Part II of “Hangin’ With the Blanches.” Yune has tea ceremony with Alice while Claude reminisces about his past with Camille. The two were good friends despite the difference in status, but whenever Claude wanted to take her out to explore the city, she’d refuse and get all huffy. It turns out her family only let her hang out with him if she didn’t leave the house. That, combined with the fact they’d never be able to marry, makes for uneasiness on both sides in the present.
I didn’t really get the last couple episodes. Sure Yune has fun with Alice, but Claude has just sitting in a dark room for two episodes, and nothing was ever resolved between him and Camille. True enough, it may never be resolved, but his flashbacks with her felt repetitive. We get it; she’s rich, he’s not-so-rich; it could never be. But she still wanted to be friends with him, and I guess it didn’t turn out that way? What of it? What does that have to do with crossroads in a foreign labyrinth?
Camille is more interesting than Alice, but I fear we’ve seen too much of her. At the end of the day she’s just an angsty aristocrat who tacitly complains about her “plight” while doing absolutely nothing to change it. She’s been stuck in a stuffy mansion her whole life and hasn’t experienced anything new or real. She just pouts like a Persian cat. Bring Yune back into the spotlight. She’s everything Camille isn’t.
Moyako arrives in Tokyo, tagging along with Koushiro and Kirio, and hangs out with Kyohei, Utao and Hibino. The next college term is starting up, and Kyohei reflects on leaving the village. Aki remains at large, but is actually crashing at Kuuko Karahari’s house. Her dad the detective is snooping around everywhere, and she herself has discovered Kurakami village. Finally, a new character is introduced – Mahiru, who instantly attaches herself to “Kyohei-sama”.
Not a ton of earth-shattering stuff this week nor any action at all (save a brief flashback) but still a very solid episode all-in-all, full of great character interactions. Kyohei struggling with his worth and his feelings for Hibino, Utao nervous about Karahiri, Kuuko teasing Aki, Kirio making nice with Utao – good stuff, all. Mahiru (finally revealed in the ending sequence as the shadowy figure) looks to add an interesting dynamic. Also on full display was the series’ attention to setting detail – the stonework on the ground at the West Shinjuku station promenade and the park next to city hall were great to revisit in anime form.
Considering this is Tokyo, I’m not that surprised the growing group of sekis can’t locate Aki, though it might do them some good to pay another visit to Kuuko’s, if he goes back there. She’s an interesting wild card. For his part, Aki is sick of the person he’s become, and believes the only way out is to utterly destroy Kurakami village, thus avenging his lover and his beloved pet. That’s a big task, but he does have a kakashi and gobs of angst – I have no doubt he can get it done if no one stops him. Kyohei won’t be able to stay on the sidelines if and when Aki tries something.
Tiger faces the Heroes with no plan, Kaede drops in and restores their memories, but Barnaby is absent, so he remains convinced Kotetsu murdered his Auntie Sam. Tiger goes all “come at me bro” and the two former allies chase each other all over Sternbild. Meanwhile, the other heroes face Fake Tiger, and unmask him to reveal…well, they don’t actually show his face…
Well now, how could I have forgotten that Kaede was touched on the head by Maverick? Well I did…Oops! So she isn’t really a deus ex machina, because the logic of her character and the plot allowed her to have those powers.Still, her arrival in the knick of time was awfully convenient. As for the heroes, they’re extremely susceptable to mediocre stalling tactics.
The second half was all Tiger & Bunny going at it. Tiger decides for some reason that it’s better for him to lead Bunny away from the other heroes and make him give chase on a crowded expressway and through city intersections, putting thousands of Sterbilders at mortal risk. Considering Tiger’s commitment to protecting the public, this was either a lapse of judgement on his part – or the writers.
Now we’re getting somewhere! Well, kinda. Peace, understandings, and declarations are all either made or starting to be made. Not since the first week of the series last season has so much stuff been packed into an episode. I got that same feeling like it was three-quarters over when in reality it wasn’t even half-over. That makes me optimistic about this series ending as strongly as it started; perhaps even better.
It’s still to early to be sure of this, but as I said, I’m optimistic. Thanks to advice from her mother (who didn’t know she was giving it), Ohana has decided that a one-sided crush is okay vis-a-vis Ko (whom we’ve neither seen nor heard from all summer), and that she’ll confess to him next time she sees him. Minko and Ohana are at each others’ throats once more, but when Nako breaks them up, Tohru is seen to have been standing there, hearing everything.
At last, the air is cleared, as Tohru finds Minko crying by a shrine and they finally talk to each other about something other than cooking or Ohana. It’s just what Minko needs to keep going, and it helps Tohru not only realize how much he means to Minko, but also the source of her distractions. He brings her back on board the wedding food. Minko and Ohana finally call a truce, as they realize they aren’t even going after the same guy anymore (and never were), and both need to be more direct where their crushes are concerned.
After all that, there’s a whole wedding to be had! And having been to my older brother’s wedding earlier this year (and a damn fine wedding it was), it was a lot of fun to watch it unfold just as it had been to watch it be prepared. It goes off without a hitch, and even the manager is humbled and impressed by what everyone managed to do without her help or direction. She decided to kill two birds with one stone: marry off her son, and put everyone to the test in seeing how they’d fare with her merely observing. They paseed. Now Ohana has four episodes (barring an OVA or film), to make things right with Ko. Fingers crossed…
The attacker of Rin and Yukio’s monastery is a masked stranger who writes in Polish and uses a nasty spider-web like silk to envelop his victims. When Rin gives chase he immediately has his ass handed to him, and has to be saved by Yukio, who continues the chase and runs into Professor Neuhaus, originally believed to have retired.
After a “rest” episode, it was good to get back to the main story, but I feel like most of this episode was simply rehashing what’s already been said, done, and/or established. Rin should know by now he can’t just rush headlong into threats he doesn’t understand. He almost gets killed in the first five minutes thanks to his impatience and hardheadedness. He should know by now he can’t just do what he pleases – the Vatican has him on a tight rope as it is. All this just…seemed to have slipped his mind this week. At least later in the episode he finally gets the candle training right, and uses his flames like a scalpel, not a sledgehammer, to remove the webbing from his allies.
The enemy-of-the-week is also pretty boring at first. I mean, spiders crawling across his face? Seriously? Rin has already fought the Paladin and the Earth King…after those bosses this guy never seems like much of a threat. Things do get a little more interesting when a hostage standoff ends with the Paladin arresting Pheles for suspected illegal research, while Neuhaus shows up again, claiming the then un-masked woman is his wife. Yukio, getting more angsty for not being able to protect Rin, is suddenly summoned by…his grandfather, of all people. One we didn’t know he had…
Last week proved there are other duos out there like Huey and Dalian, but this week we get back to their exploits, which begin innocently enough with a bun-acquiring mission. She certainly shares traits with Index – being a repository of magic knowledge, being small and cute and sweet-toothed – but her interaction with Huey is of such higher quality, it isn’t even worth comparing them beyond those superficial traits.
This week the two are thrust into the middle of a conflict between a cosmetics company and its most gifter perfumer, Madam Fiona Famenias, and the company’s and its shady underworld partners’ desire for maximum profits. Fiona is a very interesting character, called “unruly” by her father, but also eccentric, getting into peoples’ personal space to sniff them, garnering her the nickname “inu musume” – dog woman – from Dalian. She even has a civet up her skirt (don’t ask)! She also has a phantom book in her possession, the contents of which aid her work.
Her ultimate goal isn’t profits, but to develop a scent that will make everyone happy. My first reaction to this was, uh, she’s trying to make drugs. It turns out, the byproduct of one of her perfumes is indeed a drug called Relic that the Padauk Firm intends to replace opium. The Firm, getting high on its own supply, massacres the Famenia’s office and Fiona’s father, and leads to a great standoff in which Huey has to fight a drug addict who doesn’t feel pain, Fiona cleverly throws various vials perfume at the foes to incapacitate them. You definitely want a potions master on your side.
The sequence where huey unlocks dalian and pulls out a book is abridged. They use the book to save her life, but she knocks Huey out and ties up Dalian, then proceeds to take out the entire Pandauk firm herself, to “atone” for what she perceives as greed on her part. They cannot save her again, and she dies. They return to find her house burning, and the scent wafting from the billowing smoke is the very ideal scene she had sought all along. Not a particularly necessary twist, but I didn’t mind it, and it was ironic.
With Sou in the hospital, Narumi inherits the captain’s chair of the Hirasaka group. With this new power, he does what he’s done all along: con others for a good cause. Narumi has no business running a gang, but he does so anyway, by the seat of his pants. He even tells them that the fact they got Renji’s location right after Sou was injured spelled a trap. This wasn’t any proven theory; it was a hunch, plain and simple. But is was true; there would have been a nasty battle had he let them go. As Alice notes, this Narumi is truly a mysterious cat.
He has the Feketerigo concert proceed as scheduled, keeping in contact with both the NEET crew and his minions. Renji’s crew blends in with the crowd. Meanwhile, Narumi has set a trap of his own for Renji, who takes the bait as expected. This sets up a confrontation between Renji and Alice/Narumi, wherein Alice drops a bomb on him: Hison is still alive. His treasured shirt that Hison made was embroidered in the same way as Narumi’s Feketerigo shirt – and by the same person: Hison, or as she’s now known, Yoshiki. As a condition of being allowed to live (and being paid off), she had to give up her womanhood. Harsh.
Sou shows up to exchange a few punches with Renji, but ultimately Renji’s rage and thirst for revenge dissolves once he learns the truth. The concert is a success, Renji ships off for Osaka, and with the Fourth still alive and kicking, Narumi returns to Alice’s side. Alice, for her part, is overplaying her hand vis-a-vis not liking having him around. For somebody as logical and empirical as she is, it’s a bit silly for her to constantly deny what’s plain to a dimwit. Good tea. Nice arc.
Not only has Saya begun to doubt whether she can keep her promise to protect everyone (so far, she has good reason to), she isn’t even sure when she made the promise…or to who. Now the dog has decided to start talking to her, but isn’t ready to give her any definite answers…only that he’s supposed to fulfill a made wish. Her father is comforting, but silent. The restaurateur is still a little creepy, and her teacher seems to know too much.
From time to time the series has transitioned to the scene in the mansion with the floating orbs of blood. Finally, we see that Saya herself was once in this mansion, staring across the table at Mr. Ominous Voiceover. We don’t exactly understand the nature of the request yet, only that he meant for Saya to be an experiment of some kind. I can’t help but speculate that this guy may be responsible for her red-eye superpowers.
She definitely need them this week, as the latest elder bairn is not only very chatty and mocking, but also has eight arms that threaten to julienne (Sayenne?) her. She goes into red-eye mode and bisects him, but not before he lets off some very self-doubt inducing slogans. Also, Tokizane shows up just when she’s coming out of her trance, kneeling in a pool of blood. Something tells me he isn’t freaked out.
Plans are being accelerated left and right. Yuri the Orca aims to marru Tabuki, who is firmly under her spell cast upon him by really tacky singing (so to speak). So Ringo takes more and more drastic measures (dragging a hapless Shoma along for the ride) to ensure that what is written in the diary will become reality. There are lots of bathroom signage extras this week; I personally think they work as a money-saving device: they enable the core cast to have a very impressive wardrobe (i.e. not just school uniforms).
Last week showed that Ringo truly has more screws loose than tight, and this week only reinforces that. Not only are there more period daydreams, she tries to get a seasonal frog to lay eggs on Shoma’s back for a love potion (Penguin #2 gobbles them all up, perhaps by design?) She’s also not above fully exploiting Shoma’s love for his sister by ordering him to do increasingly strange things. But after everything these two have been through, it’s really fun to watch them interact, despite the fact Shoma is totally submissive to her. His resistance is limited to complaining.
When the occult fails her (in a gross egg-laying scene), the diary tells her the M in plan M is for “maternity”. Combine this with Kanba and Penguinhead’s suggestion they simply get the two in bed together, and Ringo decides to break into Tabuki’s house and somehow get pregnant with his child. That is a survival strategy, after all. However, we don’t actually see who’s under the covers when Ringo enters the bedroom…
Meanwhile, the shifty redhead continues tailing Kanba, who gets more rent cash from the trenchcoated stranger on the train. Also, this is the second straight episode where they don’t even bother showing HImari in her non-possessed form. The survival strategy song-and-dance happens rather randomly. I would hope at some point they shorten it. It’s starting to remind me of Star Driver’s Tauburn summoning…we don’t really need to see it in its entirety every week.
The hall is rented. The orchestra engaged. It’s now time to see if Sion and Nezumi can dance. This week is an overture to the big prison infiltration and Safu rescuing – if Safu is still alive by the time they get there. Men in medical masks keep talking about how excellent her “synch rate” is and how many elites died to get this result. She needs to get out of that tube, pronto.
Nezumi apparently thinks Safu can wait a bit longer…at least with their current level of information and preparedness. He leads Sion down a canyon and into a massive cathedralic cavern full of blue water like the kind Safu’s suspended in. It’s a colony for No. 6 exiles, led by a scientist who, along with Karan, helped build No. 6 (I didn’t catch his name). Like Sion, he survived being host to a parasite bee, and was rewarded with the same white hair and pink scars.
He proves to be a font of information, telling him the song Nezumi, Sion and Safu can hear is in fact the voice of Elyurias, a god-like being who watches over the world and only talks to those who listen. The song turns blue water amber (we don’t know why yet). He also reveal’s Nezumi’s past: he’s the last survivor of a tribe of “forest people” slaughtered by No. 6 with fire. His scars are from burns. He hands a Computer Chip Full ‘O’ Answers to Sion for later perusal and sends them on their way. Rikiga and Dogkeeper are waiting for them when they return home, ready to lay out a plan to save Safu.
This week’s a field trip, with Himeko and Bossun bumping into each other in the city, then spotting Switch on what initially looks like a date with Yuuki, the plain, pallid, Ring-like occult chick. It turns out he’s coming with her to pick out a computer, but it soon evolves into much more than that.
I really enjoyed their philosophical banter. These two are definitely intellectual rivals who are more alike than different; they’re simply dedicated to opposite ends of the human condition, namely the supernatural and the scientific. When they bump into a former classmate of hers, it’s learned that back before she was so involved with the occult, she confessed to him and got shot down because she was “scary-looking.” Switch’s cosmetic advice to her is similarly amusing.
They’re at a department store, so they avail themselves of the available services, and tarts her up. The transformation is striking, and the fact she still sounds the same and walks with the worst posture in the world is hilarious. I must say I definitely enjoyed virtually a whole episode dedicated to Switch and Yuuki; they really bring out the best in each other. The fresh setting brought back memories of Tokyo’s massive department stores that sell just about everything.
It’s mostly back to just Daikichi and Rin this week, as the ep opens with a typical late summer morning. Rin has started summer vacation and her birthday is imminent. O-bon is also near, so Daikichi decides they’ll take the day to visit the grave of Souichi, his grandfather; her father (and yes, she’s starting to figure out that she’s his aunt).
Meanwhile, we see a lot more Masako, who looks like she hasn’t slept in a long time. When her not-quite boyfriend tries to comfort her, calling her a girl, she spazes out; when one is a mangaka, one cannot be anything else and expect to succeed, in her mind. That includes being a girl, or a girlfriend, or a mother. It probably applies to being a daughter or sister, but the series doesn’t show her family. In any case, she’s fun to watch, as she averts her gaze and fidgets.
However, she still visits Souichi’s grave on the same day, and Daikichi eventually makes his presence known, after some rather bizarre hiding behind lampposts. He’s a little perturbed by her (at least appearing to have) a boyfriend, but still tells her Rin is with him, and welcomes her to watch from afar. Also, Daikichi, I don’t care how bright and sharp Rin is, hold the girl’s hand when you’re walking by the road!
We like charts here on RABUJOI. This one plots the ratings of all the anime series we’ve reviewed so far in 2011. We’ve included Summer 2011 series, even though we’ve got 5-6 more weeks of episodes in those seasons. When the Summer season does conclude, we’ll update this chart.
So what do we see? Well, while we deem a 2.5 rating to be “Average”, our actual average is closer to 3.5, which we deem “Standout”. This is because there’s a lot of anime out there, but we try to only watch the best. There are exceptions, of course: the main outlier here is Morita-san wa Mukuchi, which rates just above 2 or “Mediocre” (UPDATE: As of episode 7, we’ve dropped Morita-san :P). There are a lot more series out there we’d probably rank this low or lower, but we don’t have the time or the stomachs to sit through them.
So why do we watch Morita-san wa Mukuchi? Well, it’s only three minutes long; hardly a major investment. So it isn’t that we rate high. We just watch series that regularly deserve above-average ratings. Thus when a truly brillant series comes around – like AnoHana or Mawaru Penguindrum, you’ll see a lot of 4s. At the end of the day, it’s all subjective. We also just like charts. Did we say that already?