Yuuji heads for the station where Gojou is being held, but on his way he encounters a huge mass of people getting cut to ribbons by transmogrified humans and other cursed spirits. Being Yuuji, he can’t just run past all this and do nothing, but he also has a job to do, and it’s not this. Thankfully, Inumaki Toge appears and is ready to “salmon, salmon”, i.e. take care of this situation so Yuuji can go to ground…where he encounters Choso.
Even when he exhibited his ability to kill civilians with blood bullets, I’ll admit to having allowed Choso to fly under my radar. After all, he’s not Getou, or Mahito, or Jougo, or even Hanami. But he does have an axe to grind with Yuuji personally. He’s motivated and focused on getting revenge for his brothers, and he achieves first blood…never what you want from a blood manipulation user. Yuuji suffer multiple wounds but is so goshdarn tough he’s still able to get a couple licks in before he’s cornered.
His Mechamaru talisman speaks up again, telling him to go to the bathroom. When Choso follows him he finds all of the sinks and toilets are broken and the sprinklers are on. This dissolves his blood and makes it impossible to use his most lethal abilities: his hypersonic blood beam. Yet even with the odds seemingly evened a bit, he still proves deft at close-range hand-to-hand combat. He can also still use his blood manipulation for other things.
Choso doesn’t take Yuuji lightly. His brothers wouldn’t have lost to just anyone, and even though Yuuji only gets a grand total of three good hits on him, those three hits hurt Choso bad. At the same time, once Yuuji’s liver is pierced, he knows he can’t hold out long, but is resolved to kill Choso or die trying, giving others the opportunity to save Gojou. It’s a knock-down, drag-out fight that brims with evocative imagery, inventive acrobatics, punishing impacts, and masterful use of camerawork, lighting, sound, and color.
Then suddenly, when Yuuji can’t get up anymore, everything goes quiet and the camera goes still. We get a wide shot of him in the bathroom doorway, and hear Choso’s slow, measured steps before he appears from behind the wall like a specter. He’s about to deliver a killing blow, and Sukuna is disgusted. But Choso’s blow goes wide. His head filling with fuzzy VHS-quality memories that never happened, he loses control of his blood manipulation, and he wigs out. It seems Sukuna did Yuuji a solid…I wonder if he’ll ask for something in return.
Choso wanders off in his distressed fugue-like state, allowing Nanako and Mimiko access to Yuuji to “begin”…something. They seem like wild cards, what with the sense of betrayal they must feel towards whatever took over Getou’s body. Whatever they’re up to, Yuuji is in no condition to resist, or even get up.
This was a thrilling, immersive, and hugely entertaining tour-de-force of sight and sound throughout. The only two demerits that keep it from five stars? 1.) Some cheap-looking pans across still shots of the murder mosh in the beginning, and 2.) the narrator chiming in too often to deliver inessential details on the mechanics of Choso’s abilities, which I felt that hurt the flow of the battle.