In addition to getting a win and advancing due to Ayase’s forfeiture, Ikki also gets a week off with Stella at a mountain hotel. Thankfully, we’re well past the point that one or the other must use this golden opportunity to confess their love—they’re already lovers. Rather, it’s more an opportunity for the two to see just how much trouble they can get into, and find out what kind of lovers they’re going to be.
Alas, it also turns out the director tricked them; at least part of their “vacation” consists of helping the Student Council clean the hotel. I maintain the Student Council are all a bunch of shallow cliches with silly exaggerated designs, but it’s good to know they’re not really evil, and as a group bouncing off one another, they’re fun enough.
…Just not as fun as watching Stella and Ikki when no one else is around. Stella wants to go see a gorgeous waterfall an hour’s walk away, but she didn’t eat enough in the morning, gets tired and weak, and eventually shows symptoms of a cold. Then it starts to rain, and Ikki postpones the waterfall trip and seeks out shelter. Almost too conveniently, they find a clean, unoccupied cabin with a hearth.
Soaking wet and coming down with a fever, the best thing for Stella is to get her clothes off so she can get warm and dry. Ikki knows it’s probably embarassing, so he strips first. It’s a kind and very Ikki gesture, and reminds Stella how they met, with him seeing “everything” right from the start. She doesn’t look on that day with scorn, but with a smile.
In the firelight, with Stella sweating and breathing heavily, there’s no way to make this situation not incredibly sexy for both parties. Ikki attempts to keep things “businesslike”, but after unclasping her stockings and bra, Ikki pitches a tent; one that Stella not only notices, but is happy she excites him so, especially when he’s exciting her so much. After a pause that lasts seemingly forever during which only the fire snaps and pops, Stella finally puts the question to Ikki: “Do you wanna do it with me?”
But that doesn’t lead to any slow dissolves, tasteful panning, or overdramatic score drowning out sex noises. In fact, Ikki is taken aback, asking if she’s sure what she’s saying. Without skipping a beat, Stella looks seriously and calmly at Ikki and says she does; she wants him, he wants her, and if he wants, they can have each other right here and now. Stella may be the instigator by posing the question, but she understands the choice of whether to proceed belongs to both of them.
Ikki says no, but it’s not because he doesn’t want to. For one thing, she’s exhausted and needs to rest, but beyond that, Ikki is thinking about their future—both their futures, not just his. Even if you don’t quite agree with Ikki’s somewhat conservative views on the matter, you can still understand his decision as part in parcel of the careful life he has to lead, whether it’s not getting into useless fights, or not risking getting the girl he loves pregnant in a fit of passion just because all the circumstances align.
It’s not that Stella isn’t being clear-headed, or Ikki is being a prude. It’s somewhere in between, which makes it a far more interesting situation. Stella isn’t just disappointed Ikki turned her down this time; she’s also happy he’s so serious about their relationship. This isn’t just a fling for him. She also surprises herself again with her “naughtiness”, though I sensed more acceptance of, rather than shame about, that side of her.
In any case, they got as close as you could physically and emotionally get to going all the way, and you have to tip your hat to RKC for going there and not giving us easy or one-dimensional answers or resolutions. And from a practical perspective, it’s good they didn’t get into it, because they would have been rudely (and probably painfully) interrupted by a giant stone golem smashing the cabin.
Again, RKC and Asterisk echo one another when this attacking monster splits into several smaller versions of itself when Ikki cuts it, meaning a central controlling element must be taken out to stop it from reviving. Ikki isn’t able to find it, and nearly loses Stella while fighting when the Student Council shows up to rescue them. A very discreet Student Council that doesn’t ask too many questions about why Stella is in such as state of undress and whatnot!
Even the council finds their backs up against the wall, until their long-talked-about but previously unseen president arrives and takes the golem—and his controller, many miles away—down with authority. The glasses-wearing, twin-braid redhead is named Toudou Touka (not to be confused with Asterisk’s Toudou Kirin), and she makes an immediate impression as a capable badass who naturally was one of the final four in the last Seven Star. Heck, her attacks even dissolve the letterboxing, in a subtle visual breaking of the fourth wall.
As for the gangster-type guy who arranged the golem attack, I don’t much care for him at all, but wonder if he’s specifically after Ikki on behalf of the Kuroganes, or more interesting working against them (and the Kurogane clan having to put on a front of loathing to protect Ikki all this time)
Mercifully, Shizuku isn’t quite obsessive enough to have snuck on the bus with Stella and Ikki and stalked them on their trip (though it would have been somewhat interesting if she had been the one to save them from the golem, I don’t think she could have handled peeking through the window as the lovers stripped and sweated). Instead, she goes home to her big, cold sad room in the big, cold, sad Kurogane Manor, where she’s summoned by her big, cold, sad father.
Her dad claims to want to know how Shizuku is doing, so had her mother write a letter to her on his behalf. In addition to being insulted by being tricked into coming, Shizuku is pissed that her father won’t even speak of Ikki, even though like her he’s won twelve matches in a row without a loss.
He’s quick to express his pride in her, but not Ikki, so she rejects his pride, along with whatever excuses he has for treating her brother like garbage for so long. (Of course, if there is a good reason Ikki’s family does that, which Shizuku isn’t aware of, it would be nice to hear about it.)
This is actually Shizuku at her best, “behind enemy lines”, where the enemy is the entire rest of her family who treat Ikki like an inconvenient eyesore, and taking the fight to that enemy. If they’re not going to treat Ikki like they treat her, she’d rather they treat her like Ikki, and go to the devil while they’re at it. Going home made Shizuku mad, which is why its such perfect timing that her next match will be against Toudou Touka, in a battle of water vs. lighting.