A Couple of Cuckoos – 16 – Full Throttle Sachi

Sachi wants to know more about this Segawa Hiro girl her dear brother loves so much he’s willing to date her even while engaged to Erika. Rather than talk to Hiro, she ropes Erika into a day of stalking. Once it’s determined that Hiro is a perfect superhuman (who even delivers a 100-yen-coin she found on the street to a police box) she confronts Nagi about it, telling him he’s too good for her.

I’m not sure how Sachi’s inner logic works, but by saying this to Nagi she’s implying that she’s not too good for him. At the same time, she decides she’s going to attend the same high school as Nagi, Erika, and Hiro, presumably to become closer to her brother’s ideal of Hiro. Naturally when she shows up in her sailor uniform she creates as big a stir as Erika’s arrival.

While Hiro gives Sachi a tour of the school, Nagi and Erika follow and try to listen in. When the our ends and Sachi’s first question is about how Hiro feels about Nagi, he can sense something’s up and runs to confront them both. Only neither of them have anything to say, because apparently they’ve become friends with a shared like of…him.

Nagi, Erika, Sachi and Hiro then have lunch together, making Nagi’s friends going all meta by drawing up the diagram of relationships in their imaginations that’s pretty much spot on with that of the show, including their conclusion that Nagi isn’t exactly living an easy carefree life.

It’s one thing to want to go to Nagi’s expensive college prep school, but quite another for their family of modest means to afford for both her and Nagi to attend. Nagi and Erika accompany her to the Umino diner as moral support, but their parents are surprisingly fine with it. They’ll be able to afford for Sachi to go to Nagi’s school…if they sell the diner.

Sachi protests along with Nagi; this parent martyrdom won’t stand. Sachi and her mom then get fired up, and the men of the family back off. It ends up being the third woman in the family, Erika, who is able to quench the flames and suggest a third way: Sachi will work hard to get accepted to Nagi’s school, while the folks’ll come up with a way to pay without selling the diner.

Saying they’ll just “figure it out” seems like a cheat, especially when it’s suggested from Erika, whose monthly cosplay wardrobe probably exceeds what the entire Umino clan spends in a month. But that’s not the biggest problem with the episode, which is its central figure: Sachi.

Sachi is two basic things: a brother complex in human form, and a serial copycat. She follows through whatever she sets out to do, but has no hopes or dreams of her own. She only wants to do what her brother has done, following but never leading. It was like that when he won at swimming, reading, and running, and now she’s doing it with school.

Sachi is cute, but she’s a painfully dull and shallow character, her hot-and-cold attitude towards her brother is rote and tiresome, and there’s zero change she wins the Nagi sweepstakes. That makes any episode that focuses on her to this extent feel like a slog.

Witch Craft Works – 06

To a casual observer it may appear that Honoka is indeed a burden to Ayaka, both as a result of the power sealed (and now unsealing) within him, and in the growing school unrest with his constant proximity to her. But neither he nor the student body get to decide who’s a burden to Ayaka or not; only Ayaka can—and we know she’s never going to do that. As far as she’s concerned, she exists to protect him, and derives quite a bit of pleasure in doing so.

When the student council’s factulty advisor, Mikage, uses magic to trap Honoka in a fantasy world at the president’s behest, after swiftly defeating him Ayaka realizes they need to try to make Honoka more palatable to the students. Her hastily-prepared plan involves flexing the authority given her by her title as school idol or “Princess”: she sacks the existing president and installs Honoka, then bribes the Vice President into giving up her job. While the coup doesn’t endear Honoka with his fellow classmates, he forgoes Ayaka’s threatening cue cards and simply asks them to bear with the situation and withhold judgement until they’ve given him a chance.

Their new titles will make them provisionally acceptable to the school, but Kasumi is tired of Ayaka edging in on her precious brother time. This week she does a fair impression of a Tower Witch, acting with only her own interests at heart, with the guise of protecting Honoka. She pulls no punches taking Ayaka down with a burning car and tranq darts, but she doesn’t get far on her magical plane when a powered-up, pissed-off Ayaka appears to exact punishment in a fairly thrilling aerial battle.

With Medusa and her crew holed up in Honoka’s house, and no signs of Chronoire after Kazane captured her, the major threat facing Honoka isn’t external, but internal: the white princess gaining power within him. Honoka hasn’t told Ayaka about it, but it’s only a matter of time, and it’s likely Kazane already knows, as she’s coming to his house to talk to his mom/would-be wife. The time may come when Honoka looks with fondness upon such comparatively trivial matters like fostering amity at school or being kidnapped by Kasumi. We hope it happens soon, as we’re growing weary of the general lack of peril.

Rating:7 (Very Good)

Witch Craft Works – 05

Honoka decides to move to Ayaka’s house, and after meeting with his family (and his cliched “Loopy Mom”), they arrive at her manor, which is 41 stories tall and rivals the Unyuu residence in extravagance (though isn’t nearly as big or absurd). Just when we thought we’d be in store for more rom-com hijinx as he enters her room for the first time, the show throws something totally different at us: the escaped Medusa is in there waiting for them.

It’s a welcome surprise, and Medusa initially packs quite a whollop, requiring Ayaka to transform into a semi-beast-like state, a la Howl. She insists that Honoka flee while she fights her off, but Honoka, knowing his proximity will give her invincibility, stays right where he is. Then Ayaka gets petrified—which tends to happen when you’re up against Medusa—but Honoka stays by her side, his mind racing at what he can do, until he remembers that pill Chronoire gave him.

He knows it’s probably not a good idea to take this forbidden fruit; he knows it’s most likely a trap; he knows there will be consequences down the road, and most importantly, he knows Ayaka doesn’t want him to take it. But with Ayaka a statue and Medusa staring him down, his options are limited, so he downs the pill. Doing so summons the demon White Princess Evermilion—perhaps the reason Ayaka calls him “Princess”?—who’s a bit of a character.

We like how Evermillion isn’t there to do all the work for Honoka, but rather to tell him where he screwed up (failing to believe in Ayaka’s strength actually diminishes her strength) and how to revive Ayaka (by kissing her like Sleeping Beauty.) She’s polite enough but sounds put out, warning Honoka not to summon her too often, perhaps for his own good. So while Medusa wasn’t the mortal threat we were expecting-yet, at least-her arrival required Honoka to take one more step closer to the deep end of the witches’ pool.

Rating:7 (Very Good)

Stray Observations:

• Honoka’s mom is a bit loopy, but she righteously calls her daughter out on her brother complex.
• She also reveals she used to be Ayaka’s mom’s girlfriend. Because they couldn’t marry, they promised each other that their kids would instead.
• Being from a family of means, Ayaka was able to have custom Honoka stress dolls made, which she hides too late for Honoka not to notice.
• Ayaka’s kiss in the nurses office was pretty sweet, and there was a lovely surrealism to her pulling back the curtain to reveal Medusa and her five henchwomen just chillin’.
• Another example this show has trouble fielding capable villains: Chronoire brainwashes all of the tower witches in town, only to be apprehended and imprisoned instantly by Ayaka’s mom. Where’s the challenge?