With the setup provided in the first episode, this second one is free to explore the person Rishe Imgard Weitzner is today: a supremely capable young lady with years of experience in multiple disciplines. In other words, she’s a catch. This is a status not achieved just thanks the time loops, but by her own hard work.
She declines Prince Arnold’s proposal at first, because it’s coming from someone who instigated a war that lead to her death in all past loops, and someone who personally slew her in the last one. It gives her a blind spot to the fact that this Arnold is not the bloodthirsty emperor of those past … not yet at least.
As a Crown prince, Arnold is used to getting what he wants. When he tells her he’s “fallen in love”, its an acknowledgment he’s never encountered someone like Rishe before. As such, he agrees to all of Rishe’s very specific conditions for giving him her hand in marriage.
Those conditions include hiring the Aria Trading Company for everything needed in the ceremony, a place to receive foreign guests, a separate residence from the emperor, and most importantly, leave to laze about and loaf about the castle. If anyone has earned a life of leisure, it’s Rishe.
Her final condition is that he not lay a finger on her, but when she’s asleep in the carriage leaning against his sword like a grizzle knight, she senses he’s about to touch her, wakes up, and unsheathes the sword. Noble ladies aren’t supposed to fall asleep on swords or sense movements while asleep and not being touched, and yet she can.
When some bandits attack the prince’s convoy, he locks her in the carriage for her own safety and joins the fray personally. When she picks the lock (a skill learned from her life as a maid) she sees he’s swiftly dispatched all of the bandits himself, but notably didn’t kill any of them, another sign this younger Arnold is not yet too far gone.
When some of the guards report numbness near their wounds, Arnold and Rishe both conclude it’s the work of poison. She even knows its composition, and tells the prince she can make an antidote with the plants she has on hand. When the soldiers hesitate to accept the balm, she cuts her own arm with the poison blade and treats it, which convinces them it’s safe.
Rishe later learns that the men are not just random guards but Arnold’s handpicked retainers, so chosen for their diversity of backgrounds and experiences. When she finds his gaze lingering on her, she asks what’s up, and he simply says he finds her “unfathomable,” and can’t wait to see what means she’ll use to “entertain” him. Rishe tells him it’s not her intent, which Arnold understands.
He then gets on one knee and bows to her in thanks for saving his retainers, explaining that they were wary because they knew her engagement was broken and still wondered what their prince was getting into. When Arnold notes that he told his father the emperor that he “stole” her, Rishe states that that makes her a hostage of the empire, which gives her that much more freedom to laze about like she wants.
Rishe is overjoyed to arrive in Galkhein’s imperial capital, where he gets a royal welcome and the streets are packed with smilng faces. Of all the lands she’s visited in her lives, this is the one place she’s never been. When Arnold reports that the villa where she’ll dwell is in no fair state, she is unbothered.
Donning simple work clothes and tying her hair back, Rishe once again calls upon her maid experience to clean the whole house herself. After all, it’s much more rewarding to loaf about in a home you yourself cleaned.
While fetching washing water from the well, Rishe encounters three maids bullying a fourth that they call a “novice”, while they all have three years of experience. Rishe, with five years under her belt, helps the novice up and ignores the others, then recommends they don’t wash large articles today as it’s supposed to rain. They don’t believe her and do so anyway, but it does rain. She then helps Elsie, the novice maid, properly wash her muddied outfit.
While admiring the city from the balcony as the sun begins to set, Rishe’s knight senses are set off by Arnold lurking inside. He is impressed, as he purposefully masked his presence only for her to detect him anyway. He tells her about the interesting buildings she points out in the distance, unsure why she values them, then notes that she’s unlike anyone he’s ever met, and possesses skills a “simple nobleman’s daughter” would have no need for.
Those words cause Rishe to remember what her noble mother told her: that personal feelings, academic studies, and pursuit of anything other than the art of maintaining appearances in social situations are immaterial to one born to a duke’s family. Her duty was merely to marry a prince and bear children.
Rishe tells Arnold that while others may deem the things she’s learned unnecessary to her station, she treasures them as riches she’ll always have. In other words, she is the one to decide what pursuits are “necessary”. To her surprise, Arnold is in full agreement, and declares that she should be free to do whatever she wants without constraints.
When she asks why, he says simply that he’s fallen completely in love with her, and that he doesn’t find her various skills pointless, but delightful “from the bottom of his heart.” Again Rishe, informed by her bloody past, suspects he must be up to something … but I don’t think he is. He is telling her the truth.
In all the other loops, the day arrived when Arnold killed his father and started a war. But in all those other loops, he’d never met Riche. Their fight in the castle when she was a knight doesn’t count, because he didn’t know her. This Prince Arnold may prove quite different, solely by dint of him meeting and falling for her. If only she realized she possessed that transformative power, she’d be a lot less wary in her dealings with him.