Overlord III – 04 – Underwhelming Monsters

Despite Beta being scolded for not reporting about the Giant and Snake of the East and West, at least for now it would seem she was correct: they weren’t really worth reporting, at least as credible threats. Sure, they could be a problem for the humans and goblins of Carne, but like Hamasuke they’re not really worth their lofty directional titles.

Maybe, like Beta, I’m underestimating their relative power in this world, but when Ains and Aura (whom he worries isn’t eating enough) actually visit the lair of these apparently fearsome monsters, what they find is pretty underwhelming.

The “giant” is just a troll and the “demon snake”, an old naga. His attempts with the former lead to him using an Aura of Despair spell to knock the troll and his cohorts out, but the naga is willing to submit himself to Lord Ains after witnessing just how pointless it is to try to resist him with physical attacks or even flee with invisibility magic.

Meanwhile, Ains has sent Beta back to Carne with the mission/test of protecting not the village, but the three people he values there: Nphirea, Enri, Lizzy (Nemu isn’t mentioned). Aside from them, Ains doesn’t really care about anyone else. Pretty quiet incremental episode; we’ll have to see how Beta fares in her mission next week at the earliest.

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Holmes of Kyoto – 04 – The Sashimo Grass on Mount Ibuki

Aoi keeps having a dream where her boyfriend and best friend keep pairing off the moment she leaves for Kyoto. But in the waking world it’s time for the Gion Festival, which means both Holmes and Aoi don yukatas while at work. Akihito, the brother from last week’s case, stops by to properly thank Holmes, who is quick to stop him from sexually harassing an unwitting Aoi, who suddenly finds herself in the midst of two very handsome young men.

It’s a week of running into exes, apparently, because not only does Holme’s ex Izumi stop by to have a dish appraised (and vents about how she’s not so sure about her new husband, who sounds like a dick!), but Aoi’s friends arrive for the festival, with her ex-boyfriend and best friend in tow. Her friends praise her for how good she looks in her yukata, but it’s soon clear what their true motives are.

Sanae and Katsumi know what they did was shitty, and they’re seeking forgiveness, using their mutual friends (who simply want an end to the conflict and the awkwardness that comes with it) as cover. Aoi is about to let everyone off the hook, but internally, she’s about to lose it. So it’s a good thing Holmes shows up, not only to raise her spirits, but to make her ex jealous enough to protest, leading his new girlfriend to slap him.

Aoi no doubt felt unbearably alone, especially considering she had figured out the message Izumi was trying to send to Holmes through the mugwort-patterned bowl she made on Mt. Ibuki. It’s a nice synthesis of pottery and poetry that also demonstrates that Aoi’s also a smart cookie when it comes to connecting artistic dots.

The thing is, Holmes is done with Izumi. She may now have some regrets about the choice she made, but he’s not about to bail her out. Instead, he comes to Aoi’s rescue in a time of dire need, when her supposed friends all had her backed into a corner.

I’m really enjoying the subtle courtship between these two, who were after all only brought together after each of them was betrayed by the ones they loved. So far, their dynamic, and the show’s highbrow bookish demeanor, are enough for me to overlook how freakin’ awful the show looks.