Nisekoi – 15

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Last week I lauded the addition of Tachibana Marika to the cast, and my positive impressions were only reinforced this week. Among the hesitant, dilatory Kosaki and the tsunderes Seishirou and Chitoge, Marika is a breath of fresh air. She’s aggressive about her feelings for (and legal claim to) Raku in a way the others simply haven’t been, and it feels like her approach is already influencing Raku while simultaneously making his choice a lot more difficult.

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The memory of meeting and falling for Raku is still fresh in Marika’s mind, as she tells the story of how he visited and played with her while she was bedridden. Even back then, Raku was a kind, decent fellow. When she brought up the subject of what kind of girls he likes, Raku told her, and ever since then, she’s made herself into that ideal. She put the work in and kept the flame burning, something you can’t say of any of his other suitors.

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Raku also finally gets Kosaki, Chitoge and Marika together to brief them on the situation: there are three keys, but only one locket. Marika doesn’t remember anything about the other two any more than the other girls do, only the memories involving her and Raku, and the locket is still being repaired, so the moment of truth is postponed. But regardless of whose key opens the locket, Marika is working to make Raku hers, even as Raku clings to his certainty that Kosaki is the one he presently loves.

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As I said, she’s succeeding due to her uncompromising devotion and aggression. It doesn’t matter if he hasn’t accepted the engagement; as far as she’s concerned, they’re all but married already. As such, she invites Raku to her penthouse home to meet her father, who is frikkin’ HILARIOUS. In addition to being voiced with gusto by Tachiki Fumihiko, he’s scary as all get-out; far scarier than any yakuza Raku’s met. There’s abundant comedy just in watching Raku squirm, and it’s just as funny how Marika acts naturally through all of her father’s intense outbursts.

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When it comes down to it, though, Marika’s father gets the full truth out of Raku, and turns out to be a fair, perceptive man who obviously cares for his daughter. Whatever Raku has going on, be it another girlfriend or a girl he’s really in love with, he reiterates that at the end of the day he must keep his promise and make Marika happy. There’s no threat in this statement; it’s simply plain words from one man to another, both of whom have staked their honor on this arrangement.

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Perhaps the best part of this episode of all is when Marika asks Raku in the hallway how she could further transform herself to make herself more desirable to him. Taking a page out of her book, Raku is truthful and aggressive, heaping all the praise she deserves upon her, and telling her she’s cute, awesome, and sweet, regardless of her hairstyle or accent. I’m inclined to agree.

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Nisekoi – 14

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Four. Now there are four girls after Raku. Just what the hell kinda pheremones are on this guy? That’s a lot of girls in one show to be after one guy, and the episode seems to acknowledge that by having poor Kosaki fade into the background, as well as limiting Seishirou’s screen time.

Thus, out of all the triangles that could be drawn, the one this episode focuses on is between Raku, Chitoge, and the new girl Tachibana Marika, voiced by the prolific adorable-girl-voicer Asumi Kana. That said, everyone had a nice “Are you fucking kidding me” reaction to her sudden transfer into their class.

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As it turns out, adding a new girl puts a welcome charge into the show, especially considering her circumstances: all evidence so far points to the fact that she was the one Raku befriended ten years ago. Marika and Raku’s dads agreed that Raku would Marika. Because Marika’s dad is Police Commissioner, Marika’s claim to Raku can’t be easily set aside without causing trouble for his family.

I liked how Marika obviously maintained her love for Raku all those years, but is also fully aware of the leverage she has over him and the other girls after him. She’s also not above lying to be alone with him, or setting up situations where he’d pity her (the incident in the park when she left her purse, knowing he’d go after her and hear about her frailty, which may acutally be a real thing). It’s also notable that she considers Chitoge gorilla-like, just as Raku does.

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Marika gets more complex still when Raku admits he doesn’t remember her at all and frankly doesn’t know what he did to make her love him so much. Hearing this causes her to erupt into a fit of rage, exposing her Kansai dialect, which in turn jogs Raku’s memory. Looks like she tried to become the ideal woman he described ten years ago, but in the process, became someone he didn’t recognize until she dropped the act.

I like Marika. I also like how well she can spot a tail (her dad’s a cop after all); I like how she’s not as perfect as she initially seemed, and I think she has the best claim to him (assuming she’s not deceiving him). But the ball is still firmly in Raku’s court with regard to which girl to choose. Too often in these situations the girls always go through more than they should because the guy is being indecisive, leading them all on.

Raku’s been able to blame lack of information for his dalliance thus far, but that window is closing. If he can’t pick one girl, and soon, then he doesn’t deserve any of them.

8_ses

 

Nisekoi – 13

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One thing that’s been driving me MAD throughout this whole “mystery girl” thing is, why should it even matter? They were FIVE, for crying out loud. It doesn’t matter who Raku liked then; it matters who he likes now. Or I should say, who he likes the most now. I’d say at this point the ranking goes: Kosaki, Chitoge, Seishirou, Ruri, and lastly, whatever other attractive girl happens to get all up in his space. He is still a teenager after all.

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Sure, it could be argued that he’s kept his promise seriously out of a sense of honor and loyalty to that girl…but if that’s the case, why doesn’t he even remember her friggin’ hair color? No, the mystery is an excuse he’s using (likely not intentionally) to avoid making a decision about the here and now. Even if he and Chitoge have to remain in their false relationship for the sake of their families doesn’t mean Raku can’t be upfront and honest with the girl he/likes (most) at present. …Right? (I’m not asking anyone in particular.) But the fact is, even if Raku wasn’t overthinking or obsessing over the hazy past, he’s still in a difficult situation.

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While it may seem he likes Kosaki the most, Chitoge is definitely making inroads with her adorableness, whether she’s drawing nearer to him so he won’t get wet under the umbrella, or jumping into his arms when lightning strikes, their bond seems to be growing, in fits and spurts. And Raku’s dad continues the trend of the dads saying awesome things by confirming what I said, to Raku and Chitoge’s horror: they’re looking less nise and more koi all the time.

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Thank brings me to this week’s Big Reveal: the famous photo Raku finds, the only one from ten years ago, is neither Kosaki or Chitoge. BOOM. Furthermore, before Raku can ask his dad who the third girl was, his dad announces that she’s Raku’s betrothed (or fiancee), and she’s on her way to see him. And you know what? That’s fine with me. I’ve routed for all three girls at different times in the show’s run. I welcome a fourth, eager to see what she brings to the table…not more futility, I hope!

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Nisekoi – 12

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Aw, screw it, how about if RURI was the one Raku made a promise with?! Her offhand comment about Raku and Kosaki getting on her nerves echoes are own feelings on the matter. Like Banri’s surly neighbor Nana in Golden Time, Nisekoi wouldn’t be the same without Ruri, both to say what we’re thinking and to try her darnedest to nudge Kosaki to where she wants to go.

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But now that Raku has been told by both Kosaki and Chitoge that they both made a promise to a boy ten years ago (and each have a key), things are more complicated. Not to mention while Raku continues to crush hard on Kosaki (and she him), there’s no denying there’s a totally different (and no less mutual) romantic dynamic between him and his fake girlfriend.

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His quandary now is, how come there are two girls and two keys? Note to anyone trying to discover the truth about the past regarding a girl or girls you know: ask your damn parents! They weren’t five at the time, after all, and are likely to remember a whole lot more about ten years ago than you. Raku learns this entirely by chance by bumping into Chitoge’s dad (who seems like a decent guy) who confirms Raku not only knew Chitoge ten years ago, but that they got along famously…and the Onodera kid hung out with them, too.

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Now it could be that both of them made a promise to Raku, but each of them is missing the specific memories to be sure. Or maybe he gave the correct key to the girl he loves and the wrong key to the other…which would be f-ed up thing for a five-year-old kid to do! Hell, maybe they all work. In any case, perhaps Raku will learn more when he goes through the photos from that time his dad has stored away…and when the locket comes back repaired. We hope so!
7_very_goodRating:7 (Very Good)

 

Nisekoi – 11

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Jeez-o-Pete…is it really that common for five-year-old Japanese kids to make these kinds of promises? At least two girls seem to be convinced (or hopeful, in Kosaki’s case), that Raku is the one they made the promise to ten years ago. But of course, it can’t be both of them.

The sorting out once-and-for-all is put off though, due to two big events: first, Chitoge’s sixteenth birthday, and second, Ruri’s pairing up of Kosaki and Raku to go out together to find gifts for her. About the first part: the first sorta-not-really date between them is lovely to behold, the starting with Kosaki making sure she looks correct in the reflection of the same cafe window Raku is sitting behind.

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The two are still under the mistaken impression that neither is interested in the other, until Kosaki finally exhibits some initiative, first by showing Raku her secret vantage point of the city (which is gorgeous and calls to mind the end of Whisper of the Heart, of all things), but also calls him by name. Flustered by all this sudden affection, rather than ask what Kosaki’s birthday is, Raku accidentally asks if she was the girl from ten years ago.

Her affirmative response shocks him even more, along with us: we don’t know what’s gotten into Kosaki, but we like it: no longer mincing words or hiding her feelings. She and Raku come so close to embracing when Raku’s phone rings, which is incredibly lame, but that’s okay; some progress has been made. Not as much as we (or Ruri) would hope for, but some.

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That brings us to the ridiculous party Claude and the rest of Chitoge’s yakuza family have prepared, complete with Claude’s Claudey, gaudy gift of a Maybach Excelro, which is indeed quite exclusive; we love how the license-less Chitoge could care less. We also like how Raku’s gift of a gorilla doll that looks kinda like Chitoge moved her much more.

When the two end up on her balcony, she asks if he still likes the girl he made the promise to, thinking it was her, and he says yes, thinking it was Kosaki. But it isn’t as if he doesn’t like Chitoge too. Slowly, information is being distributed to various parties, but the matter of who made a promise to whom back then remains a vexing mystery.

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Rating: 8 
(Great)

Nisekoi – 10

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If we had to choose a girl we wanted Raku to choose, we’d have to say we’d still choose Kosaki, even though she’s unfathomably inept at expressing her feelings for him as he is, and even though she may not even be the girl he made a pact with when younger. It’s hard not to root for any Hana-Kana-voiced character—unless she’s trying to kill all the other characters, or is simply annoying.

However, we have to say Chitoge probably won this week’s round. All Raku wanted was to be paired with Kosaki for the test of courage, during which they’d have to hold hands the whole time. As it happens, all Kosaki wants is to be paired with Raku. When the show decides not to pull a fast one and actually pair them up, it’s almost too good to be true; and it’s another case of the two being virtually paralyzed by their mutual (but oddly not fully mutually detected) attraction.

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But the moment Raku learns that Chitoge is lost and alone in the dark woods with a broken flashlight, he grudgingly abandons Kosaki’s soft, warm, possibly nervous hand and goes to his fake girlfriend’s aid. Kosaki loses, but nevertheless Raku’s actions reinforce why she loves him: he won’t stand by while a friend is in trouble. Raku can deny caring or worrying about Chitoge all he wants, but we know better, and so should he.

And just as Kosaki was as enthusiastic about being with Raku as he with her, Chitoge is just as hopeful the boy who loves her will come to her rescue. Raku arrives on cue, and while the two exchange forced gestures of indifference towards each other, the fact Chitoge insists she and Raku start addressing each other by first name is less about being seen as a more convincing fake couple, and more about unwittingly becoming a real one.

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Rating: 8 
(Great)

Nisekoi – 09

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Chitoge’s interest has been piqued by the mystery of her first love, but further investigation is put on hold by “open-air school.” Maiko fixes it so their team consists of him, Raku, Ruri, Kosaki, Seishirou…and her. Once again, Nisekoi shows that nobody airing can match its close-ups of characters’ faces—not even Kill la Kill.

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Whether its everyone’s reactions to learning they’re in the same group (and have to share the cramped bench in the back of the bus), or their hapless attempts at poker faces during a game of Old Maid (which had just as much intensity and pressure of a karuta match in Chihayafuru), this episode was a veritable cornucopia of heated emotions, not the least of which because Chitoge is starting to entertain the notion that Raku could be her first love. He’s got a scar, after all.

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And in Anime Land there are few stages better-suited for the proliferation of high-level discomfort and tension than a hot spring inn, which is ironic, because in real life they’re probably exactly the opposite. Thanks to Claude switching up the gender-specific curtains the the bath entrances (which shouldn’t be that easy to do in the 21st century), Raku ends up in the enviable but potentially disastrous position of being a boy in the girl’s bath.

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There are many obvious ways of proceeding with such a scenario; many of them involving much physical punishment and social ostracism being exacted upon Raku. To it’s credit, the episode doesn’t make Chitoge a conclusion-jumping idiot (this time at least), and not only doesn’t blame Raku, but even does everything she can to get him out of there without being seen. Despite some very close calls (and an accidental kiss to Raku’s upper backside), she even succeeds!

7_very_goodRating:7 (Very Good)

Nisekoi – 08

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This episode was probably a bit of a slog for those not enamored with Tsugumi Seishirou. Fortunately, we like her just fine, and we also liked this very Seishirou-centric episode, in which odd changes in her body start to occur and she seeks answers and advice from her acquaintances. Her description of her “symptoms” are so precise and clinical, both Chitoge and Claude initially recommend she seek medical attention. Thankfully Seishirou doesn’t stop with those two, and eventually the common refrain of more normal people is that she’s suffering a bad case of love.

Seishirou may claim to not know anything about love, but we know that’s bullshit from the way she devotes herself to Chitoge and enjoys being by her side. She’s just never met a guy who has caused these reactions, and is totally at a loss for how to process them. Nothing Raku does to her deserves the harsh physical reprisals she visits upon him—on the contrary, he’s nothing but a decent, sweet and chivalrous fellow to her—but in the absence of any guidebook or roadmap or training in matters of love, she goes to her default assassin setting.

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Knowing her odd upbringing and years of conditioning meant to erase her femininity, suddenly becoming a slave to her heart is akin to being faced with an unknown enemy, so it’s logical and understandable for her to lash out, as offense is the best defense in her normal workings. The many closeups of her expressions as she wrestles with these strange emotions are enough to illustrate the intensity of her internal dilemma, as is her complete loss of concentration in assembling her gun at the mere mention of Raku by Claude. She’ll only be able to hide her compromised state from her mentor for so long; though Claude is a pretty dense fellow, even if he’s more suspicious than the other people around the fake couple.

But while Seishirou is growing into an interesting, if somewhat frustrating character in her own right, she also serves and important purpose in the central “fake” romance: she is the link to a past Chitoge has forgotten. Seishirou again betrays the fact she does indeed know at least something about love since she witnessed it betwen Chitoge and her first love, and waxes nostalgic about it, to the point Chitoge’s interest is sufficiently piqued that she digs up her old diary from the time and discovers that not only did she fall in love and make a promise to a kid with a distinctive scar, but that the diary also contained a key that looks very similar to Raku’s locket.

7_very_goodRating:7 (Very Good)

Nisekoi – 07

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Nisekoi isn’t done introducing major characters. This week we met Tsugumi Seishirou, who transfers to Raku and Chitoge’s class and whom everyone assumes is a very pretty boy. Seishirou puts out a lot of different vibes to Raku: at first he’s weary of his gangster connections, then gets the feeling he’s a normal, friendly guy. Then Seishirou gets Raku to say he’d die for Chitoge, then pulls a gun on him – so he can do just that!

Even after learning Seishirou Claude’s top hitman from Chitoge, and that he’s been preparing his body and mind to protect Chitoge for ten years, Raku has no choice but to accept an duel. Seishirou opens up a massive arsenal on him, but Raku manages to evade the attacks long enough to fire his own ammunition: the knowledge that Chitoge isn’t the kind of girl who’d sit by and be protected by someone. He also gets Seishirou to follow him out a third-floor window into a pool. With Seishirou out cold, the battle is Raku’s, but he’s too considerate to leave his soaked opponent outside to catch a cold.

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That’s when he undresses him in a locker room and discovers that he’s a she, and they’re forced to hide in a locker standing very close to each other while Chitoge and their classmates search for them. In there, Seishirou admits defeat, and starts to cry about not being worthy of protecting Chitoge herself, despite abandoning being a girl for that end. Raku then flatters her by saying she’s cute, something she’s apparently never heard from anyone before. At that point, Chitoge discovers them, but the armor is cracked: Raku was nice to Seishirou, and she definitely seems to like getting complimented by him.

Seishirou’s seiyu Komatsu Mikako delivers a layered and diverse performance, showing Seishirou’s many moods, sides and mistaken genders with subtle changes in her voice. There’s also the fact that she knows about the promise Chitoge made to a boy (not her) ten years ago, but suspects she forgot about it, adding further credence to the theory Raku was that boy. In any case, Seishirou looks like a good addition to the cast, someone we can see competing against Raku for Chitoge’s attention, while also gradually falling for Raku himself, further complicating Nisekoi’s love polygon.

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Rating: 8 
(Great)

Nisekoi – 06

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We’ll be honest: right now Nisekoi is doing some things that always throw up warning signs for a long slog (not to mention piss us off to no end): relying too much on information omission, poor communication, and sheer coincidence to draw out the romantic tension. Like a wad of gum, it can only be stretched so thin before it separates, and with it our support of the show’s story. In other words: whatever Nisekoi is planning, it needs to get on with it already!

At the same time, Nisekoi is (so far) providing adequate cover for what would otherwise be construed as stalling: specifically, that both Chitoge and Kosaki both end up in positions in which they must suddenly readjust both their thinking and behavior. For Chitoge, it’s realizing Raku saved her from drowning, isn’t such a bad guy, and deserves thanks, not a beating. For Kosaki, it’s the realization that Raku and Chitoge aren’t really dating, which is terrific news for her, but she isn’t quite ready to act yet, and her reasons are understandable.

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Chitoge has been wrestling with the increasing probability Raku isn’t a moron bean sprout for some time now, but Kosaki obviously already knows she loves him and why. When Ruri runs off (in a rapid manner normally employed by Kosaki) and leaves her in an empty classroom with the one she loves, he’s even kind enough to unknowingly demonstrate it to her, which gives her the strength to start her confession.

Unfortunately, a baseball interrupts the end of her sentence. But while the baseball was an incredibly lazy, stupid way to torpedo her attempt, the fact of the matter is she’s making progress, and her knowledge Raku leaves her re-energized with hope. She’s not even that miffed about failing at that particular time. For one, it isn’t as if she dislikes the friendship she and Raku have now, and once she confesses, it will change, so she wants to enjoy it a little longer.

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And then there’s the fact that she can’t simply jump on top of Raku while he and Chitoge are the key to an uneasy peace between their families. Chitoge swears her to secrecy, warning that the city will be decimated if they fail to deliver (and as this is SHAFT series, it’s possible she’s not overstating matters). So Kosaki remains in a tough spot: she can neither confess too quickly nor afford to hold it off too long. Raku, meanwhile, is still agonizingly unaware of the possibility Kosaki likes him, despite overwhelming evidence to the contrary; nor has he confided in Kosaki that he’s not really dating.

Back to that fateful baseball: it’s use in nixing Kosaki’s confession makes a little more sense later in the episode. Chitoge finally finds a way to thank Raku to his face (in pretty good English) finds his locket on the ground; its chain having been busted by her multiple assaults on him that day. She has it fixed and delivers it to him, making them once again even in her eyes. On the car ride home she suddenly remembers she made a promise to someone too, years ago. Since we still haven’t seen Kosaki’s key unlock Raku’s locket, we’re still not 100% sure she was the girl he promised his heart too—now a glimmer of possibility exists it was actually Chitoge.

7_very_goodRating:7 (Very Good)

Stray Observations:

  • Chitoge’s failed three stages of apology were some great exercises in mutual cognitive dissonance.
  • Even though Kosaki’s confession wasn’t to be, it was beautifully staged, what with Raku mistaking her embarrassment for a fever and going into full Help Mode.
  • Ruri warns Kosaki if she wusses out again, they won’t be friends. We’re with Ruri. Damn the consequences; more than anything else, Raku needs to learn the truth.
  • In a dilapidated warehouse that wouldn’t be out of place in the world of the Monogatari Series, Claude assigns a mission to his shadowy apprentice: save the poor “Princess” Chitoge from the clutches from the “prick” Raku. He’s confident she can do it. We smell the next love interest.

 

Nisekoi – 05

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Still suspicious of the nature of Raku and Chitoge’s relationship, Ruri presses forward in her crusade to help Kosaki win Raku’s heart. Kosaki herself has reservations about stealing him from Chitoge, but if Ruri can confirm they’re not really together, and that Raku has a crush on Kosaki…well, that’s different, isn’t it? To that end, we get a pool episode replete with graceful swimsuit and changing fanservice.

It doesn’t detract so much as call attention to the fact that this is a SHAFT series and Shinbo doesn’t skimp on close-ups, no matter what it’s a close-up of. In contrast to last week’s ill-fated study session, Raku and Kosaki fare much better during his one-on-one swimming lesson; though Raku does have to run to the nearest seaside cliff to shout his desire to make her his wife. Being in swimsuits also means the locket and key aren’t on their respective persons, only the show teases us yet again by having Raku use the wrong key.

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The picture is very, very slowly being pieced together in the slow-churning minds of the star-crossed lovers: both are entertaining the possibility that the other is the one they made the promise to, but progress remains slow. Meanwhile, while it’s clear Raku has a crush on Kosaki, Ruri is growing more and more perplexed with Raku and Chitoge, probably beause she sees as we do without even knowing it that the fake relationship grows more and more real the more time they spend with each other.

Yet again Raku and Kosaki’s progress is mitigated by a similar development with Chitoge, as he is the one to drop everything and dive in after her when she cramps in the pool. Kosaki is spared having to see them lock lips (she doesn’t need mouth-to-mouth, though Shuu tries to make it happen for Raku), but Chitoge learns yet again that Raku isn’t the gutless bean sprout she’d created in her mind…except, apparently, when it comes to going after who he truly wants.

7_very_goodRating:7 (Very Good)

Stray Observations:

  • The Girl’s locker room is apparently “very retro”, which is why the key is so easily mistakable for an ornate locket.
  • We don’t know if the voices of the characters are sped up in production, but if they’re not Touyama Nao and Uchiyama Kouki deserve props for some seriously articulate high-speed, spirited arguing this week.
  • There’s no official episode count for Nisekoi as of yet, but it’s starting to look likely there’ll be two cours, since there’s two main characters hiding in the shadows of the OP that haven’t even been introduced yet.
  • We like how the omakes typically add texture to the main story, rather than act as random standalones. To whit: we catch insightful glimpses of Chitoge, Raku and Kosaki dealing with Valentines Day in junior high.
  • After that, Chitoge visits Raku’s house for New Years and learns he’s a kickass Enka singer. Nothing much manlier than that!

Nisekoi – 04

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If left to their own devices, Raku and Kosaki would remain stationary for eternity, so it’s up to their respective friends-of-the-same-sex to nudge them towards some kind of action. Enter Maiko Shuu (Kaji Yuki) and Miyamoto Ruri (Uchiyama Yumi), who immediately establish themselves as the most perceptive people in the cast by far, which is to say they’re not dense as insulation foam. Both of them see right through Raku and Chitoge’s sorry excuse for a fake relationship, and at the same time, know full well that Kosaki has the hots for Raku and vice versa. If anything, they’re a pretty annoyed the two haven’t become an item yet, and now things are complicated by Chitoge.

Realizing nothing will happen if Raku and Kosaki aren’t at least in regular contact, Ruri arranges a study group at Raku’s manor. Kosaki’s presence in Raku’s house, his room, and right beside him is more than he can take, rendering him totally unhelpful in the homework department, while Onodera is equally nervous (she really digs the fact Raku’s room smells like him). Their odd behavior is not lost on Ruri or Shuu, but the yakuzas are just upset Raku isn’t putting any moves on Chitoge, so they set a very silly and obvious trap, and the two fake lovers end up locked in the dark together. This situation essentially nullifies Ruri’s original intent to bring Raku and Onodera back together, and further muddies Raku’s romantic waters.

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That’s because Chitoge turns out to be severely nyctophobic and claustrophobic (due to a traumatic five-hour experience in a washing machine). Her harsh facade melts away, revealing her weak side. In the dark stillness, with her clutching him tightly from behind, Raku notices for the first time just how beautiful she is. When he refuses to leave her alone while he climbs a ladder out to get help, Chitoge notices that once again, Raku is being a cool, considerate gentleman, and has no choice but to add that to the growing list of positive qualities he possesses. They come very very close to kissing, thanks to her perfectly-timed trip-fall.

Then Claude bursts in, gun drawn, followed by Kosaki who both get the wrong idea about the couple being locked in the shed together, and undo whatever progress Raku had made with Kosaki, which was minimal anyway. But we don’t think Claude and Kosaki’s idea was completely wrong. After all, we hear Raku thinking to himself he can’t fall for Chitoge; he’s already promised his heart to Kosaki (despite not knowing she’s the keeper of the key). Chitoge too feels the need to ammend her own diary to admit Raku did good today, and she’s determined not to fall for him. But it’s clearly already happening. One fact that may be in Shuu and Ruri’s blind spot: it’s not necessarily the love Raku and Chitoge are faking; it’s the hate.

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Rating: 8 
(Great)

Stray Observations:

  • Another reason Chitoge has not to hate Raku: he’s helped her find her social bearings at school, and she’s smiling a lot more as a result.
  • Hiyama Nobuyuki is his exuberant best playing fiery warrior-types, and his Ryuu here is no exception, adding zest and vitality to a bit role.
  • While Shuu and Ruri know full well Raku’s feelings for Kosaki, Chitoge has no idea. But interestingly, she worships Kosaki as the Perfect Girl just as Raku does, and isn’t taken aback at all by his ebullient praise.
  • Shuu points out twice that he and Ruri should be pals because “after all, they both wear glasses.” Ruri isn’t convinced.
  • As much as we hate her doing them, Kosaki’s “crazed panic flights” are fun to watch.