Don’t get me wrong; I knew I was playing with fire by sticking with a show that was clearly billed as not only action sci-fi, but ecchi harem – not to mention watching this after Kabaneri. So if I had a bad time watching this very overtly tone-setting episode of Hundred, it’s my own fault.
The thing is, while this was often goofy and rambling and cliched and patently ridiculous, and I probably don’t need to watch anymore, rather than punch my screen I embraced the silliness for an episode, and mostly just had fun, as Zane did when I handed Recon in G to him. Maybe he’ll take this off my hands too?
I guess I’ll summarize the plot, such as it is: When a bigger Savage than expected shows up, Claire says no way to letting Hayato and Emile tag along, but a midget and a computer immediately convince her to let them tag along. Sortieing involves jumping out of a plane and activating their Hundreds, which made me think: what if for some reason your Hundred doesn’t turn on? I guess you’re dead.
That aside, Claire, Liddy and Erica have no trouble with one of the small fry, but the larger Trenta-class Savage is too much, and the three are all taken out. I guess it was a good thing they brought two inexperienced rookies with them, or they’d be dead, right?
Hayato plucks Claire out of the air, and he and Emile have at the Trenta, but while Emile is protecting his would-be dueling partner Liddy, the Savage cuts open the front of his shirt, exposing her boobs. When Hayato sees the scar between them, it all comes back to him: this was the silver-haired girl he tried to save back in that flashback. Obviously.
To defeat the Savage, Hayato suddenly transforms into Overdrive mode, donning full-body armor and almost going too far. He is saved from that by Emilia, who snaps him out of his berserk trance the way you usually snap people out of berserk trances: by french-kissing them.
With that, Hayato refocuses and cleaves the Savage in two with his mighty giant sword of many shapes and sizes. Thank goodness a man was here to save all these defenseless women who were brought down and nearly taken out so easily by a robotic beast thing whose design is so forgettable, I’d have forgotten they’d fought anything if I didn’t have screencaps of it.
With that, Claire does her tsundere act with the pointing out that Emile has boobs and kissed Hayato and such, and everyone flies back to the Little Garden, safe and sound.
While in the air, Hayato notices a throng of Zwei Islanders holding up a huge sign that reads Thanks a lot with no punctuation, which I actually couldn’t stop laughing at because it read as sarcastic to me. I mean, he did blow up a lot of property in the battle, not to mention the side of a mountain. Those forest fires aren’t going to put themselves out.
But more than that, the battle itself was very random and all over the place, as the foe took out the supposed veterans far too easily to ever take them seriously again, then the foe turned into a pushover when Hayato stepped in.
But the show was clearly worried I would still take it seriously after that battle with boob grabs and kisses, so the final scene puts the final nails in its coffin. Hayato and Emilia, you see, are “variants”, which is to say they have the Savage “virus” in them, but because they’re special they didn’t die, and instead are really good at killing Savages. It’s a lot like the half-Kabane Kanaberi, Ikoma and Mumei. Only far far worse.
There’s also the matter of how this show will continue to integrate french kissing in its milieu: the exchange of “non-activated” virus DNA with berserk virus DNA—i.e. the exchange of bodily fluids like saliva—are how Emilia is able to keep Hayato from losing himself. Sure, why not?
Just to cap things off, Claire barges into their room to make sure “Emile” has moved out, to find the two making out. Naturally, Hayato trips and falls onto Claire, grabbing her boobs and locking lips. Sigh. And with that, the spell is broken.