We’re big proponents of the body-swapping episode when done well. In addition to being a refreshing change of pace, it is also an opportunity for the seiyus to show off their talent. Listening to Uchida Maaya successfully imitate the way Kamiya Hiroshi voices Yato is enough to justify watching this OVA (or OAD…whatevs). That’s not the only reason to do so, however. With the immediate crises of the main storyline set aside and the show placed in a sandbox, it decides to have a little fun, which turns out to be infectious.
With the aim of increasing his exposure to humans, creating new delivery god business, and simply staving off boredom and loneliness, Yato decides to impliment a “divine possession” of Hiyori. That would be stressful enough for her on an ordinary day, but he decides to do this on her first day of high school. Even if she’s in class with many familiar faces, she’s brand new to the other three-fourths of the school, so impressions matter.
Yato’s field day consists of solving a hard math problem (making Hiyori look smart), acting very forthright and brash (confusing those who know her) handing out his number (making Hiyori look a bit loose), singing, dancing, kicking ass in soccer, etc. Kofuku also joins in the mischief, involuntarily causing dozens of accidents and mishaps. Eventually a (weak) phantom shows up causing a voyeuristic student to jump out a window, but Hiyori-Yato catches him heroically.
There’s a great impish energy emanating from Hiyori-Yato, and a gnawing frustration in Hiyori (and Yukine). Calling upon Lord Tenjin and Mayu backfires when the two appear on campus dressed to the nines and become engulfed in bewitched students (though they do eventually put an end to Yato’s fun). When Hiyori returns to school the next day, we appreciate that everyone remembers everything she said and did yesterday. All eyes are upon her, most of them full of admiration and respect. So at the end of the day, Yato did get her high school life off to an auspicious start. All it cost her was a dislocated shoulder!
Rating:7 (Very Good)
Huey and Dalian encounter a woman in the park who can play the violin like a champ. She turns out to be Christabel Sistene, a famous violinist. It turns out she is a doll/android. Her companion Dallaglio built her to be able to play the dual unplayable “phantom scores” of Guillermo Baldini. Baldini’s music can have the same effect as narcotics, which the wealthy patron Kendrick exploits to begin an “artistic revolution.” However, when the concert begins, Christabel plays not the hypnotic Utopia score, but the destructive Twilight score, which destroys the hall and the phantom scores, and kills Kendrick and his ilk.
When Stravinsky’s “Rite of Spring” was first performed, the sounds were so new and strange, the audience rioted. It was neat to see that same principle employed here: the music has all sorts of effects on people, from addition to bliss to despair. I can forgive the anachronistic android in this time period; the creators aren’t going for historical accuracy. It stands to reason when humans can’t do something easily or at all, they built something to do it for them, as Dallaglio did here with Christabel. His intention was to clear his’ father’s good name, but his creation would be perverted into a weapon by Kendrick.
Kendrick is an interesting villain, for as little as we get to see him. His obvious fatal flaw is believing Christabel has no free will or connection to her creator – she does. But his dream of a bloodless, “artistic revolution” with which to seize power. It’s a great scheme in theory: use the addictive music to bend others to his will, and use the destructive music as a threat against those who would oppose him. He could have simply used Christabel to make himself lots of money: if your customers are addicted, you’ll never want for cash – but obviously he had grander designs. Ironic too that being in the soundproof room prevented him from hearing Christabel’s “warning” music that led to everyone else’s evacuation.
This episode was a double-feature, with two cases on either side of the halfway point. The first was a creepy and potentially very intriguing case of a teacher who gave their children access to the phantom Book of Wisdom to increase their intelligence. Problem is, it worked too well. Huey and Dalian are exposed to this case via Camillia, a blonde young aristocrat who’s always wearing the latest fashions from Paris or America.
Dalian takes an immediate dislike to the “spinster” and her “hysterical” get-up, to the point of rudeness. However, she’s somewhat appeased by Camillia’s offerings of tea, scones, chocolates, jam, and clotted cream. When it comes to sweets, Dalian is still a little kid. As for the case? The detective duo slinks into the school to find a bunch of very creepy kids who know everything about them. Rather than put up a fight, they promise not to start anything, as they’re “not dumb enough” to take over the world. Well, then. Slink away…
The second case, in which burglars storm Huey’s mansion, tie Huey and Dalian up, and scour the place for a book called “Queen of the Night.” Thing is, it isn’t a book at all, but an immense carnivorous plant in the conservatory that lures prey with book-like petals. It eats both of the half-witted interlopers, making this an episode where there’s lots of excellent Huey and Dalian banter, but they don’t actually do a whole lot. Rather, they kind of observe cases more or less solving themselves. Who says it always has to be hard every week?