Little Witch Academia – 25 (Fin)

Ya know, I re-read my review of last week’s episode, and started watching the finale form the same jaded viewpoint, until I said nah, “let’s just have some fun watching this play out,” not worrying about how much the finale owes to Gurren Lagann (just like Trigger’s aesthetic is basically Neue Gainax) or how crazy positive everything gets towards the end.

Say what you will about Trigger, at least—unlike the Evangelion film—series, LWA got an actual ending! And it’s one in which Akko finally takes charge and her words—combined with the believing hearts of all around her—are finally backed up by similarly lofty action.

Those like a version of myself that thinks the ending got too “cute”, may I direct you to the name of this show, which contains the words “little witch”? So yeah, I lightened up, sat back, and enjoyed it when Chariot and Croix gave the six girls their “final battle” outfits, and one by one the secondary trio falls off the mega-brom like stages of a rocket after expelling all their magic.

Eventually it’s just Akko and Diana, the ultimate demonstration of what is possible when airs are dropped and people come to understand each other. They’re fighting an evil, “magic creature”-ified ICBM that can basically do…er, whatever they feel like drawing it doing.

Needless to say, this is quite entertaining to the crowds, suddenly distracted from the fact nuclear war might have been started by one of the rival countries. The crowds start organically rooting for the two witches in the sky, being streamed online due to…something, and then goes superviral when Croix transmits the feed to the world.

The really boring, annoying old white dudes initially have a problem with these witches and it’s even suggested shooting them down, but Andrew, like the crowds, has come to believe in Akko and in witches and magic, (despite his fervent anti-magite upbringing).

Drew’s argument gains the endorsement of the prime minister, who’s a little person like the King in Disney’s Alice in Wonderland, only he actually has all the power. Mr. Mustache is quickly cowed by the political chain of command.

Imbued with the positive vibes of their collected audience, Akko and Diana suddenly have a lot of surplus magic to work with, and Akko doesn’t waste it, as we get a visually arresting scene of their aerial battle in which complicated spells are flying left and right like the Siege of Hogwarts.

It’s frankly quite satisfying to finally see Akko put her money where her mouth has been all this time. She’s worked hard and gone through some things, and this is the fruit of her labor, as well as the fruit of the bonds she’s formed with her friends, including Chariot.

Heck, she even summons the legendary broom and saves Diana from falling. Diana! And she looks damn good doing all this in her “final battle” dress whites.

Eventually, it’s time for Akko and Diana to put their powers together, hold hands and point the Shiny Rod at the camera as they stare a hole in said camera, and shout GIGA DRILL BREAKER!!! (okay not those exact words, but something like that) at the top of their lungs, tearing the ICBM monster a new one.

Could I have done without the explosion becoming a smiley face that giggles like a little kid? Oh yeah…but whatevs. Akko finally proved not only that her believing heart is her magic, but everyone’s is…if that makes sense? Whatever, the soccer riots are now over, so it’s all’s well that ends well!

All that was left was to see Akko finally take off on a broom…without the aid of the Shiny Rod (which she allowed to disperse and for the stars to return to space and become the Great Bear). And…she fails, again.

Only, when Sucy and Lotte cheer her on and deliver that believing heart spiel, she’s suddenly laughing and joyful and hey presto she’s levitating all on her own! The damage Chariot did, it would seem, wasn’t permanent.

Also, Croix ends up in jail where she belongs…oh wait, no she doesn’t! She’s allowed to go out, fix the messes she made, and continue her research, presumably under supervision. Happy endings for everyone!

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Little Witch Academia – 24

Show of (virtual) hands (that I can’t see because they’re virtual):

Who kinda knew going in that Naruto Palpatine Croix would ultimately succeed in activating her “Noir Rod”, only to find the world reconstruction magic she sought so vehemently would still not available to her, and that the technology she had developed would overload from all the bad soccer vibes and turn on her, requiring Chariot—who spent the first part of the episode fighting her—as the only person who can rescue Croix, and does so, because, well, she’s a good guy?

I mean, it all pretty much unfolded how I expected. Did it look great? Well, it’s Trigger on Red Bull: it’s usually gonna look gangbusters. But was it a great episode? I gotta say…no. It was merely good.

And lets start with the good. Obviously, the visuals stood out, as everything got crazy in a hurry. Watching Chariot fighting while keeping her emotions (which Croix can use against her) in check was also fun. Heck, it was also kinda fun to see Croix succeed (if only temporarily).

You really get the sense her unending quest to gain the Triskelion (and her long-standing resentment she wasn’t chosen by the ‘Rod) slowly twisted her until she became the supervillain she is today. And Chariot knows she shares some blame for the creation of the monster Croix has become, for the reasons laid out last week.

But in its quest to put on a big, bad, exciting Trigger Brand Dramatic Climax™, the beats just feel too familiar. “Borrowing” the Star Wars lightsaber, then escalating the battle to near-Kill la Kill or Gurren Lagann levels of lunacy, only invites comparison to those better Trigger works—a comparison that doesn’t favor LWA.

I know it sounds ungrateful or even hypocritical to accuse LWA of going too far with the weird, wild special effects, but it’s somewhat disheartening to see characters who felt so big when we heard their stories earlier, scaled down to the size of ants before all the great big crazy stuff going on.

That’s why I appreciated Akko & Co. arriving at the scene where Chariot was desperately trying to save Croix from her self-made mess. After taking out the Noir Rod with a Shiny Arrow, it’s just Chariot and a forgiving Akko excited and elated to finally be meeting her lifelong idol.

Not only that, her dream has come true, she thanks everyone who helped her get here, and she’s hopeful Chariot will continue to teach her how to be a great witch.

With that, the Shiny Rod indicates the Final Word is ready to be unsealed, granting Akko the power to transform the dark and dreary surroundings into gorgeous, colorful scenery – the “world transformation magic” Croix could not access, seems to be available to Akko.

We’ll see the extent to which that magic will be able to stop the ICBM of negative emotional energy that has launched as a result of civil unrest hitting an untenable fever pitch. Andrew finds himself in the halls of power, among people who want to use war to their advantage.

From the look of that alert on Croix’s phone, the menacing missile soaring high in the sky, and a red-hot steaming populace, we’re probably in for a Trigger-brand Finale of Exponential Escalation™.  Here’s hoping it doesn’t totally eclipse all the little witches.

Little Witch Academia – 23

The first half of this week chronicle’s Chariot du Nord’s rise and fall from stardom, undone by a fickle public, the constant need to create bigger, flashier magic, and her school rival Croix still having a score to settle.

Such is Croix’s spite for the Claimh Solis choosing Chariot over her, she decides to exploit Chariot’s desire to make ever larger crowds happy by giving her the Dream Fuel Spirit…without mentioning the costs until after she’s already used it.

Of course, Croix has rhetorical cover: Chariot did essentially ask her old classmate for more power, and didn’t ask any questions, so none were answered.

One night, desperate to be relevant, Chariot uses the Shiny Rod and inadvertently scars the moon, and that’s pretty much it for Chariot.

Back in the present, Akko is still missing, and it feels like the longest we haven’t seen her in the entire run of the show. Something’s up, and Akko’s friends—Diana chief among them—want to do something about it. They all go looking for her, and when Diana doesn’t get the answers or action from Ursula, nay, Chariot, she finds Akko on her own.

It had been an 8 episode up to the point Diana sprang into action, and that’s when we enter more of a 10 territory (my rating splits the difference). Not only has Diana come to consider Akko a dear friend, but she manages to cheer that friend up and get her out of her funk.

It’s the first time Diana admits to Akko that she too was a Chariot superfan; that her momentary loss of magic was due to seeing that show, but she then worked hard to regain her magic, and even though her family thought she was being silly and childish, she never completely gave up on the dream to be like Chariot…which is why she initially resented Akko so much.

This is Diana at her most dimensional and likable: when she of all people has to lift the spirits of who had been until last week, almost criminally high-spirited proportional to her actual magical progress. Brass tacks: Diana tells Akko no one’s magic is stronger than hers, and she believes in her believing heart.

With that, Akko is reinvigorated, and her friends file into the store to express their relief she’s okay. I have a feeling all of them may have to be at their best for the upcoming trials, as Croix is nearing completion of her Noir Fuel Spirit-driven World Reconstruction Magic.

As powerful as we know Chariot to be, it’s not unrealistic to assume Croix’s confidence is at least somewhat based in her empirical research of Chariot herself, and knows for a fact she’s no threat. Of course, that may only be Chariot as she is now, still known to most as Ursula, drowning in regret and self-loathing.

If Chariot could be lifted out of that mire, like Diana & Co. did for Akko, perhaps then Croix will have something to worry about (here’s hoping!). This turned out to be a lovely episode. It’s so good to see Diana shine, and it was also fascinating to see Akko legitimately down for once.

All that’s really left is to find out if and how Croix is foiled, and whether that takes the remaining two episodes, or will be wrapped up next week. Leaving the final outing for epilogue.

 

Little Witch Academia – 22

As Andrew sees a worsening situation with the soccer-fueled civil unrest, Chariot decides, at last, that she’s really, truly, definitely going to tell Akko her true identity…only for her only chance in this episode to be interrupted. And by Andrew, no less, via Diana, whom he’s able to contact because of their families. All for a lost hat!

Just as Diana is asking “Ursula” if she knows anything about the greatly increased stores of energy that correspond to the installation of Croix’s SSS system, Chariot spots her rival in the window to give chase.

This is an episode that doesn’t waste a lot of time, and its most leisurely scene is also its best because of the wonderful chemistry that has developed between Akko and Andrew.

As someone being told day in day out that his path has already been set for him, and defiance will not be tolerated, an idealistic free spirit like Akko is just the kind of girl he’d fall for, almost envious of her worldview.

He’s become far less dismissive of her flowerly hopeful little speeches, especially in light (or darkness) of the soccer protests. But he makes sure to check Akko’s boundless idealism with the caveat that she herself should be the one to take action, rather than wait for Chariot to swoop in and save the world.

Akko’s in full agreement: she’ll make the world happier and preserve magic with her own hands and heart. In his criticism, Andrew is aware that it applies to him as well.

While it’s nice to see Akko and Andrew laughing together and enjoying each other’s company, when duty calls (in the form of one of Croix’s little cube drones), Akko springs into action immediately, leaving her hat behind once more.

That cube leads her to a rooftop where Croix stands, and is all to happy to explain that the cubes are her handiwork, that she’s using “Noir Fuel Spirit” to absorb negative emotions from the people and converting it to magical energy. In effect, she’s saving the magical world, her way.

That way happens to be pretty much the opposite of how Akko would want to save it; by creating positive energy—happiness—and she tells Croix this is flat-out wrong. Croix responds by fusing her drones into a giant monster and attacking Akko with it.

Chariot arrives just in time to save Akko, and destroys the drone-‘dragon’, but in the process lets the cat out of the bag, a cat Croix is all too happy to pounce on. Here Akko finally learns her idol was beside her all along, in Croix’s words, holding her back. And while that might sound like emotional manipulation, it turns out Croix means it literally.

Chariot, it seems, is responsible for sapping Akko of her magic, back when she attended her show. Chariot absorbed dreams, rather than negative energy, to gain magical power. This is why Akko can’t fly; not any lack of effort or perseverance.

Right on the heels of Akko learning Ursula is Chariot, that revelation is a gut punch for poor Akko, who merely shouts about it being all lies before running away. Croix tells Chariot she doubts Akko will be pursuing the words anymore, all but claiming victory in a rivalry in which she deemed Akko Chariot’s proxy.

With the completion of this outing we’re down to three episodes of LWA, at least that we know of, and there’s a lot that needs to happen in some order: Akko regaining her composure and rising to the occasion and gaining sufficient power (be it through the words or through her friends) to foil Croix’s plans for world “reconstruction,” and hell, maybe receive a kiss from our boy ‘Drew.

That’s a lot, but now that LWA has kicked into a higher gear, I’m confident it can deliver on the denouement.

Little Witch Academia – 21

While Akko is singularly invested in finding the remaining two words to release the Triskelion, she also learns that what she’d have regarded as a “selfish”, if successful, mission to bring Diana back has altered her relationship with her and her toadies, for the better.

Barbara and Hanna earnestly thank Akko for acting when they could not, while Diana expresses genuine concern for Akko in suggesting she heed Ursula’s warning. The power of that warning—to not go near the Wagandea tree to attempt to unlock a word, lest one get hit by toxic pollen that robs a witch of the ability to use magic or fly—is gradually whittled away by Arch-Meddler Croix.

Croix expertly manipulates the more-naive-than-most Akko, reinforcing Akko’s own assertion that Ursula’s an overprotective worrywart, while also planting a seed of doubt and suspicion regarding Ursula’s identity and intentions with Akko.

Croix also gives Akko a lift to Wagandea, hoping the pollen will take care of her latest rival to magical primacy. Years ago, she and Chariot went to the tree, with both expecting the Shiny Rod to choose her.

When it chose Chariot instead, it was a major hit to Croix, and her technologically-advanced career since has been one big attempt to overcome that rejection, as well as to stick it to Chariot.

When Ursula arrives to rescue Akko, Akko has fully gone to Croix’s side, and lets Croix “deal with” Ursula. Interestingly, Croix isn’t so evil that she wants Chariot to die in a fall, so she wakes Chariot up just in time so she can cushion her fall.

When Chariot shakes off her injuries (and Croix’s insistence she’s out of time) and goes after Akko once more, Croix doesn’t stop her; clearly she’d hoped for a cleaner operation, but since Chariot’s involved, she cuts her losses and withdraws.

Ursula catches Akko, who falls just as a cloud of magic-sapping pollen surrounds her menacingly. Overcome by shame for the things she said to Ursula, Akko takes it all back, apologizes, and says “thank you”, which she should have said a long time ago, but resonates more here, as it’s essentially the meaning of the sixth word, Lyonne, which Akko unlocks, leaving her at the same place Chariot was: with one word remaining.

Croix is unconcerned with her loss this week: she has been gathering all of the negative energy that all of the soccer fans of the world have been pouring into the popular, healing “Emotion Refresh” app she developed, and all that energy is going into a Gurren Lagann-style, giant mecha version of the Shiny Rod, presumably with the goal of releasing the Triskelion before Akko.

The social unrest being caused by football competition has been in the background for some time now, and it’s neat to see something that has a clear analog in the real world not only making an appearance in LWA, but serving as a key source of Croix’s power.

For all her megalomaniacal scheming, we definitely saw the affection for Chariot that still lingers in Croix’s heart. If Akko and Chariot are going to have a chance against her, part of their plan may involve tapping into that vestigial affection. But first thing’s first: Akko must get that seventh word.