This week’s riddle is “How do you get a bird out of its cage?” One thing Haru, Tokaku, and this week’s assassin Sagae Haruki share so far has been a sense of confinement due to circumstance. Haruki’s cage is poverty, and she has assassinated to put food on her large family’s table, and she’s promised they’ll be forever free from want if she kills Haru (even if she dies in the process).
Tokaku’s cage is her name. Even though she never saw her father and her mother died right after she was born, the Azuma family has shaped her course in life and assigned her expectations. Haru’s cage has been built from the bones of those who died so that she could live. Haruki neither gets off on killing like Otoya, nor is she unsuited for killing like Kouko; she’s good at it, but it’s a means to free her family from its cage.
Yet Haruki doesn’t seem altogether apathetic to Haru’s plight, nor Tokaku’s. She believes it to be a service and a kindness to free them too, but that suggest an inability to fathom that death is not the only way out of those cages. In Haru’s case, she considers it a solemn duty to always smile, be merry, and try to live as normal a life within that cage, honoring those who built it with their lives.
By the same token, death isn’t the only way out of Tokaku’s cage either. She may be stuck with her name, but by choosing to subvert Class Black’s system by swearing to protect rather than assassinate Haru, Tokaku seems determined to survive in her cage her own way, while building a tunnel from her cage to Haru’s, connecting the two. Darmok and Jalad at Tanagra. I will stop using metaphors now.