After Bunny defeats one H-1, Rotwang unleashes an entire squad of them at the heroes. Saito manages to put them into safety mode using a code Bunny’s parents devised. After killing Rotwang, Maverick attempts escape, but his big mouth gets him in trouble when its revealed he’s being filmed by the Hero TV crew. He takes Kaede hostage, but Kotetsu wakes up and knocks him out. He wipes out his own memory and is arrested, and everyone is out of harm’s way. Lunatic intercepts the paddy wagon and kills Maverick for his crimes. Tiger & Bunny both retire, but get back into the superhero game a year later.
Tiger & Bunny wraps up with a solid, satisfying finale, with its fair share of action, slapstick, and a lot of heart. This series always seemed to care a great deal about its cast, and whenever it focused on one or another, it really made the characters shine. Those character pieces always worked better when the series took more introspective views of the characters, rather than bundle them all up with little to do, like the last few episodes where they had to deal with Maverick. But Kotetsu really took center stage – apparently “sacrificing” himself last week, only to make a hero’s comeback at the most opportune time – to look cool in the eyes of his daughter.
This is another one of those “life goes on pretty much as it has” endings, where Tiger returns to the Hero biz, not out of selfishness, but because Kaede told him to. The fact that his powers are only good for a minute don’t faze him; one cannot hold back the tide, as the late Legend proved. He’ll just do what he can to help out and protect his family. As for Barnaby, he wasn’t interested in being a hero without Tiger by his side, so when Tiger returned, so did he. A testament to how far their friendship has come.
In the finale, Yune offers to help in the workshop, and when she grabs a pair of gloves, he yells at her and tells her to leave. She goes outside, and later, nobody can find her, and Claude starts to worry. He finds her on the roof of Galerie du Roy, chasing after the sound of a theoretical cat bell. While saving her from a fall through the dome, he reveals why he was angry earlier: the gloves reminded him of his father,who died falling from a scaffold at the Grand Magasin, which is why he didn’t want her to go there. Having found her, he insists all he wants is for her to stay safe and enjoy life in Paris, then changes his mind and offers to take her to the Magasin.
This last episode was a good microcosm of the series, as well as a showcase of everything good and bad about it. First the bad: Claude can be really angsty and impatient at times. Yune is a girl from a foreign land, and she’s very fragile, yet time and time again, he barks at her or scolds her, without telling her the reason. That grew a little repetitive. Also, I believe we’ve already had the “Yune Gets Lost” episode, did we really need another one?
That said, the episode does make the best of things, using the search for Yune as a vehicle to give all the various characters of the show a little sendoff, including Alice and Camilla. As usual, the visuals of the Galerie du Roy are gorgeous, and we get to see them from a new vantage point, the roof. And finally, we learn a little more about what’s eating Claude all the time; anyone who watches their father die is entitled a little angst now and then. Just…try not to frighten the tiny Japanese girl!
Ernst mixes the blood of Rin and Yukio to open the Gehenna gate, but the Messiah weapon proves ineffective. A swarm of demons bursts forth from the gate, along with Satan. A flashback chronicles how Rin and Yukio’s mother Yuri became mixed up with demons to the point that Satan joined with her and gave her twin sons. Her own father Ernst was going to burn her at the stake, but Satan intervened. Fujimoto and Pheles were sent out to kill her and her demon spawn, but Fujimoto can’t do it. Back in the present, Ernst is sucked into Gehenna, while Satan possesses Yukio.
Yukio displays baffling naivete, Ernst lets out an evil laugh as he describes his diobolical plan, and Rin screams in that horrible way he screams that’s worse than nails on a chalkboard. Not a good start for the penultimate episode. I was also worried when the flashback had a flashback – nothing kills the thrust and momentum of a story in the present like a tangent into the past that occupies most of the episode. The series would have us believe that this story had to be told in great detail, but I for one was fine with some of the past being unknown or muddled. Some mystique was lost.
Also, if being possessed by Satan turns Yukio into such a wild, raging maniac, why does that same satan so calmly and vividly tell Yukio the story of how he and Rin came to be? He’s Satan; the ultimate unreliable narrator. And while he’s busy telling this intricate tale, the other characters are sidelined, doing absolutely nothing. So now, we have a Satan-possessed Yukio, who’s screaming a lot, but at least his screams aren’t as awful and shrill as Rin’s, but of course he’s upset, so he’s screaming too. I would hope that next week’s finale has a minimum of screaming, but I’m not going to hold my breath.