Murakami Ryouta didn’t ask for a harem of escaped super-human hotties. He got saved by one of them in a mudslide, felt compelled to help her, and one girl led to another until his Observatory of Love grew to four. Their salvation is his crusade, and worrying over them is a full-time job…though he has a part-time job tutoring nosy pipsqueaks.
At his present level of involvement in their…situation, there’s no way someone like him wouldn’t blame himself if some or all of them were to meet their doom, which could come slow when they run out of pills his uncle can’t copy in time, or fast when the next lab-assassin, Nanami, rears her twin-tailed head.
His options are all but limited to storming the lab where they escaped from and stealing more pills, and the timing is limited to a month. This is not an ideal situation, and the chances of success with any plan are slimmer than Kazumi’s figure, but in the meantime, the girls still have their lives. If he can’t save them, he’s not going to stop them from living them.
To that end, Neko goes to Karaoke and gets hit on, and Ryouta takes Kazumi to what turns out to be a date to Akiba. Here, Kazumi’s gentler, sweeter side really shines through; it’s the kind of perfect day you expect a show to give someone before killing them. I hope I’m wrong, because Kazumi’s kind of the life of the party.
Lucky for Ryouta, Neko, and Kotori, the “state power” perusing them sent one of the less effective AA+ witches after them. Kikako moves and acts almost comically slow, giving them any number of opportunities to get the upper hand. And I’ll admit I’d forgotten about Kotori’s teleportation ability, and the fact enough time had passed that she’d no longer be hung up.
Ryouta has a plan, but it depended entirely on two factors he couldn’t control: that Kikako would take her sweet old time firing her mouth cannon at Neko once she had her pinned to the ground (seriously, that was way too long!), and he just happened to flag down Kotori. I did like how Kotori’s determination to smile rather than cry gave the impression she was Neko’s killer in Kana’s vision.
I initially thought the whole episode would be dealing with Mikako, but like I said, once Ryouta realized he could use Kotori’s power, things were pretty well in hand. And oh, hey, it wouldn’t be an episode of Brynhildr if scenes of girls bleeding from their eyes and having their hands and feet sloughed off weren’t followed by a random scenes of goofy fanservice! Because as we all know, when it gets hot, girls take their tops off. There’s a wealth of rap music confirming this very phenomenon.
Having survived Mikako (who’ll be “severely punished” for failing), Ryouta all of a sudden remembers a relative of his is an accomplished scientist at a po-dunk university (probably so he can get away with more shit). I initially thought he was that evil scientist dude we already know in disguise, and the close-up of his rather crazed eye at the end suggests he isn’t anyone to be trusted, regardless. But with the pill supply running out, Ryouta and the girls’ options are few.
- Mikako is far more dangerous from long range, as evidenced from Shino’s demise.
- Shouldn’t Ryouta have brought up his scientist uncle way back when the pill thing became an issue?
- I can’t help but be constantly distracted by the over-convenient fact that Ryouta has an entire observatory at his disposal, no questions asked, where not another soul ever comes by, with access to a barbecue and hot spring. From those perks alone, there should be a lot more astronomy club members.
- Where the heck did Neko get that blender? Where’d she plug it in? How is she dealing with Kana’s bed sores? The show doesn’t care about these details, so I guess I shouldn’t, either…
Brynhildr does not have an auspicious cold open, consisting of a pointless comparison between the girls boob sizes. After the OP Kazumi starts sexily teasing Ryouta again. Then something unexpected happens: Ryouta actually calls her out on it. I for one appreciated the show acknowledging the fact Kazumi was trying way too hard.
Kazumi’s response is telling: she tries her hardest at everything; including, er…romance, apparently. Ryouta, meanwhile, has something less romantic in store for his new club-mates: a stargazing party. Sure, the girls are being hunted, and will eventually run out of life-giving pills again, but that’s all the more reason to live their lives to the fullest, while they still have them.
The trip is a success, with everyone getting way more into the astronomy than they thought (even Kazumi), right until Kana starts having visions: first of newbie Kotori standing over a dead Neko, then of a dead Ryouta. Meanwhile, another B-rank witch Shino is on the run from an AA+ named Kikako (looking like a character out of Kill la Kill), and Neko insists on helping, out of loyalty to B-rankers.
Kotori is the one everyone suspects of being the murderer, but Kana doesn’t actually see her killing anyone, suggesting Kikako is the true culprit. Shino doesn’t last long against Kikako’s huge mouth-cannon, and since Neko gave away their position, either she or Ryouta will be the next targets, if they don’t find a way to change Kana’s predictions.
Brynhildr continues to suffer from a highly erratic tone that shifts jarringly from one scene to the next, to the point where it even seems to be confusing the characters. To whit: Ryouta stabs Saori in the heart like it’s the most natural thing in the world for an ordinary high school student to do. After Saori hangs up and is ejected, turning into a mass of organic goop, revealing a horrifying-looking parasite, only then does Ryouta react viscerally, stomping it out like a bug.
Ryouta has gotten mixed up in some extremely awful, bloody, amoral, supernatural shit…but aside from that one little yelp, he doesn’t seem the least bit traumatized by what he’s seen and done. The episode’s attempts to lighten the mood with some fanservice-laced mixed onsen nonsense and domestic issues fail, because the gap between the two moods is too wide. The show yanked me from unspeakable horrors to oppai-grabs with whiplash-inducing speed.
Mix two tones on the exact opposite moods too carelessly, and they’ll compromise each other, resulting in an impotent neutral mood, or just outright confusion. As it stands, it feels like two different shows in one, both of which would be better if the opposing tone was removed. I’m more interested in Ryouta’s resolute leap into the dark, messed-up world of the lab girls, not a half-assed high school harem. Here’s hoping new addition Takatori, an AA+ witch sent to eliminate the others, steers things more towards the former.