve. While the Friday Fellow’s sacred tradition is deferred and the election for Nise-emon in tatters, the Shimogamo family is made whole again. That’s all that mattered to Yasaburou, his mom, and us. Yajirou speaks to his mother again, Hotei meets the tanuki he nursed back to health, and even Benten returns to her master. New year, indeed.

Yasaburou has spoken at length about the idiot blood of tanukis. Perhaps part of that idiocy is trying to create the same hierarchies and possess the same lofty ambitions as humans. In the end, Souichiro rose as high as a tanuki could rise, but it didn’t save him. Yasaburou doesn’t want to be Nise-emon. He just wants to live a full and interesting life, and to have fun with his family, which is now whole again. Of course, now all the tanukis and fellows who were present that very weird night will remember Yaichiro turning into a tiger and taking Soun down – some of the small “glory” Yasaburou allowed for in his New Year’s wish. And interestingly, he didn’t wish to see Kaisei’s face: that’s her choice.

9_superiorRating: 9 (Superior)