One Off – 01

Shiozaki Haruno lives at the Niwa inn in an picturesque but small village, enjoys riding her Honda scooter, and dreams of one day living in the big city. She and her high school friends meet Niwa’s new hire, an Australian woman named Cynthia B. Rogers who has traveled the world on her sport bike. Haruno envies Cynthia’s adventurous spirit and laments her lack of motivation or will to do what she did.

At first we thought this OVA series would be one big pretty advertisement for Honda Motorcycles…and it is, but thankfully it’s also more. (Side note: being owners of three four-wheeled Hondas ourselves, and having family with five more, we can attest to the quality and dependability of their wares. Where’s our sack of cash, Honda?) This is by the director of Tamayura ~Hitotose~ and it’s one big pretty slice-of-life, with the lovingly-rendered Honda machines complementing rather than overpowering the proceedings.

This episode oozes quality from start to finish: the backgrounds, character design and voice work and music are all top-notch and pop through the screen. And the message is simple: “amazing is relative”. Haruno is impressed and even jealous of the action-packed life the eccentric gaijin has led, while Cynthia finds awe in simple things Haruno takes for granted: the beauty of her village, the tea, or a bowl of rice with a fresh egg. Both are right, but while Cynthia is experiencing both worlds, Haruno feels like she’s on the outside looking in. We’ll see where her restlessness and Cynthia’s influence takes her.


Rating: 8 (Great)

Motorcycle Cameos: First of all, everyone rides Hondas. Haruno rides a Giorno, a European-styled scooter. Her friend Sayo rides a Little Cub, a version of the most-produced motor vehicle in history, the Super Cub. Her friend Anri rides a Benly. Rie rides a bicycle, but dreams of owning the cute-but-tough Zoomer, also known as the Ruckus (114 mpg!). Cynthia rides a red CBR250R (pictured). A CB1100 is being tended to outside the cafe.

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Tamayura ~hitotose~ – 01

Junior high student Fuu has decided to make a big change in her life. She’s moving back to her birthplace of Takehara, to be near the Seto Inland Sea, attend a new high school, and make use of her late father’s camera she inherited. This episode is mostly a flashback of her life before moving, documenting how much her father and his pictures have meant to her, the build-up to her decision, and saying her goodbyes to her best friend Chihiro. Armed with a blessing from her mom and a published photographer friend of her father, he strikes out Takehara, where she goes by the nickname “Potte.”

Man, that was just a lovely, warm, calm, breezy episode of anime. The landscapes and twisting roads and stairs of the hilly town are exquisitely and imaginatively rendered. The palette is subtle, muted, but still lush, adding to the realism. But it doesn’t just look beautiful; all the people are beautiful as well. No excessive proprietary jargon; no factions, just real friggin’ life. And a girl starting fresh, like Ohana in Hanasaku Iroha…only without the yelling and no love interest. Sure, there’s crying, but it’s established that Chihiro is a crybaby…though when Fuu leaves, both of them have grown more “aggressive”.

Fuu/Potte is out to make her dearly departed dad proud; to carry on his tradition of capturing little scenes and moments often forgotten in the course of life. He taught her a lot, including how to work his very slick Rollei 35S mini-camera, and all that knowledge is still in her heart. The Camera is the tool to draw it all out, and replace her grief with happiness. She says if she can capture those warm happy moments just right, the “Children of Light” will come out. Sounds like a terrorist group, but we’re sure it’s not. Photography is used early and often to provide back-story and imagery from the past, and by episode’s end, we felt we’d learned a great deal about Fuu in a very short time. We want to learn more still.


Rating: 4