New Year’s Eve, the day of the exhibition, finally arrives. When the doors open, no one comes, but gradualy people trickle in, and before long, the venue is packed with people soaking in the photography, baked goods, potporri, and storytelling. It’s a rousing success, as they recieve lots of glowing surveys from attendees: both friends, family, and the general public. Afterwards they celebrate a new year, and with her father’s camera, Potte continues to capture treasures that would otherwise get lost to time.
And so ends a very good, laid back slice of life series, ending in top form, just like it begun. This exhibition was not only the culmination of the group of friends’ artistic efforts, but also an excellent way to involve pretty much the whole town in the show’s finale. It ended with everyone doing what they love (at the moment), and actually being praised and acknowledged for it, which goes a long way towards shooing away those feelings of uneasiness and self-doubt.
There’s a point while Shihori is looking at Fu’s pictures when she tells her she may have figured something out about photography without even knowing it. Fu always admired Shihori for taking pictures that everyone can love, while Fu believed she was being selfish in her choice of subjects. But the goal of a photographer need not simply be to appeal to one’s audience, but to take capturing images that matter to you and having the feelings shine through in your work for all to see. After all, that’s what happened when Fu first saw her father’s images, and got her interested in following in his filmsteps.