Utawarerumono: Itsuwari no Kamen – 09

uta91

It’s with a semi-heavy heart that I bid adieu to perhaps the strangest Fall show I’m watching. Its episodes are usually fairly fun, but has lacked substance and cohesion. The show’s M.O. is to introduce two or more new cute female characters per week, and the show has gotten very crowded and unfocused as a result.

This week it’s two of Kuon’s “sisters” from her homeland, who baby her like a couple of mother hens. Their treatment of her is over-the-top to the point of incredulity, and we’re talking a show were almost everyone has tails and fuzzy ears. I will say I liked the little mini-arc the Big bird and tiger had, but it’s all just so darned random.

uta92

Random, but at the same time, very workaday. Much of this show has been Kuon and Haku eating and bathing while encountering the new characters of the week, many of whom have stuck around, leading to a huge entourage of people, many of them princesses.

It was  also nice to have Haku inadvertently demonstrate how well he’s come to know Kuon by visiting all of her usual haunts, and going somewhere he knew she’d never go (the BL bookstore) only to find her hiding there. But it’s not much we haven’t seen before, and nothing that reignited an interest in continuing the show for a whole second cour. As you can see, I can barely scrape together 250 words about it. That’s when you know it’s time to say sayonara.

6_brav2 droppedblank

Advertisements

Rakudai Kishi no Cavalry – 09

cav91

In addition to getting a win and advancing due to Ayase’s forfeiture, Ikki also gets a week off with Stella at a mountain hotel. Thankfully, we’re well past the point that one or the other must use this golden opportunity to confess their love—they’re already lovers. Rather, it’s more an opportunity for the two to see just how much trouble they can get into, and find out what kind of lovers they’re going to be.

Alas, it also turns out the director tricked them; at least part of their “vacation” consists of helping the Student Council clean the hotel. I maintain the Student Council are all a bunch of shallow cliches with silly exaggerated designs, but it’s good to know they’re not really evil, and as a group bouncing off one another, they’re fun enough.

cav92

…Just not as fun as watching Stella and Ikki when no one else is around. Stella wants to go see a gorgeous waterfall an hour’s walk away, but she didn’t eat enough in the morning, gets tired and weak, and eventually shows symptoms of a cold. Then it starts to rain, and Ikki postpones the waterfall trip and seeks out shelter. Almost too conveniently, they find a clean, unoccupied cabin with a hearth.

Soaking wet and coming down with a fever, the best thing for Stella is to get her clothes off so she can get warm and dry. Ikki knows it’s probably embarassing, so he strips first. It’s a kind and very Ikki gesture, and reminds Stella how they met, with him seeing “everything” right from the start. She doesn’t look on that day with scorn, but with a smile.

cav93

In the firelight, with Stella sweating and breathing heavily, there’s no way to make this situation not incredibly sexy for both parties. Ikki attempts to keep things “businesslike”, but after unclasping her stockings and bra, Ikki pitches a tent; one that Stella not only notices, but is happy she excites him so, especially when he’s exciting her so much. After a pause that lasts seemingly forever during which only the fire snaps and pops, Stella finally puts the question to Ikki: “Do you wanna do it with me?”

cav94

But that doesn’t lead to any slow dissolves, tasteful panning, or overdramatic score drowning out sex noises. In fact, Ikki is taken aback, asking if she’s sure what she’s saying. Without skipping a beat, Stella looks seriously and calmly at Ikki and says she does; she wants him, he wants her, and if he wants, they can have each other right here and now. Stella may be the instigator by posing the question, but she understands the choice of whether to proceed belongs to both of them.

Ikki says no, but it’s not because he doesn’t want to. For one thing, she’s exhausted and needs to rest, but beyond that, Ikki is thinking about their future—both their futures, not just his. Even if you don’t quite agree with Ikki’s somewhat conservative views on the matter, you can still understand his decision as part in parcel of the careful life he has to lead, whether it’s not getting into useless fights, or not risking getting the girl he loves pregnant in a fit of passion just because all the circumstances align.

It’s not that Stella isn’t being clear-headed, or Ikki is being a prude. It’s somewhere in between, which makes it a far more interesting situation. Stella isn’t just disappointed Ikki turned her down this time; she’s also happy he’s so serious about their relationship. This isn’t just a fling for him. She also surprises herself again with her “naughtiness”, though I sensed more acceptance of, rather than shame about, that side of her.

cav95

In any case, they got as close as you could physically and emotionally get to going all the way, and you have to tip your hat to RKC for going there and not giving us easy or one-dimensional answers or resolutions. And from a practical perspective, it’s good they didn’t get into it, because they would have been rudely (and probably painfully) interrupted by a giant stone golem smashing the cabin.

Again, RKC and Asterisk echo one another when this attacking monster splits into several smaller versions of itself when Ikki cuts it, meaning a central controlling element must be taken out to stop it from reviving. Ikki isn’t able to find it, and nearly loses Stella while fighting when the Student Council shows up to rescue them. A very discreet Student Council that doesn’t ask too many questions about why Stella is in such as state of undress and whatnot!

cav96

Even the council finds their backs up against the wall, until their long-talked-about but previously unseen president arrives and takes the golem—and his controller, many miles away—down with authority. The glasses-wearing, twin-braid redhead is named Toudou Touka (not to be confused with Asterisk’s Toudou Kirin), and she makes an immediate impression as a capable badass who naturally was one of the final four in the last Seven Star. Heck, her attacks even dissolve the letterboxingin a subtle visual breaking of the fourth wall.

As for the gangster-type guy who arranged the golem attack, I don’t much care for him at all, but wonder if he’s specifically after Ikki on behalf of the Kuroganes, or more interesting working against them (and the Kurogane clan having to put on a front of loathing to protect Ikki all this time)

cav97

Mercifully, Shizuku isn’t quite obsessive enough to have snuck on the bus with Stella and Ikki and stalked them on their trip (though it would have been somewhat interesting if she had been the one to save them from the golem, I don’t think she could have handled peeking through the window as the lovers stripped and sweated). Instead, she goes home to her big, cold sad room in the big, cold, sad Kurogane Manor, where she’s summoned by her big, cold, sad father.

Her dad claims to want to know how Shizuku is doing, so had her mother write a letter to her on his behalf. In addition to being insulted by being tricked into coming, Shizuku is pissed that her father won’t even speak of Ikki, even though like her he’s won twelve matches in a row without a loss.

He’s quick to express his pride in her, but not Ikki, so she rejects his pride, along with whatever excuses he has for treating her brother like garbage for so long. (Of course, if there is a good reason Ikki’s family does that, which Shizuku isn’t aware of, it would be nice to hear about it.)

This is actually Shizuku at her best, “behind enemy lines”, where the enemy is the entire rest of her family who treat Ikki like an inconvenient eyesore, and taking the fight to that enemy. If they’re not going to treat Ikki like they treat her, she’d rather they treat her like Ikki, and go to the devil while they’re at it. Going home made Shizuku mad, which is why its such perfect timing that her next match will be against Toudou Touka, in a battle of water vs. lighting.

9_ses

Owarimonogatari – 09

omg91

After escaping the trap of the snail by going over the rooftops, Koyomi and Kanbaru encounter a crab-monkey hybrid. Once they deal with it (and as a fellow left-hander I feel for Kanbaru mixing up directions), snakes emerge, which Shinobu grabs, then lends Kokoro-watari to Koyomi to finish the demi-apparition off. All of the animals that afflicted Koyomi’s girls are coming back, and all seemingly in service of the samurai.

omg92

After lying under Shinobu as she swings—revealing a small sticker with Gaen’s location, the shrine—Koyomi heads there with Kanbaru and Shinobu. When Koyomi describes what the samurai was after (and imitates his laugh all too perfectly, another clue as to who he is), Shinobu is incredulous. The minion she created, from whom she took Kokoro-watari…she watched him burn up in the sun and die 400 years ago.

omg93

He can’t be back, she insists; This is all some kind of lie or trick. But when they meet up with Gaen Izuko (introducing herself as Oshino Izuko to Kanbaru and Shinobu, who seem to buy it), and Koyomi tells her everything that happened, Izuko disputes Shinobu’s assertion the first minion is dead.

omg94

While her scenes are primarily exposition, she inhabits a variety of interesting environments as she provides it, eventually whipping out “game pieces” of all the Monogatari characters. She makes connections between the first minion and Koyomi, the second minion, and describes coincidences that weren’t coincidences, like the fact that the first five animal apparitions infected five of his female friends, and later phoenixes and cats and tigers.

omg95

She then takes things all the way back to four centuries ago, glossing over Shinobu’s story (because Shinobu already told it, and beautifully so) and focusing on the first minion, who became so after Shinobu drank his blood. He came to loathe what he had become, but that loathing couldn’t change the fact that his immortality was such that even burning up in the sun would not kill him, only disperse him into a cloud of ash.

Over 400 years, exposed to the elements and through trial-and-error, the first minion resurrected, not necessarily because he wanted to but because that’s just what happened. And the final reveal, that the minion was finally successful in coalescing fifteen years ago, leads us to wonder if he’s someone Koyomi already knows…the fifteen-year-old Oshino Ougi, for instance.

8_ses

Owari no Seraph 2 – 08

owa2_81

No doubt motivated by her feelings for Yuu, and her desire to not see him in pain, Shinoa agrees to attempt to save Guren and Shinya. Had she fully comprehended how impossible it would be to snatch from Eusford Crowley something he does not intend to give up willingly, she would never have agreed even to the few minutes of attempted rescue.

owa2_82

The Shinoa Team puts their absolute best, perfectly-coordinated product on the field, and still get trounced by the mere sidelong glance of Crowley. Not that surprising; even Guren and Shinya only lasted so long until they were exhausted heaps unable to stay upright without a wall nearby to lean on. Rescuing Guren simply isn’t possible. They can only run, live another day, and hope to get another shot later.

(It was good to hear a vocal arrangement of Sawano’s “scaPEGoat”, which not only gave this scene gravitas, but also made me miss the first season’s ED; this season’s OP and ED are pretty weak by comparison.)

owa2_83

The extent of the futility continues when Guren’s team shows up. Goshi gets his illusory fog going, and even Crowley is plunged into a lava-filled cavern, but none of the surprise attacks from Sayuri, Shigure, or Mito trouble Crowley at all, nor does the illusion. Rather, he’s bemused that the humans have amassed even this much power, even though they remain thoroughly powerless compared to him.

owa2_84

Guren orders everyone to retreat and leave him behind, and everyone obeys, though nobody is happy about it. Both Shinya and “Guren’s Girls” are particularly broken up about it, but with the exception of Sayuri, maintain their composure and set their sights on completing the mission, linking up with Narumi’s squad and working as a team. But Yuu can’t do it.

owa2_85

No matter what anyone, even Shinoa, says to him about family or how much better they know Guren, Yuu is simply incapable of letting Guren go as long as he’s still alive. He remembers the first sleepless, nightmare-ridden nights after Guren rescued him. Even back then they’d developed a rather combative sheen to an otherwise deep brotherly bond, and for the first time, we see how much Yuu meant to Guren as a means of making up for the person he lost.

He also spoke of a day Yuu never thought would come: when the pain of living would give way to purpose: finding someone who needed help, as Yuu needed Guren’s. Yuu believes that time has finally come, and he’d rather die than pass it up. So he takes two more pills than he should, then starts to convulse and bleed and pass out, to everyone’s horror; particularly Shinoa’s.

owa2_86

Just as Yuu is apparently dying of an overdose as his friends stand around him, helpless, Mika arrives with his squad of vampire underlings, who he promptly kills. He’s not here to “check on Crowley”, after all. He’s here for Yuu, and it doesn’t look good for Yuu’s friends right now.

As for the larger battle, Kureto, on the front line and feeling directly responsible for the survival of the entire human race, hasn’t quite let the power get to his head, but he has certainly grabbed all the power he can. Despite the arrival of a brother closer to the Hiiragi patriarch, Kureto is going his own way with his own means and methods, and no one can judge him, because if he fails everyone will be dead anyway.

His own means include the deployment of a “test subject” ominously stored in something resembling the Jurassic Park raptor crate. What devilry lies therein? Will it make a difference? Is Yuu really dead of an overdose? (No, he’s not.) The preview for next week shows Shinoa holding back a line of vampires…for Mika’s sake. I am definitely intrigued.

9_mag

Gakusen Toshi Asterisk – 09

aw91

Okay, no more messing around: the long-awaited Phoenix Festa is finally upon us; that is, after the introduction of Irene Urzaiz, a student so badass she’s in school prison. The head of the “Steering Committee” also announces the controversial decision to allow contestants to field alternates (AKA puppets), bringing a grin to Ernesta’s face.

Before Ayato and Julis’ first match, a light lunch is indicated, which is provided in the form of various over-sized rice balls made by Kirin with Saya’s help. Saya is able to glom onto Ayato briefly, and even get her head patted by Ayato like Kirin. Julis, however, does not request to have her head patted, and lets the silver and blue have their fun.

aw92

When lunch is over, it’s Showtime, and Julis has Ayato all to herself. I liked how confidently Julis, used to distant adoration, strutted out to the arena, while Ayato was a lot more nervous, and how she actually flaunted that confidence by acknowledging the cheering masses. She is a famous princess, after all.

Going in, Ayato is hyped as the only Rank #1 fighter in the Festa, and he decides to waste no time demonstrating that, breaking out Ser Veresta and putting on a little show of powering up before dispatching the two opponents (who weren’t even introduced) all by himself, with one swipe.

aw93

But it’s not just a convincing win; everything went according to plan. Ayato’s chains were presented as showmanship rather than a hindrance to his abilities, and his battle time limit was kept secret by keeping the battle short, with the assumption that Julis would step in once he can no longer fight.

Julis also makes sure Ayato knows to be evasive to the press lest they give anything away. This isn’t Julis’ first rodeo; she knows ignorance is their best weapon, while any info their opponents glean is ammunition against them.

That brings us to the next battle, one between two Le Wolfe brothers who each look at least 35 years of age (Why?) and the two combat puppets built by Allekant’s Ernesta and Camilla, a male-female pair named “Aldy” and “Rimsy”, whose dynamic and banter resembles that of their human creators.

aw94

Le Wolfe dudes flash their skills with wind magic and marksmanship, but even with one minute period in which the puppets don’t attack, they can’t put a dent in ’em. The minute is up, and it’s Game Over for the over-aged brothers, as expected.

Those puppets will definitely potentially pose a challenge to our Seidokan pals; I’m thinking Kirin and Saya will face them at some point, while Irene Urzaiz is gunning for Ayato, with orders not to necessarily win her match, but simply to destroy him.

In any case, we’ll see if the show takes us to those faced, named challengers or if Ayato & Co. will have to carve their way through more nobodies before they reach the “bosses.”

8_ses