Sagrada Reset – 09


Sakurada Reset pulled off quite a lot last week, and got particularly exciting when things started coming together, but there’s still something unsatisfying about following it up with another flashback. Momentum had been built up, but this episode killed it, by valuing context-through-lengthy explanation over progress.

Mind you, I’m not mad about learning more about what happened just after Souma Sumire died—the two-year jump was pretty dang abrupt! It’s more a matter of timing, and the fact that I’d grown accustomed to being in the “present” of two years later.

With that said, this is an opportunity to see Kei and Haruki before they figured out how to be a well-oiled reset/recall machine. After Souma dies, both of them suspect the reset ability: Haruki, the ability itself, and Kei, the fact he used it so “thoughtlessly”—and in doing so sealing Souma’s fate.

While Haruki tries in vain over and over to reset on her own, Kei visits the spot where Souma fell, and meets a young Kit-Kat-loving woman named Ukawa Sasane (Koshimizu Ami) who thinks he’s Souma’s boyfriend thinking of offing himself.

She’s wrong about him being a boyfriend, or being suicidal, but Ukawa’s assumption is couched in her desire to save others from dangerous places like the bridge, be it with a Kit-Kat (an invitation to “take a break” and chill out) or with her “fence-making” ability.

A call to the Bureau for answers (and a request to save Souma) goes nowhere, and Kei eventually decides his choice to reset wasn’t what killed Souma, while Haruki realizes she can’t reset on her own because a part of her is scared of being hated by Kei.

Ultimately, the two come together and agree that the people they can help with their combined abilities outweighs the possible suffering resetting might cause. Kei tells Haruki to reset, it works, and they complete their actual first job in the Service Club.

Kei, however, isn’t done trying to find a way to bring Souma back. Her death and his inability to prevent it clearly still haunt him, and he believes if there’s a place where someone can be brought back from the dead, it’s Sakurada.

It would seem that he’ll eventually be proven right, since two years later the “Witch” considers Souma her successor, and assures Asai he’ll see her again. One can’t succeed anyone unless they’re alive, after all.

But this week, at least, is just more fuel for the fire of the show’s detractors. It lent more context to later events and positions, and introduced a new character, but even by Sagrada standards it was a dull trudge, not helped by the fact it took place entirely in a tension-sapping flashback.

Advertisements

Sagrada Reset – 08

After this week’s first act, I’m convinced this show excels at getting us to underestimate Asai Kei, at least as much as his adversaries do. Last week Eri Oka seemed to be holding all the cards, but it turns out Asai isn’t trapped in the photo for more than a few minutes.

Even though that buys time for Eri to mess with Haruki, Asai has Murase in place to mount a rescue. A rescue that occurs after Eri tries to plant false memories in Haruki, which not only doesn’t work (thanks to a little device in Haruki’s ear with Asai’s voice) but restores Haruki’s Reset ability.

It’s a great little turnaround, flummoxing Eri, who retreats for the time being. And having Asai and Haruki back together underscored how much anxiety I felt when they were apart. Of course, I’ve seen all their interactions thus far, but it’s important to remember Haruki doesn’t remember a lot of them.

That’s why she’s not keen to immediately reset; she wants to remember what Asai did for her. So instead of resetting, she saves, and Asai returns to the Sasano case, apparently confident Eri won’t be bothering them for a while.

The next morning, Asai receives a message to “come see someone”, and three photos, one of a woman on the beach, another of a blossoming cherry tree, and the third, Souma Sumire at sunset. Asai assumes it’s the “Witch” who is summoning him, so he goes to the beach.

There, he takes what he learned from his encounter with Eri, enters the photo, and converses with the Witch in her younger form. Because her ability is knowledge of the future, she knows what she’s going to do, and when she’s going to die, and wants to escape the bureau to see Sasano before that happens.

To that end, she used both Asai and Eri, but presents Asai with a choice: he can stop Eri, possibly leaving the Witch to die in confinement, or save the Witch another way (a way she may already know he’ll implement, mind you).

Asai gathers Sasano, Haruki and Murase, and head to the Bureau, Scooby-gang-style, and wait for Eri to get them inside. Sasano, armed with a Polaroid, takes photos of the building’s interior, one of which proves useful in getting one of the Bureau guards “out of the picture.”

This infiltration of the Bureau is only preparation for the next infiltration, when the actual rescue of the Witch is to take place. Asai has Haruki reset, sending him back to when they saved on the beach. He then jumps into one of the photos they took of the Witch’s room and asks her to call him.

The photos are still around because Murase had them, and her power negates reset, while his communication with the Witch of the past reaches the Witch of the present because she knows the future. It’s a complicated metaphysical labyrinth, but it checks out.

Before pulling it all off, Asai meets with a surprisingly chipper Eri, who accepts her loss but isn’t ready to give up on beating him, thus proving he’s weaker. Asai, meanwhile, knows that she won’t hurt him as long as he’s “defenseless.” Considering this is a long show, Eri is sure to be back; we’ll see whether she poses a greater threat at that point.

As expected, Asai gets a call from the Bureau, who bring him to the Witch, who asks him the same questions about “loving a stone” she asked Haruki, to which Asai answers he’d still love the stone if it was the girl he liked. But is that girl Asai…or Souma?

Regardless, Asai gives the Witch the photos she needs to escape and knock on the window of her boyfriend, just like the story Sasano told her when they were far younger. All these years, the Bureau has kept her under lock and key, fearful of her power. But after a time, or maybe all along, it was a power she never seemed all that interested in having, let alone using.

That’s why she decides she’ll leave Sakurada, forget about her power altogether, and live out the rest of her days—all seven of them, by her reckoning. But before she does, she indulges Asai by telling him his future: he will be involved in “something big”, something involving her “successor”, whom Asai correctly identifies as Souma. The Witch tells him he’ll run into her again. I certainly hope so!

Whew, what a ride. This mini-arc contained the most complicated ability machinations yet, and it was downright exhilarating watching all the pieces be carefully maneuvered into place before being set into quick, decisive motion. On top of that, we got confirmation Souma isn’t totally dead (though whether she’ll merely exist in that photo or not, who can say).

By not forgetting what Asai did for her, Haruki’s affection for him continues to grow. Murase is proving to be useful as “muscle” (i.e. putting holes in things or neutralizing abilities) while Eri has vowed to come back at Asai, insisting he should “be afraid.” One thing I’m not afraid of: losing interest in this unapologetically bizarre, engrossing show.

Shuumatsu no Izetta – 06

iz61

While most of Izetta and Fine’s scenes this week are kept pretty lightweight, the episode also demonstrates how precarious Eylstadt’s situation remains despite the early success of the White Witch’s unveiling. It also shows the lengths to which the enemy will go to learn of Izetta’s weakness, and the lengths to which Sieg will will go to stop them.

iz63

As Berkman gains access to the Empire’s ultra-top-secret “Division 9” research “workshop”, Elvira attempts to stuff Izetta in a tight corset, then makes her practice dancing with Bianca. Finally, Fine and Izetta “disguise” themselves as townfolk in order to sample some desserts from a cafe Fine used to sneak off to before she was Archduchess.

Suffice it to say, this is extremely reckless behavior during a time of war, even if their disguises were any good (they were not). The episode tries to have Fine pass off their exposure as a good thing, furthering her popular tomboy image and such, but I wasn’t buying it; this whole detour to the bakery was nothing but problematic.

iz64

It’s Sieg who serves as audience surrogate when he says gently but firmly, “no more” to Fine regarding sneaking off into town. She’s not a precocious tomboy anymore, but the leader of a country that still hangs by a thread. One of the frays in that thread is swiftly dealt with thanks to Sieg and his crack counter-espionage team.

That means the death of Jonas and an uncertain fate for the Germanian spy who didn’t gain any information. I enjoyed Jonas as an everyman on the front lines to this point, but unless Sieg was as ineffective at protecting Fine’s interests as Bianca was this week, Jonas’ death warrent was signed the moment the spy knew he knew something.

With one problem taken care of relatively easily, Sieg leaves it to Fine and Izetta, travelling by flying gun on a circuitous route, to persuade the powers meeting in Britannia to do something about the Germanians, preferably before they unveil a secret weapon of their own from Division 9.

16rating_7

Shuumatsu no Izetta – 05

iz51

Fine’s coronation is also the stage chosen to unveil Izetta to the world, and it’s fun to witness medieval ritual juxtaposed with flashing still and movie cameras of the modern era, just as it’s fun to watch Izetta take care of business, wiping out the modern might of the Germanians with magically enhanced medieval weapons.

The first stage in Eylstadt’s strategy to, well, survive, is to make the world know and believe who and what Izetta is. But neither the Germanian king nor Major Berkman doubt whether she’s real. The king wants her, badly, while Berkman wants to cut Eylstadt’s propaganda off at the knees by identifying and exploiting Izetta’s still-unknown-to-the-enemy weakness.

iz52

While fun, the merging of eras is also jarring, just as it’s jarring to see Izetta unleash hell against the Germanian army in front of cameras, then return to the palace to be praised like a good girl who finished her chores. It’s a lot for Izetta to handle, but she has promised to serve ad protect Fine with her dying breath; she’s not the kind to back down just because things are tough…or weird.

More than anything, Izetta is a witch who has been used dwelling in the shadows and edges of the world. Now she’s the exact opposite: a global celebrity with a fairy tale story so compelling that the people want to believe. Not only does Eylstadt want them to believe, they need them to do so, in hopes of gaining powerful allies against Germania.

iz53

If this is to be merely a 12-episode show, I’m pleased with the generous pacing so far. Not only is Izetta unveiled and placed into immediate use in order to quickly build up her public persona as a magical force of resistance against a no-longer invincible-looking enemy, but the enemy strikes back just as fast, advancing on the Veile Pass – a place with no Ley Lines for Izetta to draw from.

The Germanian King’s adviser Eliot is sure to remind his majesty that the reason they’re invading Eylstadt is to gain supply routes between them and Romulus (i.e. Italy), not merely to capture a witch. This pass is part of that route. As it happens, Private Jonas is assigned to its defense, which won’t include bombings due to a.) the thick fog and b.) the fact the pass is worthless without intact roads to use.

iz54

Sieg Reich and Fine’s royal guards (who are all or mostly female special forces) draw up an intricate plan that serves to hide Izetta’s inability to use magic, by drawing upon stagecraft and showmanship in a battlefield setting.

A dummy Izetta is flown behind a plane, lands on a ridge, and is replace by the real Izetta (refusing to let them use a body double), who must talk a big talk before planted bombs are detonated, taking out the advancing enemy.

It works far better than it should have, thanks to an abundance of luck in both weather and geography. But conditions won’t be so favorable in every Ley Line-less area the Germanians target, so even though Berkman hasn’t found Izetta’s weakness yet, doesn’t mean he won’t eventually.

It may happen far sooner than Eylstadt thinks, thanks to some bad luck: Berkman has a spy posing as an Eylstadt officer who happens to be in the same outfit as Jonas. There’s every indication either he or Jonas overheard Schneider talking very loudly about Izetta’s weakness by a creek.

That’s the kind of carelessness that can lose a war, and I’m not optimistic Izetta won’t be re-captured by Berkman at some point.

16rating_8