As the town prepares bamboo lanterns for the annual Walk of Longing, a high school friend of Potte’s father, Natsume Nozomu, pays a long put-off visit. He doesn’t mince words while criticizing Potte’s work. When she and Kanae bump into Shihomi while snapping pictures, she tells them she’s also endured her share of criticism, and encourages her to keep cultivating her love for photography. Potte, Kanae and the others have okonomiyaki at Hoboro’s with Nozomu. Later he tells Potte a little about what her dad was like in high school, and is glad he visited, and lets her take a parting photo of him.
This week is an interesting new exercise in subjecting Potte to perhaps the prickliest person she’s had to deal with all season, someone immune to her charms and seems determined to pop her pleasant little bubble, and Kanae’s along with it. He says what some of us may have been thinking all along: all she does is impulsively point and shoot at things, keeping her subjects right in the center, just like her dad. As a guy who has no qualms about dispensing with pleasantries and picking on his dead mate’s daughter, having missed his wedding, her birth, and his funeral. He also stopped taking photos, even though he was the one who inspired her dad in the first place.
So this guy’s just a pompous dick, right? Well, fortunately, the more we see him interact with Takehara and Potte, the more he softens and becomes (slightly) more likable. His other mate Hinomaru knows the sourpuss is just a front. Kanae talks a lot about how Potte’s heart races when taking photos, which leads to the hearts of the people who see them also racing, as if catching a wave. Nozomu admits that while Potte’s dad’s (and her) photos aren’t the most technically adventurous, he admits that they’re all “overflowing with love.” Enough that they, along with a nostalgic taste of okonomiyaki and a wistful tour of the Walk of Longing, touch his heart.
Rating: 8 (Great)
Chihiro visits Takehara for the upcoming fireworks festival, which she and Potte promised to watch in yukatas from their secret base years ago. Chihiro meets Kanae and sees the photography club in action. Riho invites Potte and Kanae to participate in a museum exhibition with her. Potte tentatively agrees, wanting to take pictures specifically for the show. Sayomi takes everyone to a hilltop with a fine view of the fireworks, but everyone leaves Potte and Chihiro alone in the isolated spot, which they liken to a secret base. From there Potte snaps photos of the fireworks using a tripod.
It’s a rare and precious thing to be able to fulfill a deferred but not forgotten dream, even if it was a silly little idea cooked up between you and your childhood friend when you were just little pipsqueaks. But Potte (AKA Fuunyan) and Chihiro share a deep bond of friendship, and both wanted to see that shared dream come true. As it happens, the dream was fulfilled by happenstance: Kaoru’s adventurous sister happened to run into them and lure them into another deathmarch, which led them to the “base” they dreamed of. And it’s a lovely spot.
Potte may only be president of herself and Kanae, a painfully shy upperclassman, but Chihiro is still impressed by her presiding skills, and when she musters up the aggressive enough to accept Riho’s offer. We wouldn’t be surprised if the entire season runs by without another person joining the photography club, but that exhibition could be a very big deal for both Potte and Kanae. The show is a goal that could inspire them to create their best work yet, will give them exposure in that world, and boost their confidence. With old dreams fulfilled, it’s time to fulfill new ones.
Rating:7 (Very Good)
Fuu’s photographer friend Shihomi Riho introduces her to her father’s kohai, Kawai Harumi, who worked with him (and still works) as a travel planner. She takes Fuu and Riho on a Seto Inland “Where The Wind Takes You” tour, where she revisits places she’d been to with Fuu’s dad, plus some places they never made it to, telling her about her father along the way. They end up at a home of Akio and Yuuko, a couple who took Fuu’s father’s advice to open a simple bed & breakfast.
Potte takes a day off from the two-person photo club (and she and Kanae are fine with it being just them) to go on a grand adventure at the behest of her photog friend, who introduces her to someone else whose life her dad touched and enriched when he was alive; lives she was connected to without even knowing it. Thus the tour isn’t just of some truly beautiful and cozy spots around the Seto Inland Sea, it’s also a tour of a side of her dad she didn’t know, and of those new bonds. It’s also an opportunity for Harumi to spend time with Fuu, something planned but never happened, due to her senpai’s passing. Harumi seems pleased to see a lot of her senpai in Fuu.
Like her dad, Fuu has “the mindset to enjoy anything and everything.” Fuu is wide-eyed full of questions the whole time. Not every place Harumi takes her was a place her father had been; she’s not just rehashing old times with an old friend, but creating new memories with a new one. We’ll admit to nearly tearing up when Harumi and the B&B couple talked about Fuu and her dad, making this the first episode since the first to elicit that response in us. It was also a particularly gorgeous episode that really made us want to travel, particularly to the Inland Sea region.
Rating: 8 (Great)
Fu learns that her fellow photographer, Shihomi Riho, has become fast friends with Hoboro and is staying with her for the time being. When Riho tells Fu she doesn’t photograph the sky anymore, Fu is worried Riho may quit photography altogether. Fu joins Riho and Chimo on a trip to Kure to visit Riho’s senpai Misano, an illustrator who now owns a cafe like Chimo. Misano often experiments with strange food combinations, because she likes the diversity, just as Fu likes taking pictures of everything she can. The lesson is to never limit oneself to one rigid dicipline or one dream.
What do Fu, Riho, Chimo and Misano all have in common? They all believe “Greed Is Good.” Through all the good times and great photos she’s taken, Fu has remained ever weary and unsure of exactly what she should be doing or aiming for. When she first interacts with all these older young women, she is visibly nervous and self-conscious, as if she feels guilty for subjecting them to her lowly presence. I wouldn’t call it low self-esteem or self-worth, but certainly a feeling of inadequacy and not meeting her full potential. In reality, none of that is the case, and as she even says to herself, she’s often simply overthinking things.
Fu wrongly assumed Riho only took photos of the sky, in the belief that when one becomes Serious about something, one concentrates on that one thing and hones it until one is better at it than anyone else. Photographing everything is self-indulgent and undisciplined, right? Wrong – Riho’s past gift to Fu of a train ticket with no destination says it all: that ticket is Fu’s future. No one can decide when and where it will occur – or what form it will take – but Fu. So she should keep trying anything and everything she can. The sky’s the limit. Diversity is good…as is greed.