GANGSTA. – 07

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Another night, another nightmare Worick has about the day his life changed and became inextricably tied with Nicolas’. Only this time, Ally is there to give him a comforting hug to calm him down. This week fills in most of the remaining blanks of that fateful day, giving us a full picture of that early scene of a blood-soaked Nic standing over Worick, missing an eye. In short: it isn’t quite what I thought went down, but that’s a good thing.

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But first, both thanks to Theo and Nina, Nic and Doug are all fixed up, and Nic thanks Nina by taking her on a ride as he does his flying-between-buildings thing, which looks terrifying and hella fun at the same time. It’s a great little scene, because it shows how close Nina and Nic are, and how much Nina trusts him, but also that neither Doug nor Nic hold any grudges against each other. If anything, Doug is embarrassed most of what he said during the fight went unheard by his one-time opponent. Doug also learns that Nic is a rogue, like him, and from the West Gate, which is a big deal.

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As Monroe, Paulklee, Corsica and Christiano (whose boss is a schoolgirl) meet in a dark smoky room trying to maintain balance in Ergastulum, Ally is with Dr. Theo trying to do the same thing with her head. He has her on mild tranq to keep her calm and is optimistic she’ll eventually recover now that she’s not seeing her dead pimp anymore.

Ally also gets to break out her newly-learned sign language to thank Nic and ask if she can hang around for the time being. Does Nic really not understand her “weird” signs, or was her message fully received, with Nic essentially replying that of course she can stay; that she didn’t even have to ask. Thus Ally really connected with both of her handymen roommates this week.

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That brings us to that day, or rather that night the show has given us glimpses of for many weeks now. Turns out Nicolas didn’t randomly kill Wallace’s family in some kind of contract job. In reality, Wallace saved Nic’s life by buying a supply of Celebrer to keep him alive. The mercenaries fired him, leaving him with Wallace.

When Wallace’s abusive father found out Wallace was smoking, he puts the cigarette out in Wallace’s eye, a scar he still carries on his face. Nic made the sign for “kill”, and saw Wallace’s lips word something, which he took as an order to kill…everyone, including himself, when he was done with everyone else. Wallace stops him, telling him he can’t die until he’s suffered more; much more.

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So there you have it: Wallace sic’ed  Nic on his father and family, not knowing the full extent Nic would go, and unable to undo what he did, took it upon himself to stay with Nic to ensure he’d endure the punishment of a long, tortured life. But has the life Nic has lived really been worse than a quick death? In reality, it hasn’t been all bad, what with he and Worick developing a friendship and symbiotic business relationship…not to mention getting to hang out with Good People like Nina and Ally.

These years have proven Nic hasn’t just been pretending to act like a human. He is one, albeit a deeply damaged one. Still, every time his bad eye hurts, Worick remembers that night, and remembers the hatred he had for Nic and all Twilights, while simultaneously pitying him/them. And there’s a nasty, efficient-looking pair out there hunting down and mutilating great numbers of Twilights. Nic is almost certainly one of their targets. And it’s clear there’s a part of Worick—perhaps residing in that festering eye socket—that doesn’t care if this is where Nic finally exits.

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Working!!! 3 – 07

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A lot of the interpersonal conflicts that arise in Working!! come down to people interpreting each others actions, words, or lack of words incorrectly; making the wrong assumptions. So it’s no surprise that the core conflict of Yamada Aoi—that she’s run away from home—comes down to such misinterpretations. After all, she’s one of the strangest communicators out there, having a running third-person commentary of her life as she lives it.

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Aoi is also bright and friendly and warm and cute—when she’s not being impetuous, cocky, or a huge hassle to others. Her mom is not any of those things. She comes off to many like a robot, and Kirio and Aoi were even furnished with “mom manuals” in order to interpret her subtle facial expressions, since she speaks so little. Aoi is in conflict with her mom because she never RTFM.

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As such, Aoi interpreted her mother foisting huge books on her to mean she was coldly forcing her to cram, even though her mother inside was simply worried about Aoi’s future. And Kirio eating her special natto (which he didn’t think was so great) is the last straw (or natto strand). Aoi tries to form a new family in Wagnaria, then Takanashi’s house, but her proper place is with her family; it’s just a matter of being convinced.

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The issue is brought to the forefront, and resolved, by two side characters. Aoi’s mom happens to be Takanashi’s eldest sister’s masochistic ex-husband, and Otoo’s often-lost wife Haruna convinces Aoi to go back home based on the principle of “ships passing in the night”, or family members and friends who may have wildly different ways of looking at and interacting with the world can still bump into each other on occasion, which is something to be celebrated.

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Aoi thus learns the conciliatory, re-connecting value of a hug from her mother (who tracked her down, ninja-style), and returns home, even though she still considers Souma a better big brother than Kirio. But while this means Aoi will no longer be living either at the restaurant or Takanashi’s, I’m sure she’ll still be “working” there on occasion; as long as it doesn’t interfere with her studies.

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Shimoneta – 07

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I must admit, I have my doubts about the show introducing a new semi-rival sex terrorist group, along with a new character to add to what is quickly becoming the “SOX harem.” But at the same time, introducing the 10-volume “Okuma x Goriki” BL series is a delicious way of ensuring even when he’s trying to hang with Goriki to avoid Anna, there is no peace for our protagonist. Goriki may not read anything into spending their free time together and making Tanukichi lunch, but Ayame and Otome read a lot into it!

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And like I said, that’s when Tanukichi is trying to avoid Anna, which is inherently difficult because she’s a lot craftier and more devious than Goriki, and is able to send him off on pointless errands just to get Tanukichi alone. Her desires are evolving from wanting her would-be lover to “eat” her to her wanting to “eat” him, and since she’s so much quicker and stronger than Tanukichi, he doesn’t have much say in the matter, and he’s only saved by Anna having a premature “crisis”…all over his goddamn face. Naturally, Otome isn’t far away in the bushes, furiously committing the tawdry scene to paper.

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There is also something to be said for, in addition to concealing themselves form authorities, SOX is charged with keeping their brand credible, which is hard to do when rogue groups like “Gathered Fabric” (led by “White Peak”) pull stunts that fail to inspire the oppressed masses, and indeed do harm to SOX’s reputation and squander its political capital. Tanukichi doesn’t see them as a big deal, but Ayame believes GF must be “eradicated” like the damaging knock-off group she believes them to be.

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That brings us to Onigashira Kosuri, who’s father is a wealthy and influential part of the Establishment. Kosuri, long suffering ennui in such a stifling environment, has an earnest desire to stir the shit, as we see when she launches yogurt balloons at the morality cops. She also reveals her dual personalities—one playing a pure and innocent girl, the other an excited pervert; complete with differing hairstyles—in her first deakings with Tanukichi.

At first, she suspects he’s exactly what he is on the surface—a goody-two-shoes StuCo member. But when he proves to her he’s a SOX member, she literally latches onto him with abandon, completely ignoring the impropriety of him being so close to someone much younger than him.

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Tanukichi helps Kosuri convince Ayame that she’s worth having around, as she can supply funding and materials that can facilitate their work, so the addition of Kosuri makes sense, and Hocchan does an okay job with her voice(s), but I’m still not enamored of yet another girl who is basically another love interest for Tanukichi, whose presence can only subtract time better spent in the core triangle of Tanukichi, Ayame, and Anna. But hey, show, prove me wrong.

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