Kuromukuro – 19

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Now that’s more like it. The last episode kinda dragged on, building to the surprise abduction of Yukina. But this episode takes full advantage of the severity of that cliffhanger: the Kuromukuro is grounded, Earth is more vulnerable than ever, and everyone is on edge, but powerless to do anything in the immediate present. After all, Yukina is in space.

Their only consolation, and hope, as it happens, is the fact they retrieved the wounded Muetta, whom Dr. Hausen determines has identical DNA to Yukina and Hiromi. They’re definitely related, though Muetta is very old.

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Hiromi is in full-on Mom Panic Mode, Sophie is given mandatory leave by the commander, and Ken is disgraced by how useless he feels. Sophie doesn’t have any sympathy for him moping in the canteen, but that’s for the best, as shortly after she’s alone, she’s contacted by the Ogre, who promises an encounter soon.

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Dr. Hausen is the only one truly happy this week, as he gets to study an Efidolg—or, at least, a human who’s had their memories altered and their body populated by advanced nanomachines. He determines that Ken’s blood is the best way to counteract the effect of Mirasa’s weapon, and after a quick transfusion, Muetta is awake and as feisty and combative as ever.

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The Ogre rudely invades Sophie’s apartment, but properly apologizes, and explains that she was the only person he felt safe contacting. His comment about cosplay culture making it easier to move around modern Japan was pretty amusing, but the fact he’s finally here, with Sophie, ready and willing to explain all (or at least some) is very exciting.

He, or I should say, Zell, is absolutely an enemy of the Efidolg, but not yet an ally of the earthlings. Here’s hoping that will change, becaue the earthlings need all the help they can get.

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Ken knows he can’t do squat about Yukina without the Kuromukuro, and so breaks into Muetta’s cell to try to bargain with her. She agrees to co-pilot it with him, with the story that she stole it and captured him. It’s really the only play they have, and it gets them both what they want: Muetta, freedom from this place, and Ken, a chance to save Yukina.

What I’m glad about is that Ken needs help, and lots of it. He may be a samurai, but he can’t whisk Yukihime out of a high-security international installation on his own. The other civilian lab employees clear a path for them, ending with Hiromi herself giving Ken her blessing (and making him swear he’ll bring her Yukina back).

This is because Hiromi’s superiors told her to give up on Yukina. They proposed using Muetta to pilot Kuromukuro, with Dr. Hausen minutes from administering some dread medication that would likely not give her a choice in the matter.

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Don’t get me wrong: I’m not about to place Yukihime in the “Good Guys” column just yet, but I’ll pencil her in for now. The bottom line is she had few choices to get back to where she belonged other than going along with Ken’s plan, and once they’re up in orbit, Ken is at the mercy of her “people.”

But what makes be believe Yukihime might not bretray him immediately is the recording of…herself she sees once they fire up the Kuromukuro, which she’s amazed powers up so quickly even though it’s her first time. Only it isn’t: she recognizes herself in the recording. There’s an opening here, however small, for her to start entertaining the idea that Ken is right about her.

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That brings us to poor, poor Yukina. The only moment sadder than seeing her sister and mother despair at her abduction is seeing her look down on earth and call for Kennosuke…after asking for some clothes, of course. The Efidolg brought her there not as a hostage, but because they thought she was Muetta.

Mirasa quickly took it upon herself to try to finish what she started, but it seems Yukina was able to escape her stasis chamber in time. Despite her call for her samurai buddy, something tells me she ‘s not simply going to wander the ship, catching her death of cold, waiting for Ken to rescue her. She’s going to have to help herself out, and stay alive and free until help arrives.

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Author: braverade

My name is Hannah Brave. Because I enjoy watching things explode (or at the very least moving very fast) I typically review anime in the action, adventure, space, and sci-fi genres, though not exclusively.

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