Call of the Night – 09 – Who’s the Real Draggo?

Seri is being overwhelmed by notifications on her phone when she spots Kou. She rushes to pounce on him affectionately, but she’s stopped by Nazuna’s granite knee. Kou tells her Seri wasn’t going to do anything, but Nazuna assures him it’s okay; vampires are tough (as evidenced when Seri slugs Nazuna and the two tussle in the street.

The two vamps are always going to be a bit on edge around each other—especially considering Nazuna’s bond with Kou—but it’s Kou who tracks down Seri and asks her what’s troubling her, as a friend would, because that’s the kind of good kid Kou is. Seri is surprised, but rather than venting to him, they go to karaoke instead.

When Seri warns Kou that she’s super popular and that it’s just gotten to be a big boring drag (she calls all the men she meets “draggos”), and Kou kinda gets it; expressing how he’s annoyed by people believing romance is the “essence of life”. While we don’t get to hear them sing, Kou and Seri have this wonderful natural rapport.

You can tell Seri likes how Kou acts around her, since every other guy acts like the one who starts banging on the door to their room and breathing on the window like a creepy stalker. When Seri makes light of all the draggos she’s had to deal with, Kou tries to get all serious and offer proper advice, when all she wants is for him to brush it off and enjoy hanging out with her—like he does with Nazuna.

When Mr. Draggo enters the room, Seri gets fed up and decides she’s going to kill him “before things get messy”, which is vampire reasoning if I’ve ever heard it. Kou tells her to stop, and Seri asks him to spare her the “killing is wrong spiel”, as human rules and laws don’t apply to vampires. Kou admits that there are times when a vampire might have to kill, but he insists that this isn’t one of them, and protects Mr. Draggo.

The two hide in a dark alley, where Mr. Draggo, AKA Akiyama, seems to snap out of the obsessive trance he was in while near Seri. Akiyama tells Kou how he and Seri met when he fell over while drunk and just hit it off, but he was never arrogant enough to think he ranked that high in her list of people she cared about (nor does he know she’s a vampire).

That soon changes when Seri spots them in the alley, tells Akiyama she’s a vampire, and that she’s going to kill him. Kou stands between Seri and Akiyama and says that’s not happening, but Seri charges anyway, which is when Nazuna, whom Kou summoned via transmitter watch, pancakes Seri into the pavement.

Nazuna is obviously here to keep Kou from harm, but even when Seri promises she won’t hurt Kou, Nazuna asks why she suddenly decided to kill “for once”, suggesting it’s not as common an occurrence as Seri let on. That’s when Akiyama asks Nazuna to lay off Seri, because he was the one who fell in love with her, even though he wasn’t supposed to.

Just as Nazuna has done with Kou so far, Seri never intended to turn Akiyama, but simply hung out with him because they enjoyed each other’s company. The grind of getting people infatuated with her so she could create offspring got boring, and Akiyama broke that monotony. But her unconscious vampiric knack for enrapturing people ended up happening even to him.

Kou stops her right there: if she enjoys having a friend and doesn’t want to ruin that relationship, why kill him? Why not talk through it him first, like the friends they clearly still are? Seri does just that, and when she talks about the fun she had hanging out with Akiyama as a friend, her eyes fill with tears, knowing they’ll never have that again.

Akiyama knows that too, as he’s now in love with her. But that being the case, rather than kill him, he asks her to make him her offspring instead, so they can still hang out and still have that friendly rapport. She does just that, turning him right there in the alley while Nazuna and Kou look on.

Kou can’t help but feel like the situation is a little unfair, seeing as how Seri and Akiyama have what he wants…and naturally, Nazuna senses that’s what he’s feeling, but says it’s fine to take their time for now. After Akiyama is turned (and his eyesight is improved; a nice detail) all four go back for some celebratory karaoke, and Kou notes that he’s having a great time.

This might’ve been my favorite Call of the Night yet. I continue to love how warm empathetic Kou is. Seri is always an absolute delight; I love how she can turn from affable to frightening and capricious to vulnerable on a dime. I fear I’ve fallen for her and become one more draggo, and it’s not for any one quality but because she possesses so many layers.

Akiyama, voiced by the great Yoshino Hiroyuki in a rare toned-down role, is a solid introduction and the show’s first male vampire, and therefore glimpse of what Kou ultimately hopes to become. Loved the stalker fakeout. And as always, both quiet scenes of talking and raucous, concussive action are exquisitely composed and directed. The show is running on all cylinders.

The Faraway Paladin – 04 – Divine Protection

Gus manages to fight off Stagnate, but it turns out Stagnate split himself in two. Stagnate’s second half arrives and puts Blood, Mary, and Gus out of commission, and gives Will an ultimatum: join him, or lose them all. He’s clearly the more charitable, patient half, because he gives Will 24 hours to decide. Will uses that time to sulk.

It’s at this point that the show reminds us that Will was, as he calls it, a useless garbage person in his past life, something he’s kept from his parents to this point. But when he wakes up and starts ranting about how useless and garbage-y he still is, Mary won’t hear it. She slaps him, tells him to stand up and get ahold of himself. Will may not have cried for his parents in his first life, but the fact he’s so shook up about his new parents proves he’s not the same person in this life.

Will turns Stagnate down, then has to fight a bunch of skeletons, which he does successfully, leading Stagnate to once again ask Will to join him. Will can tell Stagnate is genuine in his passion for and desire to create world without life or death, but simple everlasting…stagnation. The thing is, Will already had his fill of that in his past life, and is now in a position to reject it.

That’s because, even after Stagnate offers Will a cup of his blood, Will cuts of Stagnate’s hand holding the cup, and then the hand turns into a snake that injects Will with the blood like venom anyway, Will wakes up in the divine domain of Gracefeel, Goddess of the cycle of death and rebirth. A caring, benevolent God not unlike Mary in personality offers Will her divine protection.

All he has to do is what he wants to do anyway: move forward. Live. Not stagnate. When Will comes to, he’s able to use the Divine Torch, which spooks Stagnate into launching an emergency destruction spell. But Will realizes almost too late that Stagnate was using that as a smokescreen so he could get to his true target: Mary and Blood. Will Will make it in time to save his parents? I hope so!

The Faraway Paladin – 03 – Guardians of the Seal

Last week I was just complimenting Paladin for not wandering down the same seedy allies as Mushoku Tensei, but as Will is growing closer to adulthood, Blood decides to get him drunk and then try to spy on Mary undressing. There are a lot of problems with this—mostly that Mary is for all intents and purposes Will’s mom—but thankfully they fail, Will gets a swift slap in the face, and it’s over.

The next day is the day of the big duel between Will and Blood, and the combat animation and modeling was, if I’m being generous, a little rough. The surroundings at least were pretty, but the duel was not. It was also over seemingly as soon as it began, with Will figuring out that he has to bounce off Blood’s sword to get close. I will say Will’s trick of getting his opponent’s blade stuck in his ribs is a clever one…it just makes no sense that there’s black between those ribs.

The remainder of the episode has Blood and Mary basicaly giving Will a big old infodump of all the things they kept from him until he was old enough to hear and understand it. The two of them plus Gus were once humans, but in order to rid the city of demons loyal to the High King of the Eternals, they made a deal with the evil god Stagnate, and became undead guards of the seal keeping the High King at bay.

That was 200 years ago. At some point Will appeared in their lives, and Mary and Blood decided to raise him like a son. But now it’s time to say goodbye, and not just because Will is of age. Stagnate, it seems has come to take what’s left of the three in exchange for the peace they’ve enjoyed. He also probably wouldn’t mind having Will too.

Then Gus arrives and tells Will to take Mary and Blood and get out of there, presumably so he can engage in epic battle with Stagnate without worrying about collateral. I gotta say I’m not optimistic about that battle being any more impressive than this week’s duel, but I do care about what happens to this family.

The Faraway Paladin – 02 – Hero or Die

There’s not much of a sharp edge to Paladin, and yet it’s anything but soft. It’s as wholesome as Mushoku Tensei is raunchy, but it never feels too sweet. In fact, despite three of the four on-screen characters so far are a skeleton, a mummy and a ghost, there’s a profound realism to the proceedings. It’s a wonderfully balanced show that draws you effortlessly into its world.

William could easily have come off as boring or far too squeaky-clean for his own good. But he’s just such a goshdarn nice kid, you just want to protect and root for him. Now that he’s thirteen, the fruit of his three surrogate parents’ labor is starting to show: the kid is a badass. Blood knows this, which is why he leaves Will in the dungeon below the ruined city without escort. He’ll be fine!

But while Blood is passive in his instruction, teaching Will a lesson through the absence of his big, burly, protective person, Gus pushes Will to the absolute emotional limits with some truly diabolical mind games. Will doesn’t know if Gus is serious about trying to kill him, nor does he know if the dungeon and the city of death above it are somehow controlling Gus. All he knows is he’d rather die than hurt his “grandpa”.

With a father figure in Blood, a mother figure in Mary, and a gramps in Gus, Will has quite possibly the coolest and most loving families anyone could ask for, alive or undead. And yet questions like who his blood parents were and what happened to them and the city trouble him. He becomes more self-aware, introspective, and curious as he nears his fifteenth year, which in this world means you’re an adult.

Before the coming of age rituals that are certain to come, Gus and Blood show Will a more mischievous side by having him collect coins in the dungeon and then gamble over backgammon. This draws the ire of Mary, but both misbehavior and scolding are equally important lessons as Will will soon strike out into a world that will try to prey on his kindness and relative naïveté.

But the march of time is relentless, as is Will’s drawing nearer to the line between child pupil and adult paladin. He’s to swear an oath to one of the gods and thereby gain their divine blessing (along with a degree of hardship in exchange), and at some point Blood will challenge him to a serious one-on-one duel. There’s the bittersweet feeling that Will’s three parents don’t want him to leave the nest, but it’s inevitable that he’ll have to, and essential that he’s thoroughly prepared.

The Faraway Paladin – 01 (First Impressions) – Enduring the Holy Flame

When we meet Will, looking every bit like the little brother of Chise and Shirayuki (which is very apropos), his world is very small. There are only three people in his life: Gus the ghost, Mary the mummy, and Blood the skeleton. You will note that none of those creatures should necessarily classify as “people”, but here they do, because they’re raising a little boy they could have easily killed…or left to die.

While I know if I was three years old I’d probably be scared out of my mind by the presence of three monsters in my life, but that’s only because I was raised by human parents. Will has never known anything in this world other than these three. The twist is, he’s not originally from this world, but from ours. This adds a wrinkle to a premise that, frankly, could have been just fine without the Isekai angle.

That’s because the idea of these three classic enemies of humanity were responsible for leveling the nearby human city taking pitting on the sole survivor and raising him like their own child is an attractive one. Unlike, say, Golem in Somali and the Forest Spirit, they all have a good grasp on humanity and raising children because all three of them used to be human.

Of course, Gus, Mary and Blood are not simply emulating three human parents; they’re imbuing Will with the wisdom and experience only three undead beings can. Gus helps Will unlock his affinity for magic; Blood toughens and hones him into a man who can kill when he needs to (for survival) and defend himself so he won’t die. Mary teaches him everything else about life—including empathy and unconditional love.

Inevitably, Will grows older (eight to be exact) and his curiosity about what his three adoptive parents haven’t disclosed or are currently hiding from him grows exponentially, as does his ability to investigate. Again, this is nothing different from what regular human parents go through—you try to hold off on explaining certain concepts until the kids are old enough to properly understand. But Will is already at that point, whether they like it or not, and it’s due in no small part to how well they’ve raised him.

To that end, when he spots Mary sneaking into the chapel to pray and finds her surrounded by white flame, Will runs in and grabs her to try to pull her out, causing severe burns that may scar his hands and arms for life. But when he comes to and Mary apologizes for keeping secrets, Will apologizes right back, for prying.

Mary also tells Will that she keeps praying to the goddess Mater she betrayed after death because she still reveres her, and because Mater provides bread to sustain Will. By all indications, Will didn’t live the best life back in our world, but these three undead monsters seem to be teaching him to be a better human.

Good-natured, charming, optimistic, possessing just the right hint of darkness lurking beneath the surface (that city looked pretty dead) and a kick-ass English title, The Faraway Paladin is promising slice-of-life Isekai, perhaps different enough from Mushoku Tensei to keep it on my watchlist.

To Your Eternity – 15 – A Victor Without Victims

Having Parona’s form brings Fushi nothing but grief, for the fact he has her form almost certainly means she died, like March, far to young. His Creator tells him not to get so worked up every time someone dies—literally everyone in the world except the two of them will die, after all—but Fushi tells him to piss off, and to the very hands-off Creator’s credit, he does.

As for Fushi’s new self-appointed bestie Tonari, she’s absolutely jazzed by Fushi’s new form, complimenting his hair and skin, glomming on him like she wants to possess him. She claims to want to be the bow to his arrow, but her constant spewing of half-truths and false faces remains extremely disorienting to Fushi. Combined with the whole kidnapping Pioran thing, he insists she leave him alone. She doesn’t.

As for the Creator’s credo of Pain Promotes Growth, Fushi replaces it with his own: Fuck Pain. On a island where the intricate social organization of humanity is blended with inhuman savagery, Fushi may be the most human one there, thanks to the quintessentially human people who helped shape him into the good and kind orb he is. It’s why he wants to save Pioran, his family, even though she insists she’s where an old criminal belongs.

So dedicated is Fushi to the cause of honoring Parona and Gugu’s memory by putting himself to good use protecting others, as she did, he even protects his own opponent in the third round from the arrows of impatient staff and spectators. This flummoxes the fighter to no end, but after he’s laid up with an arrow back home, both we and Fushi learn he too is a human in this place that is both inhuman and as human as humanity gets.

Some veteran islanders come by to protest Fushi’s way of doing things, insisting that he brings dishonor to everyone he fights by not killing them. Tonari shields Fushi from them, only to get punched in the face by a man who is then shot with a poison dart by one of Tonari’s crew.

But far greater than the threat of the islanders are the Nokkers, who rise out of the ground, stab Fushi, and steal Gugu away so he can’t use fire on them. Now down to the boy, the wolf, the crab, Parona, and the mole, and with a shitload of potential bystander deaths, Fushi runs, and warns Tonari and the others to run in the opposite direction. They don’t.

Fushi tries to burrow into the Nokkers as the mole, but he’s quickly tossed out and loses that form. Tonari grabs Fushi by the scruff of his coat, beaming widely and in absolute awe of the giant stone bear, while her crew launch diversionary attacks.

Tonari has a meta moment, asking Fushi who he thinks she is: “a side character who just runs away?” Then the earth opens up and it looks like Tonari is history, but Fushi grabs her and pulls her back onto land, where she orders her crew to execute a certain plan.

This plan involves explosive arrows. That works perfectly for Fushi, since his Parona form is quite comfortable with a bow. He can also infinitely create more bows and arrows when the crew runs out. The islanders, once rearing for a fight with Fushi and Tonari’s crew, restrain the bear with huge ropes and join the fusillade.

In the end, the Nokkers are defeated, and Fushi is able to regain both the form and memories of March, Oniguma-sama, and Gugu. It is an unqualified victory, but he could not have done it without help from Tonari’s crew and the islanders, all of whom he hated when the sun came up that day, but now probably has a new appreciation for, seeing as he got his forms, his family back.

For the first time, Fushi reacts to Tonari’s constant goofing around and bullshitting with a genuine thank you, which catches the girl completely off guard. Tonari repeats to him that to change fate, sometimes you have to work with others, and their victory today was proof of that.

It looks like Fushi, Tonari, and the crew will get to enjoy a bit of rest and celebration after quite an impressively action-packed episode imbued with ample emotional weight due to the stakes—and eventual spoils—of victory. But the final round of the tournament lurks, and crazy-ass Hayase lurks along with it, so that rest probably won’t last long.

To Your Eternity – 14 – Hail to the Chief

Fushi finds himself ensnared by the mysterious Tonari, who pushes him into a arena battle royale before he even knows what a battle royale entails. Once he realizes it’s kill or be killed, he decides not to kill, and since he can’t be killed, he ends up winning when the last non-immortal fighter standing passes out from a hangover.

Fushi wins the adoration of the crowd, as well as an entourage in Tonari and her young friends. In the episode’s very expository second act, Tonari and the others explain The Way Things Are on this prison island now essentially run by the convicts. The island burns through chiefs, but Tonari sees potential in an “eternal” chief to bring some kind of stability and dignity to her home.

Fushi is mostly disgusted by this island full of death and enslavement, and wants nothing to do with Tonari and her pals who he says aren’t “normal” if they can laugh, smile, and joke in such a place. He asks the Creator to take him to Pioran, but the Creator won’t do anything for him that won’t help him grow.

The creator tells Fushi that a plain fact of living with mortal humans is that sometimes they’ll choose how and when to die, as Gugu did, and as the arena combatants do. Fushi can already be said to have caused the deaths of many humans so far, so what’s a few more who have already chosen to die? As for one life he wasn’t able to take—Hayase of Yanome—she’s on the island, and marks her quarry in the night by licking his face.

The day of the second round of the arena tournament, Fushi has little interest in participating despite Tonari’s prodding. He turns into his dog form, accidentally kills a mole, then becomes the mole so he can dig underground. But he’s snatched up by an owl and dropped right in the middle of Tonari’s posse.

Forced into a one-on-one battle, Fushi tries to intimidate his opponent, but as the Creator told him, that opponent has already decided on only one of two paths: victory or death. Neither becoming a wolf-dog or a flame-spitting Gugu has any effect. That’s when Fushi suddenly remembers Parona, transforms into her (despite her still being alive, as far as we know), and is amazed at how light and nimble he’s become.

He’s able to defeat his opponent and move on to the third round. The crowd goes while, and Hayase licks her chops in preparation for a confrontation in the near future. Whatever Hayase’s intentions, Fushi is about to be tested like never before, as the Nokkers have surely followed him to this island. They’ll either take more of his memories and forms, or he’ll reclaim the ones they stole.

Jujutsu Kaisen – 24 (Fin) – Only So Many Open Seats

When Eso—who like his more monstery-looking brother Kechizu isn’t a cursed spirit but a physical being—unleashes his special attack Wing King, Yuuji grabs Nobara in a princess carry and uses his superhuman speed to flee Eso’s range of attack.

They’re then headed off by Kechizu, who douses them both with his blood. Eso then activates a cursed technique called Decay that ensures both Yuuji and Nobara’s skin will be rotted away until by morning nothing will be left but bones.

We learn that Eso, Kechizu, and their brother Choso comprise The Cursed Wombs: Death Paintings One through Three—the result of either failed or successful (depending on your point of view) experiments in cross-breeding humans and cursed spirits. The three see each other as one and are devoted to one another, as they are all they had when they were sealed away prior to Mahiru stealing and releasing them into the world.

Unfortunately, Eso and Kechizu fucked with the wrong jujutsu sorcerers. Nobara is one of the worst opponents they could have, as she can use her Straw Doll Technique Resonance on the blood splattered on her to turn their curse back on them. Yuuji is an even worse match, as thanks to being possessed by Sukuna he’s immune to all poisons and poison-like techniques.

Nobara makes clear that Yuuji still makes pain, but pain alone isn’t enough to stop the likes of Yuuji. Together the two bust out their own techniques and deliver crippling blows to Eso and Kechizu. Just as last week was Megumi’s time to shine, Jujutsu Kaisen saves its finale for some of Yuuji and Nobara’s most badass moments.

Eso can’t use Wing King unless he releases Decay, but when he fears his brother is near death he does just that, playing right into the sorcerers’ hands. Both he and Kechizu are killed—not exorcised—they are physical beings their bodies remain. Choso senses their loss while playing The Game of Life with Getou and Mahiru.

Yuuji and Nobara win the battle without suffering serious harm. Yuuji asks if Nobara is okay psychologically after killing a physical being. Nobara’s answer is superbly true to her character: when you’re a sorcerer, “these things happen.”

There are only so many people you can save, and as she puts it, only so many open seats in her life for people who will sway her heart. Yuuji just so happens to be the rare person in her life to bring their own seat and sit down. It’s her way of saying Yuuji is one of the few people she cares about, and it’s beautiful.

The two are initially distraught upon finding Megumi passed out under the bridge, and when he wakes up, they’re over the moon with relief. Megumi gives Yuuji the Sukuna finger he secured, but both of them are surprised when a mouth emerges from Yuuji’s hand and eats it. Thankfully, Yuuji’s body is able to withstand yet another finger. Then Nitta arrives and chastises them for not keeping in contact.

Yuuji, Nobara, and Megumi managed to defeat three Special-Grade curses, a feat for which Gojou claims credit for his diligent instruction as he chats with Utahime on her day off. Megumi and Nobara agree to keep the fact Yuuji “resonated” with Eso and Kechizu a secret to protect their bud. Toudou Aoi and Mei Mei officially recommend the three sorcerers—along with Maki and Panda—for promotion to First Grade status.

Maki and Panda spar together as Toge (who I assume is already a First Grade) keeps score; both of them determined not to get left in the dust by the three first year up-and-comers. Nobara then goes on a celebratory shopping spree with Yuuji and Megumi, using Yuuji as her pack mule.

Getou, Mahiru, Choso, and a host of other high-level baddies remain at large to be eliminated, while perhaps the greatest threat remains within Yuuji in Ryoumen Sukuna. A “To Be Continued” at the very end of the episode serves as a promise that at some point Jujutsu Kaisen will return to settle these matters with its trademark blend of bombastic action, heartwarming camaraderie, and rib-tickling comedy. I already can’t wait.

Jujutsu Kaisen – 13 – What Is a Proper Death?

Yuuji is in the fight of his life, but he’s also in the middle of a lecture. Nanami may not be a teacher, but he’s still going to coach up the young buck so he doesn’t get himself killed. Yuuji, for his part, pays attention. He’s not the kind of hero who’s going to defy his sensei because he thinks he knows better or thinks he’s strong enough.

Nanami’s plan with Mahito is simple: wait for an opening, then rain blows upon him with Yuuji. It takes a little under four minutes, but the two jujutsu sorcerers eventually get the timing right, and then it’s open season. That’s when Mahito plays dirty, unleashing a trio of deformed humans on Yuuji, knowing he doesn’t have the heart to kill them.

Only, to Mahito’ surprise, he does. It happens offscreen, but Yuuji deals with the humans before they kill him. That’s when Mahito decides to push all his chips into the pot with Domain Expansion, engulfing only Nanami while Yuuji is trapped outside. Nanami, all but certain this is the end for him, looks back on how he got back into sorcery in the first place.

We watch him live his life in a pinstripe suit stealing money from wealthy people in order to make other people wealthier. It’s a job he’s good at but gives him no joy, and he believes no one would miss him if he simply ceased to exist. Then, when a cute young woman at the bakery has a low-level curse on her shoulder, he exorcises it, she thanks him profusely, and he decides right then and there to give Gojou a call.

Of course, while more rewarding and a better use of his time and talents, jujutsu sorcery was always going to be a higher-risk proposition. Mahito thanks Nanami for getting him to unleash his domain, but Mahito isn’t interested in the gratitude of a curse. He’s gotten enough thanks from people like the bakery lady that he has no regrets.

Only before Mahito can do Nanami in, Yuuji successfully busts through the domain from the outside, which is far easier than trying to break out. Because Yuuji is the vessel for Sukuna’s soul and Yuuji is now within Mahito’s domain, Mahito touches Sukuna’s soul a second time, and Sukuna punishes him—a flick of his hand puts a gaping gash across Mahito’s chest.

With his cursed energy depleted from summoning the domain, Mahito puts everything he’s got left into making himself as big and fat as possible. Yuuji proceeds to put everything he has into a Divergent Fist, which pops Mahito like a balloon, but crucially does not kill him. He’s able to slip back into the sewers. Nanami has his colleague Ito try to track him down, while Yuuji passes out from exertion and his many wounds.

When Yuuji wakes up he’s back at the school, specifically the morgue, where he reflects on the human life he was forced to take, and how it led to the realization that while he’s been trying to ensure everyone gets a “proper death”, he has no idea what that is. Nanami has news for him: no one does. All he knows is there will be many more people like him who will need him, so he’d better not die improperly himself.

Back at the late Yoshino Junpei’s high school, the lead bully Itou is called out by his peers filling out surveys, and the ineffectual teacher who looked the other way for so long develops a spine. He knows both he and Itou bear the crime of killing Yoshino’s heart, and will have to keep bearing it the rest of their lives. While Junpei died far too early, his death wasn’t without purpose.

Meanwhile, Yuuji is back on his feet and above ground at Jujutsu High, meeting Nanami and Gojou in the hall as a full-fledged jujutsu sorcerer. While Mahito & Co. will surely go after him in hopes of releasing Sukuna (who Mahito believes can singlehandedly usher in the “Age of Curses”), his more immediate concerns are reuniting with Megumi and Nobara (at last!) and participation in the Kyoto Sister School Exchange Event.

As for this episode, I consider it the best of Jujutsu Kaisen yet, an absolute tour-de-force of combat animation and sakuga, staging, pacing, atmosphere, peril, and sweet, sweet near-victory. Nanami’s backstory was well-timed, efficient, and effective at giving the guy some dimension, while Mahito remained an entertaining adversary to the bitter near-end.

Jujutsu Kaisen – 12 – Shape of the Heart

Last week barreled through a rapidly-created friendship between Yuuji and Yoshino Junpei, yet despite that story being told at breakneck speed, it still worked; i was still emotionally invested, and like Yuuji was dearly hoping Junpei could be saved.

Granted, that wasn’t going to happen without a little bit of tough love in the form of a physical showdown between the two. At first glance Junpei seems as bad a matchup with Yuuji as Mahito vs. Nanami: he can use his jellyfish shikigami to dull Yuuji’s blunt-force blows.

Well…until he can’t, and Yuuji punches the shit out of the jellyfish. Junpei tries to explain while he fights why what he’s doing is right and just, but like myself Yuuji wasn’t really listening, and in any case isn’t buying what Junpei is selling about nobody having hearts, or people being free to kill those who wronged them.

But when Junpei breaks out the jellyfish cutlery, Yuuji fails to dodge on purpose, because he realizes he’s dismissing Junpei’s point of view from a place of ignorant privilege. Especially considering how short a time he’s known Junpei, Yuuji admits he doesn’t know the full story about what’s going on…which is why he stops fighting and asks Junpei to tell him.

Once he does, Yuuji suggests Junpei come to Jujutsu Tech with him, not only to hone his abilities, but to find out who cursed his mom and bring them to justice the right way. Junpei might even have been receptive to such an offer, as he’d no longer have to attend the school where he’s so horribly bullied. Alas, it’s not his call…it’s Mahito’s.

Mahito arrives with all his usual immaturity, vivaciousness and swagger that make him Gojou’s cursed spirit counterpart. Without hesitation, he uses Idle Transformation on Junpei, transforming him into a grotesque monster that called to mind both Made in Abyss Attack on Titan, and of course Parasyte: The Maxim.

It was one thing to see a curse sneak up on Junpei’s mom; her death happened off-camera. But to see Yuuji’s new friend, someone who was just a kid being led down the wrong path by a literal curse, cruelly disfigured beyond repair was f-ing hard to watch. The transformed Junpei attacks Yuuji, who tells Sukuna that he’ll do or give up anything if only he heals him…and Sukuna refuses.

This shocks Mahito, whose entire plan (or rather Getou’s) was to back Yuuji into a corner so he’d have no choice but to form a pact with Sukuna, whereupon Mahito and his friends would introduce themselves to the King of Curses and seek an alliance in the war against humanity. Instead, Yuuji remains Yuuji, and Junpei dies (from the shock of the transformation) while clutching his friend.

From that point on, Yuuji has HAD it with Mahito, explodes with shounen energy and starts whaling on the guy. Of course, physical attacks are of limited efficacy against a curse that can change his physical shape at will, but that first punch makes Mahito’s nose bleed, which is something.

Unfortunately, Mahito has something for Yuuji too; part of being able to change his shape means he can transform into any number of frightening weapons, from a chain of razor-sharp blades to piercing spikes large and small that riddle the reckless Yuuji with holes.

Throughout this fight, in which Mahito hangs in there in a rather bemused state, still feels he can salvage the plan. Yuuji made clear he doesn’t want to exorcise Mahito, he wants to kill him, so if he can’t kill him alone, he’ll have no choice but to switch out with Sukuna.

Mahito is even fully prepared to transform every student in the school until Yuuji is enraged enough to switch out. However, when Mahito gets an opening, he can’t resist trying to use Idle Transformation on someone who is “aware of the outline of their soul”, as Yuuji is.

It doesn’t go well. Rather than touch Yuuji’s soul and transform him, Mahito is shunted to Sukuna’s Innate Domain, where Sukuna sits upon his giant throne of bones, looks down on a frightened Mahito, and gravely warns the “fool” to “know his place.” He’ll let him off with trying to touch his soul once, since they both shared a laugh at Yuuji and Junpei’s expense. But ther won’t be a second time.

Mahito ends up back in the outside world, and his failed technique opens him up to a series of brutal skull-crushing headbutts from a committed Yuuji. Mahito stops playing around and slips out of Yuuji’s hold, and is about to bash him with a giant cudgel arm when Nanami swoops in to absorb the blow.

Next, Nanami asks for a report from Yuuji, and is irritated when Yuuji reports that he couldn’t save two people (Junpei and his mom) before reporting on his own physical status. To Nanami and many other sorcerers, looking after oneself trumps worrying about others. I’m sure he hopes it’s something he can exorcise from Yuuji, but for now, he recognizes that he’s still just a kid. A kid full of holes.

Now that a capital-A Adult has arrive at the scene, we’ve arrived at the beginning of the endgame to the Mahito battle. Nanami has already determined his attacks are ineffective, but he is able to limit his movement. Combined with Yuuji’s ability to make him bleed, hopefully the two of them working together can defeat the patchwork curse…or at least force him to retreat. If not, heck…maybe they’ll get a surprise assist from Gojou.

Jujutsu Kaisen – 11 – Let the Hate Flow

Nanami has no intention of working further “overtime” than he needs to, so he executes the attack that has the best chance of disabling Mahito and then retreats when he has the upper hand. He does this by basically removing the limiter to his cursed energy and then depositing it into a wall, which crumbles atop Mahito after his right foot is sliced off.

Nanami recognizes that Mahito is a threat that requires more than just his abilities to contend with; Gojou, who doesn’t appear this week, would seem to have been proven right that the old fogeys in charge of sorcery have been caught flat-footed. For now, a lightly wounded Nanami calls for Ijichi to come pick him up.

It’s then that he learns Yuuji isn’t with Ijichi, but went off to talk to Yoshino Junpei. Unable to reach Ijichi for further instructions, Yuuji simply swings from the hip, asking Yoshino if he has any other info about the theater incident. The two start immediately bond over their love of movies, then Yoshino’s mom passes by and invites Yuuji to dinner.

For one lovely evening, Yuuji and Yoshino are friends, joking around about movies while Yoshino’s mom joins in the fun but drinks too much beer and falls asleep at the table. Yoshino asks if Yuuji is a Jujutsu sorcerer, and if he’s ever killed anyone.

Yuuji has a very eloquent reason for not wanting to ever kill: if it ever becomes an option for him, it will be too easy for it to turn into the only option, clouding the value of life and tainting his soul in the process. Alas, Yoshino’s mom wakes up to find one of Sukuna’s fingers on the table, and is then visited and then killed by a cursed spirit.

That spirit may well have been human once, and the creation of Mahito. Later he and Getou admit they placed the finger there to lure the curse, as they never intended for Yoshino to be anything other than a lure with which to bait Yuuji. Yoshino suspects one of his bullies to be responsible for killing his mom, and so lets Mahito drops a cursed veil over the school.

Dressed in black that mourns both his mom and his old life, Yoshino steps around all the other students who are passed out to get to his long-time tormentor, then lifts him into the air with cursed energy and starts beating and torturing him right back. Yuuji arrives in time to witness Yoshino’s apparent heel-turn. Everything is going according to Getou’s plan: forcing Yuuji to draw on his pact with Sukuna in order to stop Yoshino.

Just like that, I’ve only got one more episode of JK’s Fall cour. This week’s omake reinforces that there are currently two shows running in parallel, but we’re only privy to Yuuji’s show while Nobara and Megumi’s training proceeds off-camera. I imagine this Yoshino situation will reach some kind of conclusion in the Fall cour’s twelfth and final episode, and only after that will Yuuji reunite with the others.

Gleipnir – 11 – Like Nothing Ever Happened

This episode is full of one-on-one visits to the alien, the first of which is Elena. It’s clear she’s tired of this nightmare, wants it to end, and when the alien gets a little too cute marveling at her sister’s group’s recent ingenuity, threatens to kill him. The alien tells her he’s as mortal as his human form suggests, but killing him won’t undo everything that’s already happened, nor everything she’s done.

Following the slaughter of Madoka’s crew by poison fire, Sayaka’s group decides to let things cool for the time being, and return home for now. Shit just got a bit too real. As Sayaka laments to Aihara (while also declining an offer to comfort her), her lofty ideals led to the same carnage and destruction she’d hoped to avoid all along. Isao remarks to Yota how frighteningly calm Claire and Shuuichi were; as if they were used to doing such things.

As Shuuichi walks home with Claire, he wonders if everyone in Madoka’s group was really dead. He’s come around to thinking if it means keeping her and the rest of the group safe, it’s better if they’re all dead, so no one will come for revenge.

Claire pulls Shuuichi into an apologetic hug, but Shuuichi doesn’t blame her for getting him into this. In fact, Shuuichi’s been feeling a stronger and stronger desire to use his power to fight, not just to get his memories back, but to truly become one with her.

Clair tries to lighten the mood by suggesting they go see a movie, or alternatively renting one, watching it at her place, and fooling around. Time was this would sound like Claire teasing him, but she genuinely loves and cares about him. If they’re going to hang on to their humanity together, well…one assumes they’d become one the conventional way at some point.

Shuuichi returns to school and his normal life, and the first day goes by without any threats upon his life or those of the group’s. He and Claire finally notice Chihiro attends their school, and Shuuichi warns Chihiro to pretend they don’t know each other in case any of Madoka’s guys are also classmates.

And then there’s his friend Abukawa, whom he saw hanging with unsavory looking sort a while back. He’s been absent since the fire, and Shuuichi’s classmate Izumi tells him she heard about his burned body being found by the river. Shuuichi grapples with the realization that in order to save Claire and the others, he may have inadvertently murdered his friend.

Shuuichi stops by the alien’s spot (a rare daytime visit) eager for answers he’s certain the alien has. Whether Sayaka’s desire to preserve their humanity or Madoka’s desire to create a tight-knit misfit family, he knows people have come to the alien seeking the power to make their lives and those of others a little bit better.

The alien admits that the current form of the “game” wasn’t what “they” imagined, but now it’s a force of nature that can’t be stopped, only observed until it reaches its conclusion on its own. Shuuichi is welcome to try to take back his lost memories and the normal lives he and Claire once had, but the alien can only provide the raw materials; it’s up to Shuuichi to determine precisely how to pull that off.

It’s a testament to Shuuichi’s evolution that he so calmly allows himself to be watched and followed from the alien’s spot to a junkyard, his keen sense of smell making him aware of a potential enemy. It turns out to be the only surviving member of Madoka’s crew, who is eager to avenge his boss and brother.

This guy assumes that without the girl inside him, Shuuichi will be a pushover…but ever since the fire in the forest, he’s been a whole new Shuuichi, capable of handling himself even against a katana specialist. He tells Shuuichi he must not have known who Abukawa truly was; everyone has at least two faces; Shuuichi only ever saw the kind one.

Just as the last Team Madoka member urges Shuuichi to finish him off, Claire calls him on the phone, worried. Shuuichi assures her everything’s fine; he’s got this. And then he kills the guy.

The third alien visit of the week is from the past. A high schooler named Honoka is his very first visitor. Honoka proposes he ask other humans to help him find his companions, and set up a vending machine to grant their wishes as a reward.

Honoka is hesitant to provide a wish of her own for the alien to grant, but shows him a photo of her five friends, telling him they’re good people who would be willing to help him collect coins. Among those friends are Shuuichi and Elena, along with two other guys and a third girl.

It’s the clearest picture yet of Shuuichi’s social situation prior to gaining his powers and losing his memories. As the alien reflects back in the present on how kind and ruthless humans are, we cut to the lion-haired lad from the photo in the present, along with Honoka, who clearly gained powers at some point despite her initial hesitation. He uses her power to kill a group of gatherers, declaring this his story.

It’s a late introduction to two more of Shuuichi’s old circle of friends, but a fascinating one, especially considering Elena, like everyone else, was drawn into this mess by a well-meaning Honoka. The show is steadily gathering momentum and I’m looking forward to the final two episodes filling a few more gaps in Shuuichi’s memory, as well as further developing his bond with Claire.

Dropped: Darwin’s Game…Over