Shoma survives the car accident and wakes up in the hospital, where Kanba and Himari are with him. Ringo apologizes profusely. The redhead then kidnaps him. The ransom is the half of the diary Ringo still possesses, which she’s willing to give up to save Shoma. After Kanba fails at subterfuge he’s sent on a psycadelic wild goose chase, where the redhead teases him. Ringo gives her the rest of the diary, abandoning Project M and her duty to become her sister Momoka. Also, Shoma hopefully learns now NOT TO EAT ANYTHING GIVEN TO HIM.
Right now, this series can do no wrong. I can’t believe we’re only ten episodes in, it’s so jam-packed with stuff. Some of it can lead to near-critical levels of Whimsy, But I’ve not yet tired of its rich imaginative-ness (IMAGINE!). Because this isn’t just about eye candy. The candy is just that, icing on the cake that is a really good, rich, clever mystery. Hints to its answers are hidden in plain sight. There’s terrific action, but it doesn’t overpower the proceedings. And then there’s the characters. The redhead is still an enigma (what is the ‘it’ that ‘must be crushed soon’? Kanba?) but she showed some playfulness for the first time, suggesting we may learn more about her soon.
Kanba and Himari have a cute talk about gifts from girls (in which gifts are described that Redhead later provides). And then there’s Ringo. The shock of seeing her slave boy hit by a car seems to be enough to snap her out of her derangement. She didn’t mention her unrequited love once. Nor did she mention fate or destiny. Instead, she did something very redeeming: she gave it all up for Shoma’s sake, after he saved her life. Just when you though she’d gone off the deep end, she’s human again, and a nice one at that.