Akuma no Riddle – 08

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Speaking from experience, it’s a very bizarre feeling to be in class trying to pay attention to the lecture when the skies outside grow darker and darker from a brewing storm. I wouldn’t call it fear, just unease, since I’m so used to darkness signifying night. When the skies are black in the morning or afternoon, it like nature’s trying to mess with my circadian rhythm.

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It’s under these circumstances that we hear Mizorogi-sensei lecturing about sweetfish, specifically, how they’ll so fiercely defend their territory, they open themselves up to a decoy attack. That sweetfish is Akuma, and us too, to a degree. Previously, episodes were fairly direct about who’d try to assassinate Haru next; this one decided to toy with us a little bit: would it be Bamba…or Inukai?

It’s another example of how this show always does or says something for a reason that will come into play later, rarely wasting its time. Many of the things it does in the first half play with our expectations, which we’ve built up after watching the previous episodes. We even catch a glimpse of the person in charge of the killing game, someone who one a past game herself in just six days.

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With the assassins down to four and victory in sight, Haru asks Azuma what she’ll be up to when it’s over, and Azuma has no answer whatsoever. All this time, she’s been using her time at the school to try to forget or avoid everything outside. Protecting Haru is all that matters: that’s the purpose of her existence. Thinking about the future doesn’t serve that directive.

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But it’s her absolute devotion that opens her up to the same decoy approach used on sweetfish. She goes after Isuke thinking it better to fight her away from Haru, but she never suspected that Isuke was the decoy—despite forging Bamba name—and that Isuke and Bamba would work together to separate the two. Also’s Bamba’s alter-ego’s name, Shin’ya, means “full night.” This is her time.

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Isuke has also figured out Azuma’s Big Secret, that she’s never actually killed and doesn’t seem able to, giving her a huge advantage in their fight. Isuke had a wretchedly traumatic childhood but was saved by her neighbors, one of whom is an assassin. She wants to win so her parents can retire, paying them back for their kindness. It’s a surprisingly sweet and selfless wish, and she’s damned close to getting it, assuming she and Bamba are allowed to share the win.

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Stray Observations:

  • Mahiru/Shinya Bamba is/are a character I wish got screen time. Here we see how her two opposite selves communicate with one another.
  • Despite having not ended in six days like hers, the lady in charge has been impressed with this Class Black.
  • It is pretty impressive that Azuma hasn’t actually had to kill anyone to get as far as she has. Hell, even Haru’s killed!

Sidonia no Kishi – 07

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I had a feeling Hoshijiro Shizuka (whose kanji I’ve learned also mean “silent star”) would fall at some point, and stay fallen (note that I didn’t say “dead”, more on that later), based on the simple fact she’s only listed as a supporting character, as opposed to Izana’s main billing. But last week, that fact was dropped in my—and Nagate’s—lap like a dead cat, so it didn’t quite feel real…yet.

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This week, we get to see the doomed mission that claims Shizuka, and learn that it was Kunato—using the private channel, the sniveling punk—who caused Nagate’s screw-up, which led to a momentary lapse in concentration. And all space needs is a moment to kill you or someone you love. Despite knowing how badly this would all turn out, it was still thrilling every step of the way, right up to the point the knife was twisted.

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What’s even darker about Kunato’s vendetta is that he’s seen enough of Nagate and Shizuka to know that if one of them got into trouble, the other would go after, against orders or reason. Heck, his little scheme could have ended up destroying his precious Tsugumori, too. In both cases, getting back at Nagate takes precedence over all other considerations, including defeating the Gauna.

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Kunato is just one of many enemies and critics of Nagate to come out of the woodwork, not counting Nagate’s harshest critic: himself. Fortunately, he has allies as well; powerful ones like Kobayashi, who willfully ignores all calls to “do something” about him, almost as if she’s aware someone could be trying to sabotage him. Or maybe she just doesn’t want to admit to being wrong about him, or anything else.

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Nagate also has his landladybear Hiyama and his not-presumptuously self-appointed best friend Izana to drag him out of his dusty room and his funk. A food vender mistakes Izana for a girl, probably because that’s what she’s slowly becoming because of Nagate. But most significant of his allies is his late gramps, who he remembers talking about a pilot having to show Resolve with a capital R—not coincidentally this episode’s title.

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“The Gauna won’t wait for you to dry your tears,” Nagate recalls him saying. But whether it’s fear of (or grief from) loved ones dying, or one-sided rivals fucking with him, a pilot must shut it all out in order to perform. The Elite Four couldn’t do that, and got slaughtered. Kunato clearly can, but one day his recklessness could blow up in his face. Even Yuhata, promoted to Kobayashi’s XO (Damn, she rose faster than Amane!) exhibits an ability to Keep Calm and Carry On.

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Shizuka let personal feelings affect her judgement out there, and as we see, the Gauna have little mercy for those who do so. The detailed-yet-split-second destruction of her frame was as heart-wrenching to watch as it was inevitable. The sight of her Gauna-corrupted frame emerging from the gas giant debris (an explosion we only saw in 8-bit, sadly) sent chills up my spine.

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That’s because the “702” raggedly scrawled on its flesh-like coating (a stark contrast to the tidy fonts the humans use) suggests the Gauna aren’t as mindless as I first thought, inadvertently lending credence to the growing portion of the populace that believes the Gauna will cease their aggression if they cease theirs. But that won’t happen as long as Kobayashi’s in charge. She’s like an anime Adama.

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