Wave, Listen to Me! – 06 – A Warm Fluffy Towel Drenched in BLOOD

We’ve now reached the halfway point of WLM!, and while this week’s installment lacks the adrenaline high that accompanies a live broadcast and the moments leading up to it, it further fleshes out its eclectic, sometimes eccentric, but always authentic-feeling cast of characters, while setting up stranger things to befall Minare on her path to becoming a radio star.

We learn more about Minare through those she came from, starting with her dad when she accidentally calls him. He’s outside a pachinko parlor on his fifth or sixth beer (Sapporo, natch) so he’s…got some issues, but you can tell he loves his daughter and just wants her to be happy— just as sure as Minare can smell the alcohol through the phone!

Meanwhile, Casa Nakahara is hardly the sordid lovenest Minare might imagine in her more jealous moments. Yes, Makie is living there, but so is Nakahara’s sister Meiko (Minare, Makie, Meiko…dude knows some M’s!), who walked out on her husband with their baby for going to a hostess club. Far from being treated as a burden, Nakahara is appreciative of Meiko for being to get Makie to talk more in the wee hours of the night as the two women lie in adjacent futons.

Makie confides in her that after her parents died in the mountains, her brother grew obsessively protective and locked her up like Kaspar Hauser…which explains her manner. Meiko tells her she shouldn’t feel ashamed for using the car accident as an opportunity to reclaim her agency freedom, which she has every right to have.

After a thoroughly confusing little sequence involving Minare’s dad talking about a dream of “decades ago” and a “brutal accident”, we suddenly cut to Minare talking to her mom this time. Unlike her dad, her mom is a littler sterner, insisting she seek out “a life people can respect”, not just one in which she’s happy, and not to listen to a “loser” like her dad. And her little “It makes me sad…oh, very sad” line about Minare telling her dad about her radio job first—*Chef’s Kiss*

Still, her dad still managed to buy her daughter a slick Sky Sensor 5900 radio as a cute “good-luck-in-your-radio-pursuits” gift. Makie’s family may have bitten the tragedy bug, but it’s refreshing that our protagonist Minare not only has both parents still living, but on talking terms with her (if not one another). Like Makie, her parents feel like longingly-rendered real human beings.

Her dad was also responsible for delivering four whole Aramaki salmon, which won’t fit in Minare’s little fridge. After Nakahara drops off his ideas for Minare on possible radio story ideas (hilariously, she reads them and immediately apologizes for even asking him!) she decides to hang the fish from the doorknobs of her neighbors, which Nakahara mentions could be construed as some kind of criminal mischief.

By the way, another absolute doozy of an exchange: Minare describes her dad to Nakahara, and all Nakahara can see is Minare. Drunk half the time? Check. Either in dirty joke-telling mode, venting mode, or preaching mode? Check. Goes off on random tangents? Check. Makes no sense at all? Check. Can’t have a proper conversation? Check!

Granted, these are exaggerations of who Minare really is, but sometimes the rougher edges stick out more…especially from the perspective of someone like Nakahara, pursuing her with little to show for it. Another main takeaway from the fish-hanging scene is that Oki Shinji, who accepts one of the fish without hesitation, looks very out of sorts, and Nakahara notices the stench of rotting protein emanating from Shinji’s apartment.

The strangeness continues at the studio, where Mizuho shows Minare a creepily-scrawled fax about a dead girlfriend who hasn’t forgiven the writer…who happens to be Oki Shinji! Minare wants to shift gears to something more fluffy and less occult, but Matou is eager for her to learn the full ropes, which means she and Mizuho are going on a field recording adventure!

After reiterating her commitment to always protect her (something Mizuho doesn’t remember her saying before), Minare drives them to their destination: her former apartment building (note that Mizuho calls Minare’s car a “mini” but it’s not a MINI Cooper, but rather a Daihatsu Mina Giro Minilite. IMO the Giro’s cooler than any Cooper!) They also dress for the occasion, like an onmyouji and a shrine maiden.

Shinji welcomes them in without so much as a flinch from Minare’s stellar long-range joke about the same woman showing up drunk to his door also showing up to appease a spirit since “rituals, sake, and women” have been inexorably intertwined throughout history. Still, Shinji has good reason to be the way he is, because something very very strange and gross is happening inside his apartment.

Reddish-black liquid starts to ooze from the ceilings and drops on what couldn’t have been a cheap costume rental. Then again, it’s likely the station will cover the dry cleaning, just as Matou promises to bail out Minare should things take a turn. After all striking out into the untamed wilds diagonally below her old place means she’s no longer an amateur, but a professional, like Mizuho…risking their very lives for entertainment.

Hundred – 04

hund41

I’ve taken over Hundred from Hannah, but she didn’t say anything about reviewing it seriously, so I won’t be, and if you actually take this show seriously, do not read this.

One thing I think we can ALL agree on is that Hundred’s first three episodes were seriously deficient when it came to the presence of girls in love with Hayato in one form or another. Seriously, where’s the love for this guy?

That starts to change in a hurry, as sparring with Erica und Fritz earns him the adoration of random extras, and famous idol Kirishima Sakura, who is all pink, natch, has seen YouTube videos of his battles and wants him to be her bodyguard.

With three Savage modules believed shot down but still unaccounted for, it’s the perfect time to put 100,000 warm bodies in mortal danger. The show must go on!

hund42

Baaaaw loogit Big Bro Hayato being a Good Big Bro, securing a ticket to the concert for Karen! Sure, she’ll be one of the people in danger if things go wrong, but family should stick together, especially in potential battle zones. Besides, the fresh air might do her some good…or kill her.

hund43

Aww, sorry Emilia. I guess Hayato can’t keep everyone happy all the time; inevitably making some girls who like him happy means making other girls who like him (or in this case, girls disguised as guys who like him) unhappyor at least disappointed. But hey, at least we know Emi didn’t surrender her key to Hayato’s room.

hund44

Sakura’s very very pink, sure: Pink hair, pink eyes, pink flowers, pink cheeks…she’s pink, capiche? Other than that, she’s your typical dime-a-dozen anime idol, without any particularly exceptional qualities…except perhaps the brazen audacity of holding a concert in an unsafe place, putting her fans in danger. But hey, she’s taking their money and the fine print’s right there on the back of the ticket: Kirishima Sakura LLC is not responsible for death or dismemberment by Savage, etc. etc.

hund45

She’s also a total tease and Hayato takes the bait, embarrassing her in the process when he takes her up on her worryingly detailed plan to marry him.

She also leaves her clothes and underwear carefully strewn around the bathroom when she calls him in to hand her her PDA, because this is 1993 and PDAs are a thing and you do NOT just leave them on the countertop and leave the bathroom, no sir, you have to hand the PDA to the naked girl in person while stepping over her bear pantsu which are an “exception” to her usual pantsu, which are vintage PDA-themed.

hund46

Because this is Macross Hundred, Sakura’s fight is on the stage, and her “weapons” are her voice and a sleek flight suit that is extremely skintight and very similar to her skin tone, making it appear like she’s wearing barely anything at all when she’s actually covered neck to toe.

Sakura’s ability is called “Fairy Tale Fairy”, and I don’t know why Hayato doesn’t just say fuck it and storm off after being subjected to such a terrible ability name. Instead, he watches Sakura fly around for approximately seventy hours.

hund47

His duties for the first day thus complete (who needs a bodyguard when they’re ASLEEP?), Hayato returns to his dorm and is elated to find it deserted, hoping to take a bath by himself.

Early on, Karen read Hayato’s fortune in the cards and warned him to be careful with women and water. I’ll just say for the record that he does not follow her advice.

But Emile/ia is in there and invites him to join her, so they get in some nice nakedtime that’s actually quite subdued until she pounces on him, they end up in an awkward position, and she runs away calling him a pervert. But the scar she got in a tragic PDA accident years ago is healing up nicely because he’s around, so it’s all good!

hund48

Well, not ALL good. Three human-looking baddies whom I assume are Savage (or half-Savage variants) are staking out Sakura’s stage, assuring us they’re on humanity’s side, but not coming off as very convincing. I mean, for a start, where are their PDAs?

But hey, I’ll take Hayato & Co. fighting human-ish Savages than slow, lame monster-ish Savages any day. But why wasn’t THIS in Karen’s card-reading?

16rating_6

Hundred – 03

hund31

Don’t get me wrong; I knew I was playing with fire by sticking with a show that was clearly billed as not only action sci-fi, but ecchi harem – not to mention watching this after Kabaneri. So if I had a bad time watching this very overtly tone-setting episode of Hundred, it’s my own fault.

The thing is, while this was often goofy and rambling and cliched and patently ridiculous, and I probably don’t need to watch anymore, rather than punch my screen I embraced the silliness for an episode, and mostly just had fun, as Zane did when I handed Recon in G to him. Maybe he’ll take this off my hands too?

I guess I’ll summarize the plot, such as it is: When a bigger Savage than expected shows up, Claire says no way to letting Hayato and Emile tag along, but a midget and a computer immediately convince her to let them tag along. Sortieing involves jumping out of a plane and activating their Hundreds, which made me think: what if for some reason your Hundred doesn’t turn on? I guess you’re dead.

hund32

That aside, Claire, Liddy and Erica have no trouble with one of the small fry, but the larger Trenta-class Savage is too much, and the three are all taken out. I guess it was a good thing they brought two inexperienced rookies with them, or they’d be dead, right?

Hayato plucks Claire out of the air, and he and Emile have at the Trenta, but while Emile is protecting his would-be dueling partner Liddy, the Savage cuts open the front of his shirt, exposing her boobs. When Hayato sees the scar between them, it all comes back to him: this was the silver-haired girl he tried to save back in that flashback. Obviously.

hund33

To defeat the Savage, Hayato suddenly transforms into Overdrive mode, donning full-body armor and almost going too far. He is saved from that by Emilia, who snaps him out of his berserk trance the way you usually snap people out of berserk trances: by french-kissing them.

With that, Hayato refocuses and cleaves the Savage in two with his mighty giant sword of many shapes and sizes. Thank goodness a man was here to save all these defenseless women who were brought down and nearly taken out so easily by a robotic beast thing whose design is so forgettable, I’d have forgotten they’d fought anything if I didn’t have screencaps of it.

hund34

With that, Claire does her tsundere act with the pointing out that Emile has boobs and kissed Hayato and such, and everyone flies back to the Little Garden, safe and sound.

While in the air, Hayato notices a throng of Zwei Islanders holding up a huge sign that reads Thanks a lot with no punctuation, which I actually couldn’t stop laughing at because it read as sarcastic to me. I mean, he did blow up a lot of property in the battle, not to mention the side of a mountain. Those forest fires aren’t going to put themselves out.

hund35

But more than that, the battle itself was very random and all over the place, as the foe took out the supposed veterans far too easily to ever take them seriously again, then the foe turned into a pushover when Hayato stepped in.

But the show was clearly worried I would still take it seriously after that battle with boob grabs and kisses, so the final scene puts the final nails in its coffin. Hayato and Emilia, you see, are “variants”, which is to say they have the Savage “virus” in them, but because they’re special they didn’t die, and instead are really good at killing Savages. It’s a lot like the half-Kabane Kanaberi, Ikoma and Mumei. Only far far worse.

There’s also the matter of how this show will continue to integrate french kissing in its milieu: the exchange of “non-activated” virus DNA with berserk virus DNA—i.e. the exchange of bodily fluids like saliva—are how Emilia is able to keep Hayato from losing himself. Sure, why not?

Just to cap things off, Claire barges into their room to make sure “Emile” has moved out, to find the two making out. Naturally, Hayato trips and falls onto Claire, grabbing her boobs and locking lips. Sigh. And with that, the spell is broken.

16rating_5