Jaku-Chara Tomozaki-kun – 12 (Fin) – Her Skills, His Goals

After the big blow-up with Hinami, Tomozaki backslides hard into old habits and then some, as he’s even playing Tackfam with a bored look on his face that “really isn’t him.” He also failed to notice that he’d left poor Fuuka hanging by not looking at his phone for two days.

When he immediately texts back that he’ll go with her to pick up Andi’s new book, his sister acknowledges he “must be going through some stuff”, and to hang in there. While it’s a shame she never got a name, his sister (ably voiced by Hidaka Rina) struck a fine balance between typical imouto brattiness and sincere concern and quiet support for her big bro.

For his bookstore date with Fuuka, as with the fireworks date before, Tomozaki is determined to be his “real, unvarnished self”, ditching the task-and-goal based game mechanics Hinami had thrust upon him, which did nothing for Fuuka. Still, as he looks at his re-disheveled appearance in the mirror of the cafe restroom, he can’t deny that meeting Hinami’s goals made him happy too.

In keeping with his desire to remain real and unvarnished with her always, Tomozaki tells Fuuka how he’s still a little mixed up. He reveals how he had a coach teach him how to play the game of life, but how speaking to her with canned topics felt like wearing a mask or cheating, and asks if he should continue improving his skills.

Fuuka explains that when it’s easy to talk to him, she can picture the things he says clearly, directly, and honestly in her head, like she’s reading a novel. When it’s harder to talk to him (or most other people), the images lose focus. It’s no secret that she treasures books immensely, so for him to be able to have that same ability to project imagery into her head is surely a big part of his appeal!

But it’s more than that: when they first started talking, the images were in black-and-white; a “sad and lonely world”, but which made her think they saw the world the same way. She loves novels because the images they send have always looked more beautiful and colorful than the real world as she sees it. But more lately, the images Tomozaki has sent have been full of color too.

Fuuka is glad he’s working hard to change himself, and believes that if there’s someone in his world—a “magician” that gave it those colors—than he should “treasure” that person. After all, those colors have begun to convince her that she too can still change how she sees the world.

Fuuka’s sincere and heartfelt words inspire Tomozaki to make up with the “magician” who gave his world and words color, while not conceding to her own black-and-white view of it. Just getting her to agree to talk again is a little mini-battle in and of itself, but Tomozaki is victorious and gains an audience with her, partly because he’s persistent, and partly because part of her probably wants to make up too.

After meeting, he takes her to the very storefront from where she first revealed to him that she was NO NAME and they began their elaborate master-and-apprentice dance. There, he tells her why he loves Tackfam: the way he could put aside his own weakness, pitifulness, and self-hatred and pour his soul into the game, giving it color.

Hinami helped show him ways to control the game of life so it began to shine with color too. He wants to be a controller in that game, not just the controlled. Hinami shuts him down, dismissing his “this is what I really want” talk as being “drunk on idealism” and “wallowing in sentimentality.” But…but…if he’s saying his “true desires” actually exist beyond those hollow constructs, she’ll need him to provide proof.

In a lovely inversion of their early discussion in which she explained to him the value of the game of life, Tomozaki tells her the proof consists of “many simple rules in combination, intersecting in complex ways that make them harder to grasp”. She won’t find her true desires simply by asking for proof they even exist, but by struggling to discover how she feels and making steady, honest progress.

As someone who believes true desires don’t exist, Tomozaki says she’s only been going through the motions from a player’s POV; without experiencing true, genuine fun. She may be better at playing the game of life, but he’s certain he’s got her beat when it comes to enjoying it. So just as she resolved to help him learn how to play it, he’s going to show her how to enjoy it more than she does now—and in doing so, find what it is she really wants.

Hinami won’t go on this journey with him until he’s given her something to make her rethink her belief that true desires don’t exist, and he has one: She still hasn’t managed to beat him at Tackfam…not once. That’s not due to lack of effort. It’s because his true desires have always fueled his gaming. He knows what he really wants, and she doesn’t.

In the world of Tackfam where they’re both hardcore gamers, he’s Japan’s Top Player nanashi and she’s NO NAME and winless against him. She can’t complain about his “false logic” until she can beat him first, and Tomozaki is confident that if and when she does beat him, she’ll already understand what he’s on about.

Hinami admits she’s impressed by his thoughtful argument, couched though it may be in irrationality. As such, she decides to meet him halfway: not accepting that “true desires or whatever” exist, but can’t say they definitively don’t exist either. If he wants to convince her to come down from that fence, he’s welcome to try. In the meantime, Tomozaki wishes to continue trying to conquer the game of life with her guidance.

She can keep setting goals and he’ll keep working towards them, but from now on he’ll choose which ones conflict with what he really wants. He can’t deny her skills have worked; not when they brought color his life, and by extension, Fuuka’s. But he’ll adopt a hybrid playing style going forward: balancing her goals with his desires. While celebrating their making up by ordering the same salted mackerel dinner, Hinami assigns Tomozaki his next goal: acquiring a part-time job.

Hinami ends up setting him up with a job at the same karaoke parlor where Mizusawa works, where she knows he’ll have an ally to help ease him into the sub-game of Employment. Tomozaki continues to hang out with his new circle of normies, helping (or rather not helping) Yuzu pick out an outfit for her new first date with Nakamura. He gives her sister a strap Mimimi likes, which of course his sister loves because Mimimi does. He and Mizusawa serve their friends while they’re at the parlor singing the show’s theme song.

He also keeps dating Fuuka, who is working on a new novel and excited for Tomozaki to read it and even more excited to hear his thoughts about it, since they’ll surely shine with dazzling color. And he keeps having his debriefing sessions with Hinami, only now thanks to his job it makes sense how he can afford to eat out so much!

The episode, and the series, ends with nanashi beating NO NAME yet again, Hinami stewing with frustration and immediately demanding another match, and Tomozaki gladly agreeing. This, to me, is the perfect set-up for a second season in which Tomozaki and Hinami will be both student and teacher to each other.

While a 2-episode OVA will ship with the Blu-ray, no second season has been announced. But I for one would love to return to the vibrant, complex characters, smart, precise dialogue, and adorable dates of Bottom-tier Character Tomozaki, an unexpected breath of fresh air in a sea of high school rom-coms.

Jaku-Chara Tomozaki-kun – 11 – Shedding the Mask

If Hinami was genuinely scared of the cicada, it was only for a moment. It certainly didn’t keep her from getting back to her feet by herself. No, the ensuing embrace and almost-kiss is only more practice, more training … more lies. Of course! Tomozaki wonders what would have happened had he not dodged her kiss. She probably would have kissed him, but it wouldn’t have meant anything.

How either she or Tomozaki feel about each other wouldn’t factor, because she wouldn’t ever let it. The test of courage ends with Misuzawa reporting that Nakamura and Yuzu agreed to make plans to hang out at some point in the future. It’s baby step, perhaps, but a meaningful one, because neither Nakamura or Yuzu are following a script or playing roles.

Later that night Hinami texts Tomozaki to see if he’s still up, and they review his progress throughout the trip. But they’re interrupted by Mizusawa, who is also up. Tomozaki hides, and Mizusawa has a very important chat with Hinami. Watching Nakamura and Yuzu fumble through their courtship, and Tomozaki fumble through socializing, he can’t help but admire and even envy how goshdarh sincere they are.

They do what they want and getting emotionally involved in everything. He mentions Tomozaki calling life a game, but Mizusawa feels like he’s holding the controller but moving someone else around. Because of that remove, he gets neither hurt nor happy when the player does. He feels like he’s merely putting on a show, and asks Hinami if it’s the same with her.

Hinami responds by saying maybe she is watching from a distance as she goes through the motions. But due to the perfect ideal she represents to everyone, she unconsciously suppresses her real self, and speaks of “one person” she can show her true self to. Tomozaki, listening in, knows that Hinami isn’t being sincere here; she’s just removed one mask to reveal another, subtler mask.

By not shedding all of her masks, Aoi puts Mizusawa in a position he’s not used to: being the sincere one to open up. He’s a high-tier character, but he’s no match for a top-tier. Mizusawa confesses he likes her, and while he already knows the answer, he’s still glad he came face-to-face with what he wanted and gave it an honest shot. One day he wants to know how Aoi really feels, and asks her how long she’ll “stay on that side.”

Hinami would probably have preferred if Tomozaki had stayed hidden, but he can’t, and when he emerges to apologize for seeming to eavesdrop, he explains the “it would be weird to stay hidden”. That’s very telling, because it reflects Misuzawa’s own thinking on the matter after watching Nakamura, Yuzu, and Tomozaki acting with sincerity the whole trip.

Hinami suggests they all head back to the cabins, and is content to pretend nothing that was discussed or heard ever happened. But neither Misuzawa or Tomozaki want to forget. Misuzawa exhibited growth by being sincere and confronting what he wanted. Hinami “wasn’t the slightest bit moved” and simply continued her “perfect performance” by keeping her mask on.

Watching how Hinami reacted to Misuzawa’s sincerity made him realize that he can’t continue to follow Hinami’s training regimen. She tells him to tell Fuuka how he feels after their fireworks date, but to him it sounds like she wants him to put on another show; another mask.

So for his date with Fuuka, he tries something different. He forgets all the conversation topics he memorized and simply speaks to her extemporaneously. It’s a little awkward at first because there’s more silence, but what he does say is sincere.

Sure enough, when asked, Fuuka tells him he’s been easy to talk to all night. His hunch was correct: on their first date, it wasn’t him going off-script that made it harder for her to talk to; it was the fact he was trying to follow a script at all.

Tomozaki doesn’t tell Fuuka how he feels, because he’s not sure yet, and their date doesn’t suffer for his omission, any more than it suffered because he ditched the script. When he meets Hinami at the station, she considers this not only a defeat, but a surrender—taking his hands off the controller.

Immediately, Hinami starts going into ways to minimize the stiltedness and clumsiness of his conversation with Fuuka, and Tomozaki does something he’s never done before: he asks her to stop it. To stop her cold, logical discussion of strategies and countermeasures that totally elide and ignore what he really wants.

Himani remarks that Misuzawa “got to him”, and now he’s being misled like most everybody else by an idea that doesn’t exist—”what I really want”—and being unable to move forward, not mincing words as she dismisses it as “textbook weak-human behavior”. Tomozaki the gamer calls Hinami out for viewing human connections in terms of tasks and goals, saying it’s “weird out of the gate”. But Hinami doesn’t want to hear someone like Tomozaki judging her for her methods.

As far as she’s concerned, abandoning her regimen and rejecting her advice is no different from abandoning his personal development; giving up on progress. She expresses the same disappointment in Tomozaki she expressed for Misuzawa when he dropped his mask, and judigng that there’s nothing more to be said, gives Tomozaki back the button he gave her, asks for the backpack she gave him back at a later date, and hops on the next train.

While I know there hasn’t been a lot of romantic chemistry between Tomozaki and Hinami, that doesn’t mean there’s none there whatsoever. In the spirit of the sincerity Tomozaki has chosen to start living his life and interacting with people, he’s not going to confess to Fuuka willy-nilly simply because it’s the next assigned task. Both he and Fuuka preferred him being his genuine self, warts and all.

By trying to be no less earnest and open with Hinami, Tomozaki thought he could bridge the gap between them. Like Misuzawa, he wants to know what she truly feels and wants behind the mask. But in trying to find out, he called her entire philosophy into question, causing her to retreat even deeper within her mask.

I think losing Tomozaki as a student genuinely hurt her. She saw in both him and Misuzawa kindred spirits who played the game at a remove. Now she perceives herself as being all alone, stubbornly clinging to her ideology. Hopefully Tomozaki won’t shrink before the most challenging boss yet: Hinami’s misguided obstinacy. If her mask can be shed, he still stands the best chance of shedding it.

Jaku-Chara Tomozaki-kun – 10 – Not-So-Laid-Back Camp▽

After a very cute meet-up with Mimimi at the local train, Tomozaki finds suddenly himself on a perfectly conventional normie event, in which he, Mimimi, Hinami, and Mizusawa are scheming to bring Nakamura and Yuzu closer together, starting with the two sitting next to each other on the train to their camping spot. Also, Takei is there. Hinami sits with Tomozaki, and assigns his task for the trip: tease, make a suggestion, and/or disagree with Nakamura three times, with the aim of becoming his friend.

As I suspected, both she and Tomozaki learned the wrong lesson from Fuuka’s “hard to talk to” comment: It’s clear Fuuka preferred when he was just being himself and talking with her naturally rather than parroting normie lines when he fundamentally isn’t a normie. I understand Tomozaki’s obliviousness, but why Hinami doesn’t grasp this I cannot say. Maybe she’s just that far removed from non-normie life?

After arriving at Hanno Station the group heads to their campsite and goes full Yuru Camp, complete with barbecue (prepared by Yuzu and Nakamura) tarp and chairs (Mizusawa, Mimimi and Takei) and a fire, which is handled by Hinami and Tomozaki. Himami later explains why she chose the groups, and in grouped herself with him in part so she wouldn’t have to “put on an act” all the time, as she admits its tiring.

While Tomozaki reacts with relief to learn she gets tired about something, I still feel her comment flies under his radar. Not only does it confirm that she’s not a true normie (who wouldn’t have to “put on” an act or even recognize it as such), but also feels most at ease around him, with whom she can be herself. She’s a wonderful enigma: she’s both the normiest normie who ever normied, and yet to maintain that requires someone who is literally not a normie.

After a feast, some mild riverside swimsuit fanservice, and a nice accidental assist by Takei to get Yuzu literally in Nakamura’s arms, the boys and girls retire to their respective cabins for some down time. Talk of Shuuji’s ex Shimano comes up, and Tomozaki scores the first of three points by teasing that Shimano is stringing him along, engendering laughter from Nakamura and Takei.

Takei unwittingly assists the others again by distracting Nakamura with arm wrestling while they all LINE about how the operation is going. The guys report that Shuuji mentioned a girl he could see himself going out with, but who is asking him for advice about a guy she likes. The girls confirm that it’s Yuzu telling Shuuji there’s a hypothetical guy she’s interested in.

During a game of tycoon in which Hinami and Tomozaki dominate, Tomozaki gets in his second tease by pointing out Nakamura never made it past Commoner in the game. Nakamura concedes the point, then moves on to Mizusawa, and how he’s been flirting with a girl from another school. This almost seems to irk Mizusawa, as he excuses himself to go to the bathroom.

Tomozaki follows him, and Mizusawa seems comfortable talking about it with him more. Tomozaki can’t imagine himself being bold enough to ask out a girl from another school, and when Mizusawa admits he might not like her, Tomozaki asks why he’d date someone he didn’t like. Mizusawa’s response under his breath, “You’re not just being polite, are you?” is cryptic.

Maybe the girl is just good in bed. Maybe he’s seeking to date someone outside of their circle, say, to give Tomozaki a chance at Hinami. In any case, when the boys are bathing, the other three learn that Tomozaki is hung, nicknaming him “Army Boy”, and he scores his first point by playfully calling Nakamura “tiny.” Hinami and Mimimi can apparently hear all of this.

While it was hinted that Hinami might’ve been lying when she denied she and Mizusawa were dating, but this episode seems to help make the case she was being honest. For while show is eminently comfortable executing its more nuanced version of the standard High School Camping Trip scenario, Tomozaki is anything but laid-back, especially when the Test of Courage comes around.

After Nakamura and Yuzu head off together as planned, rock-paper-scissors puts Hinami and Tomozaki together once more. This presumably means Hinami can relax and “drop the act” like when they were building the fire. Instead, she decides to make it walking-confidently-with-a-scared-girl practice for Tomozaki, suddenly acting timid and clinging to him.

Tomozaki is convinced Hinami is merely teasing her, deriving pleasure by getting him all flustered. But considering she’s never been this close and physical with him, you have to wonder if her motives go beyond mere teasing, and whether she’s using that as an excuse to be genuinely clingy with him. Otherwise, how far would this kind of “practice” go?

The episode seems on the cusp of answering that question when Tomozaki attempts to exact revenge by disturbing a live cicada. It works better than he expected, as she seems 100% genuine in being so horribly startled she ends up on her knees. She insists he help her up, and she wraps her arms around him, the two seem to realize in what a romantic position they’ve ended up. As his gaze settles on Hinami’s soft lips, both we and Tomozaki have to ponder: is simply practice taken to the HEXtreme, or is it something else … something real?

Rating: 4/5 Stars

 

Jaku-Chara Tomozaki-kun – 05 – Three Digits of Damage

We’re unfortunately not treated to Tomozaki’s movie date with Hinami, though we do get a glimpse of the all-important post-move café stop. Suffice it to say, there’s no movement on their matchup; things remain at a clinical master-pupil remove. Later that weekend they play TackFam together, where at least Tomozaki can still school her once in a while!

Tomozaki built confidence with his passionate defense of Nakamura and TackFam, and Izumi is now initiating chats with him in class, as is Nakamura’s friendlier mate Mizusawa, who suggests they go on a double date. Hinami, who’ll also go, leaves the second girl up to Tomozaki, and he chooses Izumi, wanting to build on the rapport they’ve developed thus far. The “in” he uses the group date is Nakamura’s birthday, which he learned from the flash cards.

While his invitation is rocky at first, he adjusts in “mid-battle” to brand Nakamura’s birthday as a good opportunity to make up with him. That suits Izumi, who is in. Later, Mizusawa calls out Tomozaki’s recent progress as him having read a “de-geekification book.” He’s not far off. Mizusawa also notes how chummy Tomozaki has been with Hinami, and thinks he’s “up to something” by then asking Izumi out.

Once Tomozaki navigates the initially intimidating TWINE app (quietly impressing his imouto), the shopping trip for Nakamura’s birthday is on. Hinami had imagined a much simpler bite to eat, and also seemed to object to Tomozaki inviting Izumi rather than someone else. In both cases, he upped the difficulty level of the event, and he only has himself to blame if it’s all too much.

His goal during the event is to make two successful suggestions related to the shopping trip. He actually does make one, as they head to the electronics store on his suggestion. It’s also his line of thinking that leads Izumi to purchasing styling wax, but that’s only an assist. To get a group to agree to your suggestions is to “control the mood”.

During the trip, Izumi draws close to Tomozaki and brings up the rumors about Hinami and Mizusawa—rumors that appear to be supported, but not proven, by how chummy they are together. Tomozaki doesn’t admit it to Hinami later, but learning of that rumor threw him off his game for the remainder of the trip…something Hinami does notice both during and afterwards.

When he asks Izumi for specifics about the rumors, he doesn’t get any—they’re just rumors. No doubt if he brought them up to Hinami, she’d deny them, and likely be justified in doing so, but who knows? We’re not any more privy to the rest of Hinami’s life as Tomozaki is. In any case, she keeps the focus on him in their sewing room briefing.

While it’s good that Tomozaki is starting to notice the improvement in his appearance (especially after the sample wax), he made a critical error in making no distinction between quality suggestions with persuasive suggestions. In reality, it can be hard to convince a group of a good suggestion, or easy to convince them of a bad one, and vice versa.

The only way to make headway in a group dynamic is to be ready to make suggestions that you know the group will accept. Misusawa did this organically, but Tomozaki will have to work at it to get it down. He briefly calls any game where crap suggestions can beat good ones due to social “trickery” to be “garbage” mechanics, but Hinami describes a theoretical “Negotiation Game” employing both effective speech skills and abundant info on one’s audience to unify interests and create consensus. In that context, Tomozaki sees it as a well-made game after all.

Mizusawa was impressed by his passion, but Tomozaki can’t achieve his goals by acting like Ace Attorney delivering a closing argument. Negotiation is key. And all this will imminently come into play as Hinami becomes a nominee for the student council. To her surprise, she’ll be opposed by Mimimi! Will this be the first instance of Tomozaki witnessing Hinami’s strategy falter? Either way, observing how Hinami fares should prove instructive.

P.S. I’ve never had shrimp on a pizza before, but the anime industry is apparently urging me to try it.

Jaku-Chara Tomozaki-kun – 04 – Standing Up to the Queen

Tomozaki just landed a lucky break. If there was no reason for Izumi Yuzu to approach him, he’d been making his presence known to the point that when he approached her, she felt she could come to him with her TackFam problem, which is really a Nakamura Shuuji problem. Bottom line: Izumi likes Shuuji, and wants to get good enough at the game to take him on. We also learn Shuuji recently turned down the Konno Erika, leader of the Neckties to which Yuzu belongs.

Yuzu invites Tomozaki to her place so he can teach her, and after one match he knows exactly what she needs to get better, starting with learning how to execute a short jump, which is simply a matter of practice and muscle memory. Yuzu is grateful for Tomozaki’s advice but wonders what the deal is with his various poses and gestures…turns out he’s mimicking Hinami’s teaching style without knowing it!

By the time Tomozaki is drawing detailed diagrams of all the moves Yuzu will have to memorize, she asks him: What is all the intense effort even for? He tells her what it’s not for: making friends or winning praise. When Yuzu claims she can’t ever change from her current status of superficially laughing with her necktie-wearing friends, he assures her he is proof that anyone can change; they just need to commit themselves and put in the effort.

While Hinami calls Tomozaki’s break with Yuzu pretty “miraculous” when they meet up for a debrief, she can’t deny he properly capitalized, using what he knows best (TackFam) to really connect with someone. That said, she still wants him to ask Fuuka out on a date, even producing movie tickets for them to use.

The night before, Tomozaki practices asking Fuuka out on the recorder Hinami gave her, showing how he’s learning how to listen to himself and adjust. But he also accidentally opens a folder of recordings Hinami didn’t delete: ones in which she too practices talking. He already considers it amazing she’s so good at the Game of Life; to hear the process firsthand is even more amazing.

Like him with TackFam, no matter how high a level you achieve, you can never stop practicing. But with practice comes the realization that sometimes circumstances won’t always accommodate your plans, nor will practice always inform what to do when it’s go time. To whit: Tomozaki calls an laudable audible: coming clean to Fuuka about having not read any of her favorite author, and thus not yet being ready to read her own novel.

This could have turned out disastrously, but the risk was well worth the reward of starting fresh from a position of honesty. A white lie or misunderstanding rarely forms a strong foundation for a relationship. While there’s clear and justifiable disappointment in Fuuka’s reaction, there’s also the sense she’s happy he’s being so honest. He’s also able to break the news naturally and casually enough not to come off as dismissive or cruel.

Working entirely outside the letter of Hinami’s plan while hewing to the spirit of her training, Tomozaki shows great growth here, while rejecting her “an in is an in” mentality. Yes, the author misunderstanding, got Fuuka talking to him, but so did simply asking Yuzu for a tissue.

He also wisely realizes that to ask her out on a date so soon after basically restarting their friendship from a place of honesty would be overdoing it, so he withholds the tickets for now. If he gets any flak from Hinami, he’ll be ready with a pretty good explanation. However, their next meeting is preempted by Shuuji’s two mates: he wants a TackFam rematch, now.

In the AV room, Tomozaki plays Shuuji while Shuuji’s mates, Yuzu, and Erika and her two Necktie acolytes watch. Tomozaki proceeds to beat Shuuji handily in match after match, but Shuuji keeps asking to play again. He grows more frustrated, even as he starts to improve slightly, to the point he’s able to take out one of Tomozaki’s health stocks.

That frustration creates an increasingly unpleasant tension and aura of desperation around Shuuji, to the point Erika begins to mock him as “weak”, his obsession with a “stupid game” as “creepy”, and that she dodged a bullet when he turned her down. The “stupid game” comment draws the ire of Tomozaki, as does her assertion that all of Shuuji’s hard work and practice amounts to nothing.

The old Tomozaki would have muttered something and not followed through, but this newly Hinami-trained Tomozaki is at least adept enough at the Game of Life to call Erika out for the haughty tourist she is. Shuuji may have been a dick to him all this time, but at least he’s committed to improving and keeps fighting no matter how much he loses. All Erika can do is mock someone else’s effort when she (at least as far as Tomozaki knows) puts in none at all.

Yuzu even has the courage to chime in and call Shuuji’s efforts “beautiful in a boyish way”, despite the fact doing so is contradicting the vaunted Queen of the Neckties. But I have no doubt it was Tomozaki’s earlier words about her ability to change that helped her summon the courage to speak up. Erika slinks away, pretending not to have learned anything, but she did. So did Shuuji, who probably resents Tomozaki defending him but also appreciated it.

Notable for her silence during all this is Hinami, which was no accident. The thing is, while she observed that Tomozaki had things well in hand, I also think she stayed above the fray in order to avoid needlessly upsetting the apple cart with Erika & Co., who would have likely felt ganged up on if she’d joined Tomozaki and Yuzu—an example of maintaining balance through inaction. Regardless, both Erika and Shuuji stop giving Tomozaki a hard time, now knowing better what he’s made of.

At their next meeting over lunch, Hinami asks how things are going with Fuuka, wondering if he’s lost motivation. He assures her he hasn’t, but without explaining the whole situation with coming clean and not wanting to pile on with a date request, Tomozaki pulls another laudable audible: whipping out the very tickets she gave him and asking Hinami if she’ll join him instead.

Hinami’s look of surprise is followed by the kind of proud face a master makes when their student has just done something good. Unfortunately, she’s not free tomorrow (what do you know, she does have other obligations!), but she is free for a movie now. Is it just me, or do these two just make a good couple, full stop?

It’s too early to tell, but I appreciate that Hinami doesn’t go all cliché blushy or tsundere at the prospect of Tomozaki asking her out. Maybe she gets that it’s for more “training”, or as thanks for her help so far. But at some point all these times they’re meeting up one-on-one and having fun will start painting the picture of two people…going out. We’ll see if anything comes of their consistently pleasant proximity, and more importantly, if more people start noticing them together all the damn time!

Crucially, this outing proved Tomozaki isn’t just some automaton carrying out Hinami’s directives, nor does she want him to be. She’s taught him the basics, and it’s up to him to experience how to properly use them and switch things up when warranted. The recording of Hinami also shows that her life game is an ongoing work in progress. I know it’s Tomozaki’s name in the title, but I would love to delve more into Hinami’s growth, and if Tomozaki has anything to teach her—something his recent shrewd freestyling might portend.