Little Witch Academia – 23

The first half of this week chronicle’s Chariot du Nord’s rise and fall from stardom, undone by a fickle public, the constant need to create bigger, flashier magic, and her school rival Croix still having a score to settle.

Such is Croix’s spite for the Claimh Solis choosing Chariot over her, she decides to exploit Chariot’s desire to make ever larger crowds happy by giving her the Dream Fuel Spirit…without mentioning the costs until after she’s already used it.

Of course, Croix has rhetorical cover: Chariot did essentially ask her old classmate for more power, and didn’t ask any questions, so none were answered.

One night, desperate to be relevant, Chariot uses the Shiny Rod and inadvertently scars the moon, and that’s pretty much it for Chariot.

Back in the present, Akko is still missing, and it feels like the longest we haven’t seen her in the entire run of the show. Something’s up, and Akko’s friends—Diana chief among them—want to do something about it. They all go looking for her, and when Diana doesn’t get the answers or action from Ursula, nay, Chariot, she finds Akko on her own.

It had been an 8 episode up to the point Diana sprang into action, and that’s when we enter more of a 10 territory (my rating splits the difference). Not only has Diana come to consider Akko a dear friend, but she manages to cheer that friend up and get her out of her funk.

It’s the first time Diana admits to Akko that she too was a Chariot superfan; that her momentary loss of magic was due to seeing that show, but she then worked hard to regain her magic, and even though her family thought she was being silly and childish, she never completely gave up on the dream to be like Chariot…which is why she initially resented Akko so much.

This is Diana at her most dimensional and likable: when she of all people has to lift the spirits of who had been until last week, almost criminally high-spirited proportional to her actual magical progress. Brass tacks: Diana tells Akko no one’s magic is stronger than hers, and she believes in her believing heart.

With that, Akko is reinvigorated, and her friends file into the store to express their relief she’s okay. I have a feeling all of them may have to be at their best for the upcoming trials, as Croix is nearing completion of her Noir Fuel Spirit-driven World Reconstruction Magic.

As powerful as we know Chariot to be, it’s not unrealistic to assume Croix’s confidence is at least somewhat based in her empirical research of Chariot herself, and knows for a fact she’s no threat. Of course, that may only be Chariot as she is now, still known to most as Ursula, drowning in regret and self-loathing.

If Chariot could be lifted out of that mire, like Diana & Co. did for Akko, perhaps then Croix will have something to worry about (here’s hoping!). This turned out to be a lovely episode. It’s so good to see Diana shine, and it was also fascinating to see Akko legitimately down for once.

All that’s really left is to find out if and how Croix is foiled, and whether that takes the remaining two episodes, or will be wrapped up next week. Leaving the final outing for epilogue.

 

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Yamada-kun to 7-nin no Majo – 05

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I had my doubts about what would happen to my lovely body-swapping comedy when more of the titular seven witches entered the fray: would the balance be upset? Would the extra characters just make things more muddled and unfocused, killing the crispness I’ve enjoyed so much? Well, if Odagiri Nene is any indicator, my reservations were unnecessary. Nene is far more than a school villain, Y7 is about far more than body-swapping, and it knows exactly what it’s doing.

It’s just Ryuu’s luck that Urara wants to kiss him just when he’s off to go see Nene to resolve his current “charming” problem. Urara is the last person he wants to fall in love with him through some kind of kissing spell because, well, he’s falling in love with her for real, and wants the real thing in return. So he tries to keep his problem a secret from Urara.

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That doesn’t last long, however, as he’s unable to find Nene and the time he agreed to kiss Yamada comes and goes. Where a lesser show wouldn’t have him telling Urara the truth until the very end of the episode, Y7 has a lot more ground to cover, and covers it deftly and efficiently.

And it’s actually good for Yamada to tell Urara wha’ts happened, because now they’ve determined that body-swapping isn’t Yamada’s power, but Urara’s; Yamada’s power is copying others’ powers, while making his host susceptible to their own. The body-swapping Urara swaps bodies…and Nene has fallen in love with Yamada.

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As it happens, as Yamada and Urara kiss and figure this out, Nene is watching from the bushes with her lieutenant, Igarashi Ushio (Ono Daisuke), who is upset that Nene has been overcome by unrequited love for Yamada, because, well, it’s pretty obvious that he likes Nene.

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At first, Ushio lashes out at Yamada with a vicious kick. We learn that the two were old friends and fellow n’er-do-wells who sought the same thing by transferring to Suzaku High: fresh starts. But neither of them were able to find any guys they could tolerate, let alone befriend. But an incident caused them to drift apart, leaving Yamada essentially alone until he met (or rather fell on) Urara.

Ushio calms himself and takes a more contrite attitude, getting on his knees, promising he’ll destroy the incriminating photos of Yamada and even make Nene drop out of the election, if only he’ll change Nene, the person most important to him, back to normal.

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Yamada refuses, but Urara agrees on his behalf. This angers him, but in a moment of emphatic (and admirable) assertiveness, Urara gives him a sharp, brutal SLAP and orders him to knock it off. Just as he did with his predicament and the start of this episode, he’s being stubborn and holding back information form her that could help her understand his situation better. They’ve switched bodies numerous times; this is not the time to be tight-lipped, especially when Urara assumed from his standoffishness that he’d gotten sick of her, which is so not the case.

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Grudgingly, Yamada agrees to kiss Nene, satisfying Ushio. When Yamada asks him if he kissed Nene, he says he did, but he likes the person he became because of it. We learn why when Yamada gives Urara the rest of their story. While in an alley they came upon some roughs picking on a girl from their school. Ushio instigates a brawl and the girl is able to run off, and Yamada backs him up, because he’s not about to watch his friend take on four guys by himself. It’s good to see Yamada in Full Delinquent Mode, even if it’s a flashback.

Back at school though, Ushio throws Yamada under the bus. Not only does he get suspended for a week, but the entire school becomes afraid of him, the very thing he hoped to avoid by transferring there in the first place. Ushio, meanwhile, washes his hands of Yamada and takes his place beside the classmate they rescued from the roughs: Nene.

Had Ushio met Nene before, kissed her, and become infatuated to the point of not only starting a fight for her, but framing Yamada so he took the heat? Or had Ushio and Nene never met, and it was Nene who kissed Ushio out of appreciation for saving her? The possibilities are intriguing.

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In any case, Ushio’s betrayal was the reason Yamada hesitated in turning Nene back to normal. But when he meets Nene in private at her hideout in the old school building, he gets fresh insight into her power, and why he can’t possibly allow Nene to stay in a state of unrequited love forever.

Nene seems eager to get this whole thing over with when everyone else is around, but when they leave the two alone, she asks him not to kiss her. You see, she never knew how happy her power could make people until she herself experienced it, something Yamada made possible. And whatever else being in love with Yamada is—unintended, artificial, futile—it isn’t BORING. As we saw with Ito and Miyamura last week after Yamada kissed them, being in love is awesome.

Yamada now understands why Ushio doesn’t mind being under Nene’s spell. But Ushio has a shot at Nene; Yamada makes it clear he’d never fall for Nene, either naturally (as Ushio might have with her) or due to her power (which is reflected by his copying power). Urara is right; Yamada can’t let Nene pine for him forever, and at the end of the day Nene isn’t of sound mind. So he kisses her.

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As if the resolution of this situation wasn’t enough, Ushio produces an incomplete journal from a past Supernatural Studies Club, documenting the Seven “Witches”, or girls with supernatural powers, who attend Sazaku High. Two have now been identified by the club: Urara and Nene, but the other five are a mystery, and the new club is going to find them, because Urara, being one herself, is confident that they want to be found.

Yamada is their Witch Detector, and so grudgingly goes along with this plan. And he can’t really complain, as both he and Ushio got what they wanted: new and exciting school lives that aren’t defined by their violent pasts, and interesting friends. I look forward to new witches being discovered and even more tantalizingly complex character dynamics to sprout up.

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Yamada-kun to 7-nin no Majo – 04

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What keeps every minute of Yamada 7 compelling is the cast’s ability to not simply explore and investigate Yamada’s strange power, but also use it to their advantage. Urara has been the most stealthy yet most prolific in that regard, especially this week, when she swaps bodies with Yamada just before going on a school onsen trip.

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In this case, swapping bodies isn’t about experimenting on the nature of the power. Urara is ostensibly using it so she can study as Yamada while Yamada mingles with the other girls. But because he’s doing it in Urara’s body, he’s able to effect a change in how they regard her; that is, as one of their own rather than an outsider.

Yamada storms into Urara’s room demanding his body back out of exhaustion from spending all day and potentially all night with the super-hyper girls, but it’s also an opportunity for Urara to admit she’s left too much to him, so it’s her turn to take over in her own body. Their perpendicular kiss, followed by a shot of Urara from Yamada’s POV, is pretty darned sexy, to boot.

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But Urara was reckless, and went through her own belongings—including admiring her own panties—while in Yamada’s body, and Vice President Odagiri Nene snaps incriminating pictures. Now, we know from the OP that Nene is most likely one of the seven witches (along with Urara herself), so we know she’s aware of what really happened in those photos. But she wants the presidency, and if Urara skips out on a mock exam, it will hurt Miyamura’s chances and help her own.

A flustered Yamada seeks counsel from Itou and Miyamura, who are more interested in playing cards; this is their first of several great exchanges for what’s turning out to be an awesome supporting duo. They’re not cool with him using Urara to explain away the photos, as it would hurt her reputation. As for switching bodies with Nene, they’re not sure he’s thought it all through.

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Still, he has little other options, so he calls Salia Nene out later that night in her jammies and kisses her—or rather, she kisses him…which is an important distinction, because not only do they fail to switch bodies, but when Miyamura and Itou kiss him, he fails to switch bodies with them as well, meaning his ability is gone.

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Everyone agrees the best thing to do is sleep on it—Yamada’s had a long, exhausting day—but the next day at the barbecue Urara makes him yakisoba in gratitude for helping her get along with the other girls, who all love her. She also wants to go on a trip over Summer break with the Supernatural Club. As Yamada is a member of said club, and he likes Urara, this is an enticing prospect.

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Which gives him a quandary: Urara joined the club so she could switch bodies with Yamada in a safe, private place. If he doesn’t have that ability anymore, will she leave the club, and abandon him? I doubt it, but Yamada has bigger problems upon returning to school: Itou and Miyamura are infatuated with him.

This is a bold move for Y7, having not even fully explored all the possibilities of his body-swapping abilities, to give him the power to make whoever he kisses fall in love with him. Not only that, when he kisses them again to take away the love, they still feel a sense of loss, and only want to get that feeling back.

Masuda Toshiki and Uchida Maaya put on a comic clinic portraying Miyamura and Itou as not only all hot and bothered and competitive with each other while under the spell, to their excitement and desire about being put back under the spell when they’re not on it.

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My theory for what’s going on? Urara and Nene are two of the Seven Witches. When Yamada kisses Urara, he gains the power to swap bodies. When he kisses Nene, he gains the power to charm others. Worried about what Urara would do if she found out he lost the former power, he tries to keep it a secret from her as he heads to Nenes’ to “resolve everything”…but Urara’s right outside the door.

Would kissing Nene or Urara get him his body-swapping power back? What powers do the other five witches have in store? And who’s aware that they’re a witch and who isn’t—I’d guess Urara’s the former and Nene’s the latter, but who knows? All I know is, this is some entertaining supernatural romantic comedy right here.

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Nisekoi – 17

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Inexperienced as he is in matters of love, Raku seeks clarity and guidance in the form of a romantic relationship charm, a popular item at the summer festival, further reinforcing its perceived power. But the charm proves almost laughably unhelpful, taking him on a tour of the vertitable smör-girls-bord before him, one girl at a time.

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The festival and the charm’s “effects” on Raku and the girls also underlines the qualities they have going for them. Luck and circumstance are in Chitoge’s favor, as are looks (at least, she gets the most attention from random folk). Marika is the most romantically aggressive (and politically connected). Kosaki is a blend of intermittent bursts of aggression and/or good luck, typically followed by equal or greater portions of the exact opposite.

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Perhaps it’s the fact Kosaki is something of a complete package—a Kosaki of all Trades, master of none—that makes her the most compelling choice for Raku, and the reason she’s foremost on his mind most of the time, including when he’s going after the charm. But on several occasions this week, Kosaki’s rightful place in his mind was usurped by Chitoge being so darned earnest and sweet.

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Raku would probably fall for Chitoge completely if she was like that all the time, but he only gets glimmers of that side of her, just as Kosaki only has glimmers of righteous aggressiveness or luck. But with a Kosaki-exclusive episode leading into a stock-taking episode with a steady helping of Sweet Chitoge, Nisekoi seems to be reasserting these two as the main contenders for Raku’s heart.

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This is evidenced by there being less emphasis on Marika this week, and what emphasis there was being comedic in nature. At least here, her position looked much weaker than the original two, but of course that could change next week. A charm can show Raku which doors he has to choose from, and even open some of them a crack, but it can’t show him which one to walk through. Ahem…sorry for calling you doors, ladies.

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Another – 05

After Nurse Sanae’s death in the school’s elevator, Sakakibara is questioned by the police. Later, after a class 3 meeting that excluded him, the entire class begins shunning him, refusing to answer his questions. One student believes it’s wrong and is about to explain things to him when he suddenly suffers a heart attack and dies. After that, the class no longer acknowledges his existence. He meets with Misaki, who tells him they’re doing the same thing they’ve done with her; they may be alive and exist, but in order to stop the killings, the class must ostracize them.

A few more pieces fall into place this week, as Sakakibara’s meddling in the mystery of class 3 has an instant and fatal effect, and another classmate dies right in front of other students. The show hasn’t been displaying the particular dates of the episodes, but something tells me more than one person has died in a month. The idea that with every student death, the class grows ‘nearer to death’ is as intriguing as it is…flustering. This class has had cycles of death and new transfers for 26 years. And now we know the dead kid in the class isn’t Misaki, but someone – anyone -else. An unsettling thought.

Still, amidst what amounts to an extreme case of high school social ostracism, Sakakibara remains calm and collected, and is determined to find the truth. He’s no wimp, and even if he’s powerless in this situation. We’re also enjoying the budding relationship between him and Misaki, reinforced by the fact they share the same fate. The long dialogue between Sakakibara and Misaki that carried all the way to the end kinda reminded us of when Kyon got the skinny from Yuki Nagano. We were expecting one more death, but it looks like the series is sticking with one per episode tops…too many and the suspense is lost.


Rating: 3.5