As Ayaka lies in the hospital in a coma, Narumi asks Alice for help investigating her attempted suicide. Alice officially names him her full-fledged Assistant. They soon learn that Hakamizaka, a brilliant young student specializing in plant genetics, is the one behind the recent Angel Fix distribution. Through Toshi, he made Ayaka unwittingly plant flowers in the gardening club’s greenhouse to be used in the producition of the narcotic. Naurmi still doesn’t believe Ayaka tried to off herself after finding out what she’d been doing, but only Toshi and Hakamizaka have the answers. Meanwhile, Sou and his yakuza are scouring the city for the scientist, irrespective of sentimental considerations: their goal is merely to clean up the city.
I liked this episode, where for once Narumi is fighting for a very personal cause – discovering the truth about someone he cared about far more than he initially realized. I’m unsure whether it was anything other than a formality, but Narumi is now Alice’s full assistant. Now that they share a common trauma – Ayaka’s attempted suicide, perhaps she feel it would be best if they collaborated as closely as possible for the best results. Seeing with her eyes and speaking with her voice, he directs the other NEETs to find the information he needs. I had assumed Ayaka was dead dead, but here she’s just in a coma. Thus, the chances of her waking up, while announced as slim, are not nil.
Poor Ayaka. For someone as kind and pure as her to come to the realization she’s been helping to create drugs that kill people must have been devastating enough – but that her own beloved brother was putting her up to it must’ve been worse. She didn’t feel she could tell Narumi any of this. As for the exact reason she jumped, perhaps she was goaded into it – or even pushed – by the likes of Hikamizaka. The guy is your classic mad scientist evil genius with pretensions of grandeur and a thuggish side. But now that he’s a wanted man, he’s even more dangerous, as is Toshi, who seems to be hopelessly addicted to Angel Fix. As for Ayaka herself being drugged…well, you’d think the doctors would have checked her bloodwork by now.
Huey and Dalian encounter a woman in the park who can play the violin like a champ. She turns out to be Christabel Sistene, a famous violinist. It turns out she is a doll/android. Her companion Dallaglio built her to be able to play the dual unplayable “phantom scores” of Guillermo Baldini. Baldini’s music can have the same effect as narcotics, which the wealthy patron Kendrick exploits to begin an “artistic revolution.” However, when the concert begins, Christabel plays not the hypnotic Utopia score, but the destructive Twilight score, which destroys the hall and the phantom scores, and kills Kendrick and his ilk.
When Stravinsky’s “Rite of Spring” was first performed, the sounds were so new and strange, the audience rioted. It was neat to see that same principle employed here: the music has all sorts of effects on people, from addition to bliss to despair. I can forgive the anachronistic android in this time period; the creators aren’t going for historical accuracy. It stands to reason when humans can’t do something easily or at all, they built something to do it for them, as Dallaglio did here with Christabel. His intention was to clear his’ father’s good name, but his creation would be perverted into a weapon by Kendrick.
Kendrick is an interesting villain, for as little as we get to see him. His obvious fatal flaw is believing Christabel has no free will or connection to her creator – she does. But his dream of a bloodless, “artistic revolution” with which to seize power. It’s a great scheme in theory: use the addictive music to bend others to his will, and use the destructive music as a threat against those who would oppose him. He could have simply used Christabel to make himself lots of money: if your customers are addicted, you’ll never want for cash – but obviously he had grander designs. Ironic too that being in the soundproof room prevented him from hearing Christabel’s “warning” music that led to everyone else’s evacuation.
Saya fights an elder bairn that’s nothing but a head, a spine, and hair, who may or may not be her mother. Tokizane is killed. Her father disappears. Fumito serves her more coffee and grimauves. Her teacher Tsutsutori asks if she can take a look at the shrine library, and when they discover all the books are brand new, and all blank save the one about the legend of the elder bairns, Tsutsutori insists Saya stop “playing this game”…then Nono and Nene reappear, as if they were never killed.
What’s in her coffee? What’s in those grimauves? What exactly is up with Saya? The mystery thickens this week, as many things we’ve held true to this point are upended. The ghost story Tsutsutori tells in class sounds the same as the legend in the book, but why is the book new? Why are the others blank? Fumito is acting stranger than ever. What’s hiding behind his kind smile? Why is his arm heavily bandaged after Saya’s father disappeared. Did he off him?
As for Tokizane, his insistence on running in to help Saya had a predictable result: his death. It was far quicker and less gory than those of late. But with Nono and Nene back from the dead and Saya having all manner of visions, I’m starting to wonder myself if anyone at all is even dead, and that the legend is a fabrication. Each week there’s a veneer of repetition that could grow grating, but each week a new revelation comes to light, though we’re still a long ways from the truth of things. For now, Saya is just trying to keepitogether.