Back in her hometown, Potte instantly settles into a circle of friends, and reflects on what a good idea it was to move back. They help one of their teachers with the bamboo festival, then have a sleepover in which they bond further. The older sister of Potte’s friend Kaoru notes how Potte’s sadness about her father’s passing has changed to warmth, and she can see it in her growing collection of photos.
Taking photos is tricky. You can’t take too many all the time, or you’ll miss out on real life by constantly closing one eye and looking through a viewfinder. You have to find the right balance of living and recording said life. We think Potte has a good balance going so far. She’s not the kid everyone hates who is always snapping pics of you without asking. On the contrary, everybody loves the photos, and she’s quite good at taking them.
After the dual debuts of Un-Go and Guilty Crown, this was a slow, warm and cheerful respite, serving almost as a digestif for all that intensity. Sure, the passionate teacher is a little cliche’d, and so far Potte’s friends kind of too neatly fit into molds (childhood friend, check; loud energetic pigtailed Norie, check, tranquil, quiet, whistling Maon, check) but watching them simply existing in this comely town was most enjoyable, yes it was.