Big change of gears this week, as the focus shifts from the women in Ushio’s life back to Ushio and Tora, who waste no time exploring the suspicious-looking cave with a temple and a really nasty demonic aura all about it. As the very creepy youkai Tokisaka informs them, this is where a piece of Hakumen no Mono landed when he retreated many centuries ago when humans and youkai joined forces to fight it. But it’s not dead, only dormant.
U and T have a lot more questions, but rather then tell them the whole story, Tokisaka decides to send them back in time 2,200 years to the village where it all began. There, outside the castle walls, they meet a young Jiemei, who bares more than a slight resemblance to Mayuko (likely with good reason).
They save her from youkai, but because she can’t see Tora, she thanks only Ushio, and invites him to her house. It’s a nice house, warm and loving and happy…but there’s also a fair amount of sadness to it, both the fact Jeimei’s clothes are rather tatty, and the house is outside the walls.
Turns out Jeimei’s father was once the court priest and swordsmith, but he and the family were cast out when a distant relative tried to assassinate the king. Her father and brother Giryou (whom Ushio also met while within the Beast Spear) are eager to forge a divine sword that will grant them access back into the castle.
When elbow grease doesn’t do the trick, Giryou suggests they use dark arts in the forging process, and hey presto, they churn out one fine-looking sword. Turns out Hakumen no Mono has been in the castle all this time, disguised as nine concubines. His transformation is, shall we say, extremely disturbing and creepy? Because it was, as is his voice.
Hakumen lays utter waste to the court and all who charge him with their divine weapons, including Jeimei and Giryou’s father. Then their mother gets the top half of her body blown off by Hakky’s ice breath. In a rage, Ushio rushes him with a spear, but not the spear we’re used to seeing him wield. That’s because the Beast Spear hasn’t been forged yet. Also, he seems paralyzed by the evil eye of the great messed-up looking beast.
While it’s a bit odd for Ushio to suddenly end up going back in time to relive history, it’s certainly better than a straight narration. It’s also interesting to see Jeimei and Giryou at this early stage, and a glimpse of the happy, simple lives they led before dark arts, fate, or both, thrust them onto far different paths, not to mention see Hakumen no Mono in all his terrifying glory.