While he’s still quite young, Kal-el Albus has been through a lot in his life. By cruel fate he happened to be the last Crown Prince of the mighty Balsteros empire when it was overthrown by a populist uprising. His father the emperor was guillotined, and the last he saw of his mother, she was being carted off to her death. Her mother, a strong, fiercely kind woman despite her lofty status, begged her son to forgive those who caused him pain and grief, and not let hatred consume him.
In an act of kindness, the warden allowed a commoner to smuggle Carl out of the prison. Carl La Hire officially died with his parents, while Kal-el Albus was born. But he never forgot the girl whose mythical powers of wind manipulation proved decisive in the coup d’état success: Nina Viento. Ignoring her mother’s dying wish out of outrage she had to die at all, Kal has vowed never to forgive Nina.
One would think being the youngest member of a royal family when it meets its demise would be enough to endure, but the universe apparently has more in store for Kal. That’s because the girl he fell for the first day he arrived on Isla; the girl he spends most of his days with training in the skies and enjoying meals together; has a secret of her own: she’s Nina Viento. She also seems to be coming around to realizing who Kal really is before he comes around to realizing who she is.
There’s certainly a foreboding quality to the way the adults of Isla are feverishly whipping the students into shape for a still as-yet unknown threat on the horizon. But for the moment, we’re more interested in what will become of Kal and Claire once their secrets are revealed. We’ve seen Kal’s side of the story, but we’re certain there’s far more to Claire’s side than “She’s Evil.” After all, she was just a kid back then, too.
Rating:7 (Very Good)
About those “larger and more organized attacks” we talked about? They don’t quite arrive this week, as an early-morning strike by Tanpopo and her girls is twarted in the blink of an eye by Kagari; almost too easily. But the focus here is the start of Takamiya’s magic training, and here the episode excels at evoking the awe and wonder inherent in such an exercise. While short-statured and not immensely strong, while wearing the magical garb Kagari personally selected for him, he can leap tremendous heights and even carry her with ease.
But we knew Chronoire Schwarz VI was planning to attack, and this week she finally does, luring Kagari and Takamiya onto a magic bus and quickly paralyzing Kagari. She then puts Takamiya in his first real spot, telling him to swallow something that will extract his mana, or watch his beautiful knight bleed out. But ends up not having to do much, as Kagari is able to overcome her paralysis and destroy Chronoire’s avatar (it’s assumed the body we see isn’t her only one). But he still has the mana-extracting candy, a symbol of the insidious threat Chronoire still poses.
The threat of enemy witches aside, Takamiya is also finding himself particularly hated by everyone in his school, and we mean everyone. There hasn’t been so much as a bawdy male classmate to put Takamiya in a half-nelson for no reason; he’s literally friendless, except for Kagari, which is kind of sad. In this regard, the remainder of the student body is really just one uninteresting character that worships Kagari and curses the one she favors. Though it isn’t as if Takamiya was Mr. Popular before Kagari started doting on him.
The piece-de-resistance this week was the broom-flying lesson, a very majestically-presented scene that surely dulled the effect of the peer-hate for Takamiya. It’s also an opportunity for him to show initiative independent of Kagari, when he summons his own broom to save one of those peers from delinquents—despite not knowing how to fly yet. It proves to be another Tower witch trap that Kagari must swoop in and handle, but we like how Takamiya isn’t going to allow Kagari’s fear of him getting hurt stop him from doing what he feels is the right thing.
Rating:7 (Very Good)
We really liked the one and only version of the Blood franchise we’ve seen, Blood-C. It makes a good first impression with its opening sequence, the visuals of which are cool, confident, and crisp. Plenty of that titular blood factors into the equation, as the heroine Saya practically bathes in it.
All the gory imagery (juxtaposed with more normal life) is accompanied by the brooding “Spiral” by DUSTZ, whose frontman is French-Japanese, which explains the unexpected French lyrics.