Fire Force – 03 – Hero or Devil

Enen no Shouboutai took a week off out of respect for the victims of the Kyoto Animation fire. There was probably never going to be an ideal way to return to regularly scheduled programming, but it felt particularly awkward to frontload the first episode back with repeated accidental gropings of poor hastily-introduced Kotatsu Tamaki, the show’s new resident Revealing Outfit Girl. I could forgive the empty fanservice if the episode had better points to focus on…but sadly, it didn’t.

What this disjointed episode did have was a whole lot of plot and table-setting. The Rookie Fire Soldier Games begin with all the fanfare of a quaint high school sports festival, but the episode abandons the games almost as quickly as it introduces them, by taking a sharp right onto the tired “Evil Clownlike Villain” road, introducing “Joker,” a name I think we can all agree is not the most imaginative.

When Shinra enters the building, Joker is assaulting two fire soldiers. He also threatens to kill Shinra, but also offers him the chance to join him, becoming a “devil” instead of a “hero.” This doesn’t fly too great for Shinra, partly due to his lifelong dream to become a hero (not a devil) and partly because the Joker assaulted two of his comrades. The two duel (Shinra’s no match for Joker), Arthur and Tamaki pitch in a bit (neither are they) and Joker fills the building with highly explosive ash.

Shinra grabs Arthur, Tamaki and the two injured soldiers and flies out of a hole in the roof. Tamaki’s captain praises Shinra, but doesn’t offer any more info on the circumstances of the fire twelve years ago. Joker hoped to lure Shinra to his side by sharing “the truth,” including the claim his brother, just one year old when he died, is actually still alive.

Some lengthy still shots filled with exposition from Captain Oubi later (seriously; the last five minutes are barely animated), we now learn the 8th Company has a mandate to investigate the other seven as part of an effort to uncover the truth of spontaneous human combustion, the explanation for which may already be known. Whatever their mission, Shinra wishes to remain on the hero’s path. We’ll see how hard Joker makes that.

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Kizumonogatari III: Reiketsu-hen

Araragi Koyomi has beaten Dramaturgy, Episode, and Guillotinecutter with relative ease, and secured his master Kiss-Shot’s four extremities.
This third movie isn’t about that mission; that’s over now. It’s about everything that comes after, and how we get to Kiss-Shot being at full power to the greatly diminished state in which we were introduced to her in 2009’s Bakemonogatari.

Kiss-Shot promised Koyomi she’d make him a human if he got her arms and legs back, and while Oshino was meant to be Koyomi’s fourth opponent—he in possession of Kiss-Shot’s heart—he is satisfied that the balance has been restored. He not only surrenders the heart, but forgives Koyomi’s 5 million in debt before taking off.

So, will Kiss-Shot keep up her end of the bargain she struck with Koyomi? She’s certainly happy to be in her 26-year-old form; giddy, even. They meet on the roof of the cram school and talk simply like two old chums.

Kiss-Shot tells Koyomi about her first servant, whom she lost to suicide (she tells him more about this during Onimonogatari), and pulls Kokoro-watari, a memento from that time, out of her body.

After watching Kiss-Shot frolick on the roof, Koyomi realizes he’s a bit hungry, so volunteers to pick up some snacks at the local 7-Eleven while Kiss-Shot ‘prepares’ to restore his humanity.

Upon his return, he discovers the nature of that preparation: Kiss-Shot graphically devouring Guillotinecutter, then wondering where Koyomi’s “mobile snack”, i.e. Hanekawa is.

It’s a devastating revelation to Koyomi that yeah, when Kiss-Shot is talking about food she’s talking about humans. She feeds on humans, and he not only saved her life, but restored her to full power. As he rages in the gym equipment room, blaming himself for Guillotinecutter’s death, Hanekawa pays him a visit.

As far as Koyomi’s concerned, he doesn’t deserve to get his humanity back after everything he’s done. He doesn’t even deserve to live, and certainly doesn’t want to live to the point where he sees Tsubasa as food. He’s already disgusted with the fact that the three hunters he defeated were on the side of justice.

Tsubasa, not surprisingly, has his back when he doesn’t have his own. She’s made her selfishness known to Koyomi, and she wants to see him next term, so he can’t die. Besides, throwing away all he’s accomplished thus far would just be running away. Even if he eats her, she’s fine with it, because she wouldn’t call someone a friend unless she’s willing to die for them, no matter the reason.

No, pointing the blame on and killing himself isn’t the right path for Koyomi. Not when he’s the only one who has a chance against a Full Power Kiss-Shot. Knowing he has to go up against her, Koyomi asks, for the first time ever, if he can touch Tsubasa’s boobs, in order to “build up his tolerance” for Kiss-Shot’s own substantial bust.

That attempt goes bust, however, when Tsubasa is more than willing to let him fondle her boobs and even take her maidenhood if he likes, but he chickens out and instead gives her a weak shoulder massage.

Hitagi may end up being Koyomi’s beloved, but there can be no doubt who his best friend is after watching these movies. Because all this takes place before he even meets Hitagi, Tsubasa is free to be the one and only girl, and thus one hell of a best one.

Alright, no more fooling around, it’s time to fight his master Kiss-Shot, who makes one hell of a fiery, explosive entrance in the stadium, the venue of their duel. Kiss-Shot know realizes she was insensitive in being so casual about how she took her meal. With that in mind, she asks him to return to her side, but of course he can’t, because she ate someone.

Koyomi saved her life, and won back her limbs, because she was weak. Once she was no longer weak, and Koyomi saw what she was capable of, he essentially woke up from the spell he had been under. At an impasse, they begin to go at it.

Because they’re both immortal, quick-healing vampires, it’s an absolutely bonkers fight, with heads and limbs flying all over the place, oftentimes sprouting back up before the old parts faded away. But as bloody and brutal as it is, the fight is a stalemate, with neither party able to inflict lasting damage on the other.

Once again unable to stay away when her friend is in need, Tsubasa tells Koyomi something isn’t right, and it’s something everyone but Koyomi would have realize by now: Kiss-Shot wants to be killed; it’s the only way for Koyomi to get his humanity back.

When Kiss-Shot tries to lash out at the interfering Tsubasa, Koyomi (or rather, his head and some neckbones) latch on to Kiss-Shot’s neck, and he starts sucking her blood, a lot of it, until fully half of it is gone, leaving her shriveled and powerless.

But he doesn’t want Kiss-Shot to die.

Instead, he wants everyone to get what they want; everyone to be satisfied. So he calls out to Oshino, whom he knows is watching, and hires him (for five million) to come up with a solution. Unfortunately, no amount of money will change the fact that it’s impossible for everyone to be satisfied.

So instead, Oshino, true to his nature of attaining balance everywhere he can, proposes a way for everyone to be dissatisfied in equal measure. Kiss-Shot can live on as pseudo-vampire mimicking a human, robbed of all her power and dependent on Koyomi to survive.

Koyomi, meanwhile, will become a pseudo-human mimicking a vampire; and both will continue to live, and the risk to humanity will be greatly reduced, but not completely eliminated. Koyomi won’t let Kiss-Shot die, so he takes the deal.

Fast-forward to August and the beginning of a new term for Koyomi and Tsubasa. He still heals quickly for a human, but not nearly as quickly as he was. He also views the world differently now that he can walk in the sun again, something Tsubasa thinks is very positive.

Koyomi pays a visit to Oshino at the cram school to give what’s left of Kiss-Shot some of his blood. On the roof, Oshino characterizes the situation thusly:

What you remember of a vampire eating someone…is like the disillusionment of watching a cute cat devour a live mouse.

And here you are, having chosen to keep your own little vampire like a pet.

You’ve dulled its fangs, pulled out its claws, crushed its throat and neutered it, right?

You, who was once treated as a pet, are getting back at your former master by treating her as one…not a moving tale, is it?

Well, it was, and is, most definitely a moving tale, but I prefer Koyomi’s more poetic way of characterizing it:

We, who hurt each other so terribly, will sit here licking each others wounds. We damaged goods will seek the other out in comfort.

If you are to die tomorrow, I’m fine with my life ending then as well.

But if you want to live for me for one more day, I’ll go on living with you today as well.

And thus begins a tale of kindred bound by their scars.

Soaked in red and written in black, a story of blood.

One of which I’ll never speak.

Our very own, precious as it is, story of scars.

And I have no intention of reciting it to anyone.

It’s not just a beautiful way to end this fantastically epic prequel trilogy, but an artfully powerfully-stated mission statement for all of the stories in the Monogatari Series that follow chronologically. It’s inspired me to re-watch Nekomonogatari (Kuro) and then Bakemonogatari from the beginning, with a new appreciation for where Koyomi has been, andthanks to the recently completed Owarimonogatari—where he’s going.

Finally, major kudos to Kamiya Hiroshi, Horie Yui, and Sakamoto Maaya; all three elevated these movies that much more with their layered, engaging performances.

Aho Girl – 09

When Yoshiko volunteers to chair the cultural festival, A-kun is ready to let her fail so she can “get a sense of her own idiocy”, which he believes is more productive than letting Eimura (the gal) live out her pure festival dream of “coming together as one, doing all sorts of stuff, make it all awesome, and have a party after”. A-kun and Eimura verbally spar, with A-kun accidentally making Eimura cry…but everything she wanted to happen ends up coming to pass this week.

…Just not in the way she expected. Yoshiko convinces Eimura and her two gal friends to spend the night at school, but while they intend to work on the maid cafe prep, Yoshiko wants to explore the school (like the boy’s room urinals) and play video games until dawn, which is what happens. But rather than protest, Eimura is on board with all of it, and while they don’t get a lot of work done (or sleep), she does have a ton of fun.

The day of the cultural festival, Yoshiko spots Fuuki rejecting a boy, and immediately becomes his advocate. When she tells Fuuki to imagine how she’d feel if A-kun rejected her (a hilariously-portrayed what-if), Fuuki admits she’d at least want a parting kiss as a memory.

Yoshiko tells her girls want kisses but guys want a boob grab to “break the chain of sorrow”…and Fuuki almost allows it, not wanting karma to bite her back. Fortunately, A-kun walks by and the boob grab is thwarted, but the rejected guy does end up with Fuuki’s upskirt in his face…when she delivers a devastating surprise attack in her panic.

The festival wraps off-camera (good!) and we go straight to the party Eimura foresaw. It’s meant to be a peace summit organized by Sayaka so A-kun and Eimura can bury the hatchet, but they end up lobbing insults across the table.

Suddenly Sayaka slams her hand on the table and yells, seemingly having lost her temper…but it’s revealed their order got messed up and she inhaled beer fumes, making her an unreasonable, quick-to-tears drunk who nonetheless has a good point about A-kun and Eimura needing to knock it off.

Tsurezure Children – 08

Kamine and Gouda make more progress by learning that both are okay with the other being clingy and even a little possessive; everything in moderation. To that end, Kamine draws closer, cuddles, and holds hands with Gouda, who decides to surprise her by giving her her first kiss in the middle of which she unfortunately coughs.

But hey, it’s a kiss, out in public, which is more than Kana and Chiaki can manage. They try to work through the problem through the excessive use of soccer metaphors, and even when Chiaki thinks he’s angered Kana to the point she won’t speak, she still offers him “stoppage time” in order to kiss her. Unfortunately, she moves her head at just the wrong moment, and all he gets is her nose; a second attempt is thwarted by onlookers.

Meanwhile, Masafumi and Ryouko are one of the most comfortable couples, and even have to go to the library because they’re fooling around too much at home. But Masa still likes to keep Ryouko on her toes, asking if it’s okay to touch her boobs. His persistence eventually bears fruit (no pun intended), but he doesn’t go through with the feeling-up; he just wanted her to know that he’s holding back.

Finally, Kazuko once again comes upon Shinichi, who is battered and bruised after a fight with…someone; possibly (but probably not) the “god of romance.” Kazuko wants dearly to be his, and he hers, even whipping out her own ultra-speed moves to counter his. Shinichi is definitely the weirdest of the guys we’ve seen, but he seems to have found someone just as weird.

DanMachi Gaiden: Sword Oratoria – 02

After an action-packed return, Sword Oratoria settles down, as the Loki Familia returns to the surface and home to their patron, Loki. For those who weren’t a fan of apparent co-protagonist Lefiya’s bungling on the battlefield, you probably weren’t thrilled that she’s an easy mark for Loki’s sexual harassment (which all the other girls know how to avoid…though they should really report to H.R. More to the point…they need H.R., bad!)

But while she’s still finding her footing in battle, with one of the higher-ups like Riveria on her side, and the fact she’s cute and mostly harmless, Lefiya is treated like something of a mascot or good luck charm. She seems to revel in that role, and makes cheering Ais up her primary mission.

The higher-ups also see how restless and consumed Ais is with improving herself, and believes having an admirer close by will help her be more aware of others. It certainly can’t hurt for Lefiya to be beside Ais. Each can provide what the other lacks; it’s a good arrangement.

But the true reason Ais has been more down than usual lately is her encounter with the previous show’s MC, Cranel Bell, or “Tomatoface”, as a drunken Bete calls him at the tavern…the same tavern where Cranel himself is. Like the minotaur encounter, it’s another scene inhabiting the same time and place as DanMachi, only from Ais and the familia’s POV.

At the same time, Oratoria doesn’t lean too heavily on the events we’ve already seen, and when it does, the fresh POV, gives them, well, fresh context and insight.

As for what’s new, we get a lot more exposure to the various members of the Loki Familia and get to see them take care of things like bartering away dungeon loot and getting their weapons repaired—or in Tiona’s case, replaced—by some very exasperated smiths.

When the twins decide Ais needs more cheering up they take her on a shopping trip, where we see the stark contrast between their taste in fashion (much less is more) and Lefiya’s (lots of cloth; lots of frills). (They also put Ais in Hestia cosplay, which…well played, DanMachi).

When Lefiya foots the bill as thanks for Ais looking out for her (and because she just wants to) Ais finally puts two and two together and realizes everything Lefiya has done for her, and why. So instead of apologizing for not realizing sooner, Ais does all she really needs to do: she thanks Lefiya for blowing so much petty cash on her. It’s Cranel to whom she apparently feels she must apologize.

Was there way too much talk of boobs and grabbing and groping of boobs in this episode? Probably. But the fine slice-of-lifeity made up for that, and Lefiya was definitely of more use in town than in the dungeon, even if talked to herself and daydreamed too much. There’s still hope for her!

Hundred – 10

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It’s a festival episode, which means lots of inconsequential milling around soaking in the sights and sounds. But before that we meet Wendy, a slayer we later learn is friends with Reitia and Fritz, who is overpowered by Vitaly Tynyanov (who has an interesting fashion sense). Vitaly brainwashes Wendy into getting her into Little Garden undetected. It’s pretty telegraphed.

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Not only that, Erica just as clearly points out the means of Vitaly’s future mischief: an increased number of Roombas Vitaly is inevitably going to turn into killing machines, all as her Hunters…well, not rot, but shall we say lounge comfortably in the bowels of the Garden. I came to like that trio of near-as-makes-no-difference siblings, and hope they play a bigger role next week.

Hayato also shows off a new talent: ruining surprises, when he tails Sakura to a room where she, Karen, and Char are preparing said surprise. When Judar visits later, it had me wondering whether the blonde bishonen bastard had some kind of scheme in mind for Hayato’s sister, seeing as his own sister is presently powering the Garden. A backup generator, mayhaps?

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Emile is spared Claudia sticking to her like glue for the duration of the Festa due to the latter’s security detail, which means Hayato has Emile’s undivided attention. Her enthusiasm—and her photo of Erica in a maid outfit—gets her in trouble, however, when Erica turns the tables, dressing “him” up as a girl, then getting Hayato to grab her real boobs.

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As for the Strongest Frail Imouto in the Universe, she takes the stage with Sakura donning a Hundred that will enable her to stand and walk and even fly. Of course, like the last time there was an idol concert, Hundred can’t be bothered with animating any part of it, meaning the show has all the excitement and dynamism of a Tuesday morning PowerPoint. I guess the episode blew its budget on all those maid extras, huh?

Anyway, as predicted the moment a Roomba and a Wendy showed up, Vitaly infiltrates Little Garden during the concert, and activates the Killer Roombas by making one vacuum up her cigarette butt, which is a pretty bizarre but cool way of startin’ some shit. Unfortunately, all of that shit will have to wait until next week; this episode was all setup and fluff. BRING ON THE EVIL ROOMBAS.

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Hundred – 02

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Due to RABUJOI’s informal commitment to keep the number of shows we review at a reasonable dozen or less, Hundred seemed like a no-brainer for a drop after an underwhelming opener. I’m still won’t go so far as to call its follow up good, but it was an improvement, and Hundred has the good fortune to air on Monday, classically a slow day for anime. …So here we are.

A big reason this episode was better than the last is that it actually has a good fight in the beginning…and at least the start of a second fight at the end, followed by the promise of our protagonist and his definitely not-a-boy roommate being pressed into action due to their abilities and the scarcity of slayers.

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Back to that first fight: it’s not earth-shatteringly awesome or anything, but it gets the job done (an article of praise one could use very often in Hundred). There’s a boob grab early on, Queen Claire makes Hayato pay, and intends to finish the duel quickly, but can’t.

Hayato’s better than she thought he’d be; he’s better than he thought he’d be, going into a kind of trance where his eyes turn to slits, he dons full-body armor, and backs the Invincible Queen into a corner.

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To its credit, Hundred doesn’t put the haughty chick in her place; instead, the duel is a tie, and by her own acknowledgement (she broke the rules she set for herself in order to win). As such, she recinds the expulsion orders we knew would be rescinded, but she’s not foot-stampingly angry about it.

In fact, she, like the rest of Little Garden, is impressed by Hayato, and takes an interest in him, to the chagrin of Emile, who, let’s not beat around the bush, IS A GIRL IN BOYS CLOTHES. She decides to use the fact Hayato still thinks she’s a guy to go on a date with him in the town center.

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The episode lags a bit here, but it becomes clear that Hayato is aware on some level that Emile is a girl, or at least s cute ano girly a boy that he can’t help but blush and be self-conscious about their interactions. Not that Emile is going to pull anything, but one reason I want to stick with Hundred is I want to see how her gender is finally revealed (even if that reveal turns out to be underwhelming).

Hayato becomes flanked on both sides when Karen invites herself out, after her tarot cards indicated he was with a woman. Boy or girl, Karen doesn’t quite trust Emile yet, and why should she? Emile really is concealing something pretty dang important to her roommate and colleague.

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Hayato, Karen and Emile’s lunch is interrupted by Claire and her entourage, but not out of any kind of malice: Claire wants to make Hayato a slayer as soon as possible. Indeed, she kinda has to, as there’s currently a slayer shortage (a welcome reminder this peaceful city-ship is the exception, not the rule, in this world).

Hayato’s duel with Claire, and Emile’s surprising impromptu duel with Claire’s veep Liddy, somewhat mitigate the fact we haven’t seen anyone in grave danger in the first two episodes (at least in the present day). Emile shows she can hold her own against Liddy, but an alert sortie ends it without a decision.

Instead, Charlotte shows up out of nowhere and tells Hayato and Emile they’ll be going with Claire to Warslarn HQ, where his trial-by-fire will continue. Frankly, I’d be worried about his inability to control or even remember his overdrive powers, but hey…they need slayers.

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Gakusen Toshi Asterisk – 10

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Ernesta keeps from Aldy that Rimsy is his limiter, indicating we haven’t seen the limits of his power yet. And while Ayato and Julis walk to Saya and Kirin’s match, they encounter Irene Urzaiz whaling on some nobodies before she turns her attention to Ayato. Her very polite sister Priscilla bails him out this time, but message received: Ayato has yet another powerful opponent gunning for him.

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While I’m sure Saya and Kirin are looking forward to a fight with Allekant’s puppets, this week’s opponents are no sweat, and Ayato and Julis don’t even arrive until the match is long over, when they walk in on a nude Saya is trying in vain to grab a nude Kirin’s boobs.

After another ridiculously quick and easy match against two dolls from Queenvail, Julis (who defeated “Non-Sugar” all by herself) suggests she and Ayato have lunch, then presents the sandwiches she made, then hints at Ayato to reward her fairly by patting her head too, something Ayato didn’t know she wanted.

It’s a cute little scene that underscores how far behind Stella and Ikki these two are in the romance department. Then again every couple has their own pace and rhythms.

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They’re also merely spectators for this week’s main event between Lester and Irene, who we see in action for the first time. Lester and his partner try using the same tired old strategy against Irene: keep moving and wait for her gas-guzzling Ogre Lux to drain her dry.

But that fails when she uses gravity magic that renders Randy unconscious, then sucks the blood of her partner Priscilla to regenerate her power and assault Lester into submission. A Vampire Girl with gravity magic? Pretty sweet combo right there that’s sure to cause headaches for our wonder duo.

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Taimadou Gakuen 35 Shiken Shoutai – 01 (First Impressions)

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This is now the third “magic academy” anime we’ve come across this Fall. But unlike Zane’s two shows Rakudai and Asterisk, TG35 focuses less on school and more on the occupation they’re all training for: which amounts to witch-hunting and preventing the smuggling of magical items. It’s the most regimental, but also the most like a typical school anime in that the titular platoon is like a club, complete with a clubroom HQ where they hang out.

Naturally, this is a club of misfits, mocked as the “Small Fry Platoon” at their academy for racking up zero points in a half a year of ops. Their captain is the katana-wielding Kusanagi Takeru, Saionji Usagi is the girly sniper, and Suginami Ikaruga is the tech whiz. The trio becomes a quartet when they are joined by Ootori Ouka, a prodigy who’d already advanced to the rank of inquisitor, but has been recently knocked back to the bottom for killing prisoners.

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Under orders from the academy director (and her guardian), Ootori makes nice as best she can, and Kusanagi plugs her into an ambitious (for the 35th) interdiction operation, which is played straight and seems to be going quite well right up until Kusanagi gives Saionji the order to start sniping…

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…Which she does…into the wrong window. Instantly, we see why this platoon has zero points. Kusanagi ends up on the wrong end of several mafia handguns, but is able to halve their bullets with his sword. Halving bullets is a great skill, but halving bullets alone can’t get you points; for that, the whole platoon needs to hum like a well-oiled machine. No slip-ups, no emotional outbursts.

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There’s plenty of both on the op, as Saionji crumbles under pressure and Kusanagi almost lets the gangsters’ barbs get the best of him, while Suginami, back at HQ, is a non-factor. They only manage to salvage the op when Ootori puts it on her shoulders, taking out all the gangsters and even quickly, efficiently disabling the culprit’s stolen Inquisition mecha. The show then manages to get Kusanagi to grab Ootori’s boob when he trips on a shell casing (groan).

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The next day, Ootori dresses down the rest of the platoon (verbally, not literally), putting particular emphasis on Kusanagi being a disgrace of a leader. When they try to win her over with a welcoming party, she scolds them for goofing off. Kusanagi catches sight of her bleeding arm wound and flags her down, making it clear that however she feels, he is her comrade, and her captain, and they’re going to make this work, somehow.

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She brushes him off, but lets him accompany her to an op she was going to take on herself. It’s a good thing she doesn’t. Sure, she has to save Kusanagi from a booby trap, but his bullet-slicing comes in handy against the henchmen. Moreover, when Ootori discovers the appalling handiwork of their targets—buckets of children’s body parts, perhaps for necromancy—she loses her cool and is about to kill everyone in sight.

Only Kusanagi, her CO and comrade in spite of her protests, restrains her. He posits that if she exacts revenge in this way, she’ll never be an Inquisitor again, and there will be more victims. Then she reveals the reason for wanting revenge: witches killed her family.

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Kusanagi doesn’t pretend to know what she’s feeling—he’s only trying to become an Inquisitor because the pay is good and his family needs money, not revenge—but he won’t stop trying to understand, nor will he stop trying to be her comrade and captain no matter what, because that’s what they are. The words move her as outside, a witch-looking girl with glowing purple eyes looks on, apparently observing all.

So yeah, definitely the darkest (out of the gate) and most serious of the three magical academy shows RABUJOI is reviewing, and the second with a more-than-decent opening episode. Despite the familiar character types and unimaginative fanservice, there’s a degree of promise here, as long as you enjoy misfit-rising stories, which I myself happen to. It executes capably on action, character design (no one’s boobs are too big), and music (the ED theme in particular is pretty sweet). We’ll see!

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Gakusen Toshi Asterisk – 01 (First Impressions)

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I claimed this show because its genres included comedy, but what ended up being most comical was how slavishly shows like this hew to an exacting formula of predetermined variables. Dark prologue that sets the stakes, check. Narration full of proprietary jargon like “Invertia” and “Genestella”, check. Drab transfer student who immediately gets into trouble with a stuck-up girl, check. Inadvertent peeping, overkill response, good deeds, boob grabs, checkity check check check.

But hey, this stuff obviously sells, it would be going away anytime soon, and I knew pretty much instantly what I was getting into and still watched through to the end, so let’s table the bigger questions like “should shows like this exist” and dive right in.

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Well, that was an unexpected disrobing! Protag Amagiri Ayato’s introduction to Julis-Alexia von Riessfelt (She’s a real princess, not just a pretend one! Monarchies make a comeback in the future!) is a bit rough, but there are clear transactions that are made.

First, he retrieves her beloved handkerchief in good faith, and when she punishes him for peeping and he proves he can hold his own against the fifth-strongest student at Seidoukan Academy. Then he commits another good deed by saving her from a third-party projectile. It’s understandable Julis would go tsundere on him. He’s helped her out at least twice, but the collateral peeping and touching spoil the goodwill.

Class Prez/Rep Claudia Enfield plays a different game with Ayato than the very direct Julis. She’s more about facades and jokes and lies hiding dark thoughts and schemes, and is very upfront about that. She gets Ayato to reveal he may be here to find out what happened to his big sister Haruka (the bleeding girl in the prologue), but he later sidesteps larger motivations and simply says he’s here to find out what he should do with himself.

He’s clearly a capable fighter judging from his duel with Julis, which makes him a potentially valuable resource for Claudia, whose academy hasn’t been doing well in the interschool competitions of late.

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Finally, Ayato takes his seat beside Julis, in class, and seated just behind him is his roommate and designated friend, Yabuki, whose membership in the newspaper club gives him more leeway in explaining to Ayato what’s going on with Julis, who apparently bears a burden and remains aloof in order to insulate others from that burden.

That doesn’t stop objectively weaker (if physically more imposing) challengers from demanding duels with her, as three-shirt-sizes-too-small Lester MacPhail does. Les is also at Seidoukan for some important reason (I’m guessing family pride or security) but wrongly thinks Julis is just doing this for fun.

So there are a growing number of different dynamics set up here, punctuated with well-tread ecchi elements and told in the almost tiresomely familiar language of Magic Schoolese. It’s serviceably watchable, but offers absolutely nothing new, which means if something more inspiring or creative comes along, then Goodbye Asterisk City.

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GANGSTA. – 08

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GANGSTA.’s finest episode yet gets off to a wonderful start, as the Handymen are…actually doing handyman work, fixing up Constance’s shot-up gun shop. They’re even wearing matching overalls. It shows us that their service to their community isn’t just “dirty work” involving intimidation, violence and/or bloodshed.

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This show sometimes runs the risk of getting too serious, stodgy, or sappy, but avoids all of them by getting a little cheeky this week, from Constance grabbing what she thought was Ally’s fake boob (it isn’t), to her Granny sticking her cane into Worick’s buttcrack for loafing. These little moments of incidental comedy keep the darker stuff going on from taking over completely.

When Constance starts asking Ally innocuous questions about her family, Ally remembers she has a little brother at East Gate, but her memories of him are blurred and transition into more hallucinations of bloody Barry, indicating she needs to take her stabilizer. When her hands are shaking too much, Nic is there to calm her.

As you can see, the screencap can be very misleading; a big burly guy suddenly coming from behind would usually spell trouble, but here it’s Nic saving Ally from descending in a more serious episode. He brings her back.

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Worick apologizes for letting Ally out of her sight, but it’s telling that Nic has his back even in this instance. He also tells Ally that her memories will return as the drugs leave her system. Ally really is in a kind of purgatory right now, without sufficient information to go one way or another. What Worick suggest, however, is that whatever her memories are, when she gets them back would be a good time to leave Ergastulum.

He can’t promise her she won’t end up back under the control of drugs or the heel of another pimp if she stays, because he’s not sure if he’s going to still be alive tomorrow. It’s a volatile place that just happens to be calm…now.

Also for now, Ally is for all intents and purposes, one of the Handymen, so Worick brings her along to a Christiano soiree at their nightclub, Bastard; a fitting name for a club where Twilights—essentially the bastards of science and humanity’s hubris—are welcome.

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Once at the club, Ally curls up in a balcony window and loses track of Worick and Nic, who are busy rescuing Twilights from Anti-Twilight hunters. But on this otherwise clear, serene night, with her gorgeous evening dress and glass of wine, Ally feels perfectly at ease for the first time in a long, long time.

When she starts to hum the song being played downstairs, Loretta’s right-hand Twilight Galahad lets her in on Christiano’s under-the-table protection of Twilights, using the club as a front of sorts, just as the soiree is a front of sorts for the Handymen’s activities. Then he insists she take the stage and sing, which is why Worick brought her, having heard her humming before.

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I don’t know if this is what Worick planned for all along (he’s a pretty sharp, chess-playing kinda guy after all), but when Ally is literally put on the spot, she doesn’t disappoint, giving a gorgeous, soulful rendition of a song that almost plays like a lullaby, a song about putting your fears aside because everything’s going to be okay, and a new day will come. The show expertly cuts from her singing to Worick and Nic brawling, and I drew a parallel between the soundless fighting and how it’s a lot like how Nic lives in the world.

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The song takes up a lot of time, but rather than feel like too long, I almost didn’t want it to end. I love GANGSTA.’s penchant for giving parts of its episodes room to breathe, drawing us deeper into its world. And Ally’s song turns out to be a form of therapy when the blurry images of her little brother come into focus and she remembers singing it to comfort him when he was sad.

So her memories did come back just as Worick said they would, and faster than I expected. She’s also found out quite by accident that she’s not a bad nightclub songstress, further excising her of the persistent self-hatred and perceived worthlessness the drugs induced. So, will she stay or go…or go, find her bro, and come back?

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Worick isn’t wrong when he says Ergastulum isn’t the best place for souls such as Ally’s, because the guys he and Nic were fighting were merely ineffectual foot soldiers. The elites have yet to strike, and when they do, they will surely destroy all of the peace and serenity Ally got a well-needed taste of that night.

Ally isn’t a Twilight, nor is she a soldier, but before she knows it, her present residence will become a battlefield, and Worick and Nic may not have an eye to spare for her in the impending chaos.

10_brav2RABUJOI World Heritage List

7 Boob Grabs of October

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Boob grabs, whether by mistake or intent, are pretty commonplace in anime, spanning across virtually all genres. This month has had its fair share of cops, and we’re not talking about law enforcement. If anything, fewer shows relied on them than we first realized, though many went the “Accidentally Saw Panties” route instead. At any rate, here are seven offenses, and their extenuating circumstances, if any.

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1. Cross Ange – 01

As the end credits of Ange’s first episode begin to roll, we get a somewhat jaring cut from the awful assault of Ange by Jill to the sumptuously-appointed chambers of someone we later learn is Captain Zola, First Troop leader. She’s grabbing the boob of Hilda, one of her…lovers? Companions? Bedwarmers? Subordinates?…without any context. We later learn Hilda is probably a little bit of all of those things.

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2. Cross Ange – 02

I won’t say Hilda was necessarily enjoying Zola’s treatment; she may legitimately like/admire/desire Zola, or she may just be currying favor by banging her commanding officer. What I can say is that what Zola started to do to Ange in the second episode, before she was stopped by the battle alert, wasn’t merely a boob grab…it was straight-up sexual assault.

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3. Daitoshokan no Hitsujikai – 01

Yikes…let’s move on to lighter fare, such as when Kakei Kyoutarou attempts to catch Shirasaki Megumi as she’s falling. Once he realizes what he’s caught hold of, he releases immediately, full of shame; It’s not like him to do such things intentionally. Still, when pictures are distributed via the school’s online news stream, it takes emphatic convincing from both grabber and grabbee to get a correction published.

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4. Parasyte – the maxim – 01

Kyoutarou was the victim of bad luck, but not as bad as poor Izumi Shinichi. He likes Murano Satomi and she likes him, but with an alien parasite taking the place of his right hand, he’s not always in control of what it does – like when it grabs the odd mammory. Satomi eventually forgave him.

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5. Nanatsu no Taizai

Aw..C’mon, man. What is wrong with you?!

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6. Trinity Seven – 01

While it makes anime logic sense that the protagonist is reaching out in his dream and then grabs his cousin in real life, his happy “Whatever” response to the situation is more than a little creepy. The extra squeeze seals the deal. None of Kakei’s shame.

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7. Sanzoku Musume no Ronja…?

Well…to be fair…this is just Lovis milking a goat. Aaaaand that’ll do it!