Just when things seemed to be getting better, Tama opens her locker and finds her stuffed keychain—the one she treasures because Mimimi gave it to her—been torn open. She knows who did it, but has no proof, and Erika isn’t in the classroom at the time. Tama tells Tomozaki it took everything she had not to lash out or shout like he old Tama would have, before collapsing into a little ball and tearing up, simply wanting to run away.
While Tama avoids an outburst and is surrounded by her friends, Aoi doesn’t mince words in declaring this situation “unacceptable.” Because it’s unacceptable, that means there has to be a response. She doesn’t share any details with the group, and simply says they needs to stay close to Tama for the time being, but you can tell the gears are turning.
When Izumi offers to use her new sewing skills to mend Tama’s keychain, back home Tomozaki gets the idea from the back of his sister’s top to put decorative stitching everyone’s keychains, to show solidarity. But the next day, Erika finds her desk and chair have been knocked over and all her books and supplies scattered on the floor.
She blames Tama (surely just as Aoi predicted), so Aoi declares that Tama has been with her, and she has ample witnesses. Erika then blames her own toadie, Kamimae Mao, who is so hurt by the blind accusation that she becomes a former toadie on the spot, giving Erika a thorough piece of her mind.
Mao, whom I just realized this week is voiced by Ichinose Kana, really lets Erika have it, hitting her where it hurts: shitting on her fashion sense and makeup skills. As Tomozaki witnesses the qualities Yuzu and Fuuka said about Erika being weaponized against her, and how Aoi made the same gesture towards her eye as Mao is making.
Erika grabs Mao’s arm, inadvertently causing her to scratch her face. Now she’s really in the shit, because both Mao and the whole class can claim Erika used violence and now have leave to punish her for it. Aoi takes the lead, insisting that Erika apologize to Mao.
When Erika hesitates, her stubbornness bumping up against her ability to read a room, Aoi tells her not apologizing “isn’t right.” Aoi, masterfully taking control of the situation, then asks Erika’s crush Shuuji if Erika should apologize. Then she asks Yuzu. They both agree that she should.
This move by Aoi is especially shrewed and calculated, as to everyone else it just looks like Yuzu and Shuuji are agreeing with her. But this whole thing started because Erika found out about them dating, and had to lash out at someone other Yuzu: first Hirabayashi, then Tama. Hearing them agree only reinforces the image in her head of a perfect lovey-dovey couple.
That image is only an illusion, but in Erika’s state it’s all she can see, while none of the classmates watching this unfold know what she’s talking about. The episode is a showcase seiyu Kaneko Sayaka, who lends pathos and vulnerability to Erika. Her breathing becomes more labored and her voice trembles as her mean girl façade gradually crumbles.
When she starts to cry, Aoi twists the dagger, telling her she’s “lost perspective” and is getting carried away with her crush. At this point, Tomozaki thinks Aoi is going to far, to the point where he calls her name and shakes his head. Aoi sighs, and seems to heed his wordless request to cool it. But Aoi has one more bullet in the chamber. Remember how Yuzu offered to sew up Tama’s keychain? She started sewing by making tissue holders.
Aoi wants to offer Erika a tissue, but doesn’t have any on her, so she asks Shuuji, who pulls out a sewn tissue holder made by Yuzu and holds it out towards Erika to take one. She slaps it away, and her meltdown continues. Everyone murmurs harsh words around her, and people, starting with Mao start bumping into her chair and desk and fake apologizing.
At this point, Tomozaki doesn’t think anyone, not even Aoi, can stem the tide of hate washing over Erika. But he’s mistaken. His student, Natsubayashi Hanabi, shouts “Hey!” She tells the class that we know has so much sympathy for her and so much hostility for Erika, that just because she did this doesn’t mean they can do it back, so they’d better knock it off.
Tomozaki worries she’s being too righteous, too much of a white knight in such a tense mood, but then she uses her cuteness and goofy wordplay to suddenly brighten that mood, saying they should end things on good terms, because “Tama-rrow is another day.” She gets some laughs, and there are murmurs of agreement that if Erika’s primary victim is telling them to stop, they should.
Erika takes her opening and runs out, and Yuzu chases after her. If Aoi thoroughly scorched the earth beneath Erika’s feet, Tama stomped out the flames and planted fresh seeds in the newly-nourished soil. It is without doubt her finest moment in the class, and she lets Tomozaki know how happy she is by flashing a peace sign and a smile bright enough to make those seeds sprout into sunflowers.
Mao and Mika apologize to Tama, and then Hirabayashi. Tama then thanks Aoi for saving her, but admits that she doesn’t want to see Aoi “doing that.” Aoi feigns ignorance, but later Tama tells Tomozaki and Mizusawa that she feels bad for Aoi having to do what she did. At first Tomozaki thinks Tama is disappointed in Aoi having discovered her ulterior motives, but in actuality Tama trusts Aoi, just as she trusts the two of them.
When Tama runs off to club, Mizusawa tells Tomozaki he’s someone who can spot the parts Aoi hides; parts he believes Tomozaki knows better than he does. If all this Team Tomozaki training has taught him anything, it’s the value of coming out and saying what’s on your mind. So he does: as I expected, he says he likes Aoi, and wants to know what Tomozaki thinks of her.
Peace returns to class, as Tama’s scolding ended the abuse of Erika. While she’ll never be able to claim she’s the queen of the class again, her social skills were too good to stay down forever, as she makes up with Mao and continues to be friends with Mika, Yuzu, and other “straight-tie” girls. Tama is a lot more popular, as she’s not only learned to use her unique charms to make herself more approachable, but also taken an active interest in others.
Even Shuuji ends up joining for celebratory drinks, as he and Tama put their past friction behind them. Mimimi then presents the new keychains, all of them emblazoned with the X-stitches inspired by Tomozaki’s sister and sewn by Yuzu. Tama then takes a commemorative selfie of everyone and their colorful keychains, spread in a circle like a little plush firework. All’s well that ends well!
As for what Tomozaki told Mizusawa: Aoi is the teacher who brought color to his life, and he can’t deny he wants to learn more about her, especially now that he’s witnessed firsthand what she’s capable of. Me too, Tomozaki … me too!