On the eve of the Bonbori festival, it appears that Kissuiso is overbooked. The staff is overworked, accidents are happening, and everyone is more focused on “winning” the battle with the Madam Manager. Ohana is caught in the middle, but little by little, everyone realizes they don’t have the guests’ comfort at heart. When Tomoe sprains her ankle, The manager fills in, Ohana’s mom volunteers to help, and they get back to “festing it up”, rather than just grinding.
The Battle for Kissuiso was fought for all the wrong reasons. Last week I sided with the staff for wanting to keep the inn open, not thinking about how it would have to change to become profitable. This week, I was on Ohana’s side, who was basically on her own side. The frantic inn where the customers’ needs were obstacles to overcome was not the Kissuiso she loved. Overwork was making the staff short with her, and clumsy in their duties. Tomoe’s ankle sprain provided the catalyst to snap everyone out of it. Jiromaru’s corny narration was icing on the cake.
On the evening of the festival, Sui, Satsuki, and Ohana marching three abreast down the hall is a triumphant sight, and unlike the first half of the episode, everyone is working like a well-oiled machine. Not only that, they’re enjoying what they’re doing, rather than just doing it mindlessly in the pursuit of profit. This was a great final “inn arc” episode that brough everything and everyone together beautifully, and was simply oozing with emotions. It’s still in the air whether Kissuiso can make it, but it seems the finale will deal primarily with Ohana and Ko.
At school, Kanna starts noticing Kaizu, class rep, regularly staring at her more than usual. After class, he asks her if she’s an eroge seiyu, horrifying her. It turns out, he is one too; his father is the president of a game company specializing in eroge. Kanna is then asked to perform eroge voice work with him, overlapping her work and school as never before. With his support, she turns out another great performance, and experiences many firsts, including first holding of a boy’s hand and first hug.
I’ve held off watching this series’ second installment because I assumed it would simply repeat what was already done in the first. But I did enjoy its technical aspects, as it employed a really vivid palette, heavily-stoked (no pun intended) character design, a solid soundtrack, and a brisk pace, so I gave it a chance. Turns out, the dynamic of Kanna working with a classmate who’s also in the “family business” keeps things fresh. Kaizu isn’t a rude, lewd jester like some of the other staff. He’s learned through experience how to keep work and reality separate.
Of course, Kanna’s problem is, the key to her effectiveness is actually becoming pleasured while doing the voice work. Her sister calls it a trance. Putting aside moral considerations (let’s face it, anyone who can’t really shouldn’t watch this), that’s where Kaizu and Kanna’s styles diverge: he won’t usually get off from work…until know. See, he likes Kanna, and she likes him. That’s reality. Acting out what people do when they really like each other is their job. It’s a very bizarre situation they’re in; requiring courage and maturity Kanna didn’t know she had. If Sawako had to say stuff like that to Shouta, her head would probably pop off.