Cautious Hero – 11 – Seiya the Unready

This episode comes a long way from its comedic beginning, in which Rista leads Eruru and Mash on a shopping trip, she ends up sniping with a clothier about topless and bottomless swimsuits, then gets the idea to arrange an evening that will end with scoring with Seiya.

Things take a distinct turn when, upon returning to the palace at sundown, Seiya is nowhere to be found. No matter what reasons the three can come up with for his absence, and no longer how long they wait, Seiya…just doesn’t show up.

On the verge of panic, Rista visits Ishtar for guidance, where a tearful Ariadoa leads her, Eruru and Mash to a realm where time stands still. There, Ishtar informs them that Seiya has already headed to the Demon Lord to defeat him himself.

The reason Seiya has been so cold and distant to the three of them is that he actually cares for their well-being to the point he doesn’t want to put them in harm’s way. Since the Demon Lord now has a weapon that can destroy Rista’s soul, Seiya felt it best to keep her away from the battle.

Rista also wasn’t aware due to his Fake Out skill, but Seiya has been totally maxed out since the fight with the Dragons, and has been adding skills like Valkyrie’s Gate of Valhalla to make up for his stagnation (it wasn’t sex after all).

There’s more: Aria is in tears because in a different world 100 years ago, Seiya was the Hero she summoned, and he was far less cautious, adopting the catchphrase “Gonna be okay. Something will work out.” The healer of their party was Tiana, a princess from that world…who happens to have the same eyes, face, and voice as Ristarte.

Things wouldn’t work out for Seiya back then, as his party members were eaten one by one by the Demon Lord, whom he’d insufficiently researched. Tiana meets a particularly grisly doom, as it’s revealed she was with child when the Demon Lord ate her.

Finally, Rista learns that she was Tiana, before she was reborn as a goddess. Neither she nor Seiya retained memories of knowing or fighting each other, but fate brought them back together, and Seiya, knowing he was summoned before and failed, became far more cautious, and hence unwilling to let anyone else die this time around.

It’s a lot for Rista to take in, and Toyosaki Aki does as good a job as she can reacting to it all, but this was an awful lot of exposition, rather inelegantly presented in one big plot-bomb. Regardless, the shift from goofy comedy to serious drama was surprisingly effective, and all the information we learned really does enrich what had initially seemed to be more of a skin deep relationship between Rista and Seiya.

Their history, even if there was no overt memory of it, explains not only why Rista and Seiya are a pair again, but why she’s so devoted, attracted, and at times obsessed with him. One could almost call them soul mates. The issue is, she now knows the truth of their past and he doesn’t, and his overarching mission to defeat the Demon Lord and save Gaeabrande overrides all other considerations.

Of course, Rista isn’t going to let Seiya have his way. She insists on joining up with him, and damn the consequences. Ishtar opens a portal for her, and Eruru and Mash announce they’re coming with her out of solidarity—Seiya saved them, after all. Hopefully, things are gonna be okay, and something will work out.

Oresuki – 12 – The Problem is Ongoing

A week after involving Hose, Cherry, and Tsukimi, the library has been saved. But while the more bustling atmosphere doesn’t bother Pansy, continuing to deal with Hose does. Joro hasn’t figured out a way to help her in this matter, so reaches out to Tampopo.

He’s learned through Asunaro that she’s in love with Hose, and thus worked hard to get Pansy a boyfriend so she’d be off the board. She’s too busy with baseball to visit the library after school, so advises Joro to ask Pansy out immediately.

Joro still isn’t emotionally equipped to do that, and so the problem lingers and becomes more complicated. We learn that Sun-chan’s exchange with Pansy last week was to ask her to be his girlfriend if his team made it to Koushien. In the library, when Joro asks to talk to Pansy she tells him she’s accepted Sun’s offer, to the shock of both Hose and Joro. She also tells Joro to stay away from her…”for a while.”

When Joro meets with Sun-chan, his best friend confirms what Pansy said, adding that he’s been a good best friend thus far, and now it’s Joro’s turn to return the favor and “do what he’s supposed to do.” Tsubaki overhears this and grasps the situation, but Joro is still lost in the weeds.

He stays away from the library, working at Tsubaki’s family’s restaurant, he still gets to interact with her, Himawari, Cosmos, Asunaro, and yes, even Sasanqua (who works up yet more courage to offer support to him, but just can’t quite help herself from going Full Tsundere whilst around him).

Joro rightly considers this to still be a pretty sweet deal, and resigns himself to a Pansy-less life. The thing is, Joro read Pansy wrong in this case, and the ever-reliable Tsubaki is there to set him straight. Pansy may have called him a useless nuisance, but she said that and agreed to Sun’s offer to protect him from getting caught up in her problem.

It’s Joro’s choice whether to get caught up, and the “for a while” (rather than “forever”) was a small SOS to invite Joro to choose to help her despite the trouble. And he does just that, strolling into the library as the arrogant jerk Pansy fell in love with in the first place, just as Hose asks her out in the even Sun’s team doesn’t make the cut.

As expected, the unflincingly loyal Cherry and Tsukimi run interference for Hose, but Joro powers through, and Pansy lets him speak. Joro devises a challenge to Hose, giving each girl one of the excess barrettes Tampopo acquired while trying to win his heart. The barrettes represent votes: the girls should give the barrette to the guy they think should be with Pansy.

Predictably, this backfires for Joro, and he’s the only one who didn’t see it coming. Cosmos, Himawari, and Asunaro give their barrettes to Hose, not Joro, and take the opportunity to profess their love for Joro. Since he gave them the choice, none of them are willing to be runner-up. Cherry and Tsukimi actually inspired them to strive for love and friendship.

Hose also rescinds his friendship with Joro, as he cannot be friends with anyone who would keep him from Pansy. That’s kind of false equivalence, however, as it’s Pansy who doesn’t want to be with Hose, and has made it pretty clear! If Pansy and Joro love each other and want to be a couple the two of them need to break some hearts, full stop.

Hose, Cosmos, Himawari, and Asunaro need to be rejected in no uncertain terms. Sadly, so does Sasanqua, while Joro and Pansy need to clearly define their relationship going forward as one of a boyfriend and girlfriend. There can be no more half-measures creating hope for the others.

Will they take those difficult steps in the series-concluding OVA? One can hope. Joro wants to “leave all rom-coms in the dust.” One surefire way for Oresuki to stand out from a crowd is to have an unambiguous final couple.

RABUJOI’s Anime of the Decade – 10-1 – No Going Back

MERRY CHRISTMAS! Welcome to the final entry in RABUJOI’s Anime of the Decade, a comprehensive and hastily-researched list of the 100 best anime we watched from 2010 to 2019. We attempt to provide one brief statement about each show, based in some cases on very fuzzy recollection and possibly guesses. This list is final. No reviews, no appeals, COMPLETE EXONERATION!—RABUJOI STAFF


10. One Punch Man

Fall 2015

Saitama’s hilarious adventures in boredom and easy victories provided some of the comedic highlights of the decade in this stylishly irreverent parody of hero shows

9. The Promised Neverland

Winter 2019

One of the scariest, tensest, dread-filled series of the decade, as well as one of the best underdog stories, its single season left us gasping to see what became of the poor kids

8. Shingeki no Kyojin 3 Part 2

Spring 2019

In just ten episodes, perhaps more stunning secrets were revealed than in the previous three seasons combined, creating potential the fourth and final season will be hard-pressed to meet

7. Monogatari Series: Second Season

Summer 2013

A giant tiger stalks the town, Araragi battles zombies with an aged-up Mayoi, Nadeko gets tangled up with the Polar Snake, Shinobu regales us with some her centuries-long history, and Hitagi and Kaishou form an uneasy alliance—there’s a little of everything and it’s all excellent

6. Shouwa Genroku Rakugo Shinjuu: Sukeroku Futatabi-hen

Winter 2017

The first season of SGRS was amazing…the second was transcendent

5. Shigatsu wa kimi no uso (Your Lie in April)

Fall 2014

One of the saddest anime of the decade, but also one of the most beautiful, both visually and musically

4. Owarimonogatari Second Season

Summer 2017

While just seven episodes, this second season is the long-awaited culmination of eight years of supernatural stories, and it was worth the wait

3. Made in Abyss

Summer 2017

Very little before or since has quite looked or sounded like Made in Abyss, but even less FELT quite like it. Blending moments of whimsy, wonder and awe with primal horror and cruelty in a richly-detailed, fully-realized fantasy world. Desperately needs a second season to continue the story

2. 3-gatsu no Lion 2 (March Comes In Like A Lion)

Fall 2017

The first season was mostly about the MC’s personal traumas and depression, but the second story spreads out as he learns how to support others, exploring bullying, the struggles of a surrogate mom, and the ravages of old age

1. Steins;Gate

Spring 2011

With its twisting, churning time travel odyssey, central love triangle, and meditations on causality, inevitability, guilt, and obsession, Steins;Gate is the best anime of the decade.