Going into the treasure hunt, we predicted Renge would be forced to choose a side, as her new friends Kate and Roboko were being targeted by her superior White Egret, disguised as Madame M. The hunt is just a means to and end: exposing and capturing Zvezda members, but Kate and Natasha take over and make it a real thing. This could mean that part of Kate’s power is making her own whims, wishes, and beliefs come true through manipulation of time and space, a talent akin to Suzumiya Haruhi’s.
While Renge is a member of White Light to better herself and fight evil, Mikisugi seems to take pleasure in looking down on people; she teases Kate and arrogantly tries to shoo off Renge by phone, only to be talked down to herself by her superiors. A box of men is released on the school when Kate activates a trans-dimensional portal in the pool, and White Light’s operation is cancelled. And even though Asuta often questions the validity of his fellow Zvezdans’ wild theories about history and mythology (the voice of reason keeping the show honest), even he can’t deny the fantastic stuff that goes on this week.
Kate drags him into that dimension, then wanders off, and next time he sees her, she’s a towering shadow monster demanding he let her conquer him. He chases her back into the regular world, where he happens to have his Dva mask on when he bumps into Renge. Kate unleashes a massive attack that appears to disperse all parties involved, but the flurry of dark seals stops before it reaches Asuta and Renge. Everything returns to normal abnormalcy, and the item conquered this week by Zvezda could be Asuta’s skepticism.
It could also mark the conquest of the last remnants uneasiness with his new life with Zvezda. The school, his last sanctuary of normalcy, was invaded by Zvezda, White Light, and the Tokyo Special Forces, but he’s not that upset about it. What makes him upset is the final twist we never saw coming: those Special Forces are under the direct command of Tokyo’s governor, who just happens to be Asuta’s estranged father. That means he knows about UDO and Zvezda; it could also mean he knows where his son is and what his son is up to. That is, if people in this show weren’t so easily fooled by masks.
Rating: 8 (Great)
- Gorou can do Morse Code by foot…but not well.
- Asuta really doesn’t want to do the “Treasure Dance”, but Renge, Natasha and Roboko goad him into it with incessant chanting. Renge smiling when she knew she’d won was a nice little detail.
- Kate doesn’t remember anything about the evening after she and Asuta jumped into the pool, which means Asuta was the only person who remembers that bizarre stone version of the school sitting in the desert.
Nisekoi isn’t done introducing major characters. This week we met Tsugumi Seishirou, who transfers to Raku and Chitoge’s class and whom everyone assumes is a very pretty boy. Seishirou puts out a lot of different vibes to Raku: at first he’s weary of his gangster connections, then gets the feeling he’s a normal, friendly guy. Then Seishirou gets Raku to say he’d die for Chitoge, then pulls a gun on him – so he can do just that!
Even after learning Seishirou Claude’s top hitman from Chitoge, and that he’s been preparing his body and mind to protect Chitoge for ten years, Raku has no choice but to accept an duel. Seishirou opens up a massive arsenal on him, but Raku manages to evade the attacks long enough to fire his own ammunition: the knowledge that Chitoge isn’t the kind of girl who’d sit by and be protected by someone. He also gets Seishirou to follow him out a third-floor window into a pool. With Seishirou out cold, the battle is Raku’s, but he’s too considerate to leave his soaked opponent outside to catch a cold.
That’s when he undresses him in a locker room and discovers that he’s a she, and they’re forced to hide in a locker standing very close to each other while Chitoge and their classmates search for them. In there, Seishirou admits defeat, and starts to cry about not being worthy of protecting Chitoge herself, despite abandoning being a girl for that end. Raku then flatters her by saying she’s cute, something she’s apparently never heard from anyone before. At that point, Chitoge discovers them, but the armor is cracked: Raku was nice to Seishirou, and she definitely seems to like getting complimented by him.
Seishirou’s seiyu Komatsu Mikako delivers a layered and diverse performance, showing Seishirou’s many moods, sides and mistaken genders with subtle changes in her voice. There’s also the fact that she knows about the promise Chitoge made to a boy (not her) ten years ago, but suspects she forgot about it, adding further credence to the theory Raku was that boy. In any case, Seishirou looks like a good addition to the cast, someone we can see competing against Raku for Chitoge’s attention, while also gradually falling for Raku himself, further complicating Nisekoi’s love polygon.
Rating: 8 (Great)
If one were to name a blemish of Sunday Without God, it’s that the show ended before Ai’s original mission to Save The World That God Abandoned could truly get goingin earnest. Granted, it was a naive, audacious mission devised by a tween, and it is true in this world that the best laid plans of graveskeepers and their retinue often go awry. This special (which came with the final disc volumes of the series) does not aim to mend that blemish, nor should it be expected to. It’s just an extra episode, split into three vignettes showing scenes of the series we weren’t privy to the last time round.
The first is the…least good; it’s just an onsen scene packed with fanservice. If one had to analyze it, you could call it something of an incomplete fable centered around boobs and the women who own them. Scar has the biggest boobs, but has never noticed (and hence enjoyed) them. Dee also has good size boobs, but being a ghost, she’s the only one who can touch them. Ai, who is alive and has physical form, is able to enjoy boobs, but at her age has none to speak of. There’s similar situation with the guys: Yuri is old yet ripped; Alice is young yet…not ripped.
The second vignette is Alice-centric, as he wanders through a ruined Ostia going over his actions in the looping dreamworld in which he’d been trapped. Dee is notably absent from this, but he eventually runs into Hampnie, and they have a little duel in which shots are fired but we don’t see the outcome. Alice is roused from his reminiscing by Dee, and he continues to contemplate how “foolishness can’t be cured, even by death.”
The third and final vignette shows a wounded Hampnie wandering into some very beautiful church ruins. There he finds his future lover Hana bathing, looking every bit like her daughter Ai as a full-grown woman; somewhat interesting symmetry from the hot spring segment. She asks him to join her, and he accepts. Then he’s woken up by the product of that meeting: Ai herself. While none of the three vignettes are particularly momentous (and the first one is just silly); the special does what a special should do: provide a brief return to a world we fell in love with, adding a smidgen of depth and color to it in the process.
Rating: 6 (Good)
Leave it to an earnest, uncynical show like Sakura Trick to be upfront about the fact that half of this episode would be heavy on the fanservice. That being said, it wasn’t merely a showcase of the casts’ T&A, and the venue of the swimsuit-donning was carefully chosen so as to create some uncharacteristic tension and drama, however slight and fleeting.
Kotone’s little sister Shinobu has always resented Shizuku for stealing Kotone’s attention away from her, something that started when Shizuku first showed up. She decides to put her foot down and insist Kotone return home. When she makes this demand, both Kotone and Shizuku seem to wait for the other to do something, but it’s Haruka and Mitsuki who end up acting; the latter calling for a race to settle matters, which Shizuku ends up winning, returning us to the status quo. Like we said: fleeting.
The second half involves Yuu wanting a new scarf, and even when Shizuku shows up wearing the scarf she wants, which was the last one at the store, Yuu still wants the scarf she wants. It’s the kind of puerile selfishness Yuu knows she can get away with with Shizuka, because for the most part Shizuka loves doting on her. When we first heard “shopping” we immediately thought: “Well, they’re obviously going to end up making out in the dressing room.” That doesn’t happen per se, but Yuu does end up kissing Shizuka as an accompanying reflex to her happiness over finding an even cuter scarf.
In fact, Haruka and Yuu have gotten so used to making out, they even do so while Kotone and Shizuku are in the room; fortunately they’re very unobservant and/or don’t care. They also steal a long underwater kiss in Kotone’s pool. The show may have blown temporary clouds over Kotone and Shizuku, but it was nothing but clear blue skies for Haruka and Yuu. And as we’ve oft repeated, that’s not such a bad thing.
Rating: 6 (Good)