Isekai Quartet – 04 – Common Ground

Little by little the various newly-mixed characters are starting to learn more about each other. Ainz Ooal Gown and Tanya end up exchanging Evil Death Stares until they loosen up and both realize that despite their appearances they’re both men from modern Japan, which is vastly comforting considering how crazy anyone else in their respective other worlds would think they were by bringing it up.

Two women who find kinship in feeling the same way about their man (specifically, that there’s no better one)? Rem and Albedo! When Cocytus protests compulsory participation in the talent show, Ram simply tells him the teacher’s word is law.

When both Subaru and Kazuma are running late, their much more athletic female friends (Rem and Darkness, respectively) literally carry them as they run fast. Neither man feels right about this, but put an end to the carrying only when they see each other.

While serving punishment for being late as a result, the two learn that they have a lot in common, except that one of them was summoned and the other reincarnated. And one’s a shut-in and the other isn’t. But they both love tracksuits!

When Kazuma starts describing the awful situation he’s in (which honestly doesn’t sound so bad), Subaru tells him he “knows how he feels” despite the fact he lives in a mansion with the girl he’s trying to win, along with two twin maids, one of whom is in love with him. Kazuma takes particular umbrage to Subaru calling that a bad deal, and with good reason…it’s not!

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Isekai Quartet – 03 – Status Report

IQ continues to explore various combinations between characters through casual interactions. Demiurge ends up doing what he usually does—explain to all what Lord Ains has already realized: they’re trapped in another world and forced to become students. Only as usual, he’s several steps ahead of his lord and Ains has to pretend otherwise.

A flyer for an upcoming student talent show is distributed, which should also provide a vehicle for the characters to get to know each other better. Ram is typically ruthless in her criticism of Subaru, declaring his talent to be “failing at life.”

Beatrice is called a “little girl” by two of Tanya’s underlings, but when she visits the lounge to talk to Roswaal, it’s one of Tanya’s superiors, who uses his hypnotic voice to convince her to return to class. In “Betty” he sees another potential “demon in a little girl’s skin”, causing Tanya to sneeze (and Aqua to bless her).

Aqua’s mention of gods/goddesses, words Tanya hates, reminds her of “Being X”, and back in class she decides to confront Lord Ains in the off-chance he may knows something. But when she asks Ains to meet her, Albedo becomes defensive, eventually befriending Rem, as they both agree that love has no set conditions nor a duration to take root.

Note…there’s not much to say here, as this is an inherently uneventful show—Avengers: Endgame it is not! It’s more just enjoying all these characters bounce off each other with zero stakes.

Isekai Quartet – 02 – Roll Call

In its first two mini-episodes,  Isekai Quartet is content to let its audience bask in the sheer absurdity and awesomeness of watching characters from four of their favorite Isekai anime bounce off one another in a school setting. Their homeroom teacher, Roswall L. Mathers from Re:Zero, begins with introductions.

Ram notes that Kazuma, who is staring at “Barusu,” is wearing the same bizarre threads we know to be an IRL track suit. Little do both Kazuma and Subaru know that Ains Ooal Gown is also one of them, as is Tanya, but in different forms. I did enjoy Kazuma and Subaru’s reaction to Tanya’s very militaristic group’s introduction.

Since both OverLord and KonoSuba feature very similar fantasy races and spells, Aqua takes it upon herself to launch a preemptive attack on the Nazarick crew, since they consist of an undead, a vampire, a demon, and a monster. Momonga even recognizes the name of her spell, which he expects to be low-level, but actually hurts like a bitch.

Even more disconcerting to the guardians and their ruler is that Kazuma is able to simply bop someone as powerful as Aqua on the head and drag her off, scolding her for attacking her classmates. The next day, she has to stand in the hall with three water buckets, an ironic punishment for the water goddess.

TenSura – 21 – Rimuru Has Class

Rimuru has to earn the respect of the five summoned rascals before he can teach them anything (to say nothing of saving them) so he brings out Ranga to make sure they say their names when he calls them. He then gives them an opportunity to take him down, hoping they’ll expend some of the magicules that may one day kill them.

The kids go up against Rimuru one by one, but while they all have pretty good skills and may even be a problem for anyone else, against Rimuru they’re basically doomed to an embarrassing defeat. Since no one other tan Shizu has ever been able to stand against them, they’re understandably upset (though he doesn’t go so far as to burn Alice’s stuffed animals).

Rimuru then whips out Shizu’s mask, which he tells them she entrusted to him, along with the five of them. He promises he’ll save them from a cruel fate, thus earning not only their fear or respect, but trust. But to do so, he suspects he’ll have to find some serious superior spirits.

A quick trip to Treyni’s comes up empty, as she forgets the one way to reach the “Dwelling of Spirits” ever since the Queen of Spirits she served passed away. A whole month passes, during which Rimuru forms a stronger bond with to Kenya, Ryouta, Gale, Alice, and Chloe, but gets no closer to finding a solution to save them.

Then a sky dragon suddenly appears in the, well, skies, offering Rimuru a chance to show them what he can do. Slightly changing his appearance in case anyone else who knows him is watching, he flies up to the dragon, absorbs its lightning attacks, then altogether consumes it with Devour, drawing further esteem from his pupils.

Rimuru is later told by Grandmaster Yuuki that one of the people he saved was the distinguished merchant Mjolmire, who has invited him and his class to his mansion for dinner. During the sumptuous feast (with both adult and kid’s tables), Mjolmire admits he knows who Rimuru is, and he jumps at the chance to do business with the Jura Tempest Federation.

But like Treyni, Mjolmire doesn’t know anything about where the Dwelling of Spirits is…but one of his servants does, something Rimuru learns when she sees him and the kids off with a prayer. Her information leads them to the Ulg Nature Park, where Rimuru and his class set out immediately to explore and seek their very salvation. In other words…field trip!!

TenSura – 20 – A New World In The New World

After a massive celebratory feast in which the capital doesn’t waste a bit of the megalodons they slew last week, and a hot bath with the ladies including Milim who is soon off to meet with other demon lords and warn them not to mess with her bestie, Shizu’s lingering regret is expressed in a dream of the promise Rimuru made to her, bringing tears even to his slime-eyes.

With the latest crisis easily dealt with and a formidable retinue of powerful warriors and specialists beneath him, Rimuru now feels confident to leave his capital and head to the Kingdom of Ingrassia, where Shizu’s students still require training and guidance.

His only companion is Ranga, who gets him there in three days and then hides in his shadow. For the first time, Rimuru’s in a big human city, and is amazed by the level of tech, from huge glass windows to teleporters at the academy. It’s hardly Esthar, but it’s a definite leap from his still impressive capital.

Ther, Rimuru meets the grandmaster, a former student of Shizu’s named Kagurazaka Yuuki, who sees Shizu’s mask and initially considers Rimuru a threat. They exchange powerful blows that destroy all the fancy furniture in the room, but when Rimuru insists he’s not a bad slime, he learns that Yuuki is from a time in Japan not too far removed, and a ravenous otaku to boot.

The ensuing exchange of pop cultural references is an absolute delight to behold, as both of these transplants revel in the rare instance being among their own kind. Yuuki is particularly astonished that there have been nineteen Final Fantasys, that Glass Mask and The Five Star Stories are still going strong, and that the Sagrada Familia is almost complete. He doesn’t care a whit about the prime ministers, however.

Even better, Rimuru transforms to Slime Mode and converts some blank paper Yuuki supplies to print a king’s ransom of volumes he’s accumulated in his vast slime memory, while also eliciting some scolding by the Great Sage, who considers it a “waste” of her abilities when it’s actually anything but!

Gifting Yuuki such a wealth of material from his old home proves beyond any doubt that Rimuru is indeed not a bad slime, and someone who can be trusted. When Rimuru brings up Shizu’s regret, Yuuki agrees to give Rimuru a job at Freedom Academy, teaching the five young, powerful, but short-lived “Summons.”

While Rimuru is initially overwhelmed by how, er, exuberant these five kids are, you can’t help but want him to succeed in finding a way for the misfits to survive longer than five years. His capital is essentially in cruise control, with his subordinates able to handle any number of threats in his absence.

With these five, Rimuru is definitely scaling back the scope of his assistance, but this is a project only he can undertake, what with his perspective, abilities, and most importantly, his connection to Shizu. I also have no doubt we’ll be seeing Shizu’s extremely powerful former student, Sakaguchi Hinata, in due time.

Domestic na Kanojo – 03 – The Scary Realm of Adults

Natsuo visits his best friend at the cafe where he works, and describes the incident with Hina and her boyfriend last night. His friend diagnoses Natsuo as jealous, and he can relate. He observes women stuck in non-ideal or flat-out bad relationships at the cafe all the time, and jokingly(?) wishes they’d just break up and date him. Like the young “office lady” who is in an affair with a married man. His friend later spots that woman outside, and to Natsuo’s shock, it’s Hina.

Not only is Hina doing something morally questionable by sleeping with someone else’s husband, but she’s doing something contrary to Natsuo’s perfect ideal of her up to that point. Like catching her crying on the rooftop and then watching her drink herself to sleep, it’s another crack in that facade.

When he confronts her at home, she kindly tells him to stay out of her business, as she dwells within the world of adults where kids like him shouldn’t set foot, and that’s basically that. Then Natsuo kisses her, she shoves him back, slaps him, then kisses him back.

Before Natsuo knows it, he’s being pushed onto the bed by Hina, but she stops when she sees his eyes, which she immediately detects as those of a child. He may have thought his stolen kiss was bold and cool, but she can sense his fear now that she’s responded to it.

With that, she gets off of him and shows him the door. It may have been harsh, but Hina is right that her business is her own, and she gave him fair warning not to stray into it. Also, Natsuo initiated with the kiss. That being said, she doesn’t feel good about having but Natsuo in his place. Indeed, she feels like shit/

The next day Natsuo’s father finds a note from him saying he’s gone to his friend’s house for a couple days. Pops and his wife quickly assume it’s a move protesting the marriage, but Rui knows better why Natsuo left, and Hina’s not great at hiding from Rui that she knows as well.

Natsuo moulders away in his friend’s room, not even moving for the entirety of a cafe shift. But as luck would have it, Natsuo is looking out the window when Rui walks past, clearly looking for someone. They meet eyes and he meets her downstairs, and his friend’s mom invites them in.

Rui isn’t copying Natsuo, she’s simply “boycotting” Hina’s affair, much like Natsuo, if for different reasons. One reason they share is that they both had a higher idea of who Hina is, and she’s letting them down with her adultery, and if she wants her little sister and stepbrother in her life, she’ll have to make a difficult choice.

After a strategy session with Natsuo’s friend , he and Rui return to a dark house where their folks are considering signing divorce papers. Such is the result of Natsuo and Rui not telling their folks what’s actually troubling them; they make the most obvious assumption based on the little they’ve been given.

Natsuo and Rui reassure their folks they don’t oppose the marriage, but don’t tell them why they ran away from home. They’re back now, and willing to endure one more awkward day with Hina until they set their plan into motion. We’ll see if the show leans more toward their side, even as it’s offered little hints that explain, if not entirely justify, Hina’s behavior.

She likes this guy, wants to be with him, and wants to make it legit by having him divorce. She feels things neither Rui nor Natsuo have ever felt, and thus dismisses their concerns out of hand in addition to looking down on them as simple kids. I wonder if some compromise or middle ground can be found.

Musings:

  • Natsuo’s pal puts the pieces together pretty fast that Hina’s affair is what triggered Rui into sleeping with Natsuo. Rui doesn’t really mind Natsuo telling his friend, as he doesn’t attend their school.
  • I like how we get a little snapshot of Natsuo’s friend’s family life. Everyone wears glasses there, his mom is really nice, and his sister is eager to see him with a girlfriend.
  • That said, Natsuo’s friend’s boss at the cafe was…uh…something.
  • Speaking of parents, Natsuo’s pops and Rui’s mom really are kind and generous people who’d put their happiness aside for their kids’ sake.
  • Who else thought Hina was going to take it further after ripping Natsuo’s shirt open? Yikesy…

Domestic na Kanojo – 02 – Not So Strange After All

When Rui interrupts Natsuo’s kiss, she silently judges him as she roughly drags her sister to her bedroom. In retrospect, kissing an unconscious Hina definitely wasn’t his finest moment, even if it was a kiss meant to put a lid on his crush on her now that they’re step-siblings.

The next day at school, a late, bed-headed Natsuo learns that Rui has transferred to his school, and she’s immediately the talk of the school due to her being cute. Natsuo isn’t clear enough with his words, and gets Rui to think he wants them to act like strangers.

But the mere fact they went off into the courtyard together to have a private chat is suspicious enough to Natsuo’s classmates, who are well aware both he and Rui snuck out of the mixer together. When he meets with Hina, she asks if she kissed him while she was drunk last night, and apologizes in advance if she’s too “relaxed” at home again.

Rui was surrounded by girls in the morning, but by afternoon she’s all alone; Natsuo knows something’s up and has a pretty good idea: Rui is socially awkward, standoffish and fairly tactless. It’s as difficult for her to make and keep friends as it is easy for her big sister.

Natsuo offers to help her by pretending to be a (girl) classmate, and Rui is still her usual self-defeatingly honest self, but the two end up engaged in a dialogue that soon captures the attention of the entire class, who think some kind of skit is going on. Suddenly, Rui doesn’t seem so hard to approach, now that they know who they’re dealing with.

That night, a nude Natsuo predictably walks in on Rui in the bath, but thank goodness for once it doesn’t result in a blood-curdling scream and/or punch. As Rui quite logically points out, there’s nothing he or she haven’t seen before (interesting considering she once said to “forget” their tryst ever happened).

Rather than send him out, Rui calmly invites him in, and it’s Natsuo who hesitates. First of all, she wants to thank him for giving her a helping hand in breaking the ice with her class. But she’s also curious about why he tried to kiss Hina.

At first she dismissed him as an indiscriminate womanizer, but spending the day at school changed her mind about that. So instead, she wonders if he was merely trying to cheer her up in light of her recent boyfriend troubles.

Obviously, Natsuo doesn’t know about Hina’s boyfriend troubles. After the three step-siblings have dinner alone together when their newlywed folks go out for dinner (with Rui emerging as the best cook of the sisters by far), Natsuo brings up the subject, and Hina just as quickly deflects.

In a spot of bad timing, her boyfriend Shuu calls and she goes out to the front of the house to talk to him, insisting Natsuo not go outside with her. Nearly a half-hour later she rushes in, shaking and clearly upset, but still refuses to admit to Natsuo that she’s hurting.

Then there’s a knock at the door and the doorbell rings repeatedly, and both Hina and Natsuo assume its Shuu. Rui ends up the one to get the door, and it’s just their folks, a little tipsy from celebrating their marriage becoming official.

In his first days as stepbrother to both Rui and Hina, Natsuo is already trying to help them with their troubles. Rui will probably be fine with making friends in class, but Hina’s problems will be tougher to tackle, especially since she’s so reluctant to be helped (and she’s well within her rights, as an adult, to not want to seek help from a kid).

Regardless of whether he can help Hina, the fact is Natsuo’s new family and living situation is not nearly as crazy as the initial premise indicated. Whatever he may have done with Rui in the past, and however he feels about Hina, a new and powerful element has been introduced to his relationships with both: he’s unconditionally there for them, and doubtless they’re there for him.

Domestic na Kanojo – 01 (First Impressions) – So That’s How It Is

One minute Fujii Natsuo is at an innocuous mixer, the next he’s sneaking out with the least enthusiastic of the girls, Tachibana Rui who asks him for a favor. She wants to have sex, so she knows what it’s like and so it won’t feel like people are talking down to her.

She correctly assessed that Natsuo was also a virgin, and so she wouldn’t be taken advantage of or anything else by a more experienced guy. They get undressed, do the deed, get dressed, and part ways. There was never supposed to be any passion or emotion of any kind, so Rui tells him that if they ever meet again, they’re strangers.

As Natsuo confides to his dorkier best friend (who make it a point to de-dorkify Natsuo before high school so at least one of them would have a chance, socially speaking), the experience doesn’t quite sit that well with him, the more time that passes after The Act.

For one thing, there’s someone he likes—a pretty young teacher at school—and while it’s most likely to remain unrequited (at least as long as he’s a minor and her student), a part of him laments that his first time was so…impersonal.

But if you think the chain of events Natsuo has experienced to this point was sudden, you ain’t seen nothin’ yet! One afternoon his father announces he’s going to remarry, ten years after Natsuo’s mother passed away. And oh yeah, she’s coming over right now, with her two daughters…who just happen to be Natsuo’s teacher Hina and Rui, with whom he had sex. OH, SNAP!

Natsuo faints from the shock, but when he comes to, Hina and Rui’s mother warmly introduces herself, and when asked, tells him why she likes him. She and his father really are a good match and both seem happier than any of the kids have ever seen them. It’s for that reason that Rui, who waits for Natsuo outside the toilet, is not going to get in the way of her mom’s happiness just for “some stupid reason” (read: their having sex that one time).

Natsuo gives his dad his blessing as well, and things only accelerate from there: his dad buys a new house big enough for the newly-combined family, and adding to Natsuo’s apparent woes. Hina insists on a dropping of formalities in the house, while Rui insists that Natsuo forget they ever did it, as it’s clearly still bothering him. Naturally, that’s not so easily done; Natsuo can’t get the images of making love to Rui out of his head.

Still, This Is All Happening and everyone has to make the best of it. For Hina’s part, she forgets she’s no longer in an all-women’s household and comes out of the bath half-naked, only to put on a loose tank and short shorts before drinking herself to sleep with Asahi Super Dry (not out of depression; she just likes to drink).

As she dozes on the couch, with everyone else in bed, Natsuo decides he’ll close the book on his one-sided crush on his teacher-now-stepsister once and for all…with a first and last kiss. But before his lips meet hers, Rui enters the room, and her expression isn’t one of total contempt, but something more like…a “how could you?” face.

Your enjoyment of a show like this (or Koi to Uso, or Kuzu no Honkai) will depend entirely on your stomach for love triangles (and other polygons) as well as your ability to swallow a premise this specific and weird. To its credit, because of the central reason for the new arrangement—his dad and their mom are truly in love and deserve happiness—helps temper the ridiculousness.

Because the dynamic between Hina and Natsuo and Rui and Natsuo are so different, it will be very interesting to see how the three navigate their new normal.

Bloom Into You – 09 – Ready, Set, Yuu

Sports Day has arrived, and the StuCo is so busy Yuu and Nanami hardly see each other, to say nothing of anything more. Just as Yuu is thinking about this as she’s leaving the storage shed, Nanami appears and the two go into the shed.

Yuu lets Nanami kiss her, but when Yuu pulls her off, Nanami agrees to behave until Sports Day is over, whereupon Yuu promises to give her a “reward” of her choosing: instead of Nanami initiating, Yuu will kiss her.

The Sports Day unfolds as one would expect: Yuu does her class relay, demonstrating she’s fast for a short kid, owing to her long-standing friendship with the far taller Akari. Yuu then gets to talk with Maki for the first time in a while, still adamant she has no feelings for Nanami despite his suspicions. She tells him she can’t fall in love with anybody, which in theory would make the two of them the same…but Maki doesn’t buy it.

There’s every reason to put stock in his doubt, considering how he’s basically carved out a life of observing relationships from afar rather than participating directly. As such, Maki has seen a lot of faces of both lonely and content people, and Yuu’s face looks lonely…too lonely for someone incapable of falling for someone.

Meanwhile, in a continuation of last week’s thread, Sayaka greets Hakozaki-sensei’s live-in girlfriend, who shows up to secretly watch her run in the teacher’s relay. When it’s time for the StuCo to do a relay against the basketball team, Yuu sees how much Nanami really wants to win, as well as her and the basketball captain Serizawa exchanging trash talk.

Yuu does her best, and manages to keep pace with the far more athletic Akari running beside her. She hands off to Sayaka smoothly, and Sayaka does the same with Nanami. As Yuu watches Nanami run with everything she’s got, everything else in her world fades into the light and it’s just the two of them. Perhaps a rare instance of her actually feeling that “special feeling” she claims she’s unable to feel?

The ballers win in the end, but it was close, and despite having to deal with Serizawa’s gloating, Nanami is happy her StuCo worked so hard. Then, with Sports Day in the books, Nanami and Yuu retire to the storage shed once more. Yuu is nervous, as she didn’t think Nanami meant immediately after Sports Day was over, and when Nanami waits for Yuu to come to her with her lips, Yuu feels like she’s crossing a boundary she shouldn’t, because she doesn’t like Nanami.

She tells Nanami to go instead, and she does, including putting her tongue in Yuu’s mouth for the first time. We haven’t seen the telltale blushing on Yuu’s face until that happens, because when Nanami pauses and asks if she should stop, Yuu tells her it actually feels good.

So Nanami keeps French kissing Yuu, as Yuu thinks about all of the positive physical and behavioral qualities Yuu finds comfort in. She considers them all “normal” and not something to be considered “special.” But as Maki would tell her, someone as incapable of love—and as comfortable with same—as Yuu claims simply wouldn’t be going around looking lonely or making out with someone.

That being said, just because Yuu seems to be on the road to falling for Nanami (if she hasn’t already), unless she’s actually aware she’s on that road and acknowledges it once and for all, her vacillating is doomed to continue.

That she’s still trying to explain/excuse her rapidly escalating romantic entanglement with Nanami after nine episodes suggests the series just might end without Yuu ever coming to believe she’s in love with her. Fortunately, four episodes is plenty of time to resolve this one way or another, and whatever the outcome, it’s been a wonderful ride.

Bloom Into You – 08 – A Friend and a Senpai

Yagate Kimi ni Naru is the finest school romance I’ve watched since Tsuki ga Kirei back in the Spring of last year, and I’ve known that for some weeks now. Both shows are wonderful to look at, but more importantly they feature some wonderfully fleshed-out characters and relationships, and the more I learn about both, the deeper I sink into the show.

It would have been so easy and expected for someone like Sayaka to launch a transparent full-scale war against Yuu once she determined she was a potential threat to her relationship with Touko. Not only did YKN not take that route, but continued to develop Sayaka as someone just as confused, frustrated, and yet still mostly happy as Yuu.

Watching Sayaka take “revenge” on her former senpai who so coldly dumped her was a thing of absolute beauty, and a perfect way to start the episode in which her and Yuu’s rivalry is laid bare (well, more bare). And how perfect was it that Touko swiftly delivered “payback” in the form of continuing to hold Sayaka’s hand?

Yuu gets the feeling that she and Sayaka have some things to talk about, and that the present chill is affecting their relay baton exchange game, so after school she invites Sayaka to join her for a repast of McDonalds. Sayaka almost immediately calls Yuu out for her “olive branch”, which could harm Sayaka’s image simply by dint of Yuu being her junior.

Yuu holds her own, saying she wouldn’t put it so “dramatically.” Still, the two come to a sort of mutual respect once they learn that neither is the person they expected: Sayaka isn’t so easygoing, and Yuu isn’t so timid and respectful. Both appreciate their directness with each other.

That directness breaks down when neither comes right out and says what they both insinuate by mincing words. Instead, Sayaka says she likes Touko very much “as a close friend” while Yuu likes her “as a senpai” … because what other possible way would they like her??? (Gee, I wonder.)

This first segment of the episode is called “Intersection,” which is fitting in many ways. First, Sayaka and Yuu find common ground and gain a bit more understanding of what makes one another tick, leading to them eventually getting the baton hand-off right.

But an intersection isn’t just a meeting, but a splitting into different directions. In the interests of being as open with Sayaka as possible regarding Touko, she expresses her hope that after the stage play Touko will be more open and “like herself”, dropping the Ms. Perfect act. Such a prospect frightens both of them, since they’re not sure what the hell they’d do in such an instance.

Would Sayaka finally confess her feelings? Would Yuu be left in the lurch? Neither has any idea what such a future holds? Regardless, I love every minute Yuu and Sayaka share the screen, especially now that they’ve reached a measure of détente.

The second segment deals with another common school romance trope: the Rainy Day Umbrella Share. It starts with Yuu Being Yuu, which is to say being super-kind to those she cares about, even if it means getting wet. When the guy Akari likes forgets his umbrella, she nudges her in the guy’s direction, though the two were going to walk home together. Akari is deeply grateful for the gesture, and off she goes with the guy, the two already looking like a couple.

This leaves Yuu stranded at school, as the only available loaner umbrella is useless. She calls her sister, but when Rei’s boyfriend answers, she says never mind; she doesn’t want to interrupt their date. She’s also hesitant to call Touko, not just because she doesn’t want to give her the wrong idea or just because she doesn’t want to burden her. There’s a number of factors that drive her hesitation; another reflection of her character that Rei has down to a T in a brief scene with her boyfriend.

When she says Yuu is great at getting on with things once she’s dipped her toe into the water, so to speak; it’s that initial hesitation that’s her problem. Now knowing pretty clearly how much Yuu’s friend Touko likes her sister, Rei expresses her hope Yuu will find the person she needs to give her those oh-so-important nudges—much like the one Yuu gave Akari so an opportunity wouldn’t be missed.

Much to Yuu’s surprise, Touko actually called her while she was on the phone with Rei, and shows up with an umbrella just when Yuu was about to call her. They walk together with Touko holding the umbrella, but once Yuu sees that Touko’s shoulder is getting soaked she insists on taking it; they compromise by holding it together.

When they take a rest under an awning, Yuu proceeds to dry Touko off with a towel, in a very warm and delicate scene. Yuu’s “pampering” makes Touko happy, but she’s worried she’s taking advantage of Yuu’s kindness and that resentment will build up in Yuu and curdle into hatred.

It’s a perfectly plausible scenario from Touko’s perspective, since she still believes Yuu when she says her feelings are still just one-sided. Of course, that certainly doesn’t seem to be the case, as Yuu betrays when she blushingly tells Touko how happy she was to be rescued by her and her umbrella.

Yuu quickly corrects by saying she “meant nothing weird” about it, and Touko thinks to herself “that’s more the Yuu I know.” But that’s the whole point: she doesn’t know the Whole Yuu…nor the Whole Sayaka. Both girls have acknowledged and accepted each others’ existences. Now comes the hard part: acknowledging and expressing Touko is much more to them than the words “friend” or “senpai” alone can express.

P.S. The piece of music that plays during particularly dramatic scenes reminds me of Uematsu’s “A Secret Sleeping in the Deep Sea,” one of my all-time favorite video game audio tracks. 

Bloom Into You – 07 – Plenty for Right Now

In middle school, a girl confessed to Sayaka. Sayaka thought it was weird, but went with it, and got very much into it, such that when she and the other girl were apart for a long time, her longing only grew. That made it particularly painful when they reunited and the other girl was just, suddenly…done with her. She laughs off what they did to be “what kids do”, and “just a phase.” But Sayaka’s heart was broken that day.

She decided to push the experience to the back of her head, and focus on her studies, enrolling at a co-ed high school where she imagined a boy would fall for and confess to her (or vice versa). But the heartbreak still stung so much she couldn’t quite focus enough to score the top grades of the class. So the role of freshman rep went instead to one Nanami Touko.

Whoever this Nanami was, Sayaka resolved to surpass her. But then she caught a look at her face and heard her voice, and she ended up never surpassing her, and moreover stopped caring about trying to. Despite never wanting to fall for another girl again, Sayaka fell for Touko.

Of course, Sayaka could never admit that to anyone, most of all Touko, because she could tell the burdens Touko bore even without knowing about the tragedy of her older sister. Touko was friendly and kind and approachable to all, but only to a point; she’d keep everyone, including Sayaka, at a certain distane to avoid exposing the old, flawed Nanami Touko she was hiding from everyone with her flawless facade.

Sayaka never thought she was special for detecting that other side, and so never seriously considered crossing that boundary to get closer to Touko, however much she might want to. Touko, in her words, belonged to no one. Rather, Sayaka carved out the role Touko’s right hand; her sidekick; her rock. Thus she could be pretty much closer than anyone else.

Touko is aware of this, and to the episodes credit, it takes time away from Sayaka’s head to spend some in Touko’s. Touko knows Sayaka is aware of “the other Touko,” but never oversteps any boundaries. Sayaka is only ever asking Touko to keep up that perfect version of herself while also supporting her in that effort. That’s the way things have been, that’s the way Sayaka likes it, and that’s the way Sayaka wants things to stay.

But now there’s a threat to that status quo named Koito Yuu. Sayaka didn’t consider Yuu a threat at first, and perhaps she still doesn’t; after all, Yuu hasn’t known Touko as long as she has. But at much as Sayaka prides herself on knowing Touko more than anyone, Touko and Yuu continue a gentle dance that is drawing them closer together. It frustrates Sayaka to no end that Yuu seems willing to so blithely cross the boundaries Sayaka established for herself…but still thinks she’ll fail, due to her “Touko belongs to no one” theory.

Touko’s reactions to calling Yuu “Yuu”—not to mention Yuu calling her “Touko-senpai”—make Yuu want to be more “aggressive;” to see how far she can make Touko go. Maybe, just maybe, if and when she does, Yuu will finally feel something as strongly as Touko does.

Like Sayaka, Yuu always thought it was puerile, weird or somehow not right for girls to like other girls. And it’s true that even in 2018 the LGBTQ community in Japan has it pretty rough, at least relative to other developed countries.

So it’s most gratifying that the show introduces a serious adult same-sex relationship in the form of the Japanese teacher Hakozaki Riko and her girlfriend, who owns the cafe where Touko, Sayaka and Yuu meet with Koyomi on writing the script for the stage play.

Hakozaki-sensei conceals this from her students when they ask how she knows the cafe owner, but like the intimacy of a first-name basis, the way the owner first greets Hakozaki before either of them are aware her students are there betrays the fact she’s hiding the true extent of her relationship. Ever the observer of human behavior, Sayaka also notices it in the way Hakozaki drinks her coffee at the counter.

While the other students are oblivious, Sayaka can tell something’s up, and her “suspicions” are confirmed when we see Hakozaki staying at her girlfriend’s place and kissing each other goodnight. It shouldn’t be such a big deal (again, this is 2018)…but it still feels like one. It’s not just what kids do. It’s not just a phase.

Sayaka’s isolation only intensifies when she hears Touko calling Yuu by her first name like it’s nothing. She stages a passive-aggressive protest, to no avail. Then, the next day, she visits the coffee shop and strikes up a chat with the cafe owner. She asks, as carefully as she dares, what her relationship is to Hakozaki-sensei. The owner states clearly and unequivocally that she’s her girlfriend.

Sayaka wasn’t prepared for such a frank, unambiguous response, but it’s something for which she’s greatly appreciative. It’s also liberating for her, and she opens up about her own feelings for another girl, even after having her heart broken by another (Touko’s name is left out of it, of course). It goes without saying (though Sayaka does mention it), but she really really needed to talk to someone about this, especially with someone who, like her, thought she should keep it a secret when she was younger.

When asked why she doesn’t simply confess, Sayaka lays out the reasons: there’s no room in Touko’s heart to accept the feelings of others; it would only be a source of stress for her; it could disrupt or even ruin what they have now, something Sayaka couldn’t bear. She asks the cafe owner if it’s okay to hide one’s feelings for someone in order to stay by her side…or is that just selfishness or cowardice?

The owner responds by giving Sayaka another coffee on the house…for being such a kind soul. Because that’s what she deems Sayaka to be. Someone who keeps her feelings hidden for the sake of her friend, who carries a lot of stress so their friend won’t have to, is very kind, in her book. Confessing wouldn’t be wrong…but neither is staying the course.

The truth is, Sayaka isn’t ready for things to change one way or another, so staying the course is the right path. Does Yuu get on her nerves? Absol-friggin’-lutely. Could it become more of a problem if Yuu and Touko get ever closer together? Of course. But as Touko makes it clear—almost as if she sensed Sayaka needed some reassuring on that particular day—is that she’s glad Sayaka is a part of her life.

If she weren’t, things would be too easy, and Touko would slack off. Standing in front of Sayaka helps her be the ideal person she strives for (which, as we know, is the person her late sister was). Wherever Yuu falls in the equation in the future, Touko will keep relying on Sayaka, which is, for Sayaka, plenty for right now.

Happy Sugar Life – 02 – All Adults are Terrible

Are those bags of human remains Satou’s former classmates, Shio’s parents…or her former Aunt? Flashes back to her past seem to strongly suggest the emotional toll from that past is what molded her into what she is today, only clinging to normalcy with the knowledge there’ll be a cute Shio waiting for her at home…but how long will that remain the case?

It certainly feels so far like that aunt let her down after her parents died, and after having to deal with an awful adult in the cafe manager last week, this time Satou’s adult nemesis is a teacher at her school—one who the other girls fawn over for being “single and hot” but who is not only married with a kid, but gets off on the thrill of stalking girls.

This time, he stalked the wrong girl.

Satou pulls a personal alarm, and the teacher slinks away, and she’s able to get home to Shio and cancel out the adult’s bitterness with Shio’s almost overwhelming sweetness. The next morning Satou is at the gate of the teacher’s house, and his wife almost sees her unbuttoning her blouse.

Satou knows threatening an M like him will only get him excited, but she still does it to make it perfectly clear she won’t brook any more nonsense from him, especially comparing his version of love to hers. She also makes him dispose of her body part bags…which he also likes.

Meanwhile, we get some Shio day-in-the-life, where she tries to help out by cleaning but can’t grasp the need to plug in a vacuum, and has no idea how to cook. She also notices the locked door to Satou’s death room, and actually passes out when the outside balcony triggers a flashback of her own; perhaps to the time when Satou first snatched her.

Of course, it isn’t just adults who are awful on this show. Mitsuboshi, who starts work at Satou’s other cafe, may be a victim of an older woman (and the trauma makes him nauseous whenever another older woman touches him), but he privately reveals he’s a lolicon, with specific hots for Shio, who he knows from the missing posters Shio’s older brother has distributed.

Strange connections are made when Satou’s co-worker Shoko, then Mitsuboshi come across the brother getting beaten up by punks. The brother’s state of hygiene suggests his parents are dead and he’s all alone on the streets, desperate to find Shio. Mitsuboshi brings him to the cafe break room, where the brother starts muttering the same “marriage vows” she and Shio made.

All alone with the brother, who is a direct risk to her only recently-stabilized happy sugar life, Satou snaps into the mode she deems necessary to preserve and protect that life, and prepares to brain the brother with a crowbar. Does she end up killing him right there in her very public workspace?

Hinamatsuri – 04 – Unfit to be Homeless

“I’m disowning you.” Those are the three words that suddenly upend Hina’s cushy life at the top, after she upends nearly everything Nitta owns. While decent parents sometimes say things like that in moments when they might be nearing their limits, they never mean it.

Only Nitta doesn’t see himself as her parent, merely a caretaker of heretofore bottomless generosity and patience…and now that Hina has exhausted his supply of those qualities, she’s out.

To the show’s credit, he has a well-established good reason not to feel like her parent—she showed up in a metal egg!—but Nitta eventually learns it doesn’t really matter how bizarrely she entered his life, only that entering it changed that life forever.

Surely a part of Nitta buried by his anger in the moment immediately regretted kicking Hina off, because it knew just how useless she’d be in the real world after the cushy life she’s been used to since arriving.

That uselessness is demonstrated when she immediately spends 10,000 yen on junk food and plays video games until her battery runs out, then latches on to a concerned Anzu, whose limits are quickly tested.

Nitta’s lack of thinking his plan through is also exposed when Hitomi comes to his front door with printouts for Hina. And because Utako is such a good person, she works at a soup run in the park and discovers what Nitta has done. None of the people in the bar who judge Nitta know where she really came from, and that she’s no ordinary defenseless kid who you couldn’t dream of kicking out of your house.

When Nitta tries to defend himself and they run him out of the bar like the one kid all the other kids agreed was Bad News, he gets a harsh lesson in how unimportant details like what Hina is and where she comes from really are. By kicking Hina out, Nitta is a bad guy, at least in the world he wants to keep living in—a world of conscience, selflessness, and kindness.

Kicking her out means Nitta not only has his cushy apartment to himself, but his own world; even Sabu is not having it. Meanwhile, Anzu learns what it’s like to be Nitta, only in accelerated form, as Hina reaches her bike gang-coated friend’s limits and is kicked out after just three days.

Mind you, he’s right that Hina isn’t entirely hopeless. She does befriend some buskers and uses her telekinesis to pep up their show, and is able to make money on her own for the first time. Like the homeless people Anzu befriends, Hina is lucky not to end up with bad people who might to weird things, and even if they tried, she’s be more than capable of fighting them off.

Would Hina have been fine with the band indefinitely? In terms of money and food, perhaps, but where would she stay? And what if she hits the band’s limits like she did Nitta’s and Anzu’s? As Anzu tells Nitta when the two cross paths, Hina simply isn’t fit to be homeless, a devastating line to behold, in no small part due to its blinding accuracy.

But the main reason Hina wouldn’t make it out there is because she doesn’t want to. She liked being with Nitta the most, and so waits outside his door with a newly bought 2900-yen vase and a sincere apology. Nitta, having been banned from Utako’s bar until he makes up with Hina, makes up with Hina.

Yes, it’s a really nice bar, but also Nitta had reached a new limit: he’d gone as far as he could go without Hina, and vice versa, and so the two are back together, and he proudly displays her cheap vase beside the pricey ones, because like HIna, it doesn’t matter where it came from.

Hina’s expulsion from and eventual reinstatement in the good life takes up three-quarters of the episode; the balance is made up of another Hitomi portrait, cementing Hitomi’s role as without doubt the Best and most fascinating character on the show.

While Hina needs to learn the hard way the value of hard work, “half-assed” is not and has never been in Hitomi’s category. She knows she’s good at bartending, and continues to perform that job with pride. Not only can she mix drinks like an adult pro, but she’s now able to dispense advice and say just the words her customers need to hear, whether it’s Nitta’s superior or her own homeroom teacher.

Most importantly, her advice comes from her own experiences, which are numerous despite her modest age. She tells the yakuza boss that a bar is where you can come to be your honest self and not worry about their “real life” outside the door because that’s exactly what she’s doing.

And Hitomi won’t stop doing it, not just because she gets paid, but because she enjoys it, even on the weekends when she works through the night.

It’s in that exhausted state after an all-night shift that Hitomi comes upon Anzu in the alley, and learns that she collects cans. Hitomi, going all out in all things, directs Anzu to a windfall of cans (and gently blackmails a fellow bar employee to gain access to them. She learns fast).

Things get “heavy” in a hurry when Hitomi learns the extent of Anzu’s destitution, and feels bad about even eating the 200-yen ramen she’s offered, especially after learning Anzu usually makes 600 yen a day; the same amount Hina can make in a half-hour.

Suddenly confronted with someone living what appears to be a much tougher life with much smaller rewards weighs heavily on a Hitomi already physically taxed by her dual life. And so, during a protracted game of tag through the forest, Hitomi finally reaches her limit, and falls asleep standing up. If Hina is unfit to be homeless, Hitomi is unfit to be idle…or apathetic.