Sengoku Choujuu Giga – 01 (First Impressions)

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I’m not sure why or how this is a show. Aesthetically, it’s interesting enough, with an ink on parchment vibe but… nothing happens at all. I have no idea who anyone is or why a bird shooting a whatever is important.

skip it, there is no reason to watch this 3 minutes of nothing. SKIP

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WWW.Working!! – 02

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I’m really liking this new Working!!, because it feels like it takes place in an alternate universe, where everything is the same, only different. The new show and cast is replete with echos of the old show and cast, but with enough differentiation to be worth the watch.

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Still, this new Working!! might be trying to actually improve on the formula it refined with its first cast. Take Miyakoshi Hana. She’s violent and unreasonable like Inami, but not because she hates men. In fact, she gets along with Higashida just fine, and even insists he invite her to his house so he can help her study for exams. It turns out she’s a lot more normal than Inami was, and that’s actually refreshing.

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Or take weirder co-workers like Muranoshi Sayuri. She’s very neutral and deadpan in her voice and expressions, but is still canny enough to use her ability to see customers no one else can see to put some rude bros in their place. She also shows she’s got a winning smile…as long as you complement her.

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Like Hana and Daisuke, the other couple-in-the-making here doesn’t follow the same path as Satou and Todoroki in the other show. Instead, it’s a weird, long-standing situation where Shindou Yuuta actually got the lonely Kamamura Shiho’s rich dad to pay more attention to her, often talking about things so complicaed they fly over Shiho’s head.

Yet when it comes time to respond to her offer of marriage (thus wiping out his father’s debt to her father), he reverts to a little kid who thinks girls are gross. Shiho clearly hasn’t taken that well, and has since treated ever encounter with Yuuta as transactionary.

Just as I’d like to see Daisuke and Hana becoming better friends, which they’re well on their way to doing, I’d like to see Yuuta mend fences with Shiho. Even if neither of these things happens, the point is I’m invested with these new characters, so I’m going to keep watching.

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Occultic;Nine – 01 (First Impressions)

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The Gist: We are introduced to nine strange individuals linked in some fashion by the occult affiliate blog of high school student Gamon Yuuta, whose operation is staffed by his platonic friend Narusaka Ryouka and fortune-telling idol Aikawa Miyuu. His research leads to him finding a scalped corpse in the office of “paranormal scientist” Prof. Hashigami.

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Why You Should Watch: Whatever else you want to say about O9, it looks the business, with richly detailed, lived-in locales and retro-ish character animation a la Gundam Recon in G. The color palette is diverse and the soundtrack is above average.

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Why You Shouldn’t Watch: This is going to be a longer list, unfortunately. O9 just didn’t…click for me. It could be the pace: there is a lot going on in the early going and with nine main characters to quickly introduce and a ton of extraneous conversation, I found it hard to keep up or care. And it doesn’t really matter how good a show looks or sounds if you can’t find a way in.

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I wasn’t clear on why Yuuta’s buddy Ryo-tas has such a ridiculously large bust, or why the two of them, and the guy who runs their hangout, were trying so very hard to be weird and kooky. Oigakkosan brought this up with Drifters, but I think it’s even more of a problem here: idiosyncrasy is a delicate tool, and it’s used more as a sledgehammer than a scalpel here.

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The rapid-fire banter, inner monologue, and flashes of people’s names all contributed to an over-caffeinated presentation lacking any kind of anchoring element. Everyone is talking about the “Occult”, but only in the most general terms. Kamisama no Memo-cho, Occult Academy, even Persona all featured far stronger opening salvos.

And more than half of the titular nine characters left no impression on me whatsoever, though they’ll surely play larger roles later. The one who left the strongest – Gamon Yuuta – left a negative one; he’s just plain not a likable protagonist. It’s just that with all the shows already out, O9 didn’t quite do enough to make me want to stick around for later.

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3-gatsu no Lion – 01 (First Impressions)

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Except for a taunting voice in a dream about how Kiriyama Rei’s worth nothing (his name means ‘zero’), the first six-plus minutes of 3GL begin in silence, as we watch Rei’s lonely commute to the shogi hall. I was half-surprised that the automatic doors sense his presence, because he looks like a specter floating around the town.

Rei moves as if the weight of the world is on his slim shoulders. The clacking of shogi pieces starts to grow oppressive, as if playing the game is plumbing the depths of his despair. This is SHAFT at its best, IMO: no walls of words, just impeccable atmosphere building.

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The sun begins to set on Rei’s silent, dour day, when he gets a text invitation to dinner and a second text that makes sure he can’t refuse. Rei goes to the Kawamoto home for dinner with Akari, Hinata and Momo, three sisters who live with their grandpa and cats and run a wagashi.

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And it’s just about the warmest, most loving place you can imagine. An Rei can barely enjoy any of it, because he’s a deeply emotionally wounded individual. The eldest daughter, Akari (Kayano Ai, great as always) can sense the pain emanating from him; all we need is a look to know that.

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The middle sister Hinata (Hanazawa Kana, also great as always) doesn’t fully grasp how bad things are until she puts a blanket on Rei and takes off his glasses, revealing he cried himself to sleep. All these sisters can relate to carrying pain, as they lost their mother and grandmother and there’s no father in the picture. But Rei’s problems seem to go beyond loss and into, well, more existential stuff.

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3GL is gorgeously rendered and deliberately paced to ease you into its world where despair contrasts with unconditional love. Rei comes from a not-so-loving family. Rei both looks similar to and has similar problems to Your Lie in April’s Arima Kousei, and I had to convince myself halfway in that none of these sisters had a terminal illness (thanks, Violin Girl), but he’s not the only thing going on here.

Shinbou and Shaft brings their trademark multi-establishing shots, baller sound design, and over-the-top comedic moments where characters (or cats) exhibit super-strength or speed, but all of his directorial quirks are assets here, and don’t overshadow a familiar but still very nice story.

The sisters a a whirlwind of kindness and love, the youngest Momo (voiced by Kuno Misaki, who has definitely found a groove in such roles) is a little kid done right, and while I’m sure there will be moments when we’re far less sympathetic to Kousei Rei (as he’s very lucky to have these sisters in his life, but he’s likely to shun or lash out at them), but this is still a show I won’t be able to miss.

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Mahou Shoujo Ikusei Keikaku – 02

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This week we get to learn a bit more about the other magical girls and their various affiliations, the method by which Fav will determing which magical girls will be culled, and most importantly, the consequences of being one of those girls.

Calamity Mary is a loose cannon, in this for herself. Top Speed looks after Ripple, to whom trouble seems to always come. Ruler leads the largest alliance of girls, and won’t let anyone in her group drop out.

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While some of the girls’ abilities leave me wondering how they collect “Magical Candies” to determine who survives, with Snow White and La Pucelle there isn’t really any wonder. Koyuki is a good-deed-doing machine, and just being with her keeps Souta out of the points basement.

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Unfortunately, someone has to “go” every week for the next eight weeks, and this week is no exception. And while Nemurin’s “deeds” include saving the world and space multiple times, because she’s only doing it in people’s dreams, her candies are only dream candies.

She doesn’t seem to mind, since she’s having fun helping people in dreams. And in the real world, she’s getting ready to end her NEET status and move forward in her life, so if she’s the first to lose, it’s not that big a deal.

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Of course, things aren’t that simple. It was disquieting enough to see Nemurin’s avatar get rubbed out, followed by the curt message that she’s been “deleted.” It’s quite another matter when, after the stroke of midnight on her last night as a magical girl, Sanjou Nemu “says goodbye to everything”, and her mother finds her lying dead in her bead.

Now we know this isn’t just a competition to remain being a magical girl. These girls are fighting for their lives. Most, including Koyuki, aren’t aware of this yet. Fortunately for her, she’s at the top of the points. But that makes her a target; Ruler in particular sees her as an eyesore. We’ve got a tough, bloody, slightly frilly battle ahead of us.

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Shuumatsu no Izetta – 02

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Thanks to Papika Izetta, Princess Fine is free from the Germanians, but they’re not out of the woods. An enemy patrol spots the smoke plume from their transport and before long the two girls are locked in an alpine dogfight that’s a feast for the eyes.

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Izetta sees no other choice but to break taboo and her promise to her granny and use her magic openly. The results are an astounding demonstration of her potential as a weapon against the Germanians, taking out three planes, but she runs out of mana before the lead plane is downed.

Enter a still-bleeding Fine, who reminds Izetta she’s not riding a broom, but a giant rifle, which they use to take out the last plane. After the sustained battle, Fine is out cold, Izetta’s tank is empty, and she has to ditch the gun and make for the Eylstadt fortress on foot.

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By good fortune Izetta encounters a force of retreating Elystadt survivors led by Major Obermeyer, and their suregon fixes Fine up while also tending to Izetta’s wounds. Izetta is loath to accept any help, favor, or comfort, and it all has to do with the old scar the doc notices on Fine’s side, for which Izetta blames herself.

As the first episode hinted, Izetta and Fine had met before, and it wasn’t a dream. Izetta isn’t some scientific specimen or non-corporeal supreme being…she’s just a girl. A girl who happened to be the last in a line of witches. Her grandmother noted she was the most powerful in generations, despite being the last, and so had to take extra care not to get tangled up in trouble.

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Things just didn’t work out that way, but it wasn’t all for naught: Izetta and Fine meeting was the best thing to happen to either of them, because they were the only ones who saw each other for what they were: not a witch to be feared or a princess to be fawned over, but two girls in need of best friends.

Fine received her side wound defending Izetta from an angry mob, doing as she’s always done: value the lives of others as much if not more than her own. She wants to save Izetta again by sending her away rather than using her, but Izetta won’t hear of it. She wants to be used, and she wants Fine to be the hope that drives her, just as it drives the desperate armies and subjects of Eylstadt.

Beginning with a thrilling aerial battle, leading to some vital backstory, and concluding with Izetta’s vow not to leave Fine’s side in the coming battles, this episode had a little of everything, and was as efficient in its storytelling as it was entertaining and moving.

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ClassicaLoid – 01 (First Impressions)

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The Gist: Kanae is a sad, lonely girl who misses her late Grandmother. Kanae lives in a huge mansion covered in musical icons but, more importantly, she’s surrounded by selfish pricks who won’t leave. Unfortunately, a developer has purchased the building and is about to demolish it.

However,  looses his cool when, yet again, he is interrupted from eating Gyoza. Beethoven gets on the roof and magically transforms, blasts music, and scares the developer’s construction crew away. (more specifically, he conjures ghosts for everyone to dance with and turns a pipe organ and a recking ball into mechs that dance)

Later, in the offices of a secret organization, it is implied that Beethoven is an alien. (a ‘classical-oid) So… that.

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The Verdict: the visuals are over the top but fairly average in rendering, as is the humor. Despite their charms, I can’t say I actually like or empathize with any of the characters either, because they are all selfish and absurd.

Ultimately, ClassicaLoid doesn’t earn a space on my review docket but I can recommend the first episode. Especially they dialog-free opening scene that matches music to cooking.

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Watashi ga Motete Dousunda – 01 (First Impressions)

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The Gist: Serinuma Kae, a plus-sized fujoshi second-year high schooler, loves to pair off hot guys in her head. When her favorite anime character dies, she inadvertently loses a bunch of weight, becoming a stunning beauty who garners the persistent attention of four guys at her school. On a group date she tries intently to hide her “flaws”, but in the end they accept her for the otaku she is; as long as she’s happy, they’re happy.

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Why You Should Watch: While the Ugly Duckling trope is as old as time, WgMD (AKA Kiss Him, Not Me) freshens things up by making said duckling a closet otaku, then building a reverse harem around her, so quickly it makes her head spin.

And yet, as her friend Akane points out, Kae has always had a way with hot guys, even before she lose the weight, because while she can be privately creepy, she’s always been kind. She wants only what’s best for the guys, which she thinks is…each other.

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I enjoyed how peripheral the guys were; this is Kae’s show, and they’re in the dark for most of her inner conflicts and conversations with herself. Akane is a solid friend who suddenly finds herself no longer “the hot one” among them (though she already has a boyfriend, so it’s no biggie).

It’s also interesting to see how all four react to Kae compared to how they treated her when she was bigger. In particular, her senpai Mutsumi is the first to immediately recognize her post-transformation. He’d always been more attuned to Kae’s inner beauty and kindness.

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Why You Shouldn’t Watch: Stepping back a bit, Kae’s transformation strains credulity, and there don’t seem to be any consequences to, ya know, starving herself. While pre-weight loss Kae is treated relatively well by her peers there’s still the feeling she’s regarded by most as a lovable mascot-like figure. And while society is more or less works this way, it doesn’t exactly look great that these four guys only pursue Kae when she becomes slim and hot.

Those problems aside, this show could definitely just get repetitive, with Kae going through the romantic motions with guy after guy. We’ll see if she can have her otaku otome cake and eat it too. We’ll also see what will happen if (when?) she gains her weight back; after all, Shion can only die once (unless the show brings him back and kills him off again).

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Zane’s Verdict: WgMD takes what could have been a mess of trite gimmicks and executes a solid rom-com that’s more than the sum of its parts. Kobayashi Yuu excels at giving Kae a wide range of voices to suit her emotional state, and the guys differ enough in personality to provide some interesting dynamics down the road. It’s far from perfect, but it’s more than watchable, and for now I’m interested to see how things play out for Kae & Co.

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